| # | Title | Rating | Length |
|---|
| 1 | Ich liebe dich (Herrosee) | | 1:47 |
| 2 | Wonne der Wehmut (Goethe) | | 2:47 |
| 3 | Der Kuß, Op. 128 (Weiß) | | 2:00 |
| 4 | Der Kloh, Op. 75 No. 3 (Goethe) | | 2:21 |
| 5 | Irish Songs, WoO 154: Oh! Would I were but that sweet linnet (Smyth) | | 2:32 |
| 6 | Irish Songs, WoO 154: He promised me at parting (Smyth) | | 1:26 |
| 7 | Adelaïde (Matthison) | | 5:53 |
| 8 | Marmotte (Goethe) | | 2:11 |
| 9 | Die Ehre Gottes aus der Natur (Die Himmel rühmen), Op. 48 No. 4 orch. Mottl | | 2:32 |
| 10 | Messe en ut, Op. 86: Kyrie | | 5:35 |
| 11 | Missa solemnis en ré mineur, Op. 123: Gloria in excelsis Deo - Gratias agimus tibi | | 5:00 |
| 12 | Missa solemnis en ré mineur, Op. 123: Et resurrexit tertia die - Credo in Spiritum Sanctum | | 3:00 |
| 13 | Fidelio: Ouverture | | 7:00 |
| 14 | Fidelio : Acte I: O wär' ich schon (Marzelline)- choir vocals:
- Chor der Deutschen Oper Berlin
- vocals:
- Helga Dernesch , Helen Donath , Siegfried Rudolf Frese , Werner Hollweg , Zoltán Kelemen , Horst Laubenthal , Karl Ridderbusch , José van Dam and Jon Vickers
- orchestra:
- Berliner Philharmoniker
- conductor:
- Herbert von Karajan
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline)
- composer:
- Ludwig van Beethoven (in 1814)
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner and Georg Friedrich Treitschke
- part of:
- Fidelio, op. 72: Akt I
| | 4:03 |
| 15 | Fidelio : Acte I: Mir ist so wunderbar (Quaturo) (Marzelline/Léonore/Rocco/Jaquino)- choir vocals:
- Chor der Deutschen Oper Berlin
- vocals:
- Helga Dernesch , Helen Donath , Siegfried Rudolf Frese , Werner Hollweg , Zoltán Kelemen , Horst Laubenthal , Karl Ridderbusch , José van Dam and Jon Vickers
- orchestra:
- Berliner Philharmoniker
- conductor:
- Herbert von Karajan
- recording of:
- Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino)
- composer:
- Ludwig van Beethoven (in 1805)
- librettist:
- Jean-Nicolas Bouilly
- revised by:
- Ludwig van Beethoven (in 1814)
- translator:
- Joseph Sonnleithner and Georg Friedrich Treitschke
- part of:
- Fidelio, op. 72: Akt I
| | 4:45 |
| 16 | Fidelio : Acte I: Ha! Welch ein Augenblick! (Pizarro/Chœur)- choir vocals:
- Chor der Deutschen Oper Berlin
- vocals:
- Helga Dernesch , Helen Donath , Siegfried Rudolf Frese , Werner Hollweg , Zoltán Kelemen , Horst Laubenthal , Karl Ridderbusch , José van Dam and Jon Vickers
- orchestra:
- Berliner Philharmoniker
- conductor:
- Herbert von Karajan
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus)
- composer:
- Ludwig van Beethoven (in 1814)
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner and Georg Friedrich Treitschke
- part of:
- Fidelio, op. 72: Akt I
| | 3:02 |
| 17 | Fidelio : Acte I: Abscheulicher!... Komm, Hoffnung (Léonore)- choir vocals:
- Chor der Deutschen Oper Berlin
- vocals:
- Helga Dernesch , Helen Donath , Siegfried Rudolf Frese , Werner Hollweg , Zoltán Kelemen , Horst Laubenthal , Karl Ridderbusch , José van Dam and Jon Vickers
- orchestra:
- Berliner Philharmoniker
- conductor:
- Herbert von Karajan
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Akt I
| | 7:38 |
| 18 | Fidelio : Acte I: O welche Lust! (Chœur des prisonniers)- choir vocals:
- Chor der Deutschen Oper Berlin
- vocals:
- Helga Dernesch , Helen Donath , Siegfried Rudolf Frese , Werner Hollweg , Zoltán Kelemen , Horst Laubenthal , Karl Ridderbusch , José van Dam and Jon Vickers
- orchestra:
- Berliner Philharmoniker
- conductor:
- Herbert von Karajan
- recording of:
- Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” (Chor, 1st Prisoner, 2nd Prisoner)
- composer:
- Ludwig van Beethoven (in 1805, in 1814)
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner and Georg Friedrich Treitschke
- part of:
- Fidelio, op. 72: Akt I
| | 7:21 |
| 19 | Fidelio : Acte II: O namenlose Freude (Léonore/Florestan)- choir vocals:
- Chor der Deutschen Oper Berlin
- vocals:
- Helga Dernesch , Helen Donath , Siegfried Rudolf Frese , Werner Hollweg , Zoltán Kelemen , Horst Laubenthal , Karl Ridderbusch , José van Dam and Jon Vickers
- orchestra:
- Berliner Philharmoniker
- conductor:
- Herbert von Karajan
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan)
- composer:
- Ludwig van Beethoven (in 1814)
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner and Georg Friedrich Treitschke
- part of:
- Fidelio, op. 72: Akt II
| | 3:02 |
| 20 | Fidelio : Acte II: Wer ein holdes Weib errungen (Finale) (tutti)- choir vocals:
- Chor der Deutschen Oper Berlin
- vocals:
- Helga Dernesch , Helen Donath , Siegfried Rudolf Frese , Werner Hollweg , Zoltán Kelemen , Horst Laubenthal , Karl Ridderbusch , José van Dam and Jon Vickers
- orchestra:
- Berliner Philharmoniker
- conductor:
- Herbert von Karajan
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino)
- composer:
- Ludwig van Beethoven (in 1814)
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner and Georg Friedrich Treitschke
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| | 4:01 |
