40 Jahre Bayern 3

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Der Soundtrack Deines Lebens!

Anmerkung zuletzt geändert am 2011-08-05 10:51 UTC.

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CD 1
Nr.TitelKünstlerBewertungLänge
1Maggie May
Produzent(in):
Rod Stewart
Akustikgitarre:
Martin Quittenton (in 1971)
Bassgitarre, E-Gitarre und zwölfsaitige Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ronnie Wood) (in 1971)
Becken und membranophone:
Micky Waller (in 1971)
Celesta:
Pete Sears (in 1971)
Hammond-Orgel:
Ian McLagan (in 1971)
Mandoline:
Ray Jackson (in 1971) und David Lindley (in 1971)
Sologesang:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
Verfasser(in):
Martin Quittenton und Rod Stewart
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS-affiliated), H. G. Music Inc, Rightsong Music Inc. und Unichappell Music, Inc.
Rod Stewart4.255:15
2American Pie, Part 1
Techniker(in):
Tom Flye
Akustikgitarre und Banjo:
Don McLean (am 1971-05-26)
Bass:
Bob Rothstein (am 1971-05-26)
E-Gitarre:
David Spinozza (am 1971-05-26)
Hybrid-Piano:
Ray Colcord (am 1971-05-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1971-05-26)
Marimba und Vibraphon:
Mike Mainieri (am 1971-05-26)
membranophone und Perkussion:
Roy Markowitz (am 1971-05-26)
Chorgesang:
West 44th Street Rhythm and Noise Choir (am 1971-05-26)
vocals:
Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
recording of:
American Pie (am 1971-05-26)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Publishing Ltd., Songs of Universal, Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), シンコーミュージック・エンタテイメント und ユニバーサル・ミュージック・パブリッシング Synch事業部
Don McLean54:06
3Walk on the Wild Side
Produzent(in):
David Bowie, Lou Reed und Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
E-Bass und Kontrabass:
Herbie Flowers (in 1972-08)
membranophone:
John Halsey (in 1972-08)
Hintergrundgesang:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
Sologesang:
Lou Reed (in 1972-08)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie, Lou Reed und Mick Ronson (British guitarist)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 75), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 180) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 221)
recording of:
Walk on the Wild Side (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
Lou Reed4.154:13
4Candle in the Wind (original version)
Techniker(in):
David Hentschel
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray
E-Gitarre:
Davey Johnstone
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
Hintergrundgesang:
Davey Johnstone, Dee Murray und Nigel Olsson
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich (in 1973-05)
Musikvideos:
Candle in the Wind von Elton John
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 7) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 348)
recording of:
Candle in the Wind (in 1973-05)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
gewidmet:
Marilyn Monroe (US actress, model & singer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Universal‐Songs of PolyGram International, Inc.
Elton John3.653:46
5Sister Golden Hair
assistierende(r) Techniker(in):
Tom Anderson (engineer)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
andere Instrumente:
America (US folk/soft rock band)
Bassgitarre:
David Dickey
Schlagzeug und Perkussion:
Willie Leacox
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975), Warner Music H.K. Ltd. (in 1997) und Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Sister Golden Hair
Texter und Komponist(in):
Gerald Beckley
America4.153:19
6If You Leave Me Now
recording engineer:
Armin Steiner (Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (vom 1976-03 bis 1976-04)
Sologesang:
Peter Cetera (vom 1976-03 bis 1976-04)
Saiteninstrumente arranger und Waldhorn arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Warner Strategic Marketing Inc. (in 1976) und Rhino Entertainment Company (not for release label use!) (in 2002)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Vereinigte Staaten, Sound Labs, Inc. in Hollywood, Los Angeles, California, Vereinigte Staaten (Saiteninstrumente) und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (vom 1976-03 bis 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (vom 1976-03 bis 1976-04)
recording of:
If You Leave Me Now (vom 1976-03 bis 1976-04)
Texter:
Peter Cetera
Komponist(in):
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music und Spirit Music Publishing Ltd.
Chicago4.43:53
7Undercover Angel
Alan O'Day3:31
8Baker Street
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
Gitarre [lead guitar]:
Hugh Burns (in 1977)
Gitarre [rhythm guitar]:
Nigel Jenkins (in 1977)
Keyboard:
Tommy Eyre (in 1977)
Perkussion:
Glen LeFleur (in 1977)
Saxophon:
Raphael Ravenscroft (in 1977)
Schlagzeug:
Henry Spinetti (in 1977)
Sologesang:
Gerry Rafferty (in 1977)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (in 1977)
Bearbeitung von:
Baker Street von Gerry Rafferty
recording of:
Baker Street (in 1977)
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, EMI Music Publishing (do not use as a release label!), Icon Music Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Stage Three Music Publishing Limited und Universal‐Songs of PolyGram International, Inc.
Gerry Rafferty44:04
9Heart of Glass
assistierende(r) Techniker(in):
Grey Russell
Techniker(in):
Peter Coleman (British Engineer & Producer)
assistierende(r) Produzent(in):
Peter Coleman (British Engineer & Producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison
Gitarre:
Frank Infante und Chris Stein
Keyboard:
Jimmy Destri
Schlagzeug:
Clem Burke
vocals:
Deborah Harry
phonographic copyright (℗) by:
Chrysalis (in 1978) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (vom 1978-06 bis 1978-07)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 2), Indie 88: Top 500 Indie Rock Songs (Nummer: 138), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 138) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 255)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Monster Island Music Publishing Corporation, フジパシフィックミュージック und Rare Blue Music Inc (in 1978)
Version von:
Once I Had a Love
Blondie4.63:55
10Matador
recording of:
Matador
Verfasser(in):
Garland Jeffreys
Garland Jeffreys3:35
11Bette Davis Eyes (1997 Digital Remaster)Kim Carnes3:44
12Centerfold (2006 Digital Remaster)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Rondor Music (London) Ltd. und Warner/Chappell Music Ltd. (1996–2019)
J. Geils Band3:36
1399 Luftballons
recording engineer:
Imre Sereg
Produzent(in):
Reinhold Heil (in 1982) und Manfred Praeker (in 1982)
Mix:
Udo Arndt (in 1982)
Bassgitarre:
Jürgen Dehmel
Gitarre:
Carlo Karges
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen
Schlagzeug:
Rolf Brendel
Sologesang:
Nena Kerner (the person, performing solo since 1987)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
aufgenommen bei:
Spliff in Berlin, Deutschland (in 1982)
mixed at:
Audio-Studio in Berlin, Deutschland (in 1982)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 105)
recording of:
99 Luftballons (in 1982)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Uwe Fahrenkrog-Petersen (in 1982)
Nena4.53:50
14Footloose (From the Paramount Film "Footloose")
Produzent(in):
Lee DeCarlo und Kenny Loggins
Bass-Synthesizer:
Michael Boddicker
Bassgitarre:
Nathan East
Gitarre:
Buzz Feiten
Instrumente:
Michael Boddicker
Keyboard:
Neil Larsen und Steven Wood (US soundtrack composer, member of Honk)
Perkussion:
Michael Boddicker und Paulinho da Costa
Schlagzeug:
Tris Imboden
Hintergrundgesang:
Marilyn Dorman, Richey Washington und Steven Wood (US soundtrack composer, member of Honk)
Sologesang:
Kenny Loggins
Remix:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
Texter:
Dean Pitchford
Komponist(in):
Kenny Loggins
publisher:
BMG Music Publishing Ltd., Ensign Music Corporation, Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody), Milk Money Music, Sony/ATV Harmony, Sony/ATV Melody und Sony/ATV Music Publishing Ltd.
Kenny Loggins4.13:46
15Private Dancer
Produzent(in):
Carter
Solo-Gitarre:
Jeff Beck (English rock guitarist)
Sologesang:
Tina Turner
Remix:
Humberto Gatica
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
Texter und Komponist(in):
Mark Knopfler
publisher:
Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) und Universal Music Publishing, Synch Division
Tina Turner3.53:58
16The Way It Is (Edited version)
recording of:
The Way It Is
Texter und Komponist(in):
B.R. Hornsby
publisher:
ソニー・ミュージックパブリッシング A事業部 und Zappo Music (vom 1986 bis heute)
Bruce Hornsby & the Range4.354:04
17(I've Had) The Time of My LifeBill Medley & Jennifer Warnes3.34:46
18Heaven Is a Place on EarthBelinda Carlisle54:06
19Twist in My Sobriety
recording of:
Twist in My Sobriety
Texter und Komponist(in):
Tanita Tikaram
publisher:
Brogue Music und Warner Basart (publisher)
Tanita Tikaram3:54
20It Must Have Been Love
Programmierung und Produzent(in):
Clarence Öfwerman
Techniker(in):
Anders Herrlin und Alar Suurna
Mix:
Humberto Gatica
E-Gitarre [electric guitars]:
Jonas Isacsson (vom 1987 bis 1990)
Keyboard [keyboards] und Synclavier:
Clarence Öfwerman (vom 1987 bis 1990)
Schlagzeug:
Pelle Alsing (vom 1987 bis 1990)
vocals:
Marie Fredriksson (vom 1987 bis 1990) und Per Gessle (Swedish singer and guitarist) (vom 1987 bis 1990)
Remix:
Humberto Gatica
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län, Schweden (vom 1987 bis 1990) und EMI Studios (Stockholm) in Stockholm, Stockholms län, Schweden (vom 1987 bis 1990)
mixed at:
Ground Control Studios in Santa Monica, California, Vereinigte Staaten
recording of:
It Must Have Been Love (vom 1987 bis 1990)
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) und Jimmy Fun Music
Roxette3.154:18
CD 2
Nr.TitelKünstlerBewertungLänge
1Wind of Change
assistierende(r) Techniker(in):
Shay Baby, Attie Bauw, Albert Boekholt und Tom Fletcher (Engineer)
Techniker(in):
Erwin Musper und Keith Olsen (US producer and engineer)
Produzent(in):
Keith Olsen (US producer and engineer) und Scorpions (German rock band)
Mix:
Shay Baby, Erwin Musper und Keith Olsen (US producer and engineer)
Akustikgitarre:
Rudolf Schenker
Bassgitarre:
Francis Buchholz
E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs und Rudolf Schenker
Gast-Keyboard:
Koen van Baal (in 1990)
Perkussion und Schlagzeug:
Herman Rarebell (drummer, Germany)
Slide-Gitarre:
Matthias Jabs
Hintergrundgesang:
Francis Buchholz, Matthias Jabs, Klaus Meine, Herman Rarebell (drummer, Germany) und Rudolf Schenker
Sologesang:
Klaus Meine
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
aufgenommen bei:
Goodnight LA Studios in Van Nuys, California, Vereinigte Staaten und Wisseloord Studios in Hilversum, Noord-Holland, Niederlande, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland, Niederlande, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
Texter und Komponist(in):
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG (2008–present)) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Scorpions3.75:10
2Rhythm Is a Dancer (7" edit)
Produzent(in):
Snap! (dance group; tracks: "The Power" & "Rhythm Is a Dancer")
phonographic copyright (℗) by:
Logic Records (Germany)
recording of:
Rhythm Is a Dancer
Verfasser(in):
Thea Austin, Benito Benites, Butler und John “Virgo” Garrett III
basiert auf:
Automan
Snap!43:39
3I Will Always Love You (Remastered: 2000)
Techniker(in):
David Reitzas, Bill Schnee und Peter Yianilos
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Whitney Houston
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Mix:
David Reitzas
künstlerische Leitung:
Rickey Minor
Solo-Saxophon:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, Vereinigte Staaten
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 3), New York Post: 100 Greatest Covers (2007) (Nummer: 59) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 94)
cover recording of:
I Will Always Love You
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Owepar Publishing Inc. und Velvet Apple Music
Whitney Houston4.54:23
4Jessie (single edit)
recording of:
Jessie (Joshua Kadison song)
Texter und Komponist(in):
Joshua Kadison
Joshua Kadison4:19
5Scatman (Ski-Ba-Bop-Ba-Dop-Bop) (Basic radio)
Produzent(in):
Antonio Nunzio Catania und Ingo Kays
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1994)
recording of:
Scatman (Ski-ba-bop-ba-dop-bop)
Texter und Komponist(in):
Antonio Nunzio Catania und John Larkin
publisher:
BMG UFA (not for release label use! this is a music publisher), Edition Scales, EMI Music Publ. Germany (GmbH & Co. KG) und Iceberg Publ. DK
Scatman John3.653:27
6Wannabe (radio edit)
Assistent recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
Programmierung und Produzent(in):
Richard Stannard und Matt Rowe
Mix:
Mark “Spike” Stent (producer, engineer)
Keyboard:
Richard Stannard und Matt Rowe
Herausgeber:
SSO
recording of:
Wannabe
Verfasser(in):
Melanie Brown, Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe und Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. und Windswept Pacific Music Ltd.
Spice Girls3.852:47
7Un-Break My Heart
Assistent recording engineer:
Brandon Harris (US engineer)
recording engineer:
Felipe Elgueta
Keyboard-Programmierung:
David Foster (Canadian music producer, arranger and composer)
Synclavier-Programmierung:
Simon Franglen (English score composer)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Marnie Riley
Mix:
Mick Guzauski
Akustikgitarre:
Dean Parks (American session guitarist)
E-Gitarre:
Michael Thompson (session guitarist)
Hintergrundgesang:
Toni Braxton und Shanice
Sologesang:
Toni Braxton und Shanice Wilson
arranger:
David Foster (Canadian music producer, arranger and composer), L.A. Reid und Tim Thomas (from Tim & Ted)
phonographic copyright (℗) by:
LaFace Records, Inc. (in 1996)
arranged for und produced for:
Chartmaker, Inc.
aufgenommen bei:
Chartmaker Studios in Malibu, California, Vereinigte Staaten und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Vereinigte Staaten
mixed at:
Barking Doctor in Mount Kisco, New York, Vereinigte Staaten
recording of:
Un-Break My Heart (in 1995)
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) und Realsongs
Toni Braxton3.74:27
8Torn
Produzent(in):
Phil Thornalley
Mix:
Nigel Godrich (English record producer)
Sologesang:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (vom 1997 bis heute)
cover recording of:
Torn
Texter:
Anne Preven
Komponist(in):
Scott Cutler, Anne Preven und Phil Thornalley
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated) und PolyGram Music Publishing Ltd.
Natalie Imbruglia4.14:01
9...Baby One More Time
recording engineer, Produzent(in) und Mix:
Max Martin und Rami (Rami Yacoub)
Bass:
Tomas Lindberg (Swedish bass player)
Gitarre:
Johan Carlberg
Hintergrundgesang:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin und Britney Spears
Sologesang:
Britney Spears
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998)
gemixt für und produced for:
Cheiron Productions
aufgenommen bei und mixed at:
Cheiron Studios in Stockholm, Stockholms län, Schweden
Musikvideos:
…Baby One More Time von Britney Spears, …Baby One More Time (official music video) von Britney Spears, …Baby One More Time (Angle 1) von Britney Spears und …Baby One More Time (Angle 2) von Britney Spears
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 205)
recording of:
…Baby One More Time
Texter und Komponist(in):
Max Martin
publisher:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc., Zomba Enterprises, Inc. und ヤマハミュージックEH(CM)
Teil von:
Freaky Friday (2003)
Britney Spears4.053:30
10Supergirl (radio edit)Reamonn3:50
11Follow Me (radio version)
Uncle Kracker3:35
12Whenever, Wherever
recording engineer:
Gustavo Celis, Alfred Figueroa, Javier Garza und Terry Manning (US recording engineer)
Programmierung:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
assistierende(r) Techniker(in):
Oswald Bowe, Chris Carroll (US engineer, Mantra Recording Studio), Alex Dixon, Jorge Gonzalez (engineer), Roger Gonzalez, Tony Mardini, Nicholas Marshall, Ken Theis und Christine Tramontano
zusätzliche(r) Techniker(in):
Freddy Piñero, Jr.
Koproduzent(in):
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
Produzent(in):
Shakira (Colombian pop vocalist)
Mix:
Javier Garza
Bass:
Paul Bushnell
charango, quena und rondador:
Gustavo Patiño
guitar family:
Tim Pierce (US session guitarist) und Brian Ray
guitar family und Mandoline:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
membranophone:
Brendan Buckley
Perkussion:
Miriam Eli, Emilio Estefan, Jr. und Archie Peña
Hintergrundgesang:
Rita Quintero
Hintergrundgesang und Sologesang:
Shakira (Colombian pop vocalist)
arranger:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) und Shakira (Colombian pop vocalist)
phonographic copyright (℗) by:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 2001)
recording of:
Whenever, Wherever
Texter:
Gloria Estefan und Shakira (Colombian pop vocalist)
Komponist(in):
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) und Shakira (Colombian pop vocalist)
publisher:
Aniwi Music LLC, F.I.P.P. International und Sony/ATV Latin Music Publishing
übersetzte Version von:
Suerte
Shakira3.753:16
13In the Shadows (radio edit)The Rasmus4:13
14Perfekte Welle
Techniker(in):
Oliver Zülch
Produzent(in) und Mix:
Olaf Opal
aufgenommen bei:
Tonstudio Mohrmann in Bochum, Nordrhein-Westfalen, Deutschland (vom 2003-11 bis 2003-12)
mixed at:
Tonstudio Mohrmann in Bochum, Nordrhein-Westfalen, Deutschland (in 2004-01)
recording of:
Perfekte Welle
Texter:
Simon Triebel
Komponist(in):
Andreas "Dedi" Herde und Simon Triebel
publisher:
EMI Music Publishing Germany (GmbH & Co. KG)
Juli4.53:16
15First Day of My Life
Techniker(in):
Chris Laws (engineer, keyboardist & songwriter) (in 2005) und Daniel Martin Pursey (engineer) (in 2005)
Produzent(in):
Richard Flack (producer/engineer) (in 2005)
Mix:
Jeo (in 2005)
recording of:
First Day of My Life (in 2005)
Verfasser(in):
Enrique Iglesias (Spanish pop singer) und Guy Chambers (English songwriter and record producer)
Melanie C34:01
16I Wish I Was a Punk Rocker (With Flowers in My Hair)
leitende(r) Produzent(in):
John McLaughlin (British pop songwriter)
Sologesang:
Sandi Thom
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2005)
aufgenommen bei und mixed at:
Room With a View (UK | Studio in Ringwood) in Ringwood, Hampshire, England, Vereinigtes Königreich
recording of:
I Wish I Was a Punk Rocker (With Flowers in My Hair)
Verfasser(in):
Tom Gilbert und Sandi Thom
Sandi Thom2.52:32
17Summer Wine (single edit)
Koproduzent(in):
Roland Spremberg
Produzent(in) und Mix:
Boogieman (producer)
cover recording of:
Summer Wine
Texter und Komponist(in):
Lee Hazlewood
Ville Valo & Natalia Avelon43:52
18All Summer Long
recording engineer und Mix:
Rob Cavallo, Kid Rock (American singer/rapper) und Al Sutton
Programmierung und Produzent(in):
Kid Rock (American singer/rapper)
Techniker(in):
Al Sutton
Koproduzent(in):
Rob Cavallo
Bassgitarre [bass]:
Aaron Julison
Gitarre [guitars]:
Marlon Young
Klavier:
Billy Powell
Hintergrundgesang:
Thornetta Davis, Andre Jones und Barbara Payton
Sologesang:
Kid Rock (American singer/rapper)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2007)
aufgenommen bei und mixed at:
The Allen Roadhouse in Clarkston, Michigan, Vereinigte Staaten
recording of:
All Summer Long
Verfasser(in):
Kid Rock (American singer/rapper) und Uncle Kracker
basiert auf:
Sweet Home Alabama
basiert auf:
Werewolves of London
Kid Rock3.454:55
19Dance With Somebody
phonographic copyright (℗) by:
Musica de la Santa (in 2009)
recording of:
Dance With Somebody
Texter und Komponist(in):
Björn Dixgård und Gustaf Norén
Mando Diao23:59
20Geboren Um Zu Leben
recording of:
Geboren um zu leben
Texter:
Der Graf
Komponist(in):
Der Graf und Henning Verlage
Unheilig3:48
21Weus'd a Herz Hast Wia a Bergwerk
Claudia Koreck & Fleischi3:13

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ASIN:DE: B004LV1MZQ [Info]