De temporum fine comoedia

~ Release by Orff; Kölner Rundfunk-Sinfonie-Orchester, Herbert von Karajan (see all versions of this release, 1 available)

Annotation

SubOptimalCredits

Organ recorded 1973.7 at Ev. Christus-Kirche (Leverkusen-Wiesdorf)

ISRC per work (same for all tracks): DEF057303120

Annotation last modified on 2019-12-17 08:00 UTC.

Tracklist

▼CD 1
#TitleArtistRatingLength
1De temporum fine comoedia: I. Die Sibyllen. “Heis theós estin anarchos, hypermegéthaes, agénaetos”
producer:
Hans Weber (producer/engineer)
solo contralto vocals:
Gwendolyn Killebrew (contralto) (from 1973-07-16 until 1973-07-21)
solo mezzo-soprano vocals:
Heljä Angervo (from 1973-07-16 until 1973-07-21) and Glenys Linos (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo soprano vocals:
Kay Griffel (American soprano) (from 1973-07-16 until 1973-07-21), Colette Lorand (soprano) (from 1973-07-16 until 1973-07-21), Kari Lövaas (Norwegian soprano) (from 1973-07-16 until 1973-07-21), Jane Marsh (soprano) (from 1973-07-16 until 1973-07-21) and Anna Tomowa‐Sintow (soprano) (on 1973-07-21)
spoken vocals:
Sylvia Anderson (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: I. Die Sibyllen. "Heis theós estin anarchos, hypermegéthaes, agénaetos" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff7:09
2De temporum fine comoedia: I. Die Sibyllen. “Opse theū g’aléūsi myloi”
producer:
Hans Weber (producer/engineer)
solo contralto vocals:
Gwendolyn Killebrew (contralto) (from 1973-07-16 until 1973-07-21)
solo mezzo-soprano vocals:
Heljä Angervo (from 1973-07-16 until 1973-07-21) and Glenys Linos (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo soprano vocals:
Kay Griffel (American soprano) (from 1973-07-16 until 1973-07-21), Colette Lorand (soprano) (from 1973-07-16 until 1973-07-21), Kari Lövaas (Norwegian soprano) (from 1973-07-16 until 1973-07-21), Jane Marsh (soprano) (from 1973-07-16 until 1973-07-21) and Anna Tomowa‐Sintow (soprano) (on 1973-07-21)
spoken vocals:
Sylvia Anderson (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: I. Die Sibyllen. "Opse theü g'aléüsi myloi" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff3:18
3De temporum fine comoedia: I. Die Sibyllen. “Pasin homū nyx estin isae tois plūton echusin kai ptochois”
producer:
Hans Weber (producer/engineer)
solo contralto vocals:
Gwendolyn Killebrew (contralto) (from 1973-07-16 until 1973-07-21)
solo mezzo-soprano vocals:
Heljä Angervo (from 1973-07-16 until 1973-07-21) and Glenys Linos (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo soprano vocals:
Kay Griffel (American soprano) (from 1973-07-16 until 1973-07-21), Colette Lorand (soprano) (from 1973-07-16 until 1973-07-21), Kari Lövaas (Norwegian soprano) (from 1973-07-16 until 1973-07-21), Jane Marsh (soprano) (from 1973-07-16 until 1973-07-21) and Anna Tomowa‐Sintow (soprano) (on 1973-07-21)
spoken vocals:
Sylvia Anderson (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: I. Die Sibyllen. "Pasin homü nyx estin isae tois plüton echusin kai ptochois" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff8:49
4De temporum fine comoedia: I. Die Sibyllen. “Choneusó gar hapanta kai eis katharón dialéxo”
producer:
Hans Weber (producer/engineer)
solo contralto vocals:
Gwendolyn Killebrew (contralto) (from 1973-07-16 until 1973-07-21)
solo mezzo-soprano vocals:
Heljä Angervo (from 1973-07-16 until 1973-07-21) and Glenys Linos (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo soprano vocals:
Kay Griffel (American soprano) (from 1973-07-16 until 1973-07-21), Colette Lorand (soprano) (from 1973-07-16 until 1973-07-21), Kari Lövaas (Norwegian soprano) (from 1973-07-16 until 1973-07-21), Jane Marsh (soprano) (from 1973-07-16 until 1973-07-21) and Anna Tomowa‐Sintow (soprano) (on 1973-07-21)
spoken vocals:
Sylvia Anderson (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: I. Die Sibyllen. "Choneusó gar hapanta kai eis katharón dialéxo" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff3:01
5De temporum fine comoedia: I. Die Sibyllen. “Vae! Ibunt impii in gehennam ignis eterni”
producer:
Hans Weber (producer/engineer)
solo contralto vocals:
Gwendolyn Killebrew (contralto) (from 1973-07-16 until 1973-07-21)
solo mezzo-soprano vocals:
Heljä Angervo (from 1973-07-16 until 1973-07-21) and Glenys Linos (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo soprano vocals:
Kay Griffel (American soprano) (from 1973-07-16 until 1973-07-21), Colette Lorand (soprano) (from 1973-07-16 until 1973-07-21), Kari Lövaas (Norwegian soprano) (from 1973-07-16 until 1973-07-21), Jane Marsh (soprano) (from 1973-07-16 until 1973-07-21) and Anna Tomowa‐Sintow (soprano) (on 1973-07-21)
spoken vocals:
Sylvia Anderson (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: I. Die Sibyllen. "Vae! Ibunt impii in gehennam ignis eterni" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff0:58
6De temporum fine comoedia: II. Die Anachoreten. “Upote, maepote, maepu, maedépote … ignis eterni immensa tormenta”
producer:
Hans Weber (producer/engineer)
solo baritone vocals:
Wolfgang Anheisser (from 1973-07-16 until 1973-07-21), Hans Helm (baritone) (from 1973-07-16 until 1973-07-21) and Hermann Patzalt (German baritone) (from 1973-07-16 until 1973-07-21)
solo bass vocals:
Boris Carmeli (from 1973-07-16 until 1973-07-21) and Anton Diakov (Bulgarian operatic bass) (from 1973-07-16 until 1973-07-21)
solo bass-baritone vocals:
Siegfried Rudolf Frese (German operatic bass-baritone) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: II. Die Anachoreten. "Upote, maepote, maepu, maedépote... ignis eterni immensa tormenta" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff3:25
7De temporum fine comoedia: II. Die Anachoreten. “Unos solus Deus ab aeterno in aeternum”
producer:
Hans Weber (producer/engineer)
solo baritone vocals:
Wolfgang Anheisser (from 1973-07-16 until 1973-07-21), Hans Helm (baritone) (from 1973-07-16 until 1973-07-21) and Hermann Patzalt (German baritone) (from 1973-07-16 until 1973-07-21)
solo bass vocals:
Boris Carmeli (from 1973-07-16 until 1973-07-21) and Anton Diakov (Bulgarian operatic bass) (from 1973-07-16 until 1973-07-21)
solo bass-baritone vocals:
Siegfried Rudolf Frese (German operatic bass-baritone) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: II. Die Anachoreten. "Unos solus Deus ab aeterno in aeternum" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff2:35
8De temporum fine comoedia: II. Die Anachoreten. “Nicht Satanas … nicht Lucifer … damnatus nunquam condemnatus in aeternam”
producer:
Hans Weber (producer/engineer)
solo baritone vocals:
Wolfgang Anheisser (from 1973-07-16 until 1973-07-21), Hans Helm (baritone) (from 1973-07-16 until 1973-07-21) and Hermann Patzalt (German baritone) (from 1973-07-16 until 1973-07-21)
solo bass vocals:
Boris Carmeli (from 1973-07-16 until 1973-07-21) and Anton Diakov (Bulgarian operatic bass) (from 1973-07-16 until 1973-07-21)
solo bass-baritone vocals:
Siegfried Rudolf Frese (German operatic bass-baritone) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: II. Die Anachoreten. "Nicht Satanas... nicht Lucifer... damnatus nunquam condemnatus in aeternam" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff1:01
9De temporum fine comoedia: II. Die Anachoreten. “Mundus terrenus volvitur”
producer:
Hans Weber (producer/engineer)
solo baritone vocals:
Wolfgang Anheisser (from 1973-07-16 until 1973-07-21), Hans Helm (baritone) (from 1973-07-16 until 1973-07-21) and Hermann Patzalt (German baritone) (from 1973-07-16 until 1973-07-21)
solo bass vocals:
Boris Carmeli (from 1973-07-16 until 1973-07-21) and Anton Diakov (Bulgarian operatic bass) (from 1973-07-16 until 1973-07-21)
solo bass-baritone vocals:
Siegfried Rudolf Frese (German operatic bass-baritone) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: II. Die Anachoreten. "Mundus terrenus volvitur" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff4:12
10De temporum fine comoedia: II. Die Anachoreten. “Wann endet die Zeit?”
producer:
Hans Weber (producer/engineer)
solo baritone vocals:
Wolfgang Anheisser (from 1973-07-16 until 1973-07-21), Hans Helm (baritone) (from 1973-07-16 until 1973-07-21) and Hermann Patzalt (German baritone) (from 1973-07-16 until 1973-07-21)
solo bass vocals:
Boris Carmeli (from 1973-07-16 until 1973-07-21) and Anton Diakov (Bulgarian operatic bass) (from 1973-07-16 until 1973-07-21)
solo bass-baritone vocals:
Siegfried Rudolf Frese (German operatic bass-baritone) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: II. Die Anachoreten. "Wann endet die Zeit?" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff1:15
11De temporum fine comoedia: II. Die Anachoreten. “Gott, schenk uns Wahrsagung, Weissagung, Hellsicht im Traum. Gott, schenk uns den Traum”
producer:
Hans Weber (producer/engineer)
solo baritone vocals:
Wolfgang Anheisser (from 1973-07-16 until 1973-07-21), Hans Helm (baritone) (from 1973-07-16 until 1973-07-21) and Hermann Patzalt (German baritone) (from 1973-07-16 until 1973-07-21)
solo bass vocals:
Boris Carmeli (from 1973-07-16 until 1973-07-21) and Anton Diakov (Bulgarian operatic bass) (from 1973-07-16 until 1973-07-21)
solo bass-baritone vocals:
Siegfried Rudolf Frese (German operatic bass-baritone) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: II. Die Anachoreten. "Gott, schenk uns Wahrsagung, Weissagung, Hellsicht im Traum. Gott, schenk uns den Traum" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff4:00
12De temporum fine comoedia: III. “Dies illa”. “Wo irren wir hin, verlosen, verlassen”
producer:
Hans Weber (producer/engineer)
bass vocals:
Josef Greindl (operatic bass) (from 1973-07-16 until 1973-07-21)
solo contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo tenor vocals:
Peter Schreier (german tenor and conductor) (from 1973-07-16 until 1973-07-21)
spoken vocals:
Rolf Boysen (German actor) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: III. "Dies Illa". "Wo irren wir hin, verlosen, verlassen" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff6:39
13De temporum fine comoedia: III. “Dies illa”. “Kyrie" / “Serva nos, salva nos, eripe nos!”
producer:
Hans Weber (producer/engineer)
bass vocals:
Josef Greindl (operatic bass) (from 1973-07-16 until 1973-07-21)
solo contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo tenor vocals:
Peter Schreier (german tenor and conductor) (from 1973-07-16 until 1973-07-21)
spoken vocals:
Rolf Boysen (German actor) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: III. "Dies Illa". "Kyrie" / "Serva nos, salva nos, eripe nos!" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff1:24
14De temporum fine comoedia: III. “Dies illa”. “Angor, timor, horror, terror ac pavor invadit omnes”
producer:
Hans Weber (producer/engineer)
bass vocals:
Josef Greindl (operatic bass) (from 1973-07-16 until 1973-07-21)
solo contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo tenor vocals:
Peter Schreier (german tenor and conductor) (from 1973-07-16 until 1973-07-21)
spoken vocals:
Rolf Boysen (German actor) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: III. "Dies Illa". "Angor, timor, horror, terror ac pavor invadit omnes" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff2:58
15De temporum fine comoedia: III. “Dies illa”. “Omne genus daemoniorum caecorum, claudorum sive confusorum, attendite iussum meorum et vocationem verborum”
producer:
Hans Weber (producer/engineer)
bass vocals:
Josef Greindl (operatic bass) (from 1973-07-16 until 1973-07-21)
solo contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo tenor vocals:
Peter Schreier (german tenor and conductor) (from 1973-07-16 until 1973-07-21)
spoken vocals:
Rolf Boysen (German actor) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: III. "Dies Illa". "Omne genus daemoniorum caecorum, claudorum sive confusorum, attendite iussum meorum et vocationem verborum" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff1:35
16De temporum fine comoedia: III. “Dies illa”. “Vae, Portae Inferi oculus aspicit nos tenebrarius tenebris”
producer:
Hans Weber (producer/engineer)
bass vocals:
Josef Greindl (operatic bass) (from 1973-07-16 until 1973-07-21)
solo contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo tenor vocals:
Peter Schreier (german tenor and conductor) (from 1973-07-16 until 1973-07-21)
spoken vocals:
Rolf Boysen (German actor) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: III. "Dies Illa". "Vae, Portae Inferi oculus aspicit nos tenebrarius tenebris" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff0:53
17De temporum fine comoedia: III. “Dies illa”. “Pater peccavi”
producer:
Hans Weber (producer/engineer)
bass vocals:
Josef Greindl (operatic bass) (from 1973-07-16 until 1973-07-21)
solo contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo tenor vocals:
Peter Schreier (german tenor and conductor) (from 1973-07-16 until 1973-07-21)
spoken vocals:
Rolf Boysen (German actor) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: III. "Dies Illa". "Pater peccavi" (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff4:35
18De temporum fine comoedia: III. “Dies illa”. Con sublima spiritualità
producer:
Hans Weber (producer/engineer)
bass vocals:
Josef Greindl (operatic bass) (from 1973-07-16 until 1973-07-21)
solo contralto vocals:
Christa Ludwig (mezzo-soprano) (from 1973-07-16 until 1973-07-21)
solo tenor vocals:
Peter Schreier (german tenor and conductor) (from 1973-07-16 until 1973-07-21)
spoken vocals:
Rolf Boysen (German actor) (from 1973-07-16 until 1973-07-21)
orchestra:
WDR Sinfonieorchester Köln (from 1973-07-16 until 1973-07-21)
conductor:
Herbert von Karajan (conductor) (from 1973-07-16 until 1973-07-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-07-16 until 1973-07-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Forum (Leverkusen) in Leverkusen, Nordrhein-Westfalen, Germany (from 1973-07-16 until 1973-07-21)
recording of:
De temporum fine comoedia: III. "Dies Illa". Con sublima spiritualità (from 1973-07-16 until 1973-07-21)
composer:
Carl Orff (composer) (from 1962 until 1972)
part of:
De temporum fine comoedia (1972 version)
Carl Orff4:51

Credits

Release

manufactured in:West Germany
printed in:West Germany
art direction:Hartmut Pfeiffer
photography:Siegfried Lauterwasser
liner notes:Karl Schumann (liner notes author)
liner notes translator:Christian Hinzelin
Mary Whittall (liner notes)
executive producer:Hans Hirsch (producer at Deutsche Grammophon)
design:Holger Matthies
manufactured by:PDO (German / West German branch of Philips DuPont Optical)
part of:20th Century Classics (Deutsche Grammophon) (order: 7)
Discogs:https://www.discogs.com/release/2547889 [info]
ASIN:DE: B00000E4IG [info]