20th Century Masterpieces: 100 Years of Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Cardboard sleeves in cardboard box.

Annotation last modified on 2016-10-13 17:47 UTC.

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Piano Concerto no. 2 in C minor, op. 18: I. Moderato
producer:
John Fraser (UK producer)
piano:
Leif Ove Andsnes (pianist) (from 2005-06-03 until 2005-06-04)
orchestra:
Berliner Philharmoniker (from 2005-06-03 until 2005-06-04)
conductor:
Antonio Pappano (conductor and pianist) (from 2005-06-03 until 2005-06-04)
balance engineer:
Arne Akselberg (from 2005-06-03 until 2005-06-04)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2005-06-03 until 2005-06-04)
live recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato (from 2005-06-03 until 2005-06-04)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Рахманинов (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
recording of:
Piano Concerto no. 2 in C minor, op. 18: I. Moderato
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Рахманинов (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninov10:20
2Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
producer:
John Fraser (UK producer)
piano:
Leif Ove Andsnes (pianist) (from 2005-06-03 until 2005-06-04)
orchestra:
Berliner Philharmoniker (from 2005-06-03 until 2005-06-04)
conductor:
Antonio Pappano (conductor and pianist) (from 2005-06-03 until 2005-06-04)
balance engineer:
Arne Akselberg (from 2005-06-03 until 2005-06-04)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2005-06-03 until 2005-06-04)
live recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (from 2005-06-03 until 2005-06-04)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Рахманинов (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninov10:58
3Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando
producer:
John Fraser (UK producer)
piano:
Leif Ove Andsnes (pianist) (from 2005-06-03 until 2005-06-04)
orchestra:
Berliner Philharmoniker (from 2005-06-03 until 2005-06-04)
conductor:
Antonio Pappano (conductor and pianist) (from 2005-06-03 until 2005-06-04)
balance engineer:
Arne Akselberg (from 2005-06-03 until 2005-06-04)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 2005-06-03 until 2005-06-04)
live recording of:
Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando (from 2005-06-03 until 2005-06-04)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Рахманинов (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninov11:36
4La Mer: I. De l'aube à midi sur la mer
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer”
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy9:31
5La Mer: II. Jeux de vagues
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1962-04-11 until 1962-04-19)
conductor:
Carlo Maria Giulini (conductor) (from 1962-04-11 until 1962-04-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-04-11 until 1962-04-19)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (from 1962-04-11 until 1962-04-19)
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy7:09
6La Mer: III. Dialogue du vent et de la mer
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1962-04-11 until 1962-04-19)
conductor:
Carlo Maria Giulini (conductor) (from 1962-04-11 until 1962-04-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-04-11 until 1962-04-19)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (from 1962-04-11 until 1962-04-19)
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:50
7Brigg Fair (An English Rhapsody)
orchestra:
Royal Philharmonic Orchestra (on 1956-10-22)
conductor:
Sir Thomas Beecham (conductor) (on 1956-10-22)
recorded at:
BBC Studios in London (Greater London), England, United Kingdom (on 1956-10-22) and Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-10-22)
recording of:
Brigg Fair, RT vi/16 (Delius arrangement) (on 1956-10-22)
composer:
Frederick Delius (composer) (in 1907)
dedicated to:
Percy Grainger
is based on:
Brigg Fair (Percy Grainger choral arrangement)
Frederick Delius15:51
▼CD 2
#TitleArtistRatingLength
1Das Lied von der Erde: Der Abschied
producer:
Peter Andry (producer) and Walter Legge (British classical record producer, 1906-1979)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1964-02-19 until 1966-07-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-02-19 until 1966-07-09)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-02-19 until 1966-07-09)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-02-19 until 1966-07-09) and Douglas Larter (from 1964-02-19 until 1966-07-09)
recording of:
Das Lied von der Erde: VI. Der Abschied (from 1964-02-19 until 1966-07-09)
composed in:
Toblach, Bolzano, Trentino-Alto Adige, Italy (from 1908 until 1909)
additional lyricist:
Gustav Mahler (composer)
lyricist:
孟浩然 and 王維 (8th century poet)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
is based on:
宿業師山房待丁大不至
is based on:
送別 (Chinese poem by Wang Wei)
part of:
Das Lied von der Erde
Gustav Mahler29:50
25 Orchesterstücke, op. 16: I. Vorgefühle (Sehr rasch)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1987-12-19 until 1988-04-29)
conductor:
Simon Rattle (conductor) (from 1987-12-19 until 1988-04-29)
balance engineer:
Michael Sheady (engineer) (from 1987-12-19 until 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1987-12-19 until 1988-04-29)
recording of:
Fünf Orchesterstücke, op. 16: I. Vorgefühle. Sehr rasch (from 1987-12-19 until 1988-04-29)
composer:
Arnold Schönberg (composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16
Arnold Schönberg2:22
35 Orchesterstücke, op. 16: II. Vergangenes (Mäßige Viertel)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1987-12-19 until 1988-04-29)
conductor:
Simon Rattle (conductor) (from 1987-12-19 until 1988-04-29)
balance engineer:
Michael Sheady (engineer) (from 1987-12-19 until 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1987-12-19 until 1988-04-29)
recording of:
Fünf Orchesterstücke, op. 16: II. Vergangenes. Mässige Viertel (from 1987-12-19 until 1988-04-29)
composer:
Arnold Schönberg (composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16
Arnold Schönberg5:54
45 Orchesterstücke, op. 16: III. Farben (Mäßige Viertel)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1987-12-19 until 1988-04-29)
conductor:
Simon Rattle (conductor) (from 1987-12-19 until 1988-04-29)
balance engineer:
Michael Sheady (engineer) (from 1987-12-19 until 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1987-12-19 until 1988-04-29)
recording of:
Fünf Orchesterstücke, op. 16: III. Farben. Mässige Viertel (from 1987-12-19 until 1988-04-29)
composer:
Arnold Schönberg (composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16
Arnold Schönberg4:13
55 Orchesterstücke, op.16: IV. Peripetie (Sehr rasch)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1987-12-19 until 1988-04-29)
conductor:
Simon Rattle (conductor) (from 1987-12-19 until 1988-04-29)
balance engineer:
Michael Sheady (engineer) (from 1987-12-19 until 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1987-12-19 until 1988-04-29)
recording of:
Fünf Orchesterstücke, op. 16: IV. Peripetie. Sehr rasch (from 1987-12-19 until 1988-04-29)
composer:
Arnold Schönberg (composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16
Arnold Schönberg2:33
65 Orchesterstücke, op. 16: V. Das obligate Rezitativ (Bewegte Achtel)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1987-12-19 until 1988-04-29)
conductor:
Simon Rattle (conductor) (from 1987-12-19 until 1988-04-29)
balance engineer:
Michael Sheady (engineer) (from 1987-12-19 until 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1987-12-19 until 1988-04-29)
recording of:
Fünf Orchesterstücke, op. 16: V. Das obligate Rezitativ. Bewegte Achtel (from 1987-12-19 until 1988-04-29)
composer:
Arnold Schönberg (composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16
Arnold Schönberg3:46
76 Orchesterstücke, op. 6: I. Langsam
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (on 1988-04-29)
conductor:
Simon Rattle (conductor) (on 1988-04-29)
balance engineer:
Michael Sheady (engineer) (on 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (on 1988-04-29)
recording of:
Sechs Stücke für Orchester, op. 6: I. Langsam (1928 revision) (on 1988-04-29)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: I. Etwas bewegte Achtel (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (1928 revision)
Anton Webern1:03
86 Orchesterstücke, op. 6: II. Bewegt
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (on 1988-04-29)
conductor:
Simon Rattle (conductor) (on 1988-04-29)
balance engineer:
Michael Sheady (engineer) (on 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (on 1988-04-29)
recording of:
Sechs Stücke für Orchester, op. 6: II. Bewegt (1928 revision) (on 1988-04-29)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: II. Bewegt (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (1928 revision)
Anton Webern1:34
96 Orchesterstücke, op. 6: III. Mäßig
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (on 1988-04-29)
conductor:
Simon Rattle (conductor) (on 1988-04-29)
balance engineer:
Michael Sheady (engineer) (on 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (on 1988-04-29)
recording of:
Sechs Stücke für Orchester, op. 6: III. Mäßig (1928 revision) (on 1988-04-29)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: III. Zart bewegt (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (1928 revision)
Anton Webern0:55
106 Orchesterstücke, op. 6: IV. Sehr mäßig
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (on 1988-04-29)
conductor:
Simon Rattle (conductor) (on 1988-04-29)
balance engineer:
Michael Sheady (engineer) (on 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (on 1988-04-29)
recording of:
Sechs Stücke für Orchester, op. 6: IV. Sehr mäßig (1928 revision) (on 1988-04-29)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: IV. Langsam (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (1928 revision)
Anton Webern4:24
116 Orchesterstücke, op. 6: V. Sehr langsam
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (on 1988-04-29)
conductor:
Simon Rattle (conductor) (on 1988-04-29)
balance engineer:
Michael Sheady (engineer) (on 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (on 1988-04-29)
recording of:
Sechs Stücke für Orchester, op. 6: V. Sehr langsam (1928 revision) (on 1988-04-29)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: V. Sehr langsam (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (1928 revision)
Anton Webern2:44
126 Orchesterstücke, op. 6: VI. Langsam
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (on 1988-04-29)
conductor:
Simon Rattle (conductor) (on 1988-04-29)
balance engineer:
Michael Sheady (engineer) (on 1988-04-29)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (on 1988-04-29)
recording of:
Sechs Stücke für Orchester, op. 6: VI. Langsam (1928 revision) (on 1988-04-29)
additional composer:
Anton Webern (composer) (in 1928)
composer:
Anton Webern (composer) (from 1909 until 1910)
version of:
Six Pieces for Orchestra, op. 6: VI. Zart bewegt (1909 version)
part of:
Sechs Stücke für Orchester, op. 6 (1928 revision)
Anton Webern1:55
13Piano Concerto no. 1 in D-flat major, Op. 10: I. Allegro brioso
producer:
David Groves (classical music producer at EMI)
piano:
Martha Argerich (Argentine pianist) (in 1997-10)
orchestra:
Orchestre symphonique de Montréal (in 1997-10)
conductor:
Charles Dutoit (conductor) (in 1997-10)
balance engineer:
John Dunkerley (engineer)
phonographic copyright (℗) by:
EMI (EMI Records, since 1972) (in 1998)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1997-10)
recording of:
Piano Concerto no. 1 in D-flat major, op. 10: I. Allegro brioso (in 1997-10)
composer:
Сергей Сергеевич Прокофьев (Russian composer) (from 1911 until 1912)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 1 in D-flat major, op. 10
Sergei Prokofiev6:57
14Piano Concerto no. 1 in D-flat major, Op. 10: II. Andante assai
producer:
David Groves (classical music producer at EMI)
piano:
Martha Argerich (Argentine pianist) (in 1997-10)
orchestra:
Orchestre symphonique de Montréal (in 1997-10)
conductor:
Charles Dutoit (conductor) (in 1997-10)
balance engineer:
John Dunkerley (engineer)
phonographic copyright (℗) by:
EMI (EMI Records, since 1972) (in 1998)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1997-10)
recording of:
Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai (in 1997-10)
composer:
Сергей Сергеевич Прокофьев (Russian composer) (from 1911 until 1912)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 1 in D-flat major, op. 10
Sergei Prokofiev4:34
15Piano Concerto no. 1 in D-flat major, Op. 10: III. Allegro scherzando
producer:
David Groves (classical music producer at EMI)
piano:
Martha Argerich (Argentine pianist) (in 1997-10)
orchestra:
Orchestre symphonique de Montréal (in 1997-10)
conductor:
Charles Dutoit (conductor) (in 1997-10)
balance engineer:
John Dunkerley (engineer)
phonographic copyright (℗) by:
EMI (EMI Records, since 1972) (in 1998)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1997-10)
recording of:
Piano Concerto no. 1 in D-flat major, op. 10: III. Allegro scherzando (in 1997-10)
composer:
Сергей Сергеевич Прокофьев (Russian composer) (from 1911 until 1912)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 1 in D-flat major, op. 10
Sergei Prokofiev4:27
▼CD 3
#TitleArtistRatingLength
1Le Sacre du printemps, Part One: The Adoration of the Earth. Introduction
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps : I. L’Adoration de la terre : I. Introduction (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre
Igor Stravinsky3:37
2Le Sacre du printemps, Part One: The Adoration of the Earth. The Augurs of Spring – Dance of the Maidens
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps : I. L’Adoration de la terre : II. Les Augures printaniers – Danses des adolescentes (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre
Igor Stravinsky3:11
3Le Sacre du printemps, Part One: The Adoration of the Earth. Ritual of Abduction
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps : I. L’Adoration de la terre : III. Jeu du rapt (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre
Igor Stravinsky1:17
4Le Sacre du printemps, Part One: The Adoration of the Earth. Spring Rounds
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps : I. L’Adoration de la terre : IV. Rondes printanières (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre
Igor Stravinsky3:45
5Le Sacre du printemps, Part One: The Adoration of the Earth. Ritual of the Rival Tribes
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps : I. L’Adoration de la terre : V. Jeux des cités rivales (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre
Igor Stravinsky1:48
6Le Sacre du printemps, Part One: The Adoration of the Earth. Procession of the Sage
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps : I. L’Adoration de la terre : VI. Cortège du Sage (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre
Igor Stravinsky0:40
7Le Sacre du printemps, Part One: The Adoration of the Earth. Adoration of the Earth
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps : I. L’Adoration de la terre : VII. Le Sage (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre
Igor Stravinsky0:21
8Le Sacre du printemps, Part One: The Adoration of the Earth. Dance of the Earth
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps : I. L’Adoration de la terre : VIII. Danse de la terre (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: I. L’Adoration de la terre
Igor Stravinsky1:14
9Le Sacre du printemps, Part Two: The Sacrifice. Introduction
engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps : II. Le Sacrifice : I. Introduction (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice
Igor Stravinsky4:06
10Le Sacre du printemps, Part Two: The Sacrifice. Mystic Circles of the Maidens
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps : II. Le Sacrifice : II. Cercles mystérieux des adolescentes (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice
Igor Stravinsky3:12
11Le Sacre du printemps, Part Two: The Sacrifice. Glorification of the Chosen One
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps : II. Le Sacrifice : III. Glorification de l’élue (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice
Igor Stravinsky1:31
12Le Sacre du printemps, Part Two: The Sacrifice. Evocation of the Ancestors
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps : II. Le Sacrifice : IV. Evocation des ancêtres (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice
Igor Stravinsky0:45
13Le Sacre du printemps, Part Two: The Sacrifice. Ritual of the Ancestors
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps : II. Le Sacrifice : V. Action rituelle des ancêtres (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice
Igor Stravinsky3:23
14Le Sacre du printemps, Part Two: The Sacrifice. Sacrificial Dance (The Chosen One)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1987-08-30 until 1987-09-01)
conductor:
Charles Mackerras (Australian conductor) (from 1987-08-30 until 1987-09-01)
balance engineer:
Mike Hatch (engineer/editor) (from 1987-08-30 until 1987-09-01)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1987-08-30 until 1987-09-01)
recording of:
Le Sacre du printemps : II. Le Sacrifice : VI. Danse sacrale (L’Élue) (from 1987-08-30 until 1987-09-01)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice
Igor Stravinsky4:44
15The Lark Ascending
producer:
Simon Woods (producer)
violin:
Sarah Chang (violinist) (in 1994)
orchestra:
London Philharmonic Orchestra (LPO) (in 1994)
conductor:
Bernard Haitink (conductor) (in 1994)
balance engineer:
John Kurlander (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1994)
recording of:
The Lark Ascending (for violin and orchestra) (in 1994)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams13:34
16Symphony No. 5 in E flat Op. 82: I. Tempo molto moderato - Allegro moderato - Presto
producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Helsinki Philharmonic Orchestra (in 1986-12)
conductor:
Paavo Berglund (conductor) (in 1986-12)
balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s) (in 1986-12)
recorded at:
Kulttuuritalo (Alppila) in Helsinki, Uusimaa, Finland (in 1986-12)
recording of:
Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato (in 1986-12)
composer:
Jean Sibelius (Finnish composer) (from 1915 until 1919)
part of:
Symphony no. 5 in E-flat major, op. 82
Jean Sibelius13:40
17Symphony No. 5 in E flat Op. 82: II. Andante mosso, quasi allegretto
producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Helsinki Philharmonic Orchestra (in 1986-12)
conductor:
Paavo Berglund (conductor) (in 1986-12)
balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s) (in 1986-12)
recorded at:
Kulttuuritalo (Alppila) in Helsinki, Uusimaa, Finland (in 1986-12)
recording of:
Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto (in 1986-12)
composer:
Jean Sibelius (Finnish composer) (from 1915 until 1919)
part of:
Symphony no. 5 in E-flat major, op. 82
Jean Sibelius8:00
18Symphony No. 5 in E flat Op. 82: III. Allegro molto - Un pochettino largamente
producer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
orchestra:
Helsinki Philharmonic Orchestra (in 1986-12)
conductor:
Paavo Berglund (conductor) (in 1986-12)
balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s) (in 1986-12)
recorded at:
Kulttuuritalo (Alppila) in Helsinki, Uusimaa, Finland (in 1986-12)
recording of:
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto (in 1986-12)
composer:
Jean Sibelius (Finnish composer) (from 1915 until 1919)
part of:
Symphony no. 5 in E-flat major, op. 82
Jean Sibelius8:50
▼CD 4
#TitleArtistRatingLength
1Noches en los jardines de España: I. En la Generalife
piano:
Gonzalo Soriano (pianist) (from 1963-01-03 until 1963-01-08)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-01-03 until 1963-01-08)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1963-01-03 until 1963-01-08)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-01-03 until 1963-01-08)
recording of:
Noches en los jardines de España: I. En el Generalife (from 1963-01-03 until 1963-01-08)
composer:
Manuel de Falla (Spanish composer) (from 1909 until 1916)
publisher:
Max Eschig
part of:
Noches en los jardines de España
Manuel de Falla10:15
2Noches en los jardines de España: II. Danza lejana
piano:
Gonzalo Soriano (pianist) (from 1963-01-03 until 1963-01-08)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-01-03 until 1963-01-08)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1963-01-03 until 1963-01-08)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-01-03 until 1963-01-08)
recording of:
Noches en los jardines de España: II. Danza lejana (from 1963-01-03 until 1963-01-08)
composer:
Manuel de Falla (Spanish composer)
publisher:
Max Eschig
part of:
Noches en los jardines de España
Manuel de Falla5:41
3Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba
piano:
Gonzalo Soriano (pianist) (from 1963-01-03 until 1963-01-08)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-01-03 until 1963-01-08)
conductor:
Rafael Frühbeck de Burgos (conductor) (from 1963-01-03 until 1963-01-08)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-01-03 until 1963-01-08)
recording of:
Noches en los jardines de España: III. En los jardines de la sierra de Córdoba (from 1963-01-03 until 1963-01-08)
composer:
Manuel de Falla (Spanish composer)
publisher:
Max Eschig
part of:
Noches en los jardines de España
Manuel de Falla9:18
4The Planets Op. 32: Mars, the Bringer of War (Allegro)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:02
5The Planets Op. 32: Venus, the Bringer of Peace (Adagio)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:27
6The Planets Op. 32: Mercury, the Winged Messenger (Vivace)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: III. Mercury, the Winged Messenger (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: III. Mercury, the Winged Messenger (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst3:48
7The Planets Op. 32: Jupiter, the Bringer of Jollity (Allegro giocoso)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:59
8The Planets Op. 32: Saturn, the Bringer of Old Age (Adagio)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:23
9The Planets Op. 32: Uranus, the Magician (Allegro)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: VI. Uranus, the Magician (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VI. Uranus, the Magician (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst6:27
10The Planets Op. 32: Neptune, the Mysic (Andante)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Geoffrey Mitchell Choir (from 1978-05-12 until 1978-07-31)
orchestra:
London Philharmonic Orchestra (LPO) (from 1978-05-12 until 1978-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1978-05-12 until 1978-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
The Planets, op. 32: VII. Neptune, the Mystic (from 1978-05-12 until 1978-07-31)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VII. Neptune, the Mystic (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst6:23
▼CD 5
#TitleArtistRatingLength
1Cello Concerto in E minor Op. 85: I. Adagio - Moderato
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar7:58
2Cello Concerto in E minor Op. 85: II. Lento - Allegro molto
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar4:31
3Cello Concerto in E minor Op. 85: III. Adagio
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar5:15
4Cello Concerto in E minor Op. 85: IV. Allegro - Moderato - Allegro, ma non troppo
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar12:23
5Symphony No. 5 Op. 50 FS97: Ia. Tempo giusto
clarinet:
Ib Eriksson (from 1973-12-03 until 1973-12-04)
snare drum:
Ib Jarlkov (from 1973-12-03 until 1973-12-04)
orchestra:
Danish Radio Symphony Orchestra (from 1973-12-03 until 1973-12-04)
conductor:
Herbert Blomstedt (from 1973-12-03 until 1973-12-04)
recorded at:
Radiohuset: Koncertsalen in Copenhagen, Capital Region of Denmark, Denmark (from 1973-12-03 until 1973-12-04)
partial recording of:
Symphony no. 5, op. 50: I. Tempo giusto – Adagio non troppo (from 1973-12-03 until 1973-12-04)
composer:
Carl Nielsen (Danish composer) (from 1920 until 1922)
part of:
Symphony no. 5, op. 50
Carl Nielsen10:29
6Symphony No. 5 Op. 50 FS97: Ib. Adagio non troppo
clarinet:
Ib Eriksson (from 1973-12-03 until 1973-12-04)
snare drum:
Ib Jarlkov (from 1973-12-03 until 1973-12-04)
orchestra:
Danish Radio Symphony Orchestra (from 1973-12-03 until 1973-12-04)
conductor:
Herbert Blomstedt (from 1973-12-03 until 1973-12-04)
recorded at:
Radiohuset: Koncertsalen in Copenhagen, Capital Region of Denmark, Denmark (from 1973-12-03 until 1973-12-04)
partial recording of:
Symphony no. 5, op. 50: I. Tempo giusto – Adagio non troppo (from 1973-12-03 until 1973-12-04)
composer:
Carl Nielsen (Danish composer) (from 1920 until 1922)
part of:
Symphony no. 5, op. 50
Carl Nielsen9:00
7Symphony No. 5 Op. 50 FS97: IIa. Allegro
clarinet:
Ib Eriksson (from 1973-12-03 until 1973-12-04)
snare drum:
Ib Jarlkov (from 1973-12-03 until 1973-12-04)
orchestra:
Danish Radio Symphony Orchestra (from 1973-12-03 until 1973-12-04)
conductor:
Herbert Blomstedt (from 1973-12-03 until 1973-12-04)
recorded at:
Radiohuset: Koncertsalen in Copenhagen, Capital Region of Denmark, Denmark (from 1973-12-03 until 1973-12-04)
partial recording of:
Symphony no. 5, op. 50: II. Allegro – Presto – Andante un poco tranquillo – Allegro (from 1973-12-03 until 1973-12-04)
composer:
Carl Nielsen (Danish composer) (from 1920 until 1922)
part of:
Symphony no. 5, op. 50
Carl Nielsen5:43
8Symphony No. 5 Op. 50 FS97: IIb. Allegro
clarinet:
Ib Eriksson (from 1973-12-03 until 1973-12-04)
snare drum:
Ib Jarlkov (from 1973-12-03 until 1973-12-04)
orchestra:
Danish Radio Symphony Orchestra (from 1973-12-03 until 1973-12-04)
conductor:
Herbert Blomstedt (from 1973-12-03 until 1973-12-04)
recorded at:
Radiohuset: Koncertsalen in Copenhagen, Capital Region of Denmark, Denmark (from 1973-12-03 until 1973-12-04)
partial recording of:
Symphony no. 5, op. 50: II. Allegro – Presto – Andante un poco tranquillo – Allegro (from 1973-12-03 until 1973-12-04)
composer:
Carl Nielsen (Danish composer) (from 1920 until 1922)
part of:
Symphony no. 5, op. 50
Carl Nielsen3:12
9Symphony No. 5 Op. 50 FS97: IIc. Andante un poco tranquillo
clarinet:
Ib Eriksson (from 1973-12-03 until 1973-12-04)
snare drum:
Ib Jarlkov (from 1973-12-03 until 1973-12-04)
orchestra:
Danish Radio Symphony Orchestra (from 1973-12-03 until 1973-12-04)
conductor:
Herbert Blomstedt (from 1973-12-03 until 1973-12-04)
recorded at:
Radiohuset: Koncertsalen in Copenhagen, Capital Region of Denmark, Denmark (from 1973-12-03 until 1973-12-04)
partial recording of:
Symphony no. 5, op. 50: II. Allegro – Presto – Andante un poco tranquillo – Allegro (from 1973-12-03 until 1973-12-04)
composer:
Carl Nielsen (Danish composer) (from 1920 until 1922)
part of:
Symphony no. 5, op. 50
Carl Nielsen4:34
10Symphony No. 5 Op. 50 FS97: IId. Allegro
clarinet:
Ib Eriksson (from 1973-12-03 until 1973-12-04)
snare drum:
Ib Jarlkov (from 1973-12-03 until 1973-12-04)
orchestra:
Danish Radio Symphony Orchestra (from 1973-12-03 until 1973-12-04)
conductor:
Herbert Blomstedt (from 1973-12-03 until 1973-12-04)
recorded at:
Radiohuset: Koncertsalen in Copenhagen, Capital Region of Denmark, Denmark (from 1973-12-03 until 1973-12-04)
partial recording of:
Symphony no. 5, op. 50: II. Allegro – Presto – Andante un poco tranquillo – Allegro (from 1973-12-03 until 1973-12-04)
composer:
Carl Nielsen (Danish composer) (from 1920 until 1922)
part of:
Symphony no. 5, op. 50
Carl Nielsen2:52
11Mouvement symphonique No. 1 - Pacific 231
orchestra:
Oslo‐Filharmonien (from 1993-11-24 until 1993-12-03)
conductor:
Mariss Jansons (Latvian conductor) (from 1993-11-24 until 1993-12-03)
recorded at:
Oslo Konserthus in Oslo, Norway (from 1993-11-24 until 1993-12-03)
recording of:
Pacific 231 (from 1993-11-24 until 1993-12-03)
composer:
Arthur Honegger (composer) (in 1923)
premiered at:
[concert] (1924-05-08)
publisher:
Maurice Senart (in 1924)
part of:
Harry Halbreich's catalog of Arthur Honegger's works (H) (number: H 53)
Arthur Honegger6:05
▼CD 6
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1La Création du monde Op. 81a
orchestra:
Orchestre national de France (RTF / ORTF / Radio France) (on 1976-11-13)
conductor:
Leonard Bernstein (US composer & conductor) (on 1976-11-13)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (on 1976-11-13)
recording of:
La Création du monde, op. 81a (on 1976-11-13)
composer:
Darius Milhaud (composer) (from 1922 until 1923)
premiered at:
[concert] (1923-10-25)
part of:
Works of Darius Milhaud by opus number (number: op. 81a)
Darius Milhaud16:52
2Pini di Roma: The Pines of the Villa Borghese
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (from 1976-04-24 until 1976-04-26)
conductor:
Lamberto Gardelli (conductor) (from 1976-04-24 until 1976-04-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-04-24 until 1976-04-26)
recording of:
Pini di Roma, P 141: I. I pini di Villa Borghese (from 1976-04-24 until 1976-04-26)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141
Ottorino Respighi2:51
3Pini di Roma: Pines near a Catacomb
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (from 1976-04-24 until 1976-04-26)
conductor:
Lamberto Gardelli (conductor) (from 1976-04-24 until 1976-04-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-04-24 until 1976-04-26)
recording of:
Pini di Roma, P 141: II. Pini presso una catacomba (from 1976-04-24 until 1976-04-26)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141
Ottorino Respighi6:15
4Pini di Roma: The Pines of the Janiculum
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (from 1976-04-24 until 1976-04-26)
conductor:
Lamberto Gardelli (conductor) (from 1976-04-24 until 1976-04-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-04-24 until 1976-04-26)
recording of:
Pini di Roma, P 141: III. I pini del Gianicolo (from 1976-04-24 until 1976-04-26)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141
Ottorino Respighi6:37
5Pini di Roma: The Pines of the Appian Way
producer:
John Mordler (producer)
orchestra:
London Symphony Orchestra (from 1976-04-24 until 1976-04-26)
conductor:
Lamberto Gardelli (conductor) (from 1976-04-24 until 1976-04-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-04-24 until 1976-04-26)
recording of:
Pini di Roma, P 141: IV. I pini della Via Appia (from 1976-04-24 until 1976-04-26)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141
Ottorino Respighi4:59
6Rhapsody in Blue (orch. Grofé)
producer:
Christopher Bishop (conductor/producer)
clarinet:
Gervase de Peyer (clarinetist) (on 1971-06-04, on 1971-06-06)
piano:
André Previn (pianist, conductor, composer, arranger) (on 1971-06-04, on 1971-06-06)
orchestra:
London Symphony Orchestra (on 1971-06-04, on 1971-06-06)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1971-06-04, on 1971-06-06)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1971-06-04, on 1971-06-06)
recording of:
Rhapsody in Blue (standard 1942 orchestration) (on 1971-06-04)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin14:50
7Sinfonietta: I. Allegretto
producer:
Douglas Terry (Producer)
orchestra:
Pro Arte Orchestra of London (UK orchestra 1955-1970: do not use for anonymous budget compilations) (from 1959-07-19 until 1959-07-24)
conductor:
Charles Mackerras (Australian conductor) (from 1959-07-19 until 1959-07-24)
balance engineer:
Robert Auger (audio) (from 1959-07-19 until 1959-07-24)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1959-07-19 until 1959-07-24)
recording of:
Sinfonietta: I. Allegretto - Allegro - Maestoso (Fanfares) (from 1959-07-19 until 1959-07-24)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček2:27
8Sinfonietta: II. Andante
producer:
Douglas Terry (Producer)
orchestra:
Pro Arte Orchestra of London (UK orchestra 1955-1970: do not use for anonymous budget compilations) (from 1959-07-19 until 1959-07-24)
conductor:
Charles Mackerras (Australian conductor) (from 1959-07-19 until 1959-07-24)
balance engineer:
Robert Auger (audio) (from 1959-07-19 until 1959-07-24)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1959-07-19 until 1959-07-24)
recording of:
Sinfonietta: II. Andante - Allegretto (The Castle) (from 1959-07-19 until 1959-07-24)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček6:24
9Sinfonietta: III. Moderato
producer:
Douglas Terry (Producer)
orchestra:
Pro Arte Orchestra of London (UK orchestra 1955-1970: do not use for anonymous budget compilations) (from 1959-07-19 until 1959-07-24)
conductor:
Charles Mackerras (Australian conductor) (from 1959-07-19 until 1959-07-24)
balance engineer:
Robert Auger (audio) (from 1959-07-19 until 1959-07-24)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1959-07-19 until 1959-07-24)
recording of:
Sinfonietta: III. Moderato (The Queen's Monastery) (from 1959-07-19 until 1959-07-24)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček5:59
10Sinfonietta: IV. Allegretto
producer:
Douglas Terry (Producer)
orchestra:
Pro Arte Orchestra of London (UK orchestra 1955-1970: do not use for anonymous budget compilations) (from 1959-07-19 until 1959-07-24)
conductor:
Charles Mackerras (Australian conductor) (from 1959-07-19 until 1959-07-24)
balance engineer:
Robert Auger (audio) (from 1959-07-19 until 1959-07-24)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1959-07-19 until 1959-07-24)
recording of:
Sinfonietta: IV. Allegretto (The Street) (from 1959-07-19 until 1959-07-24)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček3:07
11Sinfonietta: V. Andante con moto
producer:
Douglas Terry (Producer)
orchestra:
Pro Arte Orchestra of London (UK orchestra 1955-1970: do not use for anonymous budget compilations) (from 1959-07-19 until 1959-07-24)
conductor:
Charles Mackerras (Australian conductor) (from 1959-07-19 until 1959-07-24)
balance engineer:
Robert Auger (audio) (from 1959-07-19 until 1959-07-24)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1959-07-19 until 1959-07-24)
recording of:
Sinfonietta: V. Andante con moto (The Town Hall) (from 1959-07-19 until 1959-07-24)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček7:34
▼CD 7
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1Boléro
orchestra:
Berliner Philharmoniker (from 1977-01-05 until 1977-01-07)
conductor:
Herbert von Karajan (conductor) (from 1977-01-05 until 1977-01-07)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1977-01-05 until 1977-01-07)
recording of:
Boléro (from 1977-01-05 until 1977-01-07)
composer:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel16:19
2Symphony - Mathis der Maler: I. Engelskonzert
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
orchestra:
Philadelphia Orchestra (from 1994-04 until 1994-05) and The Philadelphia Orchestra (from 1994-04-30 until 1994-05-09)
conductor:
Wolfgang Sawallisch (conductor) (from 1994-04 until 1994-05, from 1994-04-30 until 1994-05-09)
balance engineer:
John Kurlander (engineer) (from 1994-04 until 1994-05)
recorded at:
Memorial Hall (Philadelphia) in Philadelphia, Pennsylvania, United States (from 1994-04 until 1994-05, from 1994-04-30 until 1994-05-09)
recording of:
Mathis der Maler: I. Engelkonzert. Ruhig bewegt (from 1994-04-30 until 1994-05-09)
composer:
Paul Hindemith (German composer, 1895-1963) (in 1934)
part of:
Mathis der Maler
recording of:
Mathis der Maler: I. Engelkonzert. Ruhig bewegt (from 1994-04 until 1994-05)
composer:
Paul Hindemith (German composer, 1895-1963) (in 1934)
part of:
Mathis der Maler
Paul Hindemith9:11
3Symphony - Mathis der Maler: II. Grablegung
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
orchestra:
Philadelphia Orchestra (from 1994-04 until 1994-05) and The Philadelphia Orchestra (from 1994-04-30 until 1994-05-09)
conductor:
Wolfgang Sawallisch (conductor) (from 1994-04 until 1994-05, from 1994-04-30 until 1994-05-09)
balance engineer:
John Kurlander (engineer) (from 1994-04 until 1994-05)
recorded at:
Memorial Hall (Philadelphia) in Philadelphia, Pennsylvania, United States (from 1994-04 until 1994-05, from 1994-04-30 until 1994-05-09)
recording of:
Mathis der Maler: II. Grablegung. Sehr langsam (from 1994-04-30 until 1994-05-09)
composer:
Paul Hindemith (German composer, 1895-1963) (in 1934)
part of:
Mathis der Maler
recording of:
Mathis der Maler: II. Grablegung. Sehr langsam (from 1994-04 until 1994-05)
composer:
Paul Hindemith (German composer, 1895-1963) (in 1934)
part of:
Mathis der Maler
Paul Hindemith4:19
4Symphony - Mathis der Maler: III. Versuchung des heilingen Antonius
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
orchestra:
Philadelphia Orchestra (from 1994-04 until 1994-05) and The Philadelphia Orchestra (from 1994-04-30 until 1994-05-09)
conductor:
Wolfgang Sawallisch (conductor) (from 1994-04 until 1994-05, from 1994-04-30 until 1994-05-09)
balance engineer:
John Kurlander (engineer) (from 1994-04 until 1994-05)
recorded at:
Memorial Hall (Philadelphia) in Philadelphia, Pennsylvania, United States (from 1994-04 until 1994-05, from 1994-04-30 until 1994-05-09)
recording of:
Mathis der Maler: III. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft (from 1994-04-30 until 1994-05-09)
composer:
Paul Hindemith (German composer, 1895-1963) (in 1934)
part of:
Mathis der Maler
recording of:
Mathis der Maler: III. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft (from 1994-04 until 1994-05)
composer:
Paul Hindemith (German composer, 1895-1963) (in 1934)
part of:
Mathis der Maler
Paul Hindemith13:43
5Violin Concerto 'Dem Andenken eines Engels': I. Andante - Allegretto
executive producer:
Gerd Berg (producer) and Lutz Lüdemann
producer:
Gerd Berg (producer) and Dietmar Wolf (Classical Music Producer)
violin:
Frank Peter Zimmermann (violinist) (from 1990-09-03 until 1990-09-05)
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (from 1990-09-03 until 1990-09-05)
conductor:
Gianluigi Gelmetti (Italian conductor and composer) (from 1990-09-03 until 1990-09-05)
balance engineer:
Bernhard Bauer
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (from 1990-09-03 until 1990-09-05)
recording of:
Violinkonzert „Dem Andenken eines Engels“: I. Andante - Allegretto (from 1990-09-03 until 1990-09-05)
composer:
Alban Berg (composer) (in 1935-08)
part of:
Violinkonzert „Dem Andenken eines Engels“
Alban Berg11:04
6Violin Concerto 'Dem Andenken eines Engels': II. Allegro - Adagio
executive producer:
Gerd Berg (producer) and Lutz Lüdemann
producer:
Gerd Berg (producer) and Dietmar Wolf (Classical Music Producer)
violin:
Frank Peter Zimmermann (violinist) (from 1990-09-03 until 1990-09-05)
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (from 1990-09-03 until 1990-09-05)
conductor:
Gianluigi Gelmetti (Italian conductor and composer) (from 1990-09-03 until 1990-09-05)
balance engineer:
Bernhard Bauer
recorded at:
Villa Berg in Stuttgart, Baden-Württemberg, Germany (from 1990-09-03 until 1990-09-05)
recording of:
Violinkonzert „Dem Andenken eines Engels“: II. Allegro - Adagio (from 1990-09-03 until 1990-09-05)
composer:
Alban Berg (composer) (in 1935-08)
part of:
Violinkonzert „Dem Andenken eines Engels“
Alban Berg14:33
▼CD 8
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1Symphony No. 5 in D minor Op. 47: I. Moderato
producer:
John Fraser (UK producer)
editor:
Jørn Pederson
orchestra:
Wiener Philharmoniker (in 1997-01)
conductor:
Mariss Jansons (Latvian conductor) (in 1997-01)
balance engineer:
Mike Clements (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (in 1997-01)
live recording of:
Symphony no. 5 in D minor, op. 47: I. Moderato - Allegro non troppo - Moderato (in 1997-01)
composer:
Дмитрий Дмитриевич Шостакович (composer) (from 1937-04 until 1937-07)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 5 in D minor, op. 47
Dmitri Shostakovich15:43
2Symphony No. 5 in D minor Op. 47: II. Allegretto
producer:
John Fraser (UK producer)
editor:
Jørn Pederson
orchestra:
Wiener Philharmoniker (in 1997-01)
conductor:
Mariss Jansons (Latvian conductor) (in 1997-01)
balance engineer:
Mike Clements (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (in 1997-01)
live recording of:
Symphony no. 5 in D minor, op. 47: II. Allegretto (in 1997-01)
composer:
Дмитрий Дмитриевич Шостакович (composer) (from 1937-04 until 1937-07)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 5 in D minor, op. 47
Dmitri Shostakovich5:19
3Symphony No. 5 in D minor Op. 47: III. Largo
producer:
John Fraser (UK producer)
editor:
Jørn Pederson
orchestra:
Wiener Philharmoniker (in 1997-01)
conductor:
Mariss Jansons (Latvian conductor) (in 1997-01)
balance engineer:
Mike Clements (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (in 1997-01)
live recording of:
Symphony no. 5 in D minor, op. 47: III. Largo (in 1997-01)
composer:
Дмитрий Дмитриевич Шостакович (composer) (from 1937-04 until 1937-07)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 5 in D minor, op. 47
Dmitri Shostakovich14:26
4Symphony No. 5 in D minor Op. 47: IV. Allegro non troppo
producer:
John Fraser (UK producer)
editor:
Jørn Pederson
orchestra:
Wiener Philharmoniker (in 1997-01)
conductor:
Mariss Jansons (Latvian conductor) (in 1997-01)
balance engineer:
Mike Clements (engineer)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (in 1997-01)
live recording of:
Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo (in 1997-01)
composer:
Дмитрий Дмитриевич Шостакович (composer) (from 1937-04 until 1937-07)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 5 in D minor, op. 47
Dmitri Shostakovich11:02
5Concerto in G minor for organ, timpani and strings
producer:
Andrew Keener (engineer/editor/producer)
organ:
Gillian Weir (organist) (in 1988-02)
orchestra:
City of London Sinfonia (chamber orchestra) (in 1988-02)
conductor:
Richard Hickox (conductor) (in 1988-02)
balance engineer:
Mike Clements (engineer)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1988-02)
recording of:
Concerto in G minor for organ, strings and timpani, FP 93 (in 1988-02)
composer:
Francis Poulenc (pianist and composer) (in 1938)
part of:
Francis Poulenc’s works (FP) (number: FP 93)
Francis Poulenc23:03
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