5 Great Operas on Deutsche Grammophon & Decca

~ Release by Mozart, Weber, Verdi, Mascagni, Leoncavallo; Solti, Kubelík, Serafin, Karajan (see all versions of this release, 1 available)

Annotation

Box-Set: 5 Great Operas on Deutsche Grammophon & Decca

Annotation last modified on 2022-11-02 17:01 UTC.

Tracklist

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▼Hybrid SACD 1
#TitleArtistRatingLength
1Die Zauberflöte: Ouvertüre
producer:
Christopher Raeburn
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Ouvertüre (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620
Wolfgang Amadeus Mozart7:11
2Die Zauberflöte: Zu Hilfe! Zu Hilfe!
producer:
Christopher Raeburn
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:50
3Die Zauberflöte: Der Vogelfänger bin ich ja
producer:
Christopher Raeburn
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:02
4Die Zauberflöte: Dies Bildnis ist bezaubernd schön
producer:
Christopher Raeburn
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:02
5Die Zauberflöte: O zittre nicht, mein lieber Sohn!
engineer:
James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1969-10)
soprano vocals [Die Königin der Nacht]:
Cristina Deutekom (soprano) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970) and The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:17
6Die Zauberflöte: Hm, hm, hm, hm!
producer:
Christopher Raeburn
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:32
7Die Zauberflöte: Du feines Täubchen, nur herein!
producer:
Christopher Raeburn
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
soprano vocals [Pamina]:
Pilar Lorengar (soprano) (in 1969-10)
tenor vocals [Monostatos]:
Gerhard Stolze (German tenor) (in 1969-10)
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:32
8Die Zauberflöte: Bei Männern, welche Liebe fühlen
producer:
Christopher Raeburn
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
soprano vocals [Pamina]:
Pilar Lorengar (soprano) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970) and The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:14
9Die Zauberflöte: Zum Ziele führt dich diese Bahn
producer:
Christopher Raeburn
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:53
10Die Zauberflöte: Die Weisheitslehre dieser Knaben
producer:
Christopher Raeburn
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. Rezitativ „Die Weisheitslehre dieser Knaben” (Tamino, Coro) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:59
11Die Zauberflöte: Wo willst du, kühner Fremdling hin?
producer:
Christopher Raeburn
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. „Zurück!” … „Zurück?” … „Wo willst du kühner Fremdling hin?” … „O ewige Nacht” (Priester, Tamino) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:56
12Die Zauberflöte: Wie stark ist nicht dein Zauberton
engineer:
James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970) and The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:01
13Die Zauberflöte: Schnelle Füße, rascher Mut
engineer:
James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1969-10)
soprano vocals [Pamina]:
Pilar Lorengar (soprano) (in 1969-10)
tenor vocals [Monostatos]:
Gerhard Stolze (German tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970) and The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:07
14Die Zauberflöte: Es lebe Sarastro! Sarastro soll leben!
producer:
Christopher Raeburn
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1969-10)
soprano vocals [Pamina]:
Pilar Lorengar (soprano) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970) and The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:42
15Die Zauberflöte: Herr, ich bin zwar Verbrecherin
producer:
Christopher Raeburn
bass vocals [Sarastro]:
Martti Talvela (operatic bass) (in 1969-10)
soprano vocals [Pamina]:
Pilar Lorengar (soprano) (in 1969-10)
tenor vocals [Monostatos]:
Gerhard Stolze (German tenor) (in 1969-10)
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970) and The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt I. „Herr, ich bin zwar Verbrecherin” (Pamina, Sarastro) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:34
▼Hybrid SACD 2
#TitleArtistRatingLength
1Die Zauberflöte: Marsch der Priester
producer:
Christopher Raeburn
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:34
2Die Zauberflöte: O Isis und Osiris
producer:
Christopher Raeburn
bass vocals [Sarastro]:
Martti Talvela (operatic bass) (in 1969-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970) and The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:21
3Die Zauberflöte: Eine schreckliche Nacht!
producer:
Christopher Raeburn
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:55
4Die Zauberflöte: Wie? Wie? Wie? Ihr an diesem Schreckensort?
producer:
Christopher Raeburn
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:46
5Die Zauberflöte: Alles fühlt der Liebe Freuden
producer:
Christopher Raeburn
tenor vocals [Monostatos]:
Gerhard Stolze (German tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:35
6Die Zauberflöte: Der Hölle Rache kocht in meinem Herzen
producer:
Christopher Raeburn
soprano vocals [Die Königin der Nacht]:
Cristina Deutekom (soprano) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:09
7Die Zauberflöte: In diesen heil'gen Hallen
producer:
Christopher Raeburn
bass vocals [Sarastro]:
Martti Talvela (operatic bass) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:46
8Die Zauberflöte: Seid uns zum zweitenmal willkommen
producer:
Christopher Raeburn
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:54
9Die Zauberflöte: Ach, ich fühl's, es ist verschwunden
producer:
Christopher Raeburn
soprano vocals [Pamina]:
Pilar Lorengar (soprano) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:45
10Die Zauberflöte: O Isis und Osiris, welche Wonne!
producer:
Christopher Raeburn
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:05
11Die Zauberflöte: Soll ich dich, Teurer, nicht mehr sehn?
producer:
Christopher Raeburn
bass vocals [Sarastro]:
Martti Talvela (operatic bass) (in 1969-10)
soprano vocals [Pamina]:
Pilar Lorengar (soprano) (in 1969-10)
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:58
12Die Zauberflöte: Ein Mädchen oder Weibchen
producer:
Christopher Raeburn
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:04
▼Hybrid SACD 3
#TitleArtistRatingLength
1Die Zauberflöte: Bald prangt, den Morgen zu verkünden
producer:
Christopher Raeburn
soprano vocals [Pamina]:
Pilar Lorengar (soprano) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
partial recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:01
2Die Zauberflöte: Du also bist mein Bräutigam?
producer:
Christopher Raeburn
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": IV. Aria (Bass) "Du bist geboren mir zugute" (in 1969-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
partial recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:21
3Die Zauberflöte: Der, welcher wandelt diese Straße voll Beschwerden
producer:
Christopher Raeburn
soprano vocals [Pamina]:
Pilar Lorengar (soprano) (in 1969-10)
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:12
4Die Zauberflöte: Tamino mein! O welch ein Glück!
producer:
Christopher Raeburn
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1969-10)
soprano vocals [Pamina]:
Pilar Lorengar (soprano) (in 1969-10)
tenor vocals [Tamino]:
Stuart Burrows (tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970) and The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:27
5Die Zauberflöte: Marsch - Wir wandelten durch Feuergluten
producer:
Christopher Raeburn
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:36
6Die Zauberflöte: Papagena! Papagena! Papagena!
producer:
Christopher Raeburn
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:13
7Die Zauberflöte: Pa, Pa, Pa...
engineer:
James Lock (engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn
baritone vocals [Papageno]:
Hermann Prey (baritone) (in 1969-10)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970) and The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:26
8Die Zauberflöte: Nur stille, stille, stille, stille!
producer:
Christopher Raeburn
soprano vocals [Die Königin der Nacht]:
Cristina Deutekom (soprano) (in 1969-10)
tenor vocals [Monostatos]:
Gerhard Stolze (German tenor) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:13
9Die Zauberflöte: Die Strahlen der Sonne vertreiben die Nacht
producer:
Christopher Raeburn
bass vocals [Sarastro]:
Martti Talvela (operatic bass) (in 1969-10)
orchestra:
Wiener Philharmoniker (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-10)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:58
▼Hybrid SACD 4
#TitleArtistRatingLength
1Der Freischütz: Ouvertüre
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
recording of:
Der Freischütz: Ouvertüre (in 1979)
composer:
Carl Maria von Weber (composer)
part of:
Der Freischütz
Carl Maria von Weber10:20
2Der Freischütz: Viktoria! Viktoria! der Meister soll leben
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
recording of:
Der Freischütz: Akt I. Nr. 1. Introduktion „Viktoria, der Meister soll leben!“ (Kilian) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber8:08
3Der Freischütz: Oh, diese Sonne, furchtbar steigt sie mir empor!
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
recording of:
Der Freischütz: Akt I. Nr. 2. Terzett mit Chor „Oh, diese Sonne“ (Max, Kuno, Kaspar, Chor) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber7:19
4Der Freischütz: Walzer
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
partial recording of:
Der Freischütz: Akt I. Nr. 3. Walzer und Arie „Nein, länger trag' ich nicht die Qualen“, „Durch die Wälder, durch die Auen“ (Max) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber2:03
5Der Freischütz: Nein, länger trag ich nicht die Qualen
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
partial recording of:
Der Freischütz: Akt I. Nr. 3. Walzer und Arie „Nein, länger trag' ich nicht die Qualen“, „Durch die Wälder, durch die Auen“ (Max) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber7:54
6Der Freischütz: Hier im ird'schen Jammertal
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
recording of:
Der Freischütz: Akt I. Nr. 4. Lied „Hier im ird'schen Jammertal“ (Kaspar) (Caspar's drinking song) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber3:50
7Der Freischütz: Schweig, schweig, damit dich niemand warnt!
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
recording of:
Der Freischütz: Akt I. Nr. 5. Arie „Schweig, schweig - damit dich niemand warnt!“ (Kaspar) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber3:20
8Der Freischütz: Schelm! Halt fest! Ich will dich's lehren!
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
recording of:
Der Freischütz: Akt II. Nr. 6. Duett „Schelm, halt fest!“ (Agathe, Ännchen) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber5:51
9Der Freischütz: Kommt ein schlanker Bursch gegangen
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
recording of:
Der Freischütz: Akt II. Nr. 7. Ariette „Kommt ein schlanker Bursch gegangen“ (Ännchen) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber4:39
10Der Freischütz: Wie nahte mir der Schlummer ... Leise, leise, fromme Weise
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
recording of:
Der Freischütz: Akt II. Nr. 8. Szene und Arie „Wie nahte mir der Schlummer“ … „Leise, leise …” (Agathe) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber10:12
11Der Freischütz: Wie? Was? Entsetzen!
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
recording of:
Der Freischütz: Akt II. Nr. 9. Terzett „Wie? Was? Entsetzen!“ (Agathe, Ännchen, Max) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber7:24
▼Hybrid SACD 5
#TitleArtistRatingLength
1Der Freischütz: Milch des Mondes fiel aufs Kraut
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
recording of:
Der Freischütz: Akt II. Nr. 10. Finale „Milch des Mondes fiel aufs Kraut!“ (Kaspar, Max, Samiel, Chor) (Szene in der Wolfsschlucht / The Wolfs Glen) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
partial recording of:
Der Freischütz: Akt II. Nr. 10. Finale „Milch des Mondes fiel aufs Kraut!“ (Kaspar, Max, Samiel, Chor) (Szene in der Wolfsschlucht / The Wolfs Glen)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber3:59
2Der Freischütz: Du weisst, daß meine Frist schier abgelaufen ist
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
partial recording of:
Der Freischütz: Akt II (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz
partial recording of:
Der Freischütz: Akt II. Nr. 10. Finale „Milch des Mondes fiel aufs Kraut!“ (Kaspar, Max, Samiel, Chor) (Szene in der Wolfsschlucht / The Wolfs Glen)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber3:00
3Der Freischütz: Ha! Furchtbar gähnt der düstre Abgrund!
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
partial recording of:
Der Freischütz: Akt II (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz
partial recording of:
Der Freischütz: Akt II. Nr. 10. Finale „Milch des Mondes fiel aufs Kraut!“ (Kaspar, Max, Samiel, Chor) (Szene in der Wolfsschlucht / The Wolfs Glen)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber5:43
4Der Freischütz: Schütze, der im Dunkeln wacht!
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
partial recording of:
Der Freischütz: Akt II (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz
partial recording of:
Der Freischütz: Akt II. Nr. 10. Finale „Milch des Mondes fiel aufs Kraut!“ (Kaspar, Max, Samiel, Chor) (Szene in der Wolfsschlucht / The Wolfs Glen)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber4:48
5Der Freischütz: Entr'acte - Hast du noch von den Glückskugeln?
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
recording of:
Der Freischütz: Akt II. Nr. 11. Entre-Akt (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt II
Carl Maria von Weber2:35
6Der Freischütz: Und ob die Wolke sie verhülle
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
recording of:
Der Freischütz: Akt III. Nr. 12. Kavatine „Und ob die Wolke sie verhülle“ (Agathe) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber7:55
7Der Freischütz: Einst träumte meiner sel'gen Base
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
recording of:
Der Freischütz: Akt III. Nr. 13. Romanze, Rezitativ und Arie „Einst träumte meiner sel'gen Base“ (Ännchen) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber7:23
8Der Freischütz: Wir winden dir den Jungfernkranz
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
recording of:
Der Freischütz: Akt III. Nr. 14. Volkslied, Soli und Chor der Brautjungfern „Wir winden dir den Jungfernkranz“ (Chor) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber5:53
9Der Freischütz: Was gleicht wohl auf Erden dem Jägervergnügen
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber3:34
10Der Freischütz: Schaut, o schaut! Er traf die eig'ne Braut!
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
partial recording of:
Der Freischütz: Akt III. Nr. 16. Finale „Schaut, o schaut! Er traf die eigne Braut!“ (Ottokar, Kuno, Max, Kaspar, Agathe, Ännchen, Eremit, Chor) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber5:45
11Der Freischütz: Nur du kannst dieses Rätsel lösen
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
partial recording of:
Der Freischütz: Akt III. Nr. 16. Finale „Schaut, o schaut! Er traf die eigne Braut!“ (Ottokar, Kuno, Max, Kaspar, Agathe, Ännchen, Eremit, Chor) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber3:52
12Der Freischütz: Wer legt auf ihn so strengen Bann?
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1979)
conductor:
Rafael Kubelík (conductor) (in 1979)
chorus master:
Heinz Mende
recorded at:
Herkulessaal in München, Bayern, Germany (in 1979, in 1979-11)
partial recording of:
Der Freischütz: Akt III. Nr. 16. Finale „Schaut, o schaut! Er traf die eigne Braut!“ (Ottokar, Kuno, Max, Kaspar, Agathe, Ännchen, Eremit, Chor) (in 1979)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber8:49
▼Hybrid SACD 6
#TitleArtistRatingLength
1Il trovatore: All'erta! All'erta!
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:51
2Il trovatore: Di due figli vivea padre beato ... Abbietta zingara - Sull'orlo dei tetti
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “Sull'orlo dei tetti” (Ferrando, retainers, soldiers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, retainers, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi6:54
3Il trovatore: Che più t'arresti?
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Ines]:
Armanda Bonato (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:03
4Il trovatore: Tacea la notte placida ... Di tale amor
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Ines]:
Armanda Bonato (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi6:19
5Il trovatore: Tace la notte!
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:55
6Il trovatore: Deserto sulla terra
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:18
7Il trovatore: Non m'inganno. Ella scende! ... Di geloso amor
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte Luna, Leonora, Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Non m'inganno… Infida! Qual voce!” (Conte Luna, Leonora, Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi4:54
8Il trovatore: Vedi! le fosche notturne spoglie
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:57
9Il trovatore: Stride la vampa!
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:46
10Il trovatore: Mesta è la tua canzon!
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
bass vocals [uno zingaro]:
Giuseppe Morresi (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 1. “Mesta è la tua canzon!” (zingari, Azucena, Manrico, uno zingaro) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:53
11Il trovatore: Soli or siamo!
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi0:57
12Il trovatore: Condotta ell'era in ceppi
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi5:13
13Il trovatore: Non son tuo figlio?
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 1. “Non son tuo figlio?” (Manrico, Azucena) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:23
14Il trovatore: Mal reggendo all'aspro assalto
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
tenor vocals [un messo]:
Angelo Mercuriali (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi6:42
15Il trovatore: Tutto è deserto
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:40
16Il trovatore: Il balen del suo sorriso ... Per me, ora fatale
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte Luna, Ferrando, retainers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi5:55
17Il trovatore: Ah! se l'error t'ingombra
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:33
18Il trovatore: Perchè piangete?
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
soprano vocals [Ines]:
Armanda Bonato (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 2. “Perché piangete” ... “O dolci amiche” (Leonora, Ines, Conte Luna, nuns) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:22
19Il trovatore: E deggio, e posso crederlo?
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
soprano vocals [Ines]:
Armanda Bonato (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:35
▼Hybrid SACD 7
#TitleArtistRatingLength
1Il trovatore: Or co' dadi ... Squilli, echeggi la tromba guerriera
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:42
2Il trovatore: In braccio al mio rival!
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:16
3Il trovatore: Giorni poveri vivea
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi5:07
4Il trovatore: Quale d'armi fragor poc'anzi intesi?
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:00
5Il trovatore: Ah! sì, ben mio
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:54
6Il trovatore: L'onda de' suoni mistici
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi0:59
7Il trovatore: Manrico? - Che? - La zingara
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi0:49
8Il trovatore: Di quella pira l'orrendo foco
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:07
9Il trovatore: Siam giunti
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:51
10Il trovatore: D'amor sull'ali rosee
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:22
11Il trovatore: Miserere - Ah! che la morte ognora
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:15
12Il trovatore: Tu vedrai che amore in terra
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Tu vedrai che amore in terra” (Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:17
13Il trovatore: Udiste? Come albeggi
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:00
14Il trovatore: Qual voce! - Mira, di acerbe lagrime ... Virà! Contende il giubilo
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi6:33
15Il trovatore: Madre, non dormi? - Ai nostri monti
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi8:36
16Il trovatore: Che! Non m'inganna quel fioco lume? ... Ha quest' infame l'amor venduto
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 2. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto" (Manrico, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:15
17Il trovatore: Ti scosta! - Non respingermi
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo soprano) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:53
▶Hybrid SACD 8
▶Hybrid SACD 9