Les Chemins de la joie

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

| |
▼CD 1
#TitleRatingLength
1Cantata No.147 Herz und Mund und Tat und Leben BWV147 : X Chorale - "Jesus bleibet meine Freude"
choir vocals:
Tölzer Knabenchor (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
music quoted on:
Minnen av aprilhimlen
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:37
2Cantata No.188 Ich habe meine Zuversicht BWV188 : I Sinfonia
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": I. Sinfonia
premiered in:
Leipzig, Sachsen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: III. Allegro
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
7:37
3Cantata No.11 Lobet Gott in seinen Reichen BWV11 : XI Chorale - "Wann soll es doch geschehen"
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
4:34
4Cantata No.174 Ich liebe den Höchsten von ganzem Gemüte BWV174 : I Sinfonia
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia
premiered in:
Leipzig, Sachsen, Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
6:09
5Cantata No.199 Mein Herze schwimmt im Blut BWV199 : VIII Aria - "Wie freudig ist mein Herz"
soprano vocals:
Barbara Bonney (soprano) (in 1988-09)
orchestra:
Concentus Musicus Wien (in 1988-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-09)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-09)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz" (in 1988-09)
composed in:
Weimar, Thüringen, Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut"
2:08
6Cantata No.62 Nun komm, der Heiden Heiland BWV62 : I Chorus - "Nun komm, der Heiden Heiland"
choir vocals:
Tölzer Knabenchor (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
4:53
7Cantata No.11 Lobet Gott in seinen Reichen BWV11 : VII Recitative - "Und da sie ihm nachsahen"
bass vocals:
Max van Egmond (bass-baritone) (from 1971-12-08 until 1971-12-15)
tenor vocals:
Kurt Equiluz (tenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
1:05
8Cantata No.170 Vergnügte Ruh, beliebte Seelenlust BWV170 : I Aria - "Vergnügte Ruh, beliebte Seelenlust"
alto vocals:
Paul Esswood (countertenor) (from 1985-12-17 until 1985-12-18)
contralto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (from 1985-12-17 until 1985-12-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-17 until 1985-12-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-12-17 until 1985-12-18)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (from 1985-12-17 until 1985-12-18)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
6:16
9Cantata No.140 Wachet auf, ruft uns die Stimme BWV140 : I Chorus - "Wachet auf, ruft uns die Stimme"
choir vocals:
Tölzer Knabenchor (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Wien, Austria (from 1981-11-06 until 1983-01-22)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
7:11
10Cantata No.82 Ich habe genung BWV82 : I Aria - "Ich habe genung"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Wien, Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
6:47
11Cantata No.156 Ich steh mit einem Fuss im Grabe BWV156 : VI Chorale - "Herr, wie du willt, so schicks mit mir"
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": VI. Choral "Herr, wie du willst, so schicks mir mit"
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Kaspar Bienemann (in 1582)
part of:
Breitkopf 389 Choralgesänge (number: 150)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
1:14
12Cantata No.49 Ich geh und suche mit Verlangen BWV49 : I Sinfonia
orchestra:
Concentus Musicus Wien (from 1975-02 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-02 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1975-02 until 1975-05)
recording of:
Kantate, BWV 49 "Ich geh und suche mit Verlangen": I. Sinfonia (from 1975-02 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 49 “Ich geh und suche mit Verlangen”
6:37
13Cantata No.192 Nun danket alle Gott BWV192 : I Chorus - "Nun danket alle Gott"
choir vocals:
Tölzer Knabenchor (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Wien, Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 192 "Nun danket alle Gott": I. Coro "Nun danket alle Gott" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen, Germany (in 1730)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Kantate, BWV 192 "Nun danket alle Gott"
5:28
14Cantata No.95 Christus, der ist mein Leben BWV95 : V Aria - "Ach, schlage doch bald"
tenor vocals:
Kurt Equiluz (tenor) (from 1978-02-14 until 1978-05-19)
orchestra:
Concentus Musicus Wien (from 1978-02-14 until 1978-05-19)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-02-14 until 1978-05-19)
recorded at:
Casino Zögernitz in Wien, Austria (from 1978-02-14 until 1978-05-19)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": V. Aria (Tenor) "Ach, schlage doch bald, selge Stunde" (from 1978-02-14 until 1978-05-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
5:58
15Cantata No.180 Schmücke dich, o liebe Seele BWV180 : I Chorus - "Schmücke dich, o liebe Seele"
choir vocals:
Collegium Vocale Gent (from 1987-01-09 until 1987-01-12) and Knabenchor Hannover (from 1987-01-09 until 1987-01-12)
orchestra:
Leonhardt‐Consort (from 1987-01-09 until 1987-01-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1987-01-09 until 1987-01-12)
chorus master:
Heinz Hennig (conductor) (from 1987-01-09 until 1987-01-12) and Philippe Herreweghe (Belgian conductor) (from 1987-01-09 until 1987-01-12)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1987-01-09 until 1987-01-12)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": I. Choral "Schmücke dich, o liebe Seele" (from 1987-01-09 until 1987-01-12)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
7:27
16Cantata No.51 Jauchzet Gott in allen Landen BWV51 : V Aria - "Alleluja"
soprano vocals:
Marjanne Kweksilber (soprano) (from 1974-12-09 until 1974-12-10)
orchestra:
Leonhardt‐Consort (from 1974-12-09 until 1974-12-10)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12-09 until 1974-12-10)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12-09 until 1974-12-10)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (from 1974-12-09 until 1974-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
2:15
▼CD 2
#TitleRatingLength
1Cantata No.147 Herz und Mund und Tat und Leben BWV147 : I Chorus - "Herz und Mund und Tat und Leben"
choir vocals:
Tölzer Knabenchor (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Wien, Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:49
2Cantata No.52 Falsche Welt, dir trau ich nicht BWV52 : I Sinfonia
orchestra:
Leonhardt‐Consort (from 1975-01-26 until 1975-01-27)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-26 until 1975-01-27)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-26 until 1975-01-27)
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": I. Sinfonia (from 1975-01-26 until 1975-01-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
4:17
3Cantata No.21 Ich hatte viel Bekümmernis BWV21 : II Chorus - "Ich hatte viel Bekümmernis"
choir vocals:
Chorus Viennensis (from 1971-12 until 1972-04) and Wiener Sängerknaben (from 1971-12 until 1972-04)
orchestra:
Concentus Musicus Wien (from 1971-12 until 1972-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1971-12 until 1972-04)
chorus master:
Hans Gillesberger (from 1971-12 until 1972-04)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (from 1971-12 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
2:58
4Cantata No.194 Höchsterwünschtes Freudenfest BWV194 : III Aria - "Was des Höchsten Glanz erfüllt"
bass vocals:
Thomas Hampson (baritone) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Wien, Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest": III. Aria (Bass) "Was des Höchsten Glanz erfüllt" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen, Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 194 "Höchsterwünschtes Freudenfest"
4:47
5Cantata No.133 Ich freue mich in dir BWV133 : I Chorus - "Ich freue mich in dir"
choir vocals:
Collegium Vocale Gent (from 1983-03-22 until 1983-03-26) and Knabenchor Hannover (from 1983-03-22 until 1983-03-26)
orchestra:
Leonhardt‐Consort (from 1983-03-22 until 1983-03-26)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1983-03-22 until 1983-03-26)
chorus master:
Heinz Hennig (conductor) (from 1983-03-22 until 1983-03-26) and Philippe Herreweghe (Belgian conductor) (from 1983-03-22 until 1983-03-26)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1983-03-22 until 1983-03-26)
recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir" (from 1983-03-22 until 1983-03-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
4:16
6Cantata No.4 Christ lag in Todes Banden BWV4 : IV Aria - "Jesus Christus, Gottes Sohn"
tenor vocals:
Kurt Equiluz (tenor) (from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Wien, Austria (from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
2:18
7Cantata No.106 Gottes Zeit ist die allerbeste Zeit [Actus tragicus] BWV106 : I Sonatina
orchestra:
Leonhardt‐Consort (from 1978-02-15 until 1980-01-07)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-02-15 until 1980-01-07)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1978-02-15 until 1980-01-07)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (from 1978-02-15 until 1980-01-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:38
8Cantata No.22 Jesus nahm zu sich die Zwölfe BWV22 : V Chorale - "Ertöt uns durch dein Güte"
choir vocals:
Choir of King’s College, Cambridge (from 1972-01 until 1972-04) and Tölzer Knabenchor (from 1972-01 until 1972-04)
orchestra:
Leonhardt‐Consort (from 1972-01 until 1972-04)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1972-01 until 1972-04)
chorus master:
David Willcocks (from 1972-01 until 1972-04) and Gerhard Schmidt‐Gaden (conductor) (from 1972-01 until 1972-04)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte" (from 1972-01 until 1972-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe"
2:01
9Cantata No.37 Wer da gläubet und getauft wird BWV37 : I Chorus - "Wer da gläubet und getauft wird"
choir vocals:
Wiener Sängerknaben (from 1974-02 until 1974-04)
vocals:
Chorus Viennensis (from 1974-02 until 1974-04)
orchestra:
Concentus Musicus Wien (from 1974-02 until 1974-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-02 until 1974-04)
recorded at:
Palais Rasumovsky in Wien, Austria (from 1974-02 until 1974-04)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": I. Coro "Wer da gläubet und getauft wird, der wird selig werden" (from 1974-02 until 1974-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
2:38
10Cantata No.183 Sie werden euch in den Bann tun BWV183 : III Recitative - "Ich bin bereit, mein Blut und armes Leben"
alto vocals:
Paul Esswood (countertenor) (in 1988)
orchestra:
Concentus Musicus Wien (in 1988)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988)
recording of:
Kantate, BWV 183 "Sie werden euch in den Bann tun": III. Recitativo (Alt) "Ich bin bereit, mein Blut und armes Leben" (in 1988)
premiered in:
Leipzig, Sachsen, Germany (on 1725-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 183 "Sie werden euch in den Bann tun"
0:48
11Cantata No.24 Ein ungefärbt Gemüte BWV24 : I Aria - "Ein ungefärbt Gemüte"
alto vocals:
Paul Esswood (countertenor) (from 1972-06 until 1972-10)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1972-10)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1972-10)
recorded at:
Casino Zögernitz in Wien, Austria (from 1972-06 until 1972-10)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": I. Aria (Alto) "Ein ungefärbt Gemüte" (from 1972-06 until 1972-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
3:35
12Cantata No.12 Weinen, Klagen, Sorgen, Zagen BWV12 : II Chorus - "Weinen, Klagen, Sorgen, Zagen"
alto vocals:
Paul Esswood (countertenor) (from 1971-12-08 until 1971-12-15)
bass vocals:
Max van Egmond (bass-baritone) (from 1971-12-08 until 1971-12-15)
choir vocals:
King's College Choir Cambridge (from 1971-12-08 until 1971-12-15) and Tölzer Knabenchor (from 1971-12-08 until 1971-12-15)
tenor vocals:
Kurt Equiluz (tenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Leonhardt‐Consort (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (from 1971-12-08 until 1971-12-15) and Gerhard Schmidt‐Gaden (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Wien, Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
6:01
13Cantata No.140 Wachet auf, ruft uns die Stimme BWV140 : IV Chorale - "Zion hört die Wächter singen"
choir vocals:
Kinderchor Bad Tölz
tenor vocals:
Kurt Equiluz (tenor) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Wien, Austria (from 1981-11-06 until 1983-01-22)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
4:00
14Cantata No.117 Sei Lob und Ehr dem höchsten Gut BWV117 : I Chorus - "Sei Lob und Ehr dem höchsten Gut"
choir vocals:
Collegium Vocale Gent (from 1980-11-02 until 1980-11-05) and Knabenchor Hannover (from 1980-11-02 until 1980-11-05)
orchestra:
Leonhardt‐Consort (from 1980-11-02 until 1980-11-05)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1980-11-02 until 1980-11-05)
chorus master:
Heinz Hennig (conductor) (from 1980-11-02 until 1980-11-05) and Philippe Herreweghe (Belgian conductor) (from 1980-11-02 until 1980-11-05)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1980-11-02 until 1980-11-05)
recording of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut": I. Coro "Sei Lob und Ehr dem höchsten Gut" (from 1980-11-02 until 1980-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Jakob Schütz (in 1673)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany
part of:
Kantate, BWV 117 "Sei Lob und Ehr dem höchsten Gut"
4:12
15Cantata No.169 Gott soll allein mein Herze haben BWV169 : I Sinfonia
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia
premiered in:
Leipzig, Sachsen, Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
7:37
16Cantata No.19 Es erhub sich ein Streit BWV19 : I Chorus - "Es erhub sich ein Streit"
choir vocals:
Chorus Viennensis (in 1971-12) and Wiener Sängerknaben (in 1971-12)
orchestra:
Concentus Musicus Wien (in 1971-12)
chorus master:
Hans Gillesberger (in 1971-12)
performer:
Nikolaus Harnoncourt (conductor) (in 1971-12)
recorded at:
Casino Zögernitz in Wien, Austria (in 1971-12)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": I. Coro "Es erhub sich ein Streit" (in 1971-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
4:46
17Cantata No.54 Widerstehe doch der Sünde BWV54 : I Aria - "Widerstehe doch der Sünde"
alto vocals:
Paul Esswood (countertenor) (on 1974-12-06)
orchestra:
Leonhardt‐Consort (on 1974-12-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1974-12-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1974-12-06)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde" (on 1974-12-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
8:14
18Cantata No.143 Lobe den Herrn, meine Seele BWV143 : IV Aria - "Tausendfaches Unglück, Schrecken"
tenor vocals:
Kurt Equiluz (tenor) (from 1984-01-05 until 1984-01-09)
orchestra:
Leonhardt‐Consort (from 1984-01-05 until 1984-01-09)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1984-01-05 until 1984-01-09)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": IV. Aria "Tausendfaches Unglück, Schrecken" (from 1984-01-05 until 1984-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:56
19Cantata No.156 Ich steh mit einem Fuss im Grabe BWV156 : I Sinfonia
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
premiered in:
Leipzig, Sachsen, Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
is based on:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
2:47
20Cantata No.29 Wir danken dir, Gott, wir danken dir BWV29 : II Chorus - "Wir danken dir, Gott, wir danken dir"
choir vocals:
Chorus Viennensis, Tölzer Knabenchor (from 1972-06 until 1973-04) and Wiener Sängerknaben (from 1972-06 until 1973-04)
orchestra:
Concentus Musicus Wien (from 1972-06 until 1973-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1972-06 until 1973-04)
chorus master:
Hans Gillesberger
recorded at:
Casino Zögernitz in Wien, Austria (from 1972-06 until 1973-04)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" (from 1972-06 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
3:03