Fine and Mellow

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

CD 1
Nr.TitelBewertungLänge
1Fine and Mellow
aufgenommen bei:
The Town Hall (New York City) in New York, New York, Vereinigte Staaten (am 1959-09-15)
live cover recording of:
Fine and Mellow (am 1959-09-15)
Texter und Komponist(in):
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:46
2The Other Woman
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
Schlagzeug:
Albert “Tootie” Heath
cover recording of:
The Other Woman
Verfasser(in):
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
43:00
3My Baby Just Cares for Me3:38
4Nina’s Blues
recording of:
Nina’s Blues
Komponist(in):
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
6:10
5I Loves You Porgy
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1957-12)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
44:10
6Black Is the Colour of My True Love’s Hair
aufgenommen bei:
The Town Hall (New York City) in New York, New York, Vereinigte Staaten (am 1959-09-15)
live cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone) (am 1959-09-15)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
Arrangement von:
Black Is the Colour (of My True Love’s Hair)
3:45
7Wild Is the Wind
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1959-09-12)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
Sologesang:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1959-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1959)
aufgenommen bei:
The Town Hall (New York City) in New York, New York, Vereinigte Staaten (am 1959-09-12)
live cover recording of:
Wild Is the Wind (am 1959-09-12)
Texter:
Ned Washington
Komponist(in):
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) und Patti Washington Music (in 1957, in 1985)
3:28
8Central Park Blues
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recording of:
Central Park Blues
Komponist(in):
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Memory Music Lane Ltd.
43:06
9Little Girl Blue
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Little Girl Blue (in 1957-12)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 und ワーナー・チャペル音楽出版 Synch事業部
Teil von:
Jumbo
4.54:15
10Mood Indigo
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Phillips (publisher; do NOT use as release label) (in 1966)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS-affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
54:03
11Summertime
aufgenommen bei:
The Town Hall (New York City) in New York, New York, Vereinigte Staaten (am 1959-09-15)
live cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1959-09-15)
Texter:
Dorothy Kuhns (playwright), Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (vom 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
lyrics quoted on:
Doin’ Time
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
6:03
12Flo Me La
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-06-30)
Bass:
Chris White (jazz bassist) (am 1960-06-30)
Gitarre:
Al Schackman (am 1960-06-30)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1960-06-30)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1960-06-30)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1960-06-30)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live recording of:
Flo Me La (am 1960-06-30)
Komponist(in):
[traditional] (special purpose artist) und Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
17:12
13Don’t Smoke in Bed
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Philips (publisher; do NOT use as release label) (in 1964)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Don’t Smoke in Bed (in 1957-12)
Texter und Komponist(in):
Willard Robison
publisher:
MCA Music Ltd. und Oriole Music Corp.
43:11
14Exactly Like You
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (am 1959-09-15)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1959-09-15)
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-15)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1959-09-15)
aufgenommen bei:
The Town Hall (New York City) in New York, New York, Vereinigte Staaten (am 1959-09-15)
live cover recording of:
Exactly Like You (am 1959-09-15)
Texter:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1930)
Komponist(in):
Jimmy McHugh (songwriter) (in 1930)
33:26
15Good Bait
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
instrumental cover recording of:
Good Bait (in 1957-12)
Texter:
Tadd Dameron
Komponist(in):
Count Basie (pianist) und Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
3.655:26
16You’ll Never Walk Alone
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
instrumental cover recording of:
You’ll Never Walk Alone (Carousel) (in 1957-12)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS-affiliated), T.B. Harms Co., Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
cover recording of:
You’ll Never Walk Alone (Carousel)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS-affiliated), T.B. Harms Co., Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
53:47
17He’s Got the Whole World in His Hands
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1959)
cover recording of:
He’s Got the Whole World in His Hands (in 1957-12)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Thandewye Music (publisher; do NOT use as release label)
lyrics quoted on:
Sold! To the Nice Rich Man!
3:09
18Cotton Eyed Joe
aufgenommen bei:
The Town Hall (New York City) in New York, New York, Vereinigte Staaten (am 1959-09-15)
live cover recording of:
Cotton‐Eyed Joe (traditional song) (am 1959-09-15)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 942)
3:14
19In the Evening by the Moonlight
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-06-30)
Bass:
Chris White (jazz bassist) (am 1960-06-30)
Gitarre:
Al Schackman (am 1960-06-30)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1960-06-30)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1960-06-30)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1960-06-30)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live cover recording of:
In the Evening by the Moonlight (1879 song) (am 1960-06-30)
Texter und Komponist(in):
James A. Bland (in 1879)
6:08
20Li’l Liza Jane
cover recording of:
Li’l Liza Jane (1916 original)
Texter und Komponist(in):
Countess Ada de Lachau
publisher:
Sherman, Clay & Co. (in 1916)
4:32
21Trouble in Mind
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-06-30)
Bass:
Chris White (jazz bassist) (am 1960-06-30)
Gitarre:
Al Schackman (am 1960-06-30)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1960-06-30)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1960-06-30)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1960-06-30)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live cover recording of:
Trouble in Mind (am 1960-06-30)
Texter und Komponist(in):
Richard M. Jones
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) und Universal‐MCA Music Publishing (US)
5:41
22You’d Be So Nice to Come Home To
cover recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
5:24
23Love Me or Leave Me
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Company (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
4.653:22
24Plain Gold Ring
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1957-12)
phonographic copyright (℗) by:
PolyGram Records Inch (not for release label use! US division of PolyGram) (in 1964)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Plain Gold Ring (in 1957-12)
Texter:
George Stone (composer)
Komponist(in):
Blue Sky Black Death (US hip hop production duo), Earl Burroughs und George Stone (composer)
publisher:
Thandewye Music (publisher; do NOT use as release label) und Hank Snow Music (am 1959-09-21)
33:51
25You Can Have Him
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (am 1959-09-15)
Klavier und Sologesang:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (am 1959-09-15)
Schlagzeug:
Albert “Tootie” Heath (am 1959-09-15)
aufgenommen bei:
The Town Hall (New York City) in New York, New York, Vereinigte Staaten (am 1959-09-12)
live cover recording of:
You Can Have Him (am 1959-09-12)
Texter und Komponist(in):
Irving Berlin (in 1949)
5:59

Nennungen

Veröffentlichung

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