John Williams: The Great Movie Soundtracks

~ Release by John Williams; The Boston Pops Orchestra, Itzhak Perlman (see all versions of this release, 1 available)

Tracklist

| |
▼CD 1
#TitleArtistRatingLength
1Harry Potter and the Philosopher’s Stone: Harry’s Wondrous World
orchestra:
Royal Philharmonic Orchestra
conductor:
Nick Ingman
recording of:
Harry’s Wondrous World (Harry Potter and the Sorcerer’s Stone)
publisher:
Hal Leonard
composer:
John Williams (American score composer)
part of:
Harry Potter and the Philosopher’s Stone (2001 film score)
John Williams5:14
2Indiana Jones and the Temple of Doom: End Credits
orchestra:
Royal Philharmonic Orchestra
conductor:
David Arnold (British conductor)
recording of:
Finale and End Credits (Indiana Jones and the Temple of Doom)
composer:
John Williams (American score composer)
part of:
Indiana Jones and the Temple of Doom
John Williams6:48
3War Horse: Dartmoor, 1912
recording engineer:
Shawn Murphy (producer/engineer) (from 2011-03-07 until 2011-03-17)
producer:
John Williams (American score composer)
mixer:
Shawn Murphy (producer/engineer)
editor:
Ramiro Belgardt
solo flute:
Louise DiTullio (from 2011-03-07 until 2011-03-17)
conductor:
John Williams (American score composer) (from 2011-03-07 until 2011-03-17)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (from 2011-03-07 until 2011-03-17)
mixed at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States
recording of:
Dartmoor (War Horse) (from 2011-03-07 until 2011-03-17)
composer:
John Williams (American score composer)
part of:
War Horse (2011 film score)
John Williams3:35
4Sabrina: Main Theme
recording engineer:
Shawn Murphy (producer/engineer)
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (on 1996-12-10)
orchestra:
Pittsburgh Symphony Orchestra (on 1996-12-10)
conductor:
John Williams (American score composer) (on 1996-12-10)
recorded at:
Heinz Hall for the Performing Arts in Pittsburgh, Pennsylvania, United States (on 1996-12-10)
recording of:
Theme From Sabrina (on 1996-12-10)
composer:
John Williams (American score composer)
part of:
Sabrina (1995 film score)
John Williams4:58
5Far and Away: Main Theme
recording engineer:
Shawn Murphy (producer/engineer)
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (from 1996-12-09 until 1996-12-11)
orchestra:
Pittsburgh Symphony Orchestra (from 1996-12-09 until 1996-12-11)
conductor:
John Williams (American score composer) (from 1996-12-09 until 1996-12-11)
recorded at:
Heinz Hall for the Performing Arts in Pittsburgh, Pennsylvania, United States (from 1996-12-09 until 1996-12-11)
recording of:
Far & Away: Theme (Far and Away) (from 1996-12-09 until 1996-12-11)
composer:
John Williams (American score composer)
part of:
Far and Away (1992 film score)
John Williams5:34
6American Journey: I. Immigration and Building
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Sue McLean
producer:
Ken Wannberg and John Williams (American score composer)
orchestra:
Recording Arts Orchestra of Los Angeles (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
conductor:
John Williams (American score composer) (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
recording of:
American Journey: I. Immigration and Building (from 1999-12-09 until 2000-06-20)
composer:
John Williams (American score composer)
part of:
American Journey
John Williams5:39
7American Journey: II. The Country at War
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Sue McLean
producer:
Ken Wannberg and John Williams (American score composer)
orchestra:
Recording Arts Orchestra of Los Angeles (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
conductor:
John Williams (American score composer) (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
recording of:
American Journey: II. The Country at War (from 1999-12-09 until 2000-06-20)
composer:
John Williams (American score composer)
part of:
American Journey
John Williams3:22
8American Journey: III. Popular Entertainment
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Sue McLean
producer:
Ken Wannberg and John Williams (American score composer)
orchestra:
Recording Arts Orchestra of Los Angeles (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
conductor:
John Williams (American score composer) (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
recording of:
American Journey: III. Popular Entertainment (from 1999-12-09 until 2000-06-20)
composer:
John Williams (American score composer)
part of:
American Journey
John Williams2:30
9American Journey: IV. Arts and Sports
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Sue McLean
producer:
Ken Wannberg and John Williams (American score composer)
orchestra:
Recording Arts Orchestra of Los Angeles (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
conductor:
John Williams (American score composer) (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
recording of:
American Journey: IV. Arts and Sports (from 1999-12-09 until 1999-12-10)
composer:
John Williams (American score composer)
part of:
American Journey
John Williams2:37
10American Journey: V. Civil Rights and the Women’s Movement
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Sue McLean
producer:
Ken Wannberg and John Williams (American score composer)
orchestra:
Recording Arts Orchestra of Los Angeles (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
conductor:
John Williams (American score composer) (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
recording of:
American Journey: V. Civil Rights and the Women's Movement (from 1999-12-09 until 2000-06-20)
composer:
John Williams (American score composer)
part of:
American Journey
John Williams3:27
11American Journey: VI. Flight and Technology
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Sue McLean
producer:
Ken Wannberg and John Williams (American score composer)
orchestra:
Recording Arts Orchestra of Los Angeles (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
conductor:
John Williams (American score composer) (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (from 1999-12-09 until 1999-12-10, from 2000-06-19 until 2000-06-20)
recording of:
American Journey: VI. Flight and Technology (from 1999-12-09 until 2000-06-20)
composer:
John Williams (American score composer)
part of:
American Journey
John Williams7:10
12Suite for Cello and Orchestra from “Memoirs of a Geisha”: Sayuri’s Theme
producer:
John Williams (American score composer)
cello:
Yo‐Yo Ma (cellist) (from 2008-08-20 until 2008-08-21)
orchestra:
Chicago Symphony Orchestra (from 2008-08-20 until 2008-08-21)
conductor:
John Williams (American score composer) (from 2008-08-20 until 2008-08-21)
recorded at:
Symphony Center (Chicago) in Chicago, Illinois, United States (from 2008-08-20 until 2008-08-21)
live recording of:
Suite from Memoirs of a Geisha for Cello and Orchestra: I. Sayuri's Theme (from 2008-08-20 until 2008-08-21)
composer:
John Williams (American score composer)
part of:
Suite from Memoirs of a Geisha for Cello and Orchestra
John Williams4:37
13Suite for Cello and Orchestra from “Memoirs of a Geisha”: Going to School
producer:
John Williams (American score composer)
cello:
Yo‐Yo Ma (cellist) (from 2008-08-20 until 2008-08-21)
orchestra:
Chicago Symphony Orchestra (from 2008-08-20 until 2008-08-21)
conductor:
John Williams (American score composer) (from 2008-08-20 until 2008-08-21)
recorded at:
Symphony Center (Chicago) in Chicago, Illinois, United States (from 2008-08-20 until 2008-08-21)
live recording of:
Suite from Memoirs of a Geisha for Cello and Orchestra: II. Going to School (from 2008-08-21 until 2008-08-22)
composer:
John Williams (American score composer)
part of:
Suite from Memoirs of a Geisha for Cello and Orchestra
John Williams4:13
14Suite for Cello and Orchestra from “Memoirs of a Geisha”: The Chairman’s Waltz
producer:
John Williams (American score composer)
cello:
Yo‐Yo Ma (cellist) (from 2008-08-20 until 2008-08-21)
orchestra:
Chicago Symphony Orchestra (from 2008-08-20 until 2008-08-21)
conductor:
John Williams (American score composer) (from 2008-08-20 until 2008-08-21)
recorded at:
Symphony Center (Chicago) in Chicago, Illinois, United States (from 2008-08-20 until 2008-08-21)
live recording of:
Suite from Memoirs of a Geisha for Cello and Orchestra: III. The Chairman's Waltz (from 2008-08-20 until 2008-08-21)
composer:
John Williams (American score composer)
part of:
Suite from Memoirs of a Geisha for Cello and Orchestra
John Williams4:56
15Suite for Cello and Orchestra from “Memoirs of a Geisha”: Brush on Silk
producer:
John Williams (American score composer)
cello:
Yo‐Yo Ma (cellist) (from 2008-08-20 until 2008-08-21)
orchestra:
Chicago Symphony Orchestra (from 2008-08-20 until 2008-08-21)
conductor:
John Williams (American score composer) (from 2008-08-20 until 2008-08-21)
recorded at:
Symphony Center (Chicago) in Chicago, Illinois, United States (from 2008-08-20 until 2008-08-21)
live recording of:
Suite from Memoirs of a Geisha for Cello and Orchestra: IV. Brush on Silk (from 2008-08-20 until 2008-08-21)
composer:
John Williams (American score composer)
part of:
Suite from Memoirs of a Geisha for Cello and Orchestra
John Williams4:21
16Suite for Cello and Orchestra from “Memoirs of a Geisha”: Chiyo’s Prayer
producer:
John Williams (American score composer)
cello:
Yo‐Yo Ma (cellist) (from 2008-08-20 until 2008-08-21)
orchestra:
Chicago Symphony Orchestra (from 2008-08-20 until 2008-08-21)
conductor:
John Williams (American score composer) (from 2008-08-20 until 2008-08-21)
recorded at:
Symphony Center (Chicago) in Chicago, Illinois, United States (from 2008-08-20 until 2008-08-21)
live recording of:
Suite from Memoirs of a Geisha for Cello and Orchestra: V. Chiyo's Prayer (from 2008-08-20 until 2008-08-21)
composer:
John Williams (American score composer)
part of:
Suite from Memoirs of a Geisha for Cello and Orchestra
John Williams5:27
17Suite for Cello and Orchestra from “Memoirs of a Geisha”: Becoming A Geisha
producer:
John Williams (American score composer)
cello:
Yo‐Yo Ma (cellist) (from 2008-08-20 until 2008-08-21)
orchestra:
Chicago Symphony Orchestra (from 2008-08-20 until 2008-08-21)
conductor:
John Williams (American score composer) (from 2008-08-20 until 2008-08-21)
recorded at:
Symphony Center (Chicago) in Chicago, Illinois, United States (from 2008-08-20 until 2008-08-21)
live recording of:
Suite from Memoirs of a Geisha for Cello and Orchestra: VI. Becoming a Geisha
composer:
John Williams (American score composer)
part of:
Suite from Memoirs of a Geisha for Cello and Orchestra
John Williams5:04
▼CD 2
#TitleArtistRatingLength
1Jaws: Main Theme
recording engineer:
Shawn Murphy (producer/engineer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
Shawn Murphy (producer/engineer)
orchestra:
London Symphony Orchestra (on 1996-07-01)
conductor:
John Williams (American score composer) (on 1996-07-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1996-07-01) and St John’s Wood Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1996-07-01 until 1996-07-02)
recording of:
Main Theme (Jaws) (on 1996-07-01)
composer:
John Williams (American score composer)
part of:
Jaws (1975 film score)
recording of:
Theme (Jaws) (on 1996-07-01)
composer:
John Williams (American score composer)
John Williams42:51
2Jaws: Out to Sea — The Shark Cage Fugue
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Out to Sea (Jaws) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer) (in 1975)
part of:
Jaws (1975 film score)
part of:
Out to Sea / The Shark Cage Fugue (Suite From Jaws)
recording of:
The Shark Cage Fugue (Jaws) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Jaws (1975 film score)
part of:
Out to Sea / The Shark Cage Fugue (Suite From Jaws)
John Williams4:23
3E.T. the Extra-Terrestrial: Adventures on Earth
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
E.T. The Extra-Terrestrial: Adventure on Earth (concert arrangement) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams9:47
4E.T. the Extra-Terrestrial: Flying Theme
recording engineer:
Shawn Murphy (producer/engineer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
producer:
Shawn Murphy (producer/engineer)
orchestra:
London Symphony Orchestra (on 1996-07-01)
conductor:
John Williams (American score composer) (on 1996-07-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1996-07-01) and St John’s Wood Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1996-07-01 until 1996-07-02)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (on 1996-07-01)
composer:
John Williams (American score composer) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams33:42
5The Adventures of Tintin: Main Theme
recording engineer and mixer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
editor:
Ramiro Belgardt
conductor:
John Williams (American score composer)
recorded at and mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
recording of:
The Adventures of Tintin (The Adventures of Tintin: The Secret of the Unicorn)
composer:
John Williams (American score composer)
part of:
The Adventures of Tintin: The Secret of the Unicorn
John Williams3:04
6Lincoln: The People’s House
bassoon:
David McGill
trumpet:
Christopher Martin (trumpetist)
orchestra:
Chicago Symphony Orchestra
conductor:
John Williams (American score composer)
recorded at:
Symphony Center (Chicago) in Chicago, Illinois, United States
recording of:
The People’s House (Lincoln)
composer:
John Williams (American score composer)
part of:
Lincoln (2012 film score)
John Williams3:41
7Suite from "Born on the Fourth of July": I. Main Theme
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
trumpet:
Tim Morrison (trumpeter) (on 1990-11-05, on 1991-02-11)
orchestra:
Boston Pops Orchestra (on 1990-11-05, on 1991-02-11)
conductor:
John Williams (American score composer) (on 1990-11-05, on 1991-02-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-05, on 1991-02-11)
recording of:
Born on the Fourth of July (from 1990-11-05 until 1991-02-11)
composer:
John Williams (American score composer)
part of:
Born on the Fourth of July
John Williams6:20
8Suite from "Born on the Fourth of July": II. Cua Viet River, Vietnam 1968
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
trumpet:
Tim Morrison (trumpeter) (on 1990-11-05, on 1991-02-11)
orchestra:
Boston Pops Orchestra (on 1990-11-05, on 1991-02-11)
conductor:
John Williams (American score composer) (on 1990-11-05, on 1991-02-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-05, on 1991-02-11)
recording of:
Cua Viet River, Vietnam 1968 (Born on the Fourth of July) (from 1990-11-05 until 1991-02-11)
composer:
John Williams (American score composer)
part of:
Born on the Fourth of July
John Williams3:37
9Suite from "Born on the Fourth of July": III. Massapequa... The Early Days
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
trumpet:
Tim Morrison (trumpeter) (on 1990-11-05, on 1991-02-11)
orchestra:
Boston Pops Orchestra (on 1990-11-05, on 1991-02-11)
conductor:
John Williams (American score composer) (on 1990-11-05, on 1991-02-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-05, on 1991-02-11)
recording of:
Massapequa... The Early Days (Born on the Fourth of July) (from 1990-11-05 until 1991-02-11)
composer:
John Williams (American score composer)
part of:
Born on the Fourth of July
John Williams4:06
10Schindler's List: Main Theme
recording engineer:
Shawn Murphy (producer/engineer)
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (on 1996-12-10)
orchestra:
Pittsburgh Symphony Orchestra (on 1996-12-10)
conductor:
John Williams (American score composer) (on 1996-12-10)
recorded at:
Heinz Hall for the Performing Arts in Pittsburgh, Pennsylvania, United States (on 1996-12-10)
recording of:
Main Theme (Schindler’s List) (on 1996-12-10)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
John Williams3:33
11Jurassic Park: Main Theme
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (from 1995-05-25 until 1995-05-27)
conductor:
John Williams (American score composer) (from 1995-05-25 until 1995-05-27)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1995-05-25 until 1995-05-27)
recording of:
Theme From Jurassic Park (Jurassic Park) (from 1995-05-25 until 1995-05-27)
composer:
John Williams (American score composer) (in 1993)
music quoted on:
As the Jurassic World Turns
music quoted on:
The Park Is Closed
music quoted on:
Welcome to Jurassic World
part of:
Jurassic Park (1993 film score)
John Williams5:29
12Empire of the Sun: Cadillac of the Skies
producer:
Thomas Z. Shepard
choir vocals:
American Boychoir (from 1990-05-18 until 1990-05-19, on 1990-05-25) and Tanglewood Festival Chorus (from 1990-05-18 until 1990-05-19, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
chorus master:
James Litton (conductor and choir master) (from 1990-05-18 until 1990-05-19, on 1990-05-25) and John Oliver (chorus master) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Cadillac of the Skies (Empire of the Sun) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
Empire of the Sun (1987 film score)
John Williams4:58
13Close Encounters of the Third Kind: Medley — When You Wish Upon a Star
producer:
Thomas Z. Shepard
choir vocals:
American Boychoir (from 1990-05-18 until 1990-05-19, on 1990-05-25) and Tanglewood Festival Chorus (from 1990-05-18 until 1990-05-19, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
chorus master:
James Litton (conductor and choir master) (from 1990-05-18 until 1990-05-19, on 1990-05-25) and John Oliver (chorus master) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Close Encounters of the Third Kind: Suite (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
John Williams9:46
14Sugarland Express: Main Theme
producer:
Thomas Z. Shepard
harmonica:
Toots Thielemans (from 1990-05-18 until 1990-05-19, on 1990-05-25)
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
Theme (Sugarland Express) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
John Williams3:35
▼CD 3
#TitleArtistRatingLength
1Star Wars, Episode I: Main Theme and The Arrival At Naboo
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Main Title (Star Wars) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer) (from 2014-12 until 2015-11)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
music quoted on:
Finale (Star Wars, Episode IX: The Rise of Skywalker)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
recording of:
The Arrival at Naboo (Star Wars, Episode I: The Phantom Menace) (from 1999-02-05 until 1999-02-17)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams32:55
2Star Wars, Episode I: The Flag Parade
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
recording of:
The Flag Parade (Star Wars, Episode 1: The Phantom Menace)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams32:11
3Star Wars, Episode I: Qui–Gon’s Noble End
orchestra:
London Symphony Orchestra (from 1999-02-05 until 1999-02-17)
conductor:
John Williams (American score composer) (from 1999-02-05 until 1999-02-17)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02-05 until 1999-02-17)
recording of:
Qui-Gon’s Noble End (Star Wars, Episode I: The Phantom Menace)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
John Williams33:47
4Star Wars, Episode II: Jango’s Escape
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Jango's Escape (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams2.953:47
5Star Wars, Episode II: Yoda And The Younglings
orchestra:
London Symphony Orchestra (from 2002-01-18 until 2002-01-26)
conductor:
John Williams (American score composer) (from 2002-01-18 until 2002-01-26)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2002-01-18 until 2002-01-26)
recording of:
Yoda and the Younglings (Star Wars, Episode II: Attack of the Clones) (from 2002-01-18 until 2002-01-26)
composer:
John Williams (American score composer)
publisher:
Bantha Music
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
John Williams33:56
6Star Wars, Episode III: General Grievous
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
General Grievous (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams2.94:07
7Star Wars, Episode III: Anakin’s Dark Deeds
choir vocals:
London Voices
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recording of:
Anakin’s Dark Deeds (Star Wars, Episode III: Revenge of the Sith)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
John Williams34:04
8Star Wars, Episode IV: Imperial Attack
orchestra:
London Symphony Orchestra (from 1977-03-05 until 1977-03-16)
conductor:
John Williams (American score composer) (from 1977-03-05 until 1977-03-16)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1977-03-05 until 1977-03-16)
recording of:
Imperial Attack (Star Wars, Episode IV: A New Hope) (from 1977-03-05 until 1977-03-16)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams2.856:44
9Star Wars, Episode IV: Ben Kenobi’s Death — Tie Fighter Attack
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
recording of:
Ben Kenobi’s Death (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
recording of:
TIE Fighter Attack (Star Wars, Episode IV: A New Hope)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams23:53
10Star Wars, Episode V: Yoda And The Force
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
phonographic copyright (℗) by:
Lucas Film Ltd. (in 2018)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
Yoda and the Force (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert Winfield Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3.24:05
11Star Wars, Episode V: The Clash Of Lightsabers
recording engineer:
Eric A. Tomlinson (British recording engineer) (from 1979-12-27 until 1980-01-18)
producer:
John Williams (American score composer)
orchestra:
London Symphony Orchestra (from 1979-12-27 until 1980-01-18)
conductor:
John Williams (American score composer) (from 1979-12-27 until 1980-01-18)
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (from 1979-12-27 until 1980-01-18)
recording of:
The Clash of Lightsabers (Star Wars, Episode V: The Empire Strikes Back) (from 1979-12-27 until 1980-01-18)
orchestrator:
Herbert Winfield Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams2.754:19
12Star Wars, Episode VI: Sail Barge Assault
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
recording of:
Sail Barge Assault (Star Wars, Episode VI: Return of the Jedi)
orchestrator:
Herbert Winfield Spencer (composer and orchestrator)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams25:04
13Star Wars, Episode VI: End Title
orchestra:
London Symphony Orchestra
conductor:
John Williams (American score composer)
recording of:
End Title (Star Wars, Episode VI: Return of the Jedi)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
recording of:
Finale (Star Wars, Episode VI: Return of the Jedi)
composer:
John Williams (American score composer)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams26:05
▼CD 4
#TitleArtistRatingLength
1Air and Simple Gifts
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
cello:
Yo‐Yo Ma (cellist) (on 2009-01-18)
clarinet:
Anthony McGill (clarinetist) (on 2009-01-18)
piano:
Gabriela Montero (Venezuelan pianist) (on 2009-01-18)
violin:
Itzhak Perlman (violinist and conductor) (on 2009-01-18)
recorded at:
The Studios of "The President's Own" United States Marine Band in Washington, D.C., United States (on 2009-01-18)
recording of:
Air and Simple Gifts (on 2009-01-18)
composer:
John Williams (American score composer)
John Williams4:30
2Song for World Peace
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) (on 2000-06-19)
assistant engineer:
Sue McLean (on 2000-06-19)
producer:
Ken Wannberg and John Williams (American score composer)
orchestra:
Recording Arts Orchestra of Los Angeles (on 2000-06-19)
conductor:
John Williams (American score composer) (on 2000-06-19)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (on 2000-06-19)
recording of:
Song for World Peace (on 2000-06-19)
composer:
John Williams (American score composer) (in 1994)
John Williams4:42
3Summon the Heroes (For Tim Morrison)
recording engineer, engineer and producer:
Shawn Murphy (producer/engineer)
assistant engineer:
Darcy Proper, Todd Whitelock (engineer) and Robert Wolff (engineer)
orchestra:
Boston Pops Orchestra (on 1996-01-06, on 1996-01-10, on 1996-01-13)
conductor:
John Williams (American score composer) (on 1996-01-06, on 1996-01-10, on 1996-01-13)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1996-01-06, on 1996-01-10, on 1996-01-13)
recording of:
Summon the Heroes (from 1996-01-06 until 1996-01-13)
composer:
John Williams (American score composer) (in 1995)
dedicated to:
Tim Morrison (trumpeter)
premiered at:
Turner Field in Atlanta, Georgia, United States (on 1996-07-19)
John Williams6:14
4Hymn to New England
recording engineer:
Shawn Murphy (producer/engineer) (on 2001-11-27)
producer:
John Williams (American score composer)
orchestra:
Utah Symphony (on 2001-11-27)
conductor:
John Williams (American score composer) (on 2001-11-27)
recorded at:
Abravanel Hall in Salt Lake City, Utah, United States (on 2001-11-27)
recording of:
Hymn to New England (on 2001-11-27)
composer:
John Williams (American score composer) (in 1987)
John Williams3:12
5The Five Sacred Trees (Concerto for Bassoon and Orchestra): I. Eó Mugna
recording engineer:
Shawn Murphy (producer/engineer) (on 1996-06-22) and Simon Rhodes (senior recording engineer at Abbey Road Studios) (on 1996-06-22)
assistant engineer:
Jonathan Allen (engineer) (on 1996-06-22)
producer:
Shawn Murphy (producer/engineer)
bassoon:
Judith LeClair (bassoonist) (on 1996-06-22)
orchestra:
London Symphony Orchestra (on 1996-06-22)
conductor:
John Williams (American score composer) (on 1996-06-22)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1996-06-22)
recording of:
The Five Sacred Trees: I. Eó Mugna (Concerto for Bassoon and Orchestra) (on 1996-06-22)
composer:
John Williams (American score composer)
part of:
The Five Sacred Trees (Concerto for Bassoon and Orchestra)
John Williams6:54
6The Five Sacred Trees (Concerto for Bassoon and Orchestra): II. Tortan
recording engineer:
Shawn Murphy (producer/engineer) (on 1996-06-22) and Simon Rhodes (senior recording engineer at Abbey Road Studios) (on 1996-06-22)
assistant engineer:
Jonathan Allen (engineer) (on 1996-06-22)
producer:
Shawn Murphy (producer/engineer)
bassoon:
Judith LeClair (bassoonist) (on 1996-06-22)
orchestra:
London Symphony Orchestra (on 1996-06-22)
conductor:
John Williams (American score composer) (on 1996-06-22)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1996-06-22)
recording of:
The Five Sacred Trees: II. Tortan (Concerto for Bassoon and Orchestra) (on 1996-06-22)
composer:
John Williams (American score composer)
part of:
The Five Sacred Trees (Concerto for Bassoon and Orchestra)
John Williams3:53
7The Five Sacred Trees (Concerto for Bassoon and Orchestra): III. Eó Rossa
recording engineer:
Shawn Murphy (producer/engineer) (on 1996-06-22) and Simon Rhodes (senior recording engineer at Abbey Road Studios) (on 1996-06-22)
assistant engineer:
Jonathan Allen (engineer) (on 1996-06-22)
producer:
Shawn Murphy (producer/engineer)
bassoon:
Judith LeClair (bassoonist) (on 1996-06-22)
orchestra:
London Symphony Orchestra (on 1996-06-22)
conductor:
John Williams (American score composer) (on 1996-06-22)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1996-06-22)
recording of:
The Five Sacred Trees: III. Eó Rossa (Concerto for Bassoon and Orchestra) (on 1996-06-22)
composer:
John Williams (American score composer)
part of:
The Five Sacred Trees (Concerto for Bassoon and Orchestra)
John Williams4:01
8The Five Sacred Trees (Concerto for Bassoon and Orchestra): IV. Craeb Uisnig
recording engineer:
Shawn Murphy (producer/engineer) (on 1996-06-22) and Simon Rhodes (senior recording engineer at Abbey Road Studios) (on 1996-06-22)
assistant engineer:
Jonathan Allen (engineer) (on 1996-06-22)
producer:
Shawn Murphy (producer/engineer)
bassoon:
Judith LeClair (bassoonist) (on 1996-06-22)
orchestra:
London Symphony Orchestra (on 1996-06-22)
conductor:
John Williams (American score composer) (on 1996-06-22)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1996-06-22)
recording of:
The Five Sacred Trees: IV. Craeb Uisnig (Concerto for Bassoon and Orchestra) (on 1996-06-22)
composer:
John Williams (American score composer)
part of:
The Five Sacred Trees (Concerto for Bassoon and Orchestra)
John Williams2:53
9The Five Sacred Trees (Concerto for Bassoon and Orchestra): V. Dathi
recording engineer:
Shawn Murphy (producer/engineer) (on 1996-06-22) and Simon Rhodes (senior recording engineer at Abbey Road Studios) (on 1996-06-22)
assistant engineer:
Jonathan Allen (engineer) (on 1996-06-22)
producer:
Shawn Murphy (producer/engineer)
bassoon:
Judith LeClair (bassoonist) (on 1996-06-22)
orchestra:
London Symphony Orchestra (on 1996-06-22)
conductor:
John Williams (American score composer) (on 1996-06-22)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1996-06-22)
recording of:
The Five Sacred Trees: V. Dathi (Concerto for Bassoon and Orchestra) (on 1996-06-22)
composer:
John Williams (American score composer)
part of:
The Five Sacred Trees (Concerto for Bassoon and Orchestra)
John Williams8:01
10Sound the Bells!
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) (on 2000-06-19)
assistant engineer:
Sue McLean (on 2000-06-19)
producer:
Ken Wannberg and John Williams (American score composer)
orchestra:
Recording Arts Orchestra of Los Angeles (on 2000-06-19)
conductor:
John Williams (American score composer) (on 2000-06-19)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (on 2000-06-19)
recording of:
Sound the Bells! (on 2000-06-19)
composer:
John Williams (American score composer) (in 1993)
John Williams2:50
11Elegy for Cello and Orchestra
recording engineer:
Shawn Murphy (producer/engineer)
producer:
John Williams (American score composer)
cello:
Yo‐Yo Ma (cellist) (from 2001-04-04 until 2001-04-06)
orchestra:
Recording Arts Orchestra of Los Angeles (from 2001-04-04 until 2001-04-06)
conductor:
John Williams (American score composer) (from 2001-04-04 until 2001-04-06)
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States (from 2001-04-04 until 2001-04-06)
recording of:
Elegy for Cello and Orchestra (from 2001-04-04 until 2001-04-06)
composer:
John Williams (American score composer)
publisher:
Marjer Publishing
John Williams6:22
12The Mission: Main Theme (Theme for NBC News)
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) (on 2000-06-19)
assistant engineer:
Sue McLean (on 2000-06-19)
producer:
Ken Wannberg and John Williams (American score composer)
orchestra:
Recording Arts Orchestra of Los Angeles (on 2000-06-19)
conductor:
John Williams (American score composer) (on 2000-06-19)
recorded at:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, United States (on 2000-06-19)
recording of:
The Mission (NBC News theme) (on 2000-06-19)
composer:
John Williams (American score composer)
John Williams3:30
131941: March
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-05-18 until 1990-05-19, on 1990-05-25)
conductor:
John Williams (American score composer) (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-05-18 until 1990-05-19, on 1990-05-25)
recording of:
The March (1941) (from 1990-05-18 until 1990-05-25)
composer:
John Williams (American score composer)
part of:
1941
John Williams4:14
14The Olympic Spirit
recording engineer and producer:
Shawn Murphy (producer/engineer)
orchestra:
Boston Pops Orchestra (on 1996-01-06, on 1996-01-10, on 1996-01-13)
conductor:
John Williams (American score composer) (on 1996-01-06, on 1996-01-10, on 1996-01-13)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1996-01-06, on 1996-01-10, on 1996-01-13)
recording of:
Olympic Spirit (NBC Sports Theme) (from 1996-01-06 until 1996-01-13)
composer:
John Williams (American score composer) (in 1988)
John Williams4:06

Credits

Release

part of:Masters (Sony Classical) (order: 19)
Discogs:https://www.discogs.com/release/12980040 [info]
ASIN:UK: B0129YBQTI [info]