のだめカンタービレ La Folle Journee Selection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶CD 1
▶CD 2
▶CD 3
▶CD 4
▼CD 5
#TitleArtistRatingLength
1Carmen Suite No.1 1. Prelude Acte I. Les Toreadors. Allegro Giocoso
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (US composer & conductor) (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:33
2Carmen Suite No.1 2. Prelude Acte I. Andante Moderato
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (US composer & conductor) (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato (on 1967-05-15)
composer:
Georges Bizet (composer)
part of:
Carmen Suite no. 1
Georges Bizet1:12
3Carmen Suite No.1 3. Entr'Acte IV. Aragonaise. Allegro Vivo
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (US composer & conductor) (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:26
4Carmen Suite No.1 4. Entr'Acte III. Andantino Quasi Allegretto
producer:
Richard Killough and John McClure (recording engineer and record producer)
flute:
Julius Baker (flautist) (on 1967-05-15)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (US composer & conductor) (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:46
5Carmen Suite No.1 5. Seguedille. Allegretto (Act I)
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (US composer & conductor) (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
Georges Bizet1:58
6Carmen Suite No.1 6. Entr'Acte II. Les Dragons D'Alcala. Allegro Moderato
producer:
Richard Killough and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (US composer & conductor) (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (on 1967-05-15)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:51
7Concerto for Cello and Orchestra No.1 in a Minor, Op. 33
cello:
Leonard Rose (cellist)
orchestra:
Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
Cello Concerto no. 1 in A minor, op. 33
composer:
Camille Saint‐Saëns (composer) (in 1872)
dedicated to:
Auguste Tolbecque
part of:
Works of Camille Saint-Saëns by opus number (number: op. 33)
Camille Saint‐Saëns18:42
8Bolero
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein (US composer & conductor)
recording of:
Boléro
composer:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel15:43
9Pavane Pour Une Infante Defunte
orchestra:
New York Philharmonic
recording of:
Pavane pour une infante défunte (orchestrated version)
orchestrator:
Maurice Ravel (classical composer) (in 1910)
composer:
Maurice Ravel (classical composer) (in 1899)
publisher:
Ed. Max Eschig
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel6:20
10Prelude a L'Apres Midi D'Un Faune
orchestra:
New York Philharmonic
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (original version for orchestra)
composer:
Claude Debussy (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy9:49
11Peer Gynt Suite No. 1, Op. 46: I. Morning Mood. Allegretto Pastrale
engineer:
Dag Kristoffersen (engineer)
producer:
Arild Erikstad and David Mottley (producer)
orchestra:
Oslo‐Filharmonien (from 1987-05-15 until 1987-05-17)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1987-05-15 until 1987-05-17)
recorded at:
Oslo Konserthus in Oslo, Norway (from 1987-05-15 until 1987-05-17)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (from 1987-05-15 until 1987-05-17)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1987-05-15 until 1987-05-17)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:18
▶CD 6

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ASIN:JP: B000OQF6JA [info]