Soul 70's Collection, Volume 3

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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CD 1
Nr.TitelKünstlerBewertungLänge
1Clean Up Woman
Techniker(in):
Willie Clarke
Produzent(in):
Willie Clarke und Clarence Reid
Horn arranger und Saiteninstrumente arranger:
Mike Lewis (US composer, arranger and producer)
instruments arranger:
Little Beaver
recording of:
Clean Up Woman
Verfasser(in):
Willie Clarke und Clarence Reid
publisher:
EMI Longitude Music
Betty Wright52:48
2Patches
recording of:
Patches
Verfasser(in):
Ronald Dunbar und Norman Johnson (US soul singer, R&B songwriter & producer)
Clarence Carter3:11
3I'll Be Around
recording of:
I’ll Be Around
Komponist(in):
Thom Bell (keyboards, songwriter, producer) und Phil Hurtt
publisher:
Mighty Three Music Ld. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners3:16
4Day Dreaming
recording engineer:
Ron Albert (am 1971-02-16)
Techniker(in):
Howard Albert, Ron Albert und Chuck Kirkpatrick
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Akustikgitarre:
Don Arnone (am 1971-02-16)
Altflöte:
Hubert Laws (am 1971-02-16)
Bass:
Chuck Rainey (American bassist) (am 1971-02-16)
Gitarre:
Cornell Dupree (am 1971-02-16)
Hybrid-Piano:
Donny Hathaway (am 1971-02-16)
Klavier und Sologesang:
Aretha Franklin (am 1971-02-16)
Schlagzeug:
Bernard “Pretty” Purdie (am 1971-02-16)
Hintergrundgesang:
Margaret Branch (am 1971-02-16), Ann S. Clark (am 1971-02-16), Carolyn Franklin (am 1971-02-16), Erma Franklin (am 1971-02-16) und Pat Smith (soul vocalist) (am 1971-02-16)
Horn arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-02-16)
recording of:
Day Dreaming (Aretha Franklin song) (am 1971-02-16)
Texter und Komponist(in):
Aretha Franklin (vom 1970 bis 1971)
publisher:
Carlin Music Corporation und Pundit Music, Inc
Aretha Franklin4.54:03
5I'll Take You There
recording of:
I’ll Take You There
Texter und Komponist(in):
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers3:21
6Pillow Talk
recording of:
Pillow Talk
Verfasser(in):
Michael Burton (American songwriter and producer) und Sylvia Robinson
Sylvia34:20
7Love On A Two Way Street
The Moments3:44
8Until You Come Back To Me (That's What I'm Gonna Do)
Techniker(in):
Lew Hahn
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1973-09-07)
Gitarre:
Hugh McCracken (am 1973-09-07)
Hybrid-Piano:
Donny Hathaway (am 1973-09-07)
Klavier und Sologesang:
Aretha Franklin (am 1973-09-07)
Orgel:
Richard Tee (am 1973-09-07)
Schlagzeug:
Bernard “Pretty” Purdie (am 1973-09-07)
Solo-Flöte:
Joe Farrell (am 1973-09-07)
Synthesizer:
Ken Bichel (keyboardist) (am 1973-09-07)
Hintergrundgesang:
Margaret Branch (am 1973-09-07), Ann S. Clark (am 1973-09-07) und Pat Smith (soul vocalist) (am 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (am 1973-09-07)
Verfasser(in):
Morris Broadnax, Clarence Paul und Stevie Wonder
publisher:
Blackbull Music, Jobete Music, Sawandi Music und Stone Agate Music
Aretha Franklin4.353:30
9Low Rider
recording engineer:
Ed Barton (engineer), Andrew Berliner und Chris Huston
Partner-Produzent(in):
Lonnie Jordan und Howard E. Scott (US funk/rock guitarist, member of War)
Produzent(in):
Jerry Goldstein
Mix:
Ed Barton (engineer)
recording of:
Low Rider
Verfasser(in):
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein, Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar und Howard E. Scott (US funk/rock guitarist, member of War)
War4.653:16
10Superfly
Techniker(in):
Roger Anfinsen
Produzent(in):
Curtis Mayfield
Bassgitarre:
Joseph Scott (US funk/soul bassist)
Gitarre:
Curtis Mayfield und Craig McMullen
Perkussion:
Master Henry Gibson (Percussionist with Curtis Mayfield, Stan Getz, Ramsey Lewis)
Schlagzeug:
Morris Jennings
Sologesang:
Curtis Mayfield
arranger und Orchestrator(in):
Johnny Pate
phonographic copyright (℗) by:
Curtom Records (in 1972)
recording of:
Superfly
Texter und Komponist(in):
Curtis Mayfield
publisher:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Curtom Publishing Co Inc (vom 1972 bis ????)
Curtis Mayfield4.653:54
11Move On Up
Bearbeitung von:
Move On Up von Curtis Mayfield
recording of:
Move On Up
Texter und Komponist(in):
Curtis Mayfield
publisher:
Camad Music Company (beendet), Curtom Publishing Co Inc (beendet), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
lyrics quoted on:
Astounded
music quoted on:
Astounded
Curtis Mayfield2:47
12Express Yourself
recording of:
Express Yourself
Texter und Komponist(in):
Charles Wright (in 1970)
Charles Wright & The Watts 103rd Street Rhythm Band3:55
13Have You Seen Her
phonographic copyright (℗) by:
Brunswick Records Corp. (in 1972)
recording of:
Have You Seen Her
Verfasser(in):
Barbara Acklin und Eugene Record
publisher:
Intersong Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites4.55:12
14Love Won't Let Me Wait
recording of:
Love Won’t Let Me Wait
Verfasser(in):
Vinnie Barrett und Bobby Eli
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Prestige Music Co. (US, affiliated with BMI) und Sony Music Publishing (Japan) Inc.
Major Harris3:50
15Let's Stay Together
Al Green3:43
16Why Can't We Live TogetherTimmy Thomas4:25
CD 2
Nr.TitelKünstlerBewertungLänge
1Rubberband Man
The Spinners3:37
2Get Down Tonight
recording of:
Get Down Tonight (“Do a little dance, make a little love”)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music
KC and the Sunshine Band4.353:14
3We Are Family
recording of:
We Are Family
Verfasser(in):
Bernard Edwards und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:39
4Le Freak
recording of:
Le Freak
Verfasser(in):
Bernard Edwards und Nile Rodgers
publisher:
Sony Songs Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4:22
5Boogie Oogie OogieA Taste of Honey3:41
6This Will Be (An Everlasting Love)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 3)
recording of:
This Will Be (An Everlasting Love)
Verfasser(in):
Chuck Jackson (songwriter/producer) und Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) und Jay’s Enterprises Inc.
Natalie Cole3.52:54
7Spanish Harlem
recording engineer:
Ron Albert (am 1971-02-16) und Chuck Kirkpatrick (am 1971-02-16)
Techniker(in):
Ron Albert und Chuck Kirkpatrick
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1971-02-16)
Gitarre:
Cornell Dupree (am 1971-02-16)
Hybrid-Piano und Orgel:
Donny Hathaway (am 1971-02-16)
Klavier:
Aretha Franklin (am 1971-02-16)
Schlagzeug:
Bernard Purdie (am 1971-02-16)
Hintergrundgesang:
Carolyn Franklin (am 1971-02-16), Erma Franklin (am 1971-02-16) und The Sweethearts of Soul (am 1971-02-16)
vocals:
Aretha Franklin (am 1971-02-16)
Flöte arranger, Horn arranger, Saiteninstrumente arranger und Hintergrundgesang arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-02-16)
cover recording of:
Spanish Harlem (am 1971-02-16)
Texter:
Jerry Leiber
Komponist(in):
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. und Unichappell Music
Aretha Franklin23:31
8Rock Your Baby
vocals:
George McCrae
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
Verfasser(in):
Harry Wayne Casey, Richard Finch und KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music und Peer Music (UK) Ltd.
George McCrae3.253:20
9That's The Way (I Like It)KC and the Sunshine Band3:07
10Get Off
recording of:
Get Off
Texter:
Carl Driggs (singer-songwriter, drummer)
Komponist(in):
Carl Driggs (singer-songwriter, drummer) und Ish Ledesma
Foxy3:34
11Boogie Fever
The Sylvers3:32
12I'm Every Woman
recording of:
I’m Every Woman
Verfasser(in):
Nickolas Ashford und Valerie Simpson
Chaka Khan2.753:54
13Bustin' Loose
Chuck Brown & The Soul Searchers3:53
14Strokin'
recording of:
Strokin’
Komponist(in):
Clarence Carter
publisher:
Future Stars Publishing Co.
Clarence Carter4:37
15Good Times
recording of:
Good Times
Verfasser(in):
Bernard Edwards und Nile Rodgers
Chic3:42
16Could It Be I'm Falling In Love
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (in 1973)
Bass-Gesang:
Pervis Jackson (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (Former member of The Spinners) (in 1973), Bobbie Smith (US R&B singer) (in 1973) und Philippé Wynne (in 1973)
Dirigent(in):
Thom Bell (keyboards, songwriter, producer) (in 1973)
Remix:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
recording of:
Could It Be I’m Falling in Love (in 1973)
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners54:15

Nennungen

Veröffentlichung

ASIN:US: B000EVPY2Y [Info]