The No. 1 DJ Collection: 60s (Digital Collection)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

Digital Media 1: 60s Volume 1: Number Ones 95 > 121
Digital Media 2: 60s Volume 2: Number Ones 122 > 148
Digital Media 3: 60s Volume 3: Number Ones 149 > 173
Digital Media 4: 60s Volume 4: Number Ones 174 > 198
#TitleArtistRatingLength
1A Hard Day’s Night
recording of:
A Hard Day’s Night
writer:
John Lennon (The Beatles) (from 1964-04-13 until 1964-04-14) and Paul McCartney (The Beatles) (from 1964-04-13 until 1964-04-14)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC and Unart Music Corp.
The Beatles2:28
2Do Wah Diddy Diddy
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 35)
cover recording of:
Do Wah Diddy Diddy
writer:
Jeff Barry and Ellie Greenwich
publisher:
Trio Music Company and Universal‐Songs of PolyGram International, Inc.
Manfred Mann42:23
3Have I the Right
recording of:
Have I the Right (in 1964)
writer:
Alan Blaikley and Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
publisher:
Ivy Music Ltd.
The Honeycombs32:57
4You Really Got Me
producer:
Shel Talmy (in 1964-07)
additional piano:
Perry Ford (in 1964-07)
bass guitar:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
drums (drum set):
Mick Avory (in 1964-07)
guitar [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
guitar [rhythm guitar], harmonica, keyboard and lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
miscellaneous support:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (task: Courtesy of / c/o Celebrity Licensing, Inc.)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1964-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 13), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 82) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 176)
recording of:
You Really Got Me (in 1964-07)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. and Jay Boy
The Kinks4.32:12
5I’m Into Something Good
engineer:
Val Valentin
producer:
Mickie Most (English record producer)
drums (drum set):
Barry Whitwam
electric bass guitar:
Karl Green
guitar:
Keith Hopwood and Derek Leckenby
lead vocals:
Peter Noone (UK singer/songwriter member of Herman's Hermits)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
cover recording of:
I’m Into Something Good
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Herman’s Hermits4.352:33
6Oh Pretty Woman
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
phonographic copyright (℗) by:
Monument Record Corp. (not for release label use!) (in 1964)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (publisher) (in 1972)
Roy Orbison4.32:59
7Always Something There to Remind MeSandie Shaw2:36
8Baby Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
foot stomps [footstomps]:
Mikchael Valvano (on 1964-08-13)
instruments:
The Funk Brothers (on 1964-08-13)
background vocals:
Florence Ballard (on 1964-08-13) and Mary Wilson (on 1964-08-13)
lead vocals:
Diana Ross (on 1964-08-13)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-08-13)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 4), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 324) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 499)
recording of:
Baby Love (on 1964-08-13)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes4.652:36
9Red Rooster
The Rolling Stones3:04
10I Feel Fine
recording of:
I Feel Fine
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC and ソニー・ミュージックパブリッシング A事業部
The Beatles2:18
11Yeh Yeh
Georgie Fame with the Blue Flames2:46
12Go Now
cover recording of:
Go Now
writer:
Larry Banks and Milton Bennett
publisher:
Trio Music Company
The Moody Blues3:11
13You’ve Lost That Lovin’ Feelin’The Righteous Brothers3:41
14Tired of Waiting for You
engineer:
Bob Auger (audio) and Alan McKenzie (engineer)
bass guitar and background vocals:
Pete Quaife (Kinks' bass guitarist)
drums (drum set):
Bobby Graham (UK pop/rock session drummer and producer, 1940-2009)
guitar:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) and Ray Davies (UK singer/songwriter, member of The Kinks)
lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom
recording of:
Tired of Waiting for You
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd. and Jay Boy
The Kinks52:30
15I’ll Never Find Another You
performer:
The Seekers (Australian pop quartet)
recording of:
I'll Never Find Another You (in 1964)
lyricist and composer:
Tom Springfield
The Seekers52:41
16It’s Not Unusual
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.62:00
17The Last Time
recorded in:
Hollywood, Los Angeles, California, United States
engineer:
David Hassinger
producer:
Andrew Loog Oldham
drums (drum set):
Charlie Watts (drummer in The Rolling Stones)
electric bass guitar:
Bill Wyman
guitar:
Brian Jones (Rolling Stones member) and Keith Richards (Rolling Stones guitarist)
tambourine:
Jack Nitzsche (American musician and score composer)
background vocals:
Keith Richards (Rolling Stones guitarist)
lead vocals:
Mick Jagger
arranger:
The Rolling Stones
phonographic copyright (℗) by:
ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 1965)
recording of:
The Last Time
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Westminster Music Ltd.
The Rolling Stones3.853:40
18Concrete and Clay
engineer:
Victor Smith
producer:
John Barker (producer)
performer:
Unit 4+2
recording of:
Concrete and Clay
writer:
Tommy Moeller and Brian Parker
publisher:
Apollo Music Ltd. (UK work publisher), EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Unit 4+23.52:16
19The Minute You’re Gone
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.) and Billy Sherrill (US songwriter/producer/arranger)
vocals:
Cliff Richard
cover recording of:
The Minute You're Gone (1963 song)
lyricist and composer:
Jimmie Gately
recording of:
The Minute You're Gone (1963 song)
lyricist and composer:
Jimmie Gately
Cliff Richard2:19
20Ticket to Ride
recording of:
Ticket to Ride
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI-affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC
The Beatles3:09
21King of the Road
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964-11)
phonographic copyright (℗) by:
Smash (in 1965)
recording of:
King of the Road (in 1964-11)
lyricist:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
composer:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller4.652:27
22Where Are You Now (My Love)
Jackie Trent2:45
23Long Live Love
recording of:
Long Live Love
lyricist and composer:
Chris Andrews (UK singer-songwriter)
Sandie Shaw2:38
24Crying in the Chapel
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-10-30)
double bass:
Bob Moore (U.S. bassist and bandleader)
drums (drum set):
D.J. Fontana (on 1960-10-30) and Buddy Harman (on 1960-10-30)
guitar:
Hank Garland (on 1960-10-30) and Scotty Moore (American guitarist and recording engineer) (on 1960-10-30)
instruments:
Elvis Presley (“The King of Rock and Roll”) (on 1960-10-30)
piano:
Floyd Cramer (on 1960-10-30)
saxophone:
Boots Randolph (on 1960-10-30)
background vocals:
The Jordanaires
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-10-31)
vocals:
Charlie Hodge (on 1960-10-30), The Jordanaires (on 1960-10-30) and Millie Kirkham (on 1960-10-30)
additional performer:
The Jordanaires (on 1960-10-31)
phonographic copyright (℗) by:
BMG Music (in 1965), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1965) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-10-30)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 26)
cover recording of:
Crying in the Chapel (from 1960-10-30 until 1960-10-31)
lyricist and composer:
Artie Glenn (in 1953)
publisher:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. and Mijac Music
Elvis Presley2.752:24
25I’m Alive
The Hollies2:24
Digital Media 5: 60s Volume 5: Number Ones 199 > 220
Digital Media 6: 60s Volume 6: Number Ones 221 > 241
Digital Media 7: 60s Volume 7: Number Ones 242 > 260
Digital Media 8: 60s Volume 8: Number Ones 261 > 280