J.S. Bach, Beethoven, Brahms: Choral Music (1947-1958)

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

Annotation

Part of the Karajan Official Remastered Edition series.

Annotation last modified on 2023-02-04 11:11 UTC.

Tracklist

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▼CD 1: J.S. Bach: Mass in B minor - beginning
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Kyrie. Kyrie eleison (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach12:17
2Mass in B minor, BWV 232: Kyrie. Christe eleison (soprano/contralto)
producer:
Walter Legge (British classical record producer, 1906-1979)
contralto vocals:
Marga Höffgen (contralto) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach6:03
3Mass in B minor, BWV 232: Kyrie. Kyrie eleison (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:16
4Mass in B minor, BWV 232: Gloria. Gloria in excelsis (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:58
5Mass in B minor, BWV 232: Gloria. Laudamus te (soprano)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:48
6Mass in B minor, BWV 232: Gloria. Gratias agimus (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:57
7Mass in B minor, BWV 232: Gloria. Domine Deus (soprano/tenor)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
tenor vocals:
Nicolai Gedda (tenor) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach6:06
8Mass in B minor, BWV 232: Gloria. Qui tollis (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:04
9Mass in B minor, BWV 232: Gloria. Qui sedes (contralto)
producer:
Walter Legge (British classical record producer, 1906-1979)
contralto vocals:
Marga Höffgen (contralto) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:32
10Mass in B minor, BWV 232: Gloria. Quoniam (bass)
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Heinz Rehfuss (baritone) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:26
11Mass in B minor, BWV 232: Gloria. Cum sancto spiritu (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:48
12Mass in B minor, BWV 232: Symbolum Nicenum. Credo in unum Deum (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:47
13Mass in B minor, BWV 232: Symbolum Nicenum. Patrem omnipotentum
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Wiener Singverein
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:03
14Mass in B minor, BWV 232: Symbolum Nicenum. Et in unum Dominum (soprano/contralto)
producer:
Walter Legge (British classical record producer, 1906-1979)
contralto vocals:
Marga Höffgen (contralto) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (conductor) (from 1952-11-28 until 1952-11-30)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:20
▼CD 2: J.S. Bach: Mass in B minor - conclusion, Appendix
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Symbolum Nicenum. Et incarnatus est (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:10
2Mass in B minor, BWV 232: Symbolum Nicenum. Crucifixus (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:46
3Mass in B minor, BWV 232: Symbolum Nicenum. Et resurrexit (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:57
4Mass in B minor, BWV 232: Symbolum Nicenum. Et in Spiritum Sanctum Dominum (bass)
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Heinz Rehfuss (baritone) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach6:37
5Mass in B minor, BWV 232: Symbolum Nicenum. Confiteor (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:37
6Mass in B minor, BWV 232: Symbolum Nicenum. Et exspecto (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:55
7Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Sanctus (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach6:23
8Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Osanna in excelsis (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:42
9Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Benedictus (tenor)
producer:
Walter Legge (British classical record producer, 1906-1979)
tenor vocals:
Nicolai Gedda (tenor) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:47
10Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Osanna in excelsis (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:45
11Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Agnus Dei (contralto)
producer:
Walter Legge (British classical record producer, 1906-1979)
contralto vocals:
Marga Höffgen (contralto) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
conductor:
Herbert von Karajan (conductor) (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 1952-11-23 until 1953-07-16)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach6:59
12Mass in B minor, BWV 232: Sanctus, Osanna, Benedictus & Agnus Dei. Dona nobis pacem (chorus)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
orchestra:
Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
conductor:
Herbert von Karajan (conductor) (from 1952-11-02 until 1952-11-07)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (from 1952-11-02 until 1952-11-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:11
13Mass in B minor, BWV 232: Appendix. Christe eleison (soprano/contralto)
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
contralto vocals:
Kathleen Ferrier (contralto) (on 1950-06-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (conductor) (on 1950-06-15)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1950-06-15)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (on 1950-06-15)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:36
14Mass in B minor, BWV 232: Appendix. Laudamus te (soprano)
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (conductor) (on 1950-06-15)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1950-06-15)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (on 1950-06-15)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:48
15Mass in B minor, BWV 232: Appendix. Qui sedes (contralto)
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
contralto vocals:
Kathleen Ferrier (contralto) (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (conductor) (on 1950-06-15)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1950-06-15)
Johann Sebastian Bach3:40
16Mass in B minor, BWV 232: Appendix. Et in unum Dominum (soprano/contralto)
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
contralto vocals:
Kathleen Ferrier (contralto) (on 1950-06-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (conductor) (on 1950-06-15)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1950-06-15)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (on 1950-06-15)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:19
17Mass in B minor, BWV 232: Appendix. Agnus Dei (contralto)
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
contralto vocals:
Kathleen Ferrier (contralto) (on 1950-06-15)
orchestra:
Wiener Symphoniker (on 1950-06-15)
conductor:
Herbert von Karajan (conductor) (on 1950-06-15)
balance engineer:
Anthony Griffith (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1950-06-15)
Johann Sebastian Bach5:31
▼CD 3: Brahms: Ein deutsches Requiem (1947)
#TitleArtistRatingLength
1Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (Chor) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:46
2Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms15:00
3Ein deutsches Requiem, op. 45: III. Herr, lehre doch mich
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals:
Hans Hotter (German operatic bass-baritone)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich” (Chor, Bariton) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:23
4Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms6:07
5Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Wiener Philharmoniker (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms7:14
6Ein deutsches Requiem, op. 45: VI. Denn wir haben hier keine bleibende Statt
producer:
Walter Legge (British classical record producer, 1906-1979)
bass-baritone vocals:
Hans Hotter (German operatic bass-baritone)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (Chor, Bariton) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms12:42
7Ein deutsches Requiem, op. 45: VII. Selig sind die Toten
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
orchestra:
Wiener Philharmoniker (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
conductor:
Herbert von Karajan (conductor) (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1947-10-20 until 1947-10-22, from 1947-10-27 until 1947-10-29)
recording of:
Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten” (Chor) (from 1947-10-20 until 1947-10-29)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms11:19
▼CD 4: Beethoven: Missa solemnis - beginning (1958)
#TitleArtistRatingLength
1Missa solemnis, op. 123: Kyrie
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
recording of:
Missa Solemnis D-Dur, op. 123: I. Kyrie (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven11:13
2Missa solemnis, op. 123: Gloria. Gloria in excelsis Deo
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: II. Gloria (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven4:50
3Missa solemnis, op. 123: Gloria. Qui tollis
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: II. Gloria (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven5:41
4Missa solemnis, op. 123: Gloria. Quoniam tu solus Sanctus
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: II. Gloria (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven6:49
5Missa solemnis, op. 123: Credo. Credo in unum Deum
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: III. Credo (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven4:45
6Missa solemnis, op. 123: Credo. Et incarnatus est
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: III. Credo (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven6:08
7Missa solemnis, op. 123: Credo. Et resurrexit
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: III. Credo (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven11:27
8Missa solemnis, op. 123: Sanctus. Sanctus
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: IV. Sanctus (from 1958-09-11 until 1958-09-15)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven3:54
9Missa solemnis, op. 123: Sanctus. Praeludium - Benedictus
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: IV. Sanctus (from 1958-09-11 until 1958-09-15)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven13:14
▼CD 5: Beethoven: Missa solemnis - conclusion (1958) / Ah! perfido / Fidelio - Abscheulicher! / Mozart: Ave verum corpus / Richard Strauss: Vier letzte Lieder
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1Missa solemnis, op. 123: Agnus Dei. Agnus Dei
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: V. Agnus Dei (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven6:49
2Missa solemnis, op. 123: Agnus Dei. Dona nobis pacem
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals:
Nicola Zaccaria (operatic bass) (from 1958-09-11 until 1958-09-15)
choir vocals:
Singverein der Gesellschaft der Musikfreunde (from 1958-09-11 until 1958-09-15)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1958-09-11 until 1958-09-15)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1958-09-11 until 1958-09-15)
tenor vocals:
Nicolai Gedda (tenor) (from 1958-09-11 until 1958-09-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1958-09-11 until 1958-09-15)
conductor:
Herbert von Karajan (conductor) (from 1958-09-11 until 1958-09-15)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1958-09-11 until 1958-09-15)
partial recording of:
Missa Solemnis D-Dur, op. 123: V. Agnus Dei (from 1958-09-11 until 1958-09-15)
premiered in:
Sankt-Peterburg, Russia (on 1824-04-07)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa solemnis D-Dur, op. 123
Ludwig van Beethoven9:34
3Ah! perfido, op. 65
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-09-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-09-20)
conductor:
Herbert von Karajan (conductor) (on 1954-09-20)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Neville Boyling (engineer)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-20)
recording of:
Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido" (on 1954-09-20)
lyricist:
Pietro Metastasio
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 65)
Ludwig van Beethoven14:22
4Fidelio: “Abscheulicher!”
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-09-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-09-20)
conductor:
Herbert von Karajan (conductor) (on 1954-09-20)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Neville Boyling (engineer)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-20)
recording of:
Fidelio: Act I. No. 9a Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline) (on 1954-09-20)
composer:
Ludwig van Beethoven (German composer)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
Ludwig van Beethoven2:12
5Fidelio: “Komm, Hoffnung”
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1954-09-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1954-09-20)
conductor:
Herbert von Karajan (conductor) (on 1954-09-20)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) and Neville Boyling (engineer)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (on 1954-09-20)
recording of:
Fidelio: Act I. No. 9b Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco) (on 1954-09-20)
composer:
Ludwig van Beethoven (German composer)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
Ludwig van Beethoven5:32
6Ave verum corpus, K. 618
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Herbert von Karajan (conductor) (on 1955-07-28)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Köchelverzeichnis (original numbering) (number: 618) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 618)
Wolfgang Amadeus Mozart4:12
7Vier letze Lieder: I. Frühling
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1956-06-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-06-20)
conductor:
Herbert von Karajan (conductor) (on 1956-06-20)
balance engineer:
Douglas Larter
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1956-06-20)
live recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (on 1956-06-20)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss3:22
8Vier letze Lieder: III. Beim Schlafengehen
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1956-06-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-06-20)
conductor:
Herbert von Karajan (conductor) (on 1956-06-20)
balance engineer:
Douglas Larter
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1956-06-20)
live recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (on 1956-06-20)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss5:09
9Vier letze Lieder: IV. Im Abendrot
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1956-06-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-06-20)
conductor:
Herbert von Karajan (conductor) (on 1956-06-20)
balance engineer:
Douglas Larter
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1956-06-20)
live recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (on 1956-06-20)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss6:51
10Vier letze Lieder: II. September
producer:
Walter Legge (British classical record producer, 1906-1979)
horn:
Dennis Brain (horn player) (on 1956-06-20)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1956-06-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-06-20)
conductor:
Herbert von Karajan (conductor) (on 1956-06-20)
balance engineer:
Douglas Larter
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 1956-06-20)
live recording of:
Vier letzte Lieder, AV 150: II. „September“ (on 1956-06-20)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-09-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss3:57