The Complete Roulette Sarah Vaughan Studio Sessions

~ Veröffentlichung von Sarah Vaughan (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

CD 1
CD 2
Nr.TitelBewertungLänge
1I Believe in You
alto saxophone:
Bill Green (flute, sax) (am 1962-08-13) und Paul Horn (am 1962-08-13)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-08-13)
Bass:
Joe Comfort (am 1962-08-13)
Bassposaune:
George Roberts (american bass trombone) (am 1962-08-13)
Gitarre:
Ulysses Livingston (am 1962-08-13)
Klavier:
Lou Levy (am 1962-08-13)
Posaune:
Lou Blackburn (am 1962-08-13), Ed Kusby (am 1962-08-13) und Tommy Shepard (trombonist) (am 1962-08-13)
Schlagzeug:
Earl Palmer (am 1962-08-13)
Tenorsaxophon:
Buddy Collette (am 1962-08-13) und Plas Johnson (am 1962-08-13)
Trompete:
Carmell Jones (am 1962-08-13), Reunald Jones (am 1962-08-13), Al Porcino (am 1962-08-13) und Shorty Sherock (am 1962-08-13)
Tuba:
Red Callender (am 1962-08-13)
vocals:
Sarah Vaughan (am 1962-08-13)
Dirigent(in):
Benny Carter (am 1962-08-13)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Vereinigte Staaten (am 1962-08-13)
cover recording of:
I Believe in You (How to Succeed in Business Without Really Trying) (am 1962-08-13)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
3:05
2Honeysuckle Rose
alto saxophone:
Paul Horn (am 1962-09-09) und Wilbur Schwartz (am 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-09-09)
Bass:
Joe Comfort (am 1962-09-09)
Bassposaune:
Ken Shroyer (trombonist) (am 1962-09-09)
Gitarre:
Ulysses Livingston (am 1962-09-09)
Klavier:
Lou Levy (am 1962-09-09)
Posaune:
Lou Blackburn (am 1962-09-09), Ed Kusby (am 1962-09-09) und Tommy Shepard (trombonist) (am 1962-09-09)
Schlagzeug:
Earl Palmer (am 1962-09-09)
Tenorsaxophon:
Buddy Collette (am 1962-09-09), Plas Johnson (am 1962-09-09) und Dave Pell (am 1962-09-09)
Trompete:
Don Fagerquist (am 1962-09-09), Carmell Jones (am 1962-09-09), Al Porcino (am 1962-09-09) und Shorty Sherock (am 1962-09-09)
Tuba:
Red Callender (am 1962-09-09)
vocals:
Sarah Vaughan (am 1962-09-09)
Dirigent(in):
Benny Carter (am 1962-09-09)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Vereinigte Staaten (am 1962-09-09)
cover recording of:
Honeysuckle Rose (am 1962-09-09)
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (soundtrack of the 1977 film)
Teil von:
Thousands Cheer (1943 movie)
3:19
3Moonlight on the Ganges
alto saxophone:
Bill Green (flute, sax) (am 1962-08-15) und Paul Horn (am 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-08-15)
Bass:
Joe Comfort (am 1962-08-15)
Bassposaune:
George Roberts (american bass trombone) (am 1962-08-15)
Gitarre:
Ulysses Livingston (am 1962-08-15)
Klavier:
Jimmy Rowles (am 1962-08-15)
Posaune:
Lou Blackburn (am 1962-08-15), Ed Kusby (am 1962-08-15) und Tommy Shepard (trombonist) (am 1962-08-15)
Schlagzeug:
Earl Palmer (am 1962-08-15)
Tenorsaxophon:
Buddy Collette (am 1962-08-15) und Plas Johnson (am 1962-08-15)
Trompete:
Don Fagerquist (am 1962-08-15), Carmell Jones (am 1962-08-15), Al Porcino (am 1962-08-15) und Shorty Sherock (am 1962-08-15)
Tuba:
Red Callender (am 1962-08-15)
vocals:
Sarah Vaughan (am 1962-08-15)
Dirigent(in):
Benny Carter (am 1962-08-15)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Vereinigte Staaten (am 1962-08-15)
cover recording of:
Moonlight on the Ganges (am 1962-08-15)
Texter:
Huntley Trevor und Chester Wallace
Komponist(in):
Sherman Myers
publisher:
Campbell Connelly Inc. (ASCAP affiliated)
2:39
4The Lady’s in Love With You
alto saxophone:
Bill Green (flute, sax) (am 1962-09-09), Paul Horn (am 1962-09-09) und Wilbur Schwartz (am 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-09-09)
Bass:
Joe Comfort
Gitarre:
Ulysses Livingston (am 1962-09-09)
Klavier:
Jimmy Rowles (am 1962-09-09)
Posaune:
Lou Blackburn (am 1962-09-09), Ed Kusby (am 1962-09-09) und Tommy Shepard (trombonist) (am 1962-09-09)
Schlagzeug:
Earl Palmer (am 1962-09-09)
Tenorsaxophon:
Buddy Collette (am 1962-09-09), Plas Johnson (am 1962-09-09) und Dave Pell (am 1962-09-09)
Trompete:
Don Fagerquist (am 1962-09-09), Carmell Jones (am 1962-09-09), Al Porcino (am 1962-09-09) und Shorty Sherock (am 1962-09-09)
Tuba:
Red Callender (am 1962-09-09)
vocals:
Sarah Vaughan (am 1962-09-09)
Dirigent(in):
Benny Carter
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Vereinigte Staaten (am 1962-09-09)
cover recording of:
The Lady’s in Love With You (am 1962-09-09)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
2:17
5After You’ve Gone
alto saxophone:
Bill Green (flute, sax) (am 1962-08-15) und Paul Horn (am 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-08-15)
Bass:
Joe Comfort (am 1962-08-15)
Bassposaune:
George Roberts (american bass trombone) (am 1962-08-15)
Gitarre:
Ulysses Livingston (am 1962-08-15)
Klavier:
Jimmy Rowles (am 1962-08-15)
Posaune:
Lou Blackburn (am 1962-08-15), Ed Kusby (am 1962-08-15) und Tommy Shepard (trombonist) (am 1962-08-15)
Schlagzeug:
Earl Palmer (am 1962-08-15)
Tenorsaxophon:
Buddy Collette (am 1962-08-15) und Plas Johnson (am 1962-08-15)
Trompete:
Don Fagerquist (am 1962-08-15), Carmell Jones (am 1962-08-15), Al Porcino (am 1962-08-15) und Shorty Sherock (am 1962-08-15)
Tuba:
Red Callender (am 1962-08-15)
vocals:
Sarah Vaughan (am 1962-08-15)
Dirigent(in):
Benny Carter (am 1962-08-15)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Vereinigte Staaten (am 1962-08-15)
cover recording of:
After You’ve Gone (am 1962-08-15)
Texter:
Henry Creamer (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
2:39
6A Garden in the Rain
alto saxophone:
Bill Green (flute, sax) (am 1962-08-14) und Paul Horn (am 1962-08-14)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-08-14)
Bass:
Joe Comfort (am 1962-08-14)
Bassposaune:
George Roberts (american bass trombone) (am 1962-08-14)
Gitarre:
Ulysses Livingston (am 1962-08-14)
Klavier:
Jimmy Rowles (am 1962-08-14)
Posaune:
Lou Blackburn (am 1962-08-14), Ed Kusby (am 1962-08-14) und Tommy Shepard (trombonist) (am 1962-08-14)
Schlagzeug:
Earl Palmer (am 1962-08-14)
Tenorsaxophon:
Buddy Collette (am 1962-08-14) und Plas Johnson (am 1962-08-14)
Trompete:
Don Fagerquist (am 1962-08-14), Carmell Jones (am 1962-08-14), Al Porcino (am 1962-08-14) und Shorty Sherock (am 1962-08-14)
Tuba:
Red Callender (am 1962-08-14)
vocals:
Sarah Vaughan (am 1962-08-14)
Dirigent(in):
Benny Carter (am 1962-08-14)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Vereinigte Staaten (am 1962-08-14)
cover recording of:
A Garden in the Rain (am 1962-08-14)
Texter:
James Dyrenforth (in 1928)
Komponist(in):
Carroll Gibbons (in 1928)
3:19
7I Can’t Give You Anything but Love
alto saxophone:
Bill Green (flute, sax) (am 1962-08-15) und Paul Horn (am 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-08-15)
Bass:
Joe Comfort (am 1962-08-15)
Bassposaune:
George Roberts (american bass trombone) (am 1962-08-15)
Gitarre:
Ulysses Livingston (am 1962-08-15)
Klavier:
Jimmy Rowles (am 1962-08-15)
Posaune:
Lou Blackburn (am 1962-08-15), Ed Kusby (am 1962-08-15) und Tommy Shepard (trombonist) (am 1962-08-15)
Schlagzeug:
Earl Palmer (am 1962-08-15)
Tenorsaxophon:
Buddy Collette (am 1962-08-15) und Plas Johnson (am 1962-08-15)
Trompete:
Don Fagerquist (am 1962-08-15), Carmell Jones (am 1962-08-15), Al Porcino (am 1962-08-15) und Shorty Sherock (am 1962-08-15)
Tuba:
Red Callender (am 1962-08-15)
vocals:
Sarah Vaughan (am 1962-08-15)
Dirigent(in):
Benny Carter (am 1962-08-15)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Vereinigte Staaten (am 1962-08-15)
cover recording of:
I Can’t Give You Anything but Love, Baby (am 1962-08-15)
Texter:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), コンソーシアム音楽出版 C・F事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:11
8The Trolley Song
alto saxophone:
Paul Horn (am 1962-09-09) und Wilbur Schwartz (am 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-09-09)
Bass:
Joe Comfort (am 1962-09-09)
Bassposaune:
Ken Shroyer (trombonist)
Gitarre:
Ulysses Livingston (am 1962-09-09)
Klavier:
Lou Levy (am 1962-09-09)
Posaune:
Lou Blackburn (am 1962-09-09), Ed Kusby (am 1962-09-09) und Tommy Shepard (trombonist) (am 1962-09-09)
Schlagzeug:
Earl Palmer (am 1962-09-09)
Tenorsaxophon:
Buddy Collette (am 1962-09-09), Plas Johnson (am 1962-09-09) und Dave Pell (am 1962-09-09)
Trompete:
Don Fagerquist (am 1962-09-09), Carmell Jones (am 1962-09-09), Al Porcino (am 1962-09-09) und Shorty Sherock (am 1962-09-09)
Tuba:
Red Callender (am 1962-09-09)
vocals:
Sarah Vaughan (am 1962-09-09)
Dirigent(in):
Benny Carter (am 1962-09-09)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Vereinigte Staaten (am 1962-09-09)
cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (am 1962-09-09)
Texter:
Ralph Blane
Komponist(in):
Hugh Martin
publisher:
EMI Feist Catalog Inc. und United Partnership Ltd.
Teil von:
Meet Me in St. Louis (1944 film)
2:41
9I’m Gonna Live Till I Die
alto saxophone:
Bill Green (flute, sax) (am 1962-08-14) und Paul Horn (am 1962-08-14)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-08-14)
Bass:
Joe Comfort (am 1962-08-14)
Bassposaune:
George Roberts (american bass trombone) (am 1962-08-14)
Gitarre:
Ulysses Livingston (am 1962-08-14)
Klavier:
Jimmy Rowles (am 1962-08-14)
Posaune:
Lou Blackburn (am 1962-08-14), Ed Kusby (am 1962-08-14) und Tommy Shepard (trombonist) (am 1962-08-14)
Schlagzeug:
Earl Palmer (am 1962-08-14)
Tenorsaxophon:
Buddy Collette (am 1962-08-14) und Plas Johnson (am 1962-08-14)
Trompete:
Don Fagerquist (am 1962-08-14), Carmell Jones (am 1962-08-14), Al Porcino (am 1962-08-14) und Shorty Sherock (am 1962-08-14)
Tuba:
Red Callender (am 1962-08-14)
vocals:
Sarah Vaughan (am 1962-08-14)
Dirigent(in):
Benny Carter (am 1962-08-14)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Vereinigte Staaten (am 1962-08-14)
cover recording of:
I’m Gonna Live Till I Die (am 1962-08-14)
Verfasser(in):
Mann Curtis, Al Hoffman und Walter Kent
2:07
10Falling in Love With Love
alto saxophone:
Bill Green (flute, sax) (am 1962-08-13) und Paul Horn (am 1962-08-13)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-08-13)
Bass:
Joe Comfort (am 1962-08-13)
Bassposaune:
George Roberts (american bass trombone) (am 1962-08-13)
Gitarre:
Ulysses Livingston (am 1962-08-13)
Klavier:
Lou Levy (am 1962-08-13)
Posaune:
Lou Blackburn (am 1962-08-13), Ed Kusby (am 1962-08-13) und Tommy Shepard (trombonist) (am 1962-08-13)
Schlagzeug:
Earl Palmer (am 1962-08-13)
Tenorsaxophon:
Buddy Collette (am 1962-08-13) und Plas Johnson (am 1962-08-13)
Trompete:
Carmell Jones (am 1962-08-13), Reunald Jones (am 1962-08-13), Al Porcino (am 1962-08-13) und Shorty Sherock (am 1962-08-13)
Tuba:
Red Callender (am 1962-08-13)
vocals:
Sarah Vaughan (am 1962-08-13)
Dirigent(in):
Benny Carter (am 1962-08-13)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Vereinigte Staaten (am 1962-08-13)
cover recording of:
Falling in Love With Love (am 1962-08-13)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, Volume I)
2:31
11Great Day
alto saxophone:
Paul Horn (am 1962-09-09) und Wilbur Schwartz (am 1962-09-09)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-09-09)
Bass:
Joe Comfort (am 1962-09-09)
Bassposaune:
Ken Shroyer (trombonist) (am 1962-09-09)
Gitarre:
Ulysses Livingston (am 1962-09-09)
Klavier:
Lou Levy (am 1962-09-09)
Posaune:
Lou Blackburn (am 1962-09-09), Ed Kusby (am 1962-09-09) und Tommy Shepard (trombonist) (am 1962-09-09)
Schlagzeug:
Earl Palmer (am 1962-09-09)
Tenorsaxophon:
Buddy Collette (am 1962-09-09), Plas Johnson (am 1962-09-09) und Dave Pell (am 1962-09-09)
Trompete:
Don Fagerquist (am 1962-09-09), Carmell Jones (am 1962-09-09), Al Porcino (am 1962-09-09) und Shorty Sherock (am 1962-09-09)
Tuba:
Red Callender (am 1962-09-09)
vocals:
Sarah Vaughan (am 1962-09-09)
Dirigent(in):
Benny Carter (am 1962-09-09)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Vereinigte Staaten (am 1962-09-09)
cover recording of:
(It’s Gonna Be a) Great Day (am 1962-09-09)
Texter:
Edward Eliscu und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Vincent Youmans
publisher:
Anne-Rachel Music Corp., LSQ Music Co. und WC Music Corp.
2:03
12Nobody Else but Me
alto saxophone:
Bill Green (flute, sax) (am 1962-08-13) und Paul Horn (am 1962-08-13)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-08-13)
Bass:
Joe Comfort (am 1962-08-13)
Bassposaune:
George Roberts (american bass trombone) (am 1962-08-13)
Gitarre:
Ulysses Livingston (am 1962-08-13)
Klavier:
Lou Levy (am 1962-08-13)
Posaune:
Lou Blackburn (am 1962-08-13), Ed Kusby (am 1962-08-13) und Tommy Shepard (trombonist) (am 1962-08-13)
Schlagzeug:
Earl Palmer (am 1962-08-13)
Tenorsaxophon:
Buddy Collette (am 1962-08-13) und Plas Johnson (am 1962-08-13)
Trompete:
Carmell Jones (am 1962-08-13), Reunald Jones (am 1962-08-13), Al Porcino (am 1962-08-13) und Shorty Sherock (am 1962-08-13)
Tuba:
Red Callender (am 1962-08-13)
vocals:
Sarah Vaughan (am 1962-08-13)
Dirigent(in):
Benny Carter (am 1962-08-13)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Vereinigte Staaten (am 1962-08-13)
cover recording of:
Nobody Else but Me (am 1962-08-13)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
Harms, Inc.
3:13
13The Lady’s in Love With You (first version)
alto saxophone:
Paul Horn (am 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-08-15)
Bass:
Joe Comfort (am 1962-08-15)
Gitarre:
Ulysses Livingston (am 1962-08-15)
Klavier:
Lou Levy (am 1962-08-15)
Posaune:
Lou Blackburn (am 1962-08-15), Ed Kusby (am 1962-08-15) und Tommy Shepard (trombonist) (am 1962-08-15)
Schlagzeug:
Earl Palmer (am 1962-08-15)
Tenorsaxophon:
Buddy Collette (am 1962-08-15) und Plas Johnson (am 1962-08-15)
Trompete:
Don Fagerquist (am 1962-08-15), Carmell Jones (am 1962-08-15), Al Porcino (am 1962-08-15) und Shorty Sherock (am 1962-08-15)
Tuba:
Red Callender (am 1962-08-15)
vocals:
Sarah Vaughan (am 1962-08-15)
Dirigent(in):
Benny Carter (am 1962-08-15)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Vereinigte Staaten (am 1962-08-15)
cover recording of:
The Lady’s in Love With You (am 1962-08-15)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
2:44
14Perdido
Produzent(in):
Teddy Reig
Bass:
Eddie Jones (US jazz double bassist) (am 1961-01-13)
Gitarre:
Freddie Green (am 1961-01-13)
Holzblasinstrumente:
Charlie Fowlkes (am 1961-01-13) und Frank Wess (am 1961-01-13)
Klavier:
Count Basie (pianist) (vom 1960-07 bis 1961-01) und Kirk Stuart (am 1961-01-13)
Posaune:
Henry Coker (am 1961-01-13), Al Grey (trombone) (am 1961-01-13) und Benny Powell (am 1961-01-13)
Rohrblattinstrumente:
Marshall Royal (am 1961-01-13)
Schlagzeug:
Sonny Payne (am 1961-01-13)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1961-01-13) und Billy Mitchell (US jazz saxophonist) (am 1961-01-13)
Trompete:
Sonny Cohn (am 1961-01-13), Thad Jones (am 1961-01-13), Joe Newman (US jazz trumpeter) (am 1961-01-13) und Snooky Young (am 1961-01-13)
vocals:
Sarah Vaughan (am 1961-01-13)
arranger:
Thad Jones
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-01-13)
cover recording of:
Perdido (with lyrics) (am 1961-01-13)
Texter:
Ervin Drake (Songwriter) (in 1944) und Hans J. Lengsfelder (in 1944)
Komponist(in):
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music Inc
Version von:
Perdido (original instrumental version)
52:14
15Lover Man
Produzent(in):
Teddy Reig
Bass:
Eddie Jones (US jazz double bassist) (am 1961-01-12)
Gitarre:
Freddie Green (am 1961-01-12)
Holzblasinstrumente:
Charlie Fowlkes (am 1961-01-12) und Frank Wess (am 1961-01-12)
Klavier:
Count Basie (pianist) (vom 1960-07 bis 1961-01) und Kirk Stuart (am 1961-01-12)
Posaune:
Henry Coker (am 1961-01-12), Al Grey (trombone) (am 1961-01-12) und Benny Powell (am 1961-01-12)
Rohrblattinstrumente:
Marshall Royal (am 1961-01-12)
Schlagzeug:
Sonny Payne (am 1961-01-12)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1961-01-12) und Billy Mitchell (US jazz saxophonist) (am 1961-01-12)
Trompete:
Sonny Cohn (am 1961-01-12), Thad Jones (am 1961-01-12), Joe Newman (US jazz trumpeter) (am 1961-01-12) und Snooky Young (am 1961-01-12)
vocals:
Sarah Vaughan (am 1961-01-12)
arranger:
Thad Jones
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-01-12)
cover recording of:
Lover Man (am 1961-01-12)
Texter:
Jimmy Davis (songwriter, "Lover Man") (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (songwriter, "Lover Man") (in 1942) und Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
3:59
16I Cried for You
Produzent(in):
Teddy Reig
Bass:
Eddie Jones (US jazz double bassist) (am 1961-01-13)
Gitarre:
Freddie Green (am 1961-01-13)
Holzblasinstrumente:
Charlie Fowlkes (am 1961-01-13) und Frank Wess (am 1961-01-13)
Klavier:
Count Basie (pianist) (vom 1960-07 bis 1961-01) und Kirk Stuart (am 1961-01-13)
Posaune:
Henry Coker (am 1961-01-13), Al Grey (trombone) (am 1961-01-13) und Benny Powell (am 1961-01-13)
Rohrblattinstrumente:
Marshall Royal (am 1961-01-13)
Schlagzeug:
Sonny Payne (am 1961-01-13)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1961-01-13) und Billy Mitchell (US jazz saxophonist) (am 1961-01-13)
Trompete:
Sonny Cohn (am 1961-01-13), Thad Jones (am 1961-01-13), Joe Newman (US jazz trumpeter) (am 1961-01-13) und Snooky Young (am 1961-01-13)
vocals:
Sarah Vaughan (am 1961-01-13)
arranger:
Thad Jones
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-01-13)
cover recording of:
I Cried for You (am 1961-01-13)
Texter:
Arthur Freed
Komponist(in):
Gus Arnheim und Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. und Miller Music Corp.
52:57
17Alone
Produzent(in):
Teddy Reig
Bass:
Eddie Jones (US jazz double bassist) (am 1961-01-12)
Gitarre:
Freddie Green (am 1961-01-12)
Holzblasinstrumente:
Charlie Fowlkes (am 1961-01-12) und Frank Wess (am 1961-01-12)
Klavier:
Count Basie (pianist) (vom 1960-07 bis 1961-01) und Kirk Stuart (am 1961-01-12)
Posaune:
Henry Coker (am 1961-01-12), Al Grey (trombone) (am 1961-01-12) und Benny Powell (am 1961-01-12)
Rohrblattinstrumente:
Marshall Royal (am 1961-01-12)
Schlagzeug:
Sonny Payne (am 1961-01-12)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1961-01-12) und Billy Mitchell (US jazz saxophonist) (am 1961-01-12)
Trompete:
Sonny Cohn (am 1961-01-12), Thad Jones (am 1961-01-12), Joe Newman (US jazz trumpeter) (am 1961-01-12) und Snooky Young (am 1961-01-12)
vocals:
Sarah Vaughan (am 1961-01-12)
arranger:
Thad Jones
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-01-12)
cover recording of:
Alone (from the film: "A Night at the Opera") (am 1961-01-12)
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
3:57
18There Are Such Things
Produzent(in):
Teddy Reig
Bass:
Eddie Jones (US jazz double bassist) (am 1961-01-13)
Gitarre:
Freddie Green (am 1961-01-13)
Holzblasinstrumente:
Charlie Fowlkes (am 1961-01-13) und Frank Wess (am 1961-01-13)
Klavier:
Count Basie (pianist) (vom 1960-07 bis 1961-01) und Kirk Stuart (am 1961-01-13)
Posaune:
Henry Coker (am 1961-01-13), Al Grey (trombone) (am 1961-01-13) und Benny Powell (am 1961-01-13)
Rohrblattinstrumente:
Marshall Royal (am 1961-01-13)
Schlagzeug:
Sonny Payne (am 1961-01-13)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1961-01-13) und Billy Mitchell (US jazz saxophonist) (am 1961-01-13)
Trompete:
Sonny Cohn (am 1961-01-13), Thad Jones (am 1961-01-13), Joe Newman (US jazz trumpeter) (am 1961-01-13) und Snooky Young (am 1961-01-13)
vocals:
Sarah Vaughan (am 1961-01-13)
arranger:
Thad Jones
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-01-13)
recording of:
There Are Such Things (am 1961-01-13)
Verfasser(in):
Stanley Adams (US lyricist & songwriter) (in 1942), Abel Baer (in 1942) und George W. Meyer (Tin Pan Alley songwriter) (in 1942)
publisher:
Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
3:13
19Mean to Me
Bass:
Eddie Jones (US jazz double bassist) (am 1961-01-12)
Gitarre:
Freddie Green (am 1961-01-12)
Holzblasinstrumente:
Charlie Fowlkes (am 1961-01-12) und Frank Wess (am 1961-01-12)
Klavier:
Kirk Stuart (am 1961-01-12)
Posaune:
Henry Coker (am 1961-01-12), Al Grey (trombone) (am 1961-01-12) und Benny Powell (am 1961-01-12)
Rohrblattinstrumente:
Marshall Royal (am 1961-01-12)
Schlagzeug:
Sonny Payne (am 1961-01-12)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1961-01-12) und Billy Mitchell (US jazz saxophonist) (am 1961-01-12)
Trompete:
Sonny Cohn (am 1961-01-12), Thad Jones (am 1961-01-12), Joe Newman (US jazz trumpeter) (am 1961-01-12) und Snooky Young (am 1961-01-12)
vocals:
Sarah Vaughan (am 1961-01-12)
arranger:
Thad Jones
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-01-12)
cover recording of:
Mean to Me (am 1961-01-12)
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
2:51
20The Gentleman Is a Dope
Produzent(in):
Teddy Reig
Bass:
Eddie Jones (US jazz double bassist) (am 1961-01-11)
Gitarre:
Freddie Green (am 1961-01-11)
Holzblasinstrumente:
Charlie Fowlkes (am 1961-01-11) und Frank Wess (am 1961-01-11)
Klavier:
Count Basie (pianist) (vom 1960-07 bis 1961-01) und Kirk Stuart (am 1961-01-11)
Posaune:
Henry Coker (am 1961-01-11), Al Grey (trombone) (am 1961-01-11) und Benny Powell (am 1961-01-11)
Rohrblattinstrumente:
Marshall Royal (am 1961-01-11)
Schlagzeug:
Sonny Payne (am 1961-01-11)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1961-01-11) und Billy Mitchell (US jazz saxophonist) (am 1961-01-11)
Trompete:
Sonny Cohn (am 1961-01-11), Thad Jones (am 1961-01-11), Joe Newman (US jazz trumpeter) (am 1961-01-11) und Snooky Young (am 1961-01-11)
vocals:
Sarah Vaughan (am 1961-01-11)
arranger:
Thad Jones
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-01-11)
recording of:
The Gentleman Is a Dope (Allegro) (am 1961-01-11)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
Teil von:
Allegro (Rodgers & Hammerstein musical)
2:46
21You Go to My Head
Produzent(in):
Teddy Reig
Bass:
Eddie Jones (US jazz double bassist) (am 1961-01-10)
Gitarre:
Freddie Green (am 1961-01-10)
Holzblasinstrumente:
Charlie Fowlkes (am 1961-01-10) und Frank Wess (am 1961-01-10)
Klavier:
Count Basie (pianist) (vom 1960-07 bis 1961-01) und Kirk Stuart (am 1961-01-10)
Posaune:
Henry Coker (am 1961-01-10), Al Grey (trombone) (am 1961-01-10) und Benny Powell (am 1961-01-10)
Rohrblattinstrumente:
Marshall Royal (am 1961-01-10)
Schlagzeug:
Sonny Payne (am 1961-01-10)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1961-01-10) und Billy Mitchell (US jazz saxophonist) (am 1961-01-10)
Trompete:
Sonny Cohn (am 1961-01-10), Thad Jones (am 1961-01-10), Joe Newman (US jazz trumpeter) (am 1961-01-10) und Snooky Young (am 1961-01-10)
vocals:
Sarah Vaughan (am 1961-01-10)
arranger:
Thad Jones
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-01-10)
cover recording of:
You Go to My Head (am 1961-01-10)
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
54:53
22Until I Met You
Produzent(in):
Teddy Reig
Bass:
Eddie Jones (US jazz double bassist) (am 1961-01-13)
Gitarre:
Freddie Green (am 1961-01-13)
Holzblasinstrumente:
Charlie Fowlkes (am 1961-01-13) und Frank Wess (am 1961-01-13)
Klavier:
Count Basie (pianist) (vom 1960-07 bis 1961-01) und Kirk Stuart (am 1961-01-13)
Posaune:
Henry Coker (am 1961-01-13), Al Grey (trombone) (am 1961-01-13) und Benny Powell (am 1961-01-13)
Rohrblattinstrumente:
Marshall Royal (am 1961-01-13)
Schlagzeug:
Sonny Payne (am 1961-01-13)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1961-01-13) und Billy Mitchell (US jazz saxophonist) (am 1961-01-13)
Trompete:
Sonny Cohn (am 1961-01-13), Thad Jones (am 1961-01-13), Joe Newman (US jazz trumpeter) (am 1961-01-13) und Snooky Young (am 1961-01-13)
vocals:
Sarah Vaughan (am 1961-01-13)
arranger:
Thad Jones
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-01-13)
cover recording of:
Until I Met You (Corner Pocket) (am 1961-01-13)
Texter:
Don Wolf (songwriter / composer)
Komponist(in):
Don Wolf (songwriter / composer) und Freddie Green
publisher:
EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
53:11
23You Turned the Tables on Me
Produzent(in):
Teddy Reig
Bass:
Eddie Jones (US jazz double bassist) (am 1961-01-10)
Holzblasinstrumente:
Charlie Fowlkes und Frank Wess (vom 1960-07 bis 1961-01)
Klavier:
Kirk Stuart und Count Basie (pianist) (vom 1960-07 bis 1961-01)
Posaune:
Henry Coker (vom 1960-07 bis 1961-01), Al Grey (trombone) (vom 1960-07 bis 1961-01) und Benny Powell (vom 1960-07 bis 1961-01)
Saxophon:
Frank Foster (saxophonist) (vom 1960-07 bis 1961-01), Charlie Fowlkes (vom 1960-07 bis 1961-01) und Billy Mitchell (US jazz saxophonist) (vom 1960-07 bis 1961-01)
Schlagzeug:
Sonny Payne (am 1961-01-10)
Tenorsaxophon:
Frank Foster (saxophonist) und Billy Mitchell (US jazz saxophonist)
Trompete:
Sonny Cohn (vom 1960-07 bis 1961-01), Thad Jones (vom 1960-07 bis 1961-01), Joe Newman (US jazz trumpeter) (vom 1960-07 bis 1961-01) und Snooky Young (vom 1960-07 bis 1961-01)
vocals:
Sarah Vaughan (vom 1960-07 bis 1961-01)
arranger:
Thad Jones
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-01-10)
cover recording of:
You Turned the Tables on Me (am 1961-01-10)
Texter:
Sidney Mitchell
Komponist(in):
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
3:24
24Little Man You’ve Had a Busy Day
Produzent(in):
Teddy Reig
Bass:
Eddie Jones (US jazz double bassist) (am 1961-01-13)
Gitarre:
Freddie Green (am 1961-01-13)
Holzblasinstrumente:
Charlie Fowlkes (am 1961-01-13) und Frank Wess (am 1961-01-13)
Klavier:
Count Basie (pianist) (vom 1960-07 bis 1961-01) und Kirk Stuart (am 1961-01-13)
Posaune:
Henry Coker (am 1961-01-13), Al Grey (trombone) (am 1961-01-13) und Benny Powell (am 1961-01-13)
Rohrblattinstrumente:
Marshall Royal (am 1961-01-13)
Schlagzeug:
Sonny Payne (am 1961-01-13)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1961-01-13) und Billy Mitchell (US jazz saxophonist) (am 1961-01-13)
Trompete:
Sonny Cohn (am 1961-01-13), Thad Jones (am 1961-01-13), Joe Newman (US jazz trumpeter) (am 1961-01-13) und Snooky Young (am 1961-01-13)
vocals:
Sarah Vaughan (am 1961-01-13)
arranger:
Frank Foster (saxophonist)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1961-01-13)
cover recording of:
Little Man, You've Had a Busy Day (am 1961-01-13)
Verfasser(in):
Al Hoffman, Maurice Sigler und Mabel Wayne
publisher:
Al Hoffman Songs Inc. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
4:54
CD 3
CD 4
CD 5
CD 6
CD 7
CD 8

Nennungen

Veröffentlichung

ASIN:US: B000M6CLLI [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0000980372 [Info]