Die Zauberflöte

~ Release by Mozart; Streit, Bonney, Jo, Cachemaille, Sigmundsson, Drottningholm Court Theatre Orchestra and Chorus, Arnold Östman (see all versions of this release, 3 available)

Annotation

Sarastro: Kristinn Sigmundsson
Tamino: Kurt Streit
Sprecher: Hakan Hagegard
Erster Priester: Herbert Lippert
Zweiter Priester: Oliver Widmer
Königin der Nacht: Sumi Jo
Königin der Nacht: Chang Min-Ju
Pamina: Barbara Bonney
Erste Dame: Ruth Ziesak
Zweite Dame: Pia Hansen
Dritte Dame: Iris Vermillion
Papageno: Gilles Cachemaille
Papagena: Lillian Watson
Monostatos: Martin Petzold
Erster geharnischter Mann: Robert Wörle
Zweiter geharnischter Mann: Petteri Salomaa
Erster Knabe: Dennis Naseband
Zweiter Knabe: Kai Suzuki
Dritter Knabe: Simon Schnorr
Priester: Arman Tonsöl
Priester: Karl Mottaw
Priester: Hans Randsholdt
Sklave: Helmut Wogh
Sklave: Johanes U. Vorbloem

Annotation last modified on 2020-06-08 13:18 UTC.

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Erster Aufzug. Ouvertüre
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Ouvertüre (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620
Wolfgang Amadeus Mozart6:24
2Die Zauberflöte, K. 620: Erster Aufzug. No. 1. Introduktion: "Zu Hilfe! Zu Hilfe!" (Tamino, Drei Damen)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
mezzo-soprano vocals [Dritte Dame]:
Iris Vermillion (mezzo-soprano) (from 1992-08-03 until 1992-08-13)
mezzo-soprano vocals [Zweite Dame]:
Pia Hansen (mezzo-soprano) (from 1992-08-03 until 1992-08-13)
soprano vocals [Erste Dame]:
Ruth Ziesak (soprano) (from 1992-08-03 until 1992-08-13)
tenor vocals [Tamino]:
Kurt Streit (tenor) (from 1992-08-03 until 1992-08-13)
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:19
3Die Zauberflöte, K. 620: Erster Aufzug. No. 2. Aria "Der Vogelfänger bin ich ja" (Papageno)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
baritone vocals [Papageno]:
Gilles Cachemaille (bass-baritone) (from 1992-08-03 until 1992-08-13)
spoken vocals [Dritte Dame]:
Iris Vermillion (mezzo-soprano) (from 1992-08-03 until 1992-08-13)
spoken vocals [Erste Dame]:
Ruth Ziesak (soprano) (from 1992-08-03 until 1992-08-13)
spoken vocals [Tamino]:
Kurt Streit (tenor) (from 1992-08-03 until 1992-08-13)
spoken vocals [Zweite Dame]:
Pia Hansen (mezzo-soprano) (from 1992-08-03 until 1992-08-13)
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart7:35
4Die Zauberflöte, K. 620: Erster Aufzug. No. 3. Aria "Dies Bildnis ist bezaubernd schön" (Tamino)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Kurt Streit (Tamino) (tenor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:46
5Die Zauberflöte, K. 620: Erster Aufzug. No. 4. Recitativo ed Aria "O zittre nicht, mein lieber Sohn!" ... "Zum Leiden bin ich auserkoren" (Königin der Nacht)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Sumi Jo (Königin der Nacht) (soprano) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:43
6Die Zauberflöte, K. 620: Erster Aufzug. No. 5. Quintetto "Hm! Hm! Hm!" (Papageno, Tamino, Drei Damen))
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Gilles Cachemaille (Papageno) (bass-baritone) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:45
7Die Zauberflöte, K. 620: Erster Aufzug. No. 6. Terzetto "Du feines Täubchen, nur herein" (Monostatos, Pamina, Papageno)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Martin Petzold (Monostatos) (tenor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:06
8Die Zauberflöte, K. 620: Erster Aufzug. No. 7. Duetto "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Barbara Bonney (Pamina) (soprano) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:44
9Die Zauberflöte, K. 620: Erster Aufzug. No. 8. Finale "Zum Ziele führt dich diese Bahn" (Drei Knaben, Tamino)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:35
10Die Zauberflöte, K. 620: Erster Aufzug. No. 8. Finale "Die Weisheitslehre dieser Knaben" (Tamino, Stimmen)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Kurt Streit (Tamino) (tenor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt I. Rezitativ „Die Weisheitslehre dieser Knaben” (Tamino, Coro) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:11
11Die Zauberflöte, K. 620: Erster Aufzug. No. 8. Finale "Wo willst du kühner Fremdling hin?" (Sprecher, Tamino)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Håkan Hagegård (Sprecher) (baritone) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt I. „Zurück!” … „Zurück?” … „Wo willst du kühner Fremdling hin?” … „O ewige Nacht” (Priester, Tamino) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:48
12Die Zauberflöte, K. 620: Erster Aufzug. No. 8. Finale "Wie stark ist nicht dein Zauberton" (Tamino)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Kurt Streit (Tamino) (tenor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:45
13Die Zauberflöte, K. 620: Erster Aufzug. No. 8. Finale "Schnelle Füße, rascher Mut" (Pamina, Papageno, Monostatos, Chor)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Barbara Bonney (Pamina) (soprano) (from 1992-08-03 until 1992-08-13) and Gilles Cachemaille (Papageno) (bass-baritone) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:03
14Die Zauberflöte, K. 620: Erster Aufzug. No. 8. Finale "Es lebe Sarastro! Sarastro soll leben!" (Chor)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:37
15Die Zauberflöte, K. 620: Erster Aufzug. No. 8. Finale "Herr, ich bin zwar Verbrecherin" (Pamina, Sarastro, Monostatos, Tamino, Chor)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Barbara Bonney (Pamina) (soprano) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt I. „Herr, ich bin zwar Verbrecherin” (Pamina, Sarastro) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:03
16Die Zauberflöte, K. 620: Zweiter Aufzug. No. 9. Marsch der Priester
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:38
17Die Zauberflöte, K. 620: Zweiter Aufzug. No. 10. Aria con coro "O Isis und Osiris" (Sarastro, Chor)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:46
▼CD 2
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Zweiter Aufzug. Dialog "Eine schreckliche Nacht!"
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Kurt Streit (Tamino) (tenor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:08
2Die Zauberflöte, K. 620: Zweiter Aufzug. No. 11. Duet "Bewahret euch vor Weibertücken" (Zwei Priester)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:08
3Die Zauberflöte, K. 620: Zweiter Aufzug. No. 12. Quintetto "Wie? Wie? Wie?" (Drei Damen, Papageno, Tamino)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:16
4Die Zauberflöte, K. 620: Zweiter Aufzug. No. 13. Aria "Alles fühlt der Liebe Freuden" (Monostatos)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Martin Petzold (Monostatos) (tenor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:49
5Die Zauberflöte, K. 620: Zweiter Aufzug. No. 14. Aria "Der Hölle Rache kocht in meinem Herzen" (Königin der Nacht)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Sumi Jo (Königin der Nacht) (soprano) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:30
6Die Zauberflöte, K. 620: Zweiter Aufzug. No. 15. Aria "In diesen heil'gen Hallen" (Sarastro)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Kristinn Sigmundsson (Sarastro) (operatic bass) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:18
7Die Zauberflöte, K. 620: Zweiter Aufzug. No. 16. Terzetto "Seid uns zum zweiten Mal willkommen" (Drei Knaben)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Gilles Cachemaille (Papageno) (bass-baritone) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:06
8Die Zauberflöte, K. 620: Zweiter Aufzug. No. 17. Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Barbara Bonney (Pamina) (soprano) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:16
9Die Zauberflöte, K. 620: Zweiter Aufzug. No. 18. Chorus "O Isis und Osiris, welche Wonne!" (Chor)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:04
10Die Zauberflöte, K. 620: Zweiter Aufzug. No. 19. Terzetto "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Barbara Bonney (Pamina) (soprano) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:54
11Die Zauberflöte, K. 620: Zweiter Aufzug. No. 20. Aria "Ein Mädchen oder Weibchen" (Papageno)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Gilles Cachemaille (Papageno) (bass-baritone) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:25
12Die Zauberflöte, K. 620: Zweiter Aufzug. No. 21. Finale "Bald prangt, den Morgen zu verkünden" (Drei Knaben)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Gilles Cachemaille (Papageno) (bass-baritone) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:37
13Die Zauberflöte, K. 620: Zweiter Aufzug. No. 21. Finale "Du also bist mein Bräutigam?" (Pamina, Drei Knaben)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Barbara Bonney (Pamina) (soprano) (from 1992-08-03 until 1992-08-13) and Gilles Cachemaille (Papageno) (bass-baritone) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
partial recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:07
14Die Zauberflöte, K. 620: Zweiter Aufzug. No. 21. Finale "Der, welcher wandelt diese Straße" (Zwei Geharnischte Männer, Tamino, Pamina)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:40
15Die Zauberflöte, K. 620: Zweiter Aufzug. No. 21. Finale "Tamino mein! O welch ein Glück!" (Pamina, Tamino, Zwei Geharnischte Männer)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Barbara Bonney (Pamina) (soprano) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:38
16Die Zauberflöte, K. 620: Zweiter Aufzug. No. 21. Finale "Wir wandelten durch Feuersgluten" (Tamino, Pamina, Chor)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Barbara Bonney (Pamina) (soprano) (from 1992-08-03 until 1992-08-13) and Kurt Streit (Tamino) (tenor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:32
17Die Zauberflöte, K. 620: Zweiter Aufzug. No. 21. Finale "Papagena! Papagena! Papagena!" (Papageno, Drei Knaben)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Gilles Cachemaille (Papageno) (bass-baritone) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:19
18Die Zauberflöte, K. 620: Zweiter Aufzug. No. 21. Finale "Pa-Pa-Pa" (Papageno, Papagena)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Gilles Cachemaille (Papageno) (bass-baritone) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:28
19Die Zauberflöte, K. 620: Zweiter Aufzug. No. 21. Finale "Nur stille, stille , stille" (Monostatos, Königin der Nacht, Drei Damen)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Martin Petzold (Monostatos) (tenor) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:00
20Die Zauberflöte, K. 620: Zweiter Aufzug. No. 21. Finale "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro, Chor)
recording engineer:
John Dunkerley (engineer) (from 1992-08-03 until 1992-08-13) and Jonathan Stokes (engineer) (from 1992-08-03 until 1992-08-13)
producer:
Michael Haas (classical music producer), Peter Wadland and Morten Winding
orchestra:
Drottningholm Court Theatre Orchestra (from 1992-08-03 until 1992-08-13)
conductor:
Arnold Östman (Swedish conductor) (from 1992-08-03 until 1992-08-13)
performer:
Kristinn Sigmundsson (Sarastro) (operatic bass) (from 1992-08-03 until 1992-08-13)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1993)
recorded at:
Nacka Aula in Nacka municipality, Stockholms län, Sweden (from 1992-08-03 until 1992-08-13)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (from 1992-08-03 until 1992-08-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:44

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Release

art direction:Georgina Curtis (design, graphics, usu. for WLP Ltd.)
miscellaneous support:Helmut Wogh (task: dialogue coach)
editor:Timothy Bull
additional conductor:Mark Tatlow
part of:The Opera Company (Decca Classics) (order: 5)
Discogs:https://www.discogs.com/release/9434057 [info]