The Collection 4: Complete Philips Recordings

~ Release by Martha Argerich (see all versions of this release, 1 available)

Tracklist

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▼CD 1: CD 1
#TitleArtistRatingLength
1Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto
recorded in:
Berlin, Germany (in 1982-12)
piano:
Martha Argerich (Argentine pianist) (in 1982-12)
orchestra:
RSO Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1982-12)
conductor:
Riccardo Chailly (conductor) (in 1982-12)
recorded at:
Sender Freies Berlin in Berlin, Germany (in 1982-12)
live recording of:
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto (in 1982-12)
composer:
Sergei Rachmaninov (Russian composer) (from 1909 until 1909-09-23)
part of:
Piano Concerto no. 3 in D minor, op. 30
Serge Rachmaninoff15:46
2Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio
recorded in:
Berlin, Germany (in 1982-12)
piano:
Martha Argerich (Argentine pianist) (in 1982-12)
orchestra:
RSO Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1982-12)
conductor:
Riccardo Chailly (conductor) (in 1982-12)
recorded at:
Sender Freies Berlin in Berlin, Germany (in 1982-12)
live recording of:
Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo. Adagio (in 1982-12)
composer:
Sergei Rachmaninov (Russian composer) (from 1909 until 1909-09-23)
part of:
Piano Concerto no. 3 in D minor, op. 30
Serge Rachmaninoff11:00
3Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve
recorded in:
Berlin, Germany (in 1982-12)
piano:
Martha Argerich (Argentine pianist) (in 1982-12)
orchestra:
RSO Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1982-12)
conductor:
Riccardo Chailly (conductor) (in 1982-12)
recorded at:
Sender Freies Berlin in Berlin, Germany (in 1982-12)
live recording of:
Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve (in 1982-12)
composer:
Sergei Rachmaninov (Russian composer) (from 1909 until 1909-09-23)
part of:
Piano Concerto no. 3 in D minor, op. 30
Serge Rachmaninoff13:58
4Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito
piano:
Martha Argerich (Argentine pianist) (in 1980-02)
orchestra:
Symphonie-Orchester des Bayerischen Rundfunks (in 1980-02)
conductor:
Kirill Kondrashin (conductor) (in 1980-02)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1980-02)
live recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version) (in 1980-02)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Peter Ilyich Tchaikovsky19:13
5Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice – Prestissimo – Tempo I
piano:
Martha Argerich (Argentine pianist) (from 1980-02-07 until 1980-02-08)
orchestra:
Symphonie-Orchester des Bayerischen Rundfunks (from 1980-02-07 until 1980-02-08)
conductor:
Kirill Kondrashin (conductor) (from 1980-02-07 until 1980-02-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1980-02-07 until 1980-02-08)
live recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version) (from 1980-02-07 until 1980-02-08)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Peter Ilyich Tchaikovsky6:23
6Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
piano:
Martha Argerich (Argentine pianist) (from 1980-02-07 until 1980-02-08)
orchestra:
Symphonie-Orchester des Bayerischen Rundfunks (from 1980-02-07 until 1980-02-08)
conductor:
Kirill Kondrashin (conductor) (from 1980-02-07 until 1980-02-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1980-02-07 until 1980-02-08)
live recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version) (from 1980-02-07 until 1980-02-08)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Peter Ilyich Tchaikovsky6:56
▼CD 2: CD 2
#TitleArtistRatingLength
1Le Carnaval Des Animaux: I. Introduction Et Marche Royale Du Lion
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:25
2Le Carnaval Des Animaux: II. Poules Et Coqs
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : II. Poules et coqs (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:42
3Le Carnaval Des Animaux: III. Hémiones (Animaux Véloces)
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : III. Hèmiones (Animaux véloces) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:35
4Le Carnaval Des Animaux: IV. Tortues
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : IV. Tortues (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:56
5Le Carnaval Des Animaux: V. L'Eléphant
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : V. L'Éléphant (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:36
6Le Carnaval Des Animaux: VI. Kangourous
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : VI. Kangourous (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:04
7Le Carnaval Des Animaux: VII. Aquarium
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
bell and glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : VII. Aquarium (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:36
8Le Carnaval Des Animaux: VIII. Personnages À Longues Oreilles
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:50
9Le Carnaval Des Animaux: IX. Le Coucou Au Fond Des Bois
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:19
10Le Carnaval Des Animaux: X. Volières
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : X. Volière (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:15
11Le Carnaval Des Animaux: XI. Pianistes
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XI. Pianistes (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:26
12Le Carnaval Des Animaux: XII. Fossiles
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XII. Fossiles (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:17
13Le Carnaval Des Animaux: XIII. Le Cygne
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
cello:
Mischa Maisky (cellist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:10
14Le Carnaval Des Animaux: XIV. Finale
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
bell and glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XIV. Finale (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:01
15"Ferdinand", For Speaker And Solo Violin
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
violin:
Gidon Kremer (violinist) (in 1981-04)
spoken vocals:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
recording of:
Ferdinand (in 1981-04)
composer:
Alan Ridout (in 1971)
Alan Ridout10:46
16Tier-Gebete, For Speaker And Piano: I. Gebet Des Ochsen
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: I. Gebet des Ochsen (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz2:02
17Tier-Gebete, For Speaker And Piano: II. Gebet Der Maus
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: II. Gebet der Maus (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz0:29
18Tier-Gebete, For Speaker And Piano: III. Gebet Der Katze
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: III. Gebet der Katze (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:27
19Tier-Gebete, For Speaker And Piano: IV. Gebet Des Hundes
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: IV. Gebet des Hundes (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:30
20Tier-Gebete, For Speaker And Piano: V. Gebet Der Ameise
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: V. Gebet der Ameise (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:13
21Tier-Gebete, For Speaker And Piano: VI. Gebet Der Elefanten
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: VI. Gebet der Elefanten (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz2:12
22Tier-Gebete, For Speaker And Piano: VII. Gebet Der Schildkröte
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: VII. Gebet der Schildkröte (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:30
23Tier-Gebete, For Speaker And Piano: VIII. Gebet Der Giraffe
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: VIII. Gebet der Giraffe (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:14
24Tier-Gebete, For Speaker And Piano: IX. Gebet Des Affen
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: IX. Gebet des Affen (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz0:48
25Tier-Gebete, For Speaker And Piano: X. Gebet Des Hahnes
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: X. Gebet des Hahnes (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz0:32
26Tier-Gebete, For Speaker And Piano: XI. Gebet Des Alten Gaules
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: XI. Gebet des alten Gaules (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz2:25
27Tier-Gebete, For Speaker And Piano: XII. Gebet Des Schmetterlings
recorded in:
München, Bayern, Germany (in 1981-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
piano:
Elena Bashkirova (Russian-born pianist and musical director) (in 1981-04)
spoken vocals:
Gidon Kremer (violinist) (in 1981-04)
recording of:
Tier-Gebete: XII. Gebet des Schmetterlings (in 1981-04)
composer:
Frieder Meschwitz
part of:
Tier-Gebete
Frieder Meschwitz1:16
28"Little Sad Sound", A Melodrama For Speaker And Double-Bass
recorded in:
Wien, Austria (in 1987-01)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
double bass:
Alois Posch (double bass player) (in 1987-01)
spoken vocals:
Gidon Kremer (violinist) (in 1987-01)
recording of:
Little Sad Sound (in 1987-01)
composer:
Alan Ridout (in 1974)
Alan Ridout11:32
▼CD 3: CD 3
#TitleArtistRatingLength
1Sonate für Arpeggione und Klavier, D. 821: I. Allegro moderato
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1984-01)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
cello:
Mischa Maisky (cellist) (in 1984-01)
piano:
Martha Argerich (Argentine pianist) (in 1984-01)
recording of:
Sonata in A minor for Arpeggione and Piano, D. 821: I. Allegro moderato (in 1984-01)
composer:
Franz Schubert (composer) (in 1824-11)
part of:
Sonata in A minor for Arpeggione and Piano, D. 821
Franz Schubert11:57
2Sonate für Arpeggione und Klavier, D. 821: II. Adagio
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1984-01)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
cello:
Mischa Maisky (cellist) (in 1984-01)
piano:
Martha Argerich (Argentine pianist) (in 1984-01)
recording of:
Sonata in A minor for Arpeggione and Piano, D. 821: II. Adagio (in 1984-01)
composer:
Franz Schubert (composer) (in 1824-11)
part of:
Sonata in A minor for Arpeggione and Piano, D. 821
Franz Schubert4:33
3Sonate für Arpeggione und Klavier, D. 821: III. Allegretto
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1984-01)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
cello:
Mischa Maisky (cellist) (in 1984-01)
piano:
Martha Argerich (Argentine pianist) (in 1984-01)
recording of:
Sonata in A minor for Arpeggione and Piano, D. 821: III. Allegretto (in 1984-01)
composer:
Franz Schubert (composer) (in 1824-11)
part of:
Sonata in A minor for Arpeggione and Piano, D. 821
Franz Schubert9:30
4Fantasiestücke für Cello und Klavier, op. 73: I. Zart und mit Ausdruck
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1984-01)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
cello:
Mischa Maisky (cellist) (in 1984-01)
piano:
Martha Argerich (Argentine pianist) (in 1984-01)
recording of:
Fantasiestücke für Cello und Klavier, op. 73, Nr. 1: Zart und mit Ausdruck (in 1984-01)
composer:
Robert Schumann (German classical composer) (in 1849-02)
part of:
Fantasiestücke für Cello und Klavier, op. 73
Robert Schumann3:07
5Fantasiestücke für Cello und Klavier, op. 73: II. Lebhaft, leicht
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1984-01)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
cello:
Mischa Maisky (cellist) (in 1984-01)
piano:
Martha Argerich (Argentine pianist) (in 1984-01)
recording of:
Fantasiestücke für Cello und Klavier, op. 73, Nr. 2: Lebhaft, leicht (in 1984-01)
composer:
Robert Schumann (German classical composer) (in 1849-02)
part of:
Fantasiestücke für Cello und Klavier, op. 73
Robert Schumann3:15
6Fantasiestücke für Cello und Klavier, op. 73: III. Rasch und mit Feuer
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1984-01)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
cello:
Mischa Maisky (cellist) (in 1984-01)
piano:
Martha Argerich (Argentine pianist) (in 1984-01)
recording of:
Fantasiestücke für Cello und Klavier, op. 73, Nr. 3: Rasch und mit Feuer (in 1984-01)
composer:
Robert Schumann (German classical composer) (in 1849-02)
part of:
Fantasiestücke für Cello und Klavier, op. 73
Robert Schumann3:50
75 Stücke im Volkston für Klavier und Cello, op. 102: I. Vanitas vanitatum (Mit Humor)
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1984-01)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
cello:
Mischa Maisky (cellist) (in 1984-01)
piano:
Martha Argerich (Argentine pianist) (in 1984-01)
recording of:
5 Stücke im Volkston für Klavier und Cello, op. 102: I. Vanitas vanitatum (Mit Humor) (in 1984-01)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
5 Stücke im Volkston für Klavier und Cello, op. 102
Robert Schumann3:13
85 Stücke im Volkston für Klavier und Cello, op. 102: II. Langsam
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1984-01)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
cello:
Mischa Maisky (cellist) (in 1984-01)
piano:
Martha Argerich (Argentine pianist) (in 1984-01)
recording of:
5 Stücke im Volkston für Klavier und Cello, op. 102: II. Langsam (in 1984-01)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
5 Stücke im Volkston für Klavier und Cello, op. 102
Robert Schumann3:50
95 Stücke im Volkston für Klavier und Cello, op. 102: III. Nicht schnell, mit viel Ton zu spielen
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1984-01)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
cello:
Mischa Maisky (cellist) (in 1984-01)
piano:
Martha Argerich (Argentine pianist) (in 1984-01)
recording of:
5 Stücke im Volkston für Klavier und Cello, op. 102: III. Nicht schnell, mit viel Ton zu spielen (in 1984-01)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
5 Stücke im Volkston für Klavier und Cello, op. 102
Robert Schumann4:55
105 Stücke im Volkston für Klavier und Cello, op. 102: IV. Nicht zu rasch
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1984-01)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
cello:
Mischa Maisky (cellist) (in 1984-01)
piano:
Martha Argerich (Argentine pianist) (in 1984-01)
recording of:
5 Stücke im Volkston für Klavier und Cello, op. 102: IV. Nicht zu rasch (in 1984-01)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
5 Stücke im Volkston für Klavier und Cello, op. 102
Robert Schumann2:10
115 Stücke im Volkston für Klavier und Cello, op. 102: V. Stark und markiert
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1984-01)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
cello:
Mischa Maisky (cellist) (in 1984-01)
piano:
Martha Argerich (Argentine pianist) (in 1984-01)
recording of:
5 Stücke im Volkston für Klavier und Cello, op. 102: V. Stark und markiert (in 1984-01)
composer:
Robert Schumann (German classical composer) (in 1849)
part of:
5 Stücke im Volkston für Klavier und Cello, op. 102
Robert Schumann3:04
▼CD 4: CD 4
#TitleArtistRatingLength
1Suite No. 2, Op. 17: 1. Introduction (Alla marcia)
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (from 1982-08-18 until 1982-08-20)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (producer / engineer)
piano:
Martha Argerich (Argentine pianist) (from 1982-08-18 until 1982-08-20) and Nelson Freire (pianist) (from 1982-08-18 until 1982-08-20)
recording of:
Suite no. 2, op. 17: I. Introduction: Alla marcia (from 1982-08-18 until 1982-08-20)
composer:
Сергей Рахманинов (Russian composer) (in 1901)
part of:
Suite no. 2, op. 17
Сергей Васильевич Рахманинов3:27
2Suite No. 2, Op. 17: 2. Waltz (Presto)
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (from 1982-08-18 until 1982-08-20)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (producer / engineer)
piano:
Martha Argerich (Argentine pianist) (from 1982-08-18 until 1982-08-20) and Nelson Freire (pianist) (from 1982-08-18 until 1982-08-20)
recording of:
Suite no. 2, op. 17: II. Valse: Presto (from 1982-08-18 until 1982-08-20)
composer:
Сергей Рахманинов (Russian composer) (in 1901)
part of:
Suite no. 2, op. 17
Сергей Васильевич Рахманинов5:16
3Suite No. 2, Op. 17: 3. Romance (Andantino)
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (from 1982-08-18 until 1982-08-20)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (producer / engineer)
piano:
Martha Argerich (Argentine pianist) (from 1982-08-18 until 1982-08-20) and Nelson Freire (pianist) (from 1982-08-18 until 1982-08-20)
recording of:
Suite no. 2, op. 17: III. Romance: Andantino (from 1982-08-18 until 1982-08-20)
composer:
Сергей Рахманинов (Russian composer) (in 1901)
part of:
Suite no. 2, op. 17
Сергей Васильевич Рахманинов6:43
4Suite No. 2, Op. 17: 4. Tarantella (Presto)
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (from 1982-08-18 until 1982-08-20)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (producer / engineer)
piano:
Martha Argerich (Argentine pianist) (from 1982-08-18 until 1982-08-20) and Nelson Freire (pianist) (from 1982-08-18 until 1982-08-20)
recording of:
Suite no. 2, op. 17: IV. Tarantelle: Presto (from 1982-08-18 until 1982-08-20)
composer:
Сергей Рахманинов (Russian composer) (in 1901)
part of:
Suite no. 2, op. 17
Сергей Васильевич Рахманинов5:25
5«La Valse»
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (from 1982-08-18 until 1982-08-20)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (producer / engineer)
piano:
Martha Argerich (Argentine pianist) (from 1982-08-18 until 1982-08-20) and Nelson Freire (pianist) (from 1982-08-18 until 1982-08-20)
recording of:
La Valse (for piano duo) (from 1982-08-18 until 1982-08-20)
composer:
Maurice Ravel (classical composer) (from 1919 until 1920)
arranger:
Maurice Ravel (classical composer) (in 1920)
arrangement of:
La Valse (for orchestra)
Maurice Ravel11:16
6Variations on a Theme by Paganini
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (from 1982-08-18 until 1982-08-20)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (producer / engineer)
piano:
Martha Argerich (Argentine pianist) (in 1982-08) and Nelson Freire (pianist) (from 1982-08-18 until 1982-08-20)
recording of:
Variations on a Theme of Paganini (for two pianos) (from 1982-08-18 until 1982-08-20)
composer:
Witold Lutosławski (composer) (in 1941)
Witold Lutosławski5:15
▼CD 5: CD 5
#TitleArtistRatingLength
1Sonata for 2 pianos and percussion: Assai lento - Allegro molto
producer:
Vittorio Negri (conductor)
percussion:
Willy Goudswaard (percussionist) (from 1977-05-10 until 1977-05-11) and Michael De Roo (percussionist) (from 1977-05-10 until 1977-05-11)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-10 until 1977-05-11) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-10 until 1977-05-11)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-10 until 1977-05-11)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: I. Assai lento (from 1977-05-10 until 1977-05-11)
composer:
Béla Bartók (composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók13:32
2Sonata for 2 pianos and percussion: Lento ma non troppo
producer:
Vittorio Negri (conductor)
percussion:
Willy Goudswaard (percussionist) (from 1977-05-10 until 1977-05-11) and Michael De Roo (percussionist) (from 1977-05-10 until 1977-05-11)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-10 until 1977-05-11) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-10 until 1977-05-11)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-10 until 1977-05-11)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: II. Lento, ma non troppo (from 1977-05-10 until 1977-05-11)
composer:
Béla Bartók (composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók6:47
3Sonata for 2 pianos and percussion: Allegro non troppo
producer:
Vittorio Negri (conductor)
percussion:
Willy Goudswaard (percussionist) (from 1977-05-10 until 1977-05-11) and Michael De Roo (percussionist) (from 1977-05-10 until 1977-05-11)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-10 until 1977-05-11) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-10 until 1977-05-11)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-10 until 1977-05-11)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: III. Allegro non troppo (from 1977-05-10 until 1977-05-11)
composer:
Béla Bartók (composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók6:34
4Andante and Five Variations for piano duet In G, K.501: Thema (Andante)
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
Andante and Variations for Piano with 4 Hands in G major, K. 501: Thema (Andante) (from 1977-05-21 until 1977-05-23)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Andante and Variations for Piano with 4 Hands in G major, K. 501
Wolfgang Amadeus Mozart1:10
5Andante and Five Variations for piano duet In G, K.501: Variation 1
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation I (from 1977-05-21 until 1977-05-23)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Andante and Variations for Piano with 4 Hands in G major, K. 501
Wolfgang Amadeus Mozart1:00
6Andante and Five Variations for piano duet In G, K.501: Variation 2
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation II (from 1977-05-21 until 1977-05-23)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Andante and Variations for Piano with 4 Hands in G major, K. 501
Wolfgang Amadeus Mozart0:57
7Andante and Five Variations for piano duet In G, K.501: Variation 3
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation III (from 1977-05-21 until 1977-05-23)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Andante and Variations for Piano with 4 Hands in G major, K. 501
Wolfgang Amadeus Mozart0:55
8Andante and Five Variations for piano duet In G, K.501: Variation 4
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation IV (from 1977-05-21 until 1977-05-23)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Andante and Variations for Piano with 4 Hands in G major, K. 501
Wolfgang Amadeus Mozart1:30
9Andante and Five Variations for piano duet In G, K.501: Variation 5
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
Andante and Variations for Piano with 4 Hands in G major, K. 501: Variation V (from 1977-05-21 until 1977-05-23)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Andante and Variations for Piano with 4 Hands in G major, K. 501
Wolfgang Amadeus Mozart2:03
10En blanc et noir: I. Avec emportement
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
En blanc et noir: I. Avec emportement (from 1977-05-21 until 1977-05-23)
composer:
Claude Debussy (from 1915-06-04 until 1915-07-20)
dedicated to:
A. Kussewitsky
part of:
En blanc et noir, L. 134, CD 142
Claude Debussy4:10
11En blanc et noir: II. Lent - Sombre
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
En blanc et noir: II. Lent, sombre (from 1977-05-21 until 1977-05-23)
composer:
Claude Debussy (from 1915-06-04 until 1915-07-20)
dedicated to:
Jacques Charlot
part of:
En blanc et noir, L. 134, CD 142
Claude Debussy7:17
12En blanc et noir: III. Scherzando
producer:
Vittorio Negri (conductor)
piano:
Martha Argerich (Argentine pianist) (from 1977-05-21 until 1977-05-23) and Stephen Kovacevich (classical pianist, aka Stephen Bishop) (from 1977-05-21 until 1977-05-23)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (from 1977-05-21 until 1977-05-23)
recording of:
En blanc et noir: III. Scherzando (from 1977-05-21 until 1977-05-23)
composer:
Claude Debussy (from 1915-06-04 until 1915-07-20)
dedicated to:
Игорь Фёдорович Стравинский (Russian composer)
part of:
En blanc et noir, L. 134, CD 142
Claude Debussy4:00
▼CD 6: CD 6
#TitleArtistRatingLength
1Concerto for Two Pianos, Percussion and Orchestra: I. Assai lento - Allegro molto
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
percussion:
Jan Labordus (from 1985-08-22 until 1985-08-23) and Jan Pustjens (from 1985-08-22 until 1985-08-23)
piano:
Martha Argerich (Argentine pianist) (from 1985-08-22 until 1985-08-23) and Nelson Freire (pianist) (from 1985-08-22 until 1985-08-23)
orchestra:
Koninklijk Concertgebouworkest (from 1985-08-22 until 1985-08-23)
conductor:
David Zinman (conductor) (from 1985-08-22 until 1985-08-23)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-08-22 until 1985-08-23)
recording of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: I. Assai lento (from 1985-08-22 until 1985-08-23)
composer:
Béla Bartók (composer)
part of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
Béla Bartók13:22
2Concerto for Two Pianos, Percussion and Orchestra: II. Lento ma non troppo
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
percussion:
Jan Labordus (from 1985-08-22 until 1985-08-23) and Jan Pustjens (from 1985-08-22 until 1985-08-23)
piano:
Martha Argerich (Argentine pianist) (from 1985-08-22 until 1985-08-23) and Nelson Freire (pianist) (from 1985-08-22 until 1985-08-23)
orchestra:
Koninklijk Concertgebouworkest (from 1985-08-22 until 1985-08-23)
conductor:
David Zinman (conductor) (from 1985-08-22 until 1985-08-23)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-08-22 until 1985-08-23)
recording of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: II. Lento, ma non troppo (from 1985-08-22 until 1985-08-23)
composer:
Béla Bartók (composer)
part of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
Béla Bartók7:14
3Concerto for Two Pianos, Percussion and Orchestra: III. Allegro ma non troppo
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Volker Straus (producer and engineer)
percussion:
Jan Labordus (from 1985-08-22 until 1985-08-23) and Jan Pustjens (from 1985-08-22 until 1985-08-23)
piano:
Martha Argerich (Argentine pianist) (from 1985-08-22 until 1985-08-23) and Nelson Freire (pianist) (from 1985-08-22 until 1985-08-23)
orchestra:
Koninklijk Concertgebouworkest (from 1985-08-22 until 1985-08-23)
conductor:
David Zinman (conductor) (from 1985-08-22 until 1985-08-23)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-08-22 until 1985-08-23)
recording of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: III. Allegro non troppo (from 1985-08-22 until 1985-08-23)
composer:
Béla Bartók (composer)
part of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
Béla Bartók6:45
4Dances of Galánta
orchestra:
Koninklijk Concertgebouworkest (in 1985-08)
conductor:
David Zinman (conductor) (in 1985-08)
recording of:
Dances of Galánta (in 1985-08)
composer:
Zoltán Kodály (composer) (in 1933)
Zoltán Kodály16:02

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ASIN:US: B004Q2MZPG [info]