L.A. Is My Lady

~ Release by Frank Sinatra with Quincy Jones and Orchestra (see all versions of this release, 6 available)

Tracklist

▼CD 1
#TitleRatingLength
1L.A. Is My Lady
recorded in:
New York, New York, United States (on 1984-04-13)
recording engineer:
Phil Ramone (on 1984-04-13)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
percussion:
Ralph MacDonald (on 1984-04-13)
solo electric piano:
Bob James (US jazz keyboardist, arranger and producer) (on 1984-04-13)
solo guitar:
George Benson (jazz guitarist/singer) (on 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-13)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-13)
conductor:
Quincy Jones (on 1984-04-13)
arranger:
Jerry Hey, Quincy Jones, Dave Matthews (of Dave Matthews Band) and Torrie Zito
recording of:
L.A. Is My Lady (on 1984-04-13)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Quincy Jones and Peggy Lipton
publisher:
Rashida Music, Threesome Music Company and Yellowbrick Road Music
53:16
2The Best of Everything
recorded in:
New York, New York, United States (on 1984-04-16)
recording engineer and mixer:
Phil Ramone
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
solo alto saxophone:
Frank Wess (on 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-16)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-16)
conductor:
Quincy Jones (on 1984-04-16)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
The Best of Everything (from 1984-04-13 until 1984-05-17)
lyricist:
Fred Ebb
composer:
John Kander
publisher:
Fiddleback Music Publishing Co., Inc. and Kander & Ebb, Inc.
recording of:
The Best of Everything (on 1984-04-16)
lyricist:
Fred Ebb
composer:
John Kander
publisher:
Fiddleback Music Publishing Co., Inc. and Kander & Ebb, Inc.
2:49
3How Do You Keep the Music Playing
recorded in:
New York, New York, United States (on 1984-04-17)
recording engineer:
Phil Ramone (on 1984-04-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
piano:
Joe Parnello (American pianist, conductor and arranger) (on 1984-04-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-17)
conductor:
Quincy Jones (on 1984-04-17)
arranger:
Joe Parnello (American pianist, conductor and arranger)
cover recording of:
How Do You Keep the Music Playing? (from 1984-04-13 until 1984-05-17)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (1929–2019) (in 1982)
cover recording of:
How Do You Keep the Music Playing? (on 1984-04-17)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (1929–2019) (in 1982)
3:56
4Teach Me Tonight
recorded in:
New York, New York, United States (on 1984-04-17)
recording engineer:
Phil Ramone (on 1984-04-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-17)
conductor:
Quincy Jones (on 1984-04-17)
arranger:
Torrie Zito
cover recording of:
Teach Me Tonight (from 1984-04-13 until 1984-05-17)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Company, Hub Music Co Inc, ティー・アール・オー・エセックス・ジャパン A事業部, 日音 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
cover recording of:
Teach Me Tonight (on 1984-04-17)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Company, Hub Music Co Inc, ティー・アール・オー・エセックス・ジャパン A事業部, 日音 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:49
5It’s All Right With Me
recorded in:
New York, New York, United States (on 1984-04-16)
recording engineer:
Phil Ramone (on 1984-04-16)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo guitar:
George Benson (jazz guitarist/singer) (on 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-16)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-16)
conductor:
Quincy Jones (on 1984-04-16)
arranger:
Sammy Nestico
cover recording of:
It’s All Right with Me (Can‐Can musical) (on 1984-04-16)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
2:43
6Mack the Knife
recorded in:
Los Angeles, California, United States (on 1986-10-30)
recording engineer and mixer:
Phil Ramone
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
solo guitar:
George Benson (jazz guitarist/singer) (on 1986-10-30)
solo trombone:
Urbie Green (on 1986-10-30)
solo trumpet [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (on 1986-10-30)
vibraphone [vibes]:
Lionel Hampton (on 1986-10-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1986-10-30)
orchestra and performer:
Quincy Jones and His Orchestra (on 1986-10-30)
conductor:
Quincy Jones (on 1986-10-30)
arranger:
Frank Foster (saxophonist)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (on 1986-10-30)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
4:55
7Until the Real Thing Comes Along
recorded in:
New York, New York, United States (on 1984-04-13)
recording engineer:
Phil Ramone (on 1984-04-13)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo trumpet [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (on 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-13)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-13)
conductor:
Quincy Jones (on 1984-04-13)
arranger:
Sammy Nestico
cover recording of:
Until the Real Thing Comes Along (on 1984-04-13)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
3:07
8Stormy Weather
recorded in:
Los Angeles, California, United States (on 1984-05-17)
recording engineer:
Steve Crimmel (on 1984-05-17), Mark Ettel (on 1984-05-17) and Phil Ramone (on 1984-05-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo guitar:
Lee Ritenour (on 1984-05-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-05-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-05-17)
conductor:
Quincy Jones (on 1984-05-17)
arranger:
Sammy Nestico
cover recording of:
Stormy Weather (from 1984-04-13 until 1984-05-17)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
cover recording of:
Stormy Weather (on 1984-05-17)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
3:42
9If I Should Lose You
recorded in:
New York, New York, United States (on 1984-04-17)
recording engineer:
Phil Ramone (from 1984-04-13 until 1984-05-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-17)
conductor:
Quincy Jones (on 1984-04-17)
arranger:
Sammy Nestico
cover recording of:
If I Should Lose You (from 1984-04-13 until 1984-05-17)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
cover recording of:
If I Should Lose You (on 1984-04-17)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
2:41
10A Hundred Years From Today
recorded in:
New York, New York, United States (on 1984-04-16)
recording engineer:
Phil Ramone (on 1984-04-16)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo trombone:
Urbie Green (on 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-16)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-16)
conductor:
Quincy Jones (on 1984-04-16)
arranger:
Sammy Nestico
cover recording of:
A Hundred Years From Today (from 1984-04-13 until 1984-05-17)
lyricist:
Ned Washington and Joe Young (US lyricist)
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Warock Corp.
cover recording of:
A Hundred Years From Today (on 1984-04-16)
lyricist:
Ned Washington and Joe Young (US lyricist)
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Warock Corp.
3:10
11After You’ve Gone
recorded in:
New York, New York, United States (on 1984-04-13)
recording engineer:
Phil Ramone (on 1984-04-13)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
guitar:
George Benson (jazz guitarist/singer) (on 1984-04-13)
solo vibraphone [Vibes]:
Lionel Hampton (on 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-13)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-13)
conductor:
Quincy Jones (on 1984-04-13)
arranger:
Frank Foster (saxophonist)
cover recording of:
After You’ve Gone (on 1984-04-13)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
3:18