Columbia Country Classics, Volume 1: The Golden Age

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Can the Circle Be Unbroken (Bye & Bye)
autoharp:
Sara Carter (of the Carter Family) (on 1935-05-06)
guitar:
Mother Maybelle Carter (on 1935-05-06)
vocals:
A.P. Carter (on 1935-05-06), Mother Maybelle Carter (on 1935-05-06) and Sara Carter (of the Carter Family) (on 1935-05-06)
recorded at:
American Record Corporation Studios in New York, New York, United States (on 1935-05-06)
recording of:
Can the Circle Be Unbroken (By and By) (on 1935-05-06)
publisher:
Charles M. Alexander, Chicago, Illinois (gospel) (on 1907-04-30)
additional lyricist and additional composer:
A.P. Carter
lyricist:
Ada Ruth Habershon (in 1907)
composer:
Charles Hutchinson Gabriel (in 1907)
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1935-06-22)
version of:
Will the Circle Be Unbroken?
The Carter Family3:08
2Great Speckled Bird
recording of:
The Great Speckled Bird (on 1936-10-20)
lyricist:
Guy Smith (Reverend)
composer:
Roy Carter (country songwriter)
Roy Acuff and His Crazy Tennesseans2:52
3After the Sunrise
The Chuck Wagon Gang2:47
4You Are My Sunshine
recording of:
You Are My Sunshine (on 1941-06-18)
anthem of:
Louisiana, United States
writer:
Jimmie Davis (American politician, singer and songwriter) and Charles Mitchell (1940s songwriter)
publisher:
Peer International (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1940-01-30)
Gene Autry2:24
5I Want to Be a Cowboy's Sweetheart
recorded in:
New York, New York, United States (on 1935-08-16)
bass:
Jack Taylor (bassist) (on 1935-08-16)
guitar:
Salty Holmes (on 1935-08-16)
mandola:
Chick Hurt (on 1935-08-16)
violin:
Shelby David "Tex" Atchison (on 1935-08-16)
vocals:
Rubye Blevins (on 1935-08-16)
orchestra:
The Prairie Ramblers (on 1935-08-16)
recording of:
I Want to Be a Cowboy’s Sweetheart (on 1935-08-16)
lyricist and composer:
Patsy Montana
Patsy Montana & The Prairie Ramblers43:06
6Pistol Packin' Mama
accordion:
Paul Sells (on 1942-03-20)
bass:
Fred Whiting (US double bassist) (on 1942-03-20)
guitar:
Johnny Bond (on 1942-03-20), Al Dexter (on 1942-03-20) and Dick Reinhart (on 1942-03-20)
steel guitar:
Frankie Marvin (US country musician) (on 1942-03-20)
trumpet:
Harry Hollinger (on 1942-03-20)
recorded at:
CBS Columbia Square Recording Studios (KNX and Columbia Broadcasting System) in Hollywood, Los Angeles, California, United States
part of:
V Disc (by matrix number) (number: VP 39)
recording of:
Pistol Packin’ Mama (on 1942-03-20)
publisher:
Albert Poindexter (on 1942-02-16)
lyricist and composer:
Al Dexter
publisher:
Universal‐Songs of PolyGram International, Inc.
Al Dexter and His Troopers42:46
7Back in the Saddle Again
lead vocals:
Gene Autry (“The Singing Cowboy”)
recorded at:
CBS Columbia Square (KNX and Columbia Broadcasting System) in Hollywood, Los Angeles, California, United States
recording of:
Back in the Saddle (on 1939-04-18)
writer:
Gene Autry (“The Singing Cowboy”) and Ray Whitley (Country & western singer/songwriter)
publisher:
Gene Autry’s Western Music Publishing Co. and Western Music Publishing Co., Inc. (on 1939-07-24)
Gene Autry42:36
8New San Antonio Rose
bass:
Son Lansford (on 1940-04-16)
fiddle:
Jesse Ashlock (American violin player and songwriter) (on 1940-04-16), Louis Tierney (on 1940-04-16) and Bob Wills (Texan Western swing musician, songwriter, and bandleader) (on 1940-04-16)
guitar:
Herman Arnspiger (on 1940-04-16) and Eldon Shamblin (on 1940-04-16)
piano:
Al Stricklin (on 1940-04-16)
saxophone:
Joe Ferguson (on 1940-04-16), Don Harlan (on 1940-04-16), Wayne Johnson (saxophonist) (on 1940-04-16), Zeb McNally (on 1940-04-16) and Tiny Mott (on 1940-04-16)
steel guitar:
Leon McAuliffe (on 1940-04-16)
trumpet:
Tubby Lewis (on 1940-04-16) and Everett Stover (played trumpet for Bob Wills & His Texas Playboys) (on 1940-04-16)
vocals:
Tommy Duncan (Western swing vocalist, songwriter and pianist) (on 1940-04-16)
part of:
V Disc (by matrix number) (number: VP 315 (2))
recording of:
San Antonio Rose (on 1940-04-16)
lyricist and composer:
Bob Wills (Texan Western swing musician, songwriter, and bandleader)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Irving Berlin Inc. (on 1940-06-05)
Bob Wills and His Texas Playboys42:35
9Time Changes Everything
bass:
Son Lansford (on 1940-04-15)
fiddle:
Jesse Ashlock (American violin player and songwriter) (on 1940-04-15), Louis Tierney (on 1940-04-15) and Bob Wills (Texan Western swing musician, songwriter, and bandleader) (on 1940-04-15)
guitar:
Herman Arnspiger (on 1940-04-15) and Eldon Shamblin (on 1940-04-15)
piano:
Al Stricklin (on 1940-04-15)
steel guitar:
Leon McAuliffe (on 1940-04-15)
vocals:
Tommy Duncan (Western swing vocalist, songwriter and pianist) (on 1940-04-15)
recording of:
Time Changes Everything (on 1940-04-15)
lyricist and composer:
Tommy Duncan (Western swing vocalist, songwriter and pianist)
Bob Wills and His Texas Playboys42:40
10It Makes No Difference Now
part of:
V Disc (by matrix number) (number: VP 701 (2))
recording of:
It Makes No Difference Now (on 1941-06-18)
publisher:
Floyd Tillman (on 1938-05-25)
lyricist and composer:
Jimmie Davis (American politician, singer and songwriter) and Floyd Tillman
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1939-01-02)
Gene Autry2:43
11Take Me Back to Tulsa
bass:
Son Lansford (on 1941-02-25)
clarinet:
Don Harlan (on 1941-02-25)
clarinet and saxophone:
Wayne Johnson (saxophonist) (on 1941-02-25)
fiddle:
Louis Tierney (on 1941-02-25) and Bob Wills (Texan Western swing musician, songwriter, and bandleader) (on 1941-02-25)
guitar:
Eldon Shamblin (on 1941-02-25)
membranophone:
Gene Tomlins (on 1941-02-25)
piano:
Al Stricklin (on 1941-02-25)
saxophone:
Zeb McNally (on 1941-02-25)
steel guitar:
Leon McAuliffe (on 1941-02-25)
trumpet:
Tubby Lewis (on 1941-02-25) and Jamie MacIntosh (on 1941-02-25)
vocals:
Tommy Duncan (Western swing vocalist, songwriter and pianist) (on 1941-02-25)
recording of:
Take Me Back to Tulsa (on 1941-02-25)
lyricist and composer:
Tommy Duncan (Western swing vocalist, songwriter and pianist) and Bob Wills (Texan Western swing musician, songwriter, and bandleader)
publisher:
Peer International Corporation (BMI) (on 1941-06-18)
Bob Wills and His Texas Playboys2:40
12Don't Let That Man Get You Down
Texas Ruby2:32
13Shame on You
fiddle:
Spade Cooley
recording of:
Shame on You (on 1944-12-04)
lyricist and composer:
Spade Cooley
writer:
Donnell Clyde Cooley, Jr.
Spade Cooley32:52
14Born to Lose
part of:
V Disc (by matrix number) (number: VP 700 (2))
recording of:
Born to Lose (on 1942-02-20)
lyricist and composer:
Frankie Brown
publisher:
Peer International Corporation (BMI) (on 1943-05-29)
Ted Daffan’s Texans42:41
15When My Blue Moon Turns to Gold Again
recording of:
When My Blue Moon Turns to Gold Again (on 1941-03-09)
writer:
Gene Sullivan (in 1940) and Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI) (on 1941-12-03)
Wiley Walker & Gene Sullivan2:36
16Wreck on the Highway
recording of:
Wreck on the Highway (aka I Didn't Hear Nobody Pray)
lyricist and composer:
Dorsey Dixon
Roy Acuff and His Smoky Mountain Boys2:45
17When God Comes and Gathers His Jewels
Molly O’Day & The Cumberland Mountain Folks2:47
18The Tramp on the Street
Molly O’Day & The Cumberland Mountain Folks2:46
19I Saw the Light
recording of:
I Saw the Light
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Ltd. (UK) and Acuff-Rose Publications, Inc. (BMI) (on 1948-11-16)
Roy Acuff and His Smoky Mountain Boys2:41
20Are You Walking and A-Talking for the Lord
Wilma Lee, Stoney Cooper and The Clinch Mountain Clan2:06
21Molly and Tenbrooks (The Race Horse Song)
producer:
Art Satherly
banjo:
Earl Scruggs (on 1947-10-28)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1947-10-28)
fiddle:
Chubby Wise (on 1947-10-28)
guitar:
Lester Flatt (on 1947-10-28)
mandolin and lead vocals:
Bill Monroe (on 1947-10-28)
recorded at:
WBBM Studio (radio/tv station) in Chicago, Illinois, United States (on 1947-10-28)
recording of:
Molly and Tenbrooks (on 1947-10-28)
composer:
Bill Monroe
publisher:
Bill Monroe Music
is based on:
Molly and Tenbrooks
Bill Monroe and the Bluegrass Boys2:45
22Poor Ellen Smith
Molly O’Day & The Cumberland Mountain Folks2:40
23Wabash Cannonball
recorded in:
Hollywood, Los Angeles, California, United States (on 1947-01-28)
bass:
Joe Zinkan (on 1947-01-28)
fiddle:
Tommy Magness (on 1947-01-28)
guitar:
Lonnie Wilson (US country guitarist, performed with Roy Acuff) (on 1947-01-28)
harmonica:
Jimmie Riddle (on 1947-01-28)
resonator guitar [dobro]:
Pete Kirby (on 1947-01-28)
vocals:
Roy Acuff (on 1947-01-28)
recording of:
Wabash Cannonball (on 1947-01-28)
composer:
A.P. Carter and William Kindt
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
part of:
Roud Folk Song Index (number: 4228)
Roy Acuff and His Smoky Mountain Boys2:34
24Blue Eyes Crying in the Rain
Roy Acuff and His Smoky Mountain Boys2:41
25Blue Moon of Kentucky
producer:
Art Satherly
banjo:
Earl Scruggs (on 1946-09-16)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1946-09-16)
fiddle:
Chubby Wise (on 1946-09-16)
guitar:
Lester Flatt (on 1946-09-16)
mandolin and lead vocals:
Bill Monroe (on 1946-09-16)
recorded at:
WBBM Studio (radio/tv station) in Chicago, Illinois, United States (on 1946-09-16)
recording of:
Blue Moon of Kentucky (on 1946-09-16)
lyricist and composer:
Bill Monroe (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic) and ピアーミュージック (Japan, subsidiary of Nichion)
Bill Monroe and the Bluegrass Boys3:05
26The Fields Have Turned Brown
producer:
Don Law and Art Satherly
banjo and tenor vocals:
Ralph Stanley (on 1949-11-20)
double bass:
Ernie Newton (contrabassist) (on 1949-11-20)
fiddle:
Les Woodie (on 1949-11-20)
guitar and lead vocals:
Carter Stanley (on 1949-11-20)
mandolin and baritone vocals [high baritone vocals]:
Darrell "Pee Wee" Lambert (on 1949-11-20)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1949-11-20)
recording of:
The Fields Have Turned Brown (on 1949-11-20)
writer:
Carter Stanley and Ralph Stanley
The Stanley Brothers & The Clinch Mountain Boys2:32
27Don't Get Above Your Raisin'
banjo:
Earl Scruggs (on 1951-05-09)
double bass [string bass]:
Jody Rainwater (American bluegrass bassist) (on 1951-05-09)
fiddle:
Chubby Wise (on 1951-05-09)
guitar:
Lester Flatt (on 1951-05-09)
mandolin:
Everett Lilly (on 1951-05-09)
vocals:
Lester Flatt (on 1951-05-09)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1951-05-09)
recording of:
Don't Get Above Your Raising (on 1951-05-09)
writer:
Lester Flatt and Earl Scruggs
Lester Flatt & Earl Scruggs & The Foggy Mountain Boys2:41

Credits

Release

ASIN:US: B00000271Y [info]

Release Group

part of:Columbia Country Classics (number: 1) (order: 2)