| # | Title | Artist | Rating | Length |
|---|
| 1 | Blinding Lights- programming and producer:
- Oscar Holter, Max Martin and The Weeknd
- assistant engineer:
- Cory Bice, Sean Klein and Jeremy Lertola
- engineer:
- Shin Kamiyama
- assistant mixer:
- John Hanes
- mixer:
- Serban Ghenea
- bass, drums (drum set), guitar and keyboard [keyboards]:
- Oscar Holter, Max Martin and The Weeknd
- background vocals:
- Abel Tesfaye
- phonographic copyright (℗) by:
- The Weeknd XO, Inc. (in 2019)
- produced for:
- MXM Productions and Wolf Cousins Productions
- recorded at:
- Jungle City Studios in New York, New York, United States and MXM Studios in Los Angeles, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- part of:
- Billboard Year-End Hot 100 singles of 2020 (number: 1) and Helsingin Sanomat: 100 maailman parasta laulua (number: 51)
- recording of:
- Blinding Lights (from 2019-06 until 2019-11)
- writer:
- Abel “The Weeknd” Tesfaye , Ahmad Balshe , Oscar Holter, Jason “DaHeala” Quenneville and Karl Martin Sandberg
- publisher:
- BOTA Publishing II, HiFi Music IP Issuer, L.P., KMR Music Royalties II SCSp, MXM, SAL&CO, Songs of Wolf Cousins, Universal Music Corp. , Warner Chappell Music Scand , WB Music Corp. , WC Music Corp. and Wolf Cousins
- sub-publisher:
- Kobalt Music Publishing Ltd. , Neue Welt Musikverlag GmbH and Universal/MCA Music Publishing GmbH
- part of:
- Prix de l’œuvre internationale de l’année (number: 2021)
| The Weeknd | 4.55 | 3:20 |
| 2 | Happy | Pharrell Williams | | 3:51 |
| 3 | bad guy- recorded in:
- Sydney, New South Wales, Australia (other instruments [accessible pedestrian signal])
- additional producer:
- Billie Eilish
- producer:
- FINNEAS
- assistant mixer:
- Casey Cuayo
- mixer:
- Rob Kinelski
- field recordings:
- Billie Eilish
- phonographic copyright (℗) by:
- Darkroom (in 2019, in 2022) and Interscope Records (in 2019, in 2022)
- recorded at:
- FINNEAS’ bedroom studio in Highland Park, Los Angeles, California, United States
- music videos:
- bad guy by Billie Eilish
- part of:
- Billboard Year-End Hot 100 singles of 2019 (number: 4), Grammy Award: Record of the Year nominees (number: 2020 winner), TheNeedleDrop: Top 50 Singles of 2019 (number: 11), Stereogum: The 200 Best Songs of the 2010s (number: 27), Rolling Stone: The 100 Best Songs of the 2010s (number: 34), Billboard Year-End Hot 100 singles of 2020 (number: 46), TheNeedleDrop: Top 100 Songs of the 2010s (number: 77), Helsingin Sanomat: 100 maailman parasta laulua (number: 97) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 178)
- recording of:
- bad guy
- writer:
- Billie Eilish O’Connell and Finneas O’Connell
- publisher:
- Drup, Last Frontier and Universal Music Corp.
- part of:
- Prix de l’œuvre internationale de l’année (number: 2020) and Grammy Award: Song of the Year nominees (number: 2020 winner)
- lyrics quoted on:
- goodbye
| Billie Eilish | 4 | 3:13 |
| 4 | Push It | Salt‐N‐Pepa | | 4:29 |
| 5 | Galvanize | The Chemical Brothers | | 4:28 |
| 6 | Narcotic | Liquido | | 3:52 |
| 7 | Runaway Train | Soul Asylum | 4.45 | 4:23 |
| 8 | Celebrate Youth | Rick Springfield | | 3:55 |
| 9 | Hot Stuff | Donna Summer | | 3:48 |
| 10 | I Was Made for Lovin’ You- recording engineer and mixer:
- Jay Messina
- assistant engineer:
- Jim Galante and Jon Mathias
- producer:
- Vini Poncia
- drums (drum set):
- Anton Fig
- keyboard and background vocals:
- Vini Poncia
- lead vocals:
- Paul Stanley
- phonographic copyright (℗) by:
- Casablanca Record & FilmWorks, Inc. (in 1979)
- produced for:
- Mad Vincent Productions
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recording of:
- I Was Made for Lovin’ You
- writer:
- Desmond Child, Vini Poncia and Paul Stanley
- publisher:
- Desmobile Inc., Hori Productions America Inc., Taiyō Music, Universal Music Publishing France , Universal Polygram International Publishing I , Universal‐Songs of PolyGram International, Inc., Kiss (in 1979) and Mad Vincent Music (in 1979)
| KISS | 4.7 | 4:27 |
| 11 | Eye of the Tiger | Survivor | | 4:05 |
| 12 | Gimme All Your Lovin’ | ZZ Top | 4.15 | 4:00 |
| 13 | Since You Been Gone | Rainbow | | 3:18 |
| 14 | You Ain’t Seen Nothing Yet | Bachman–Turner Overdrive | | 3:37 |
| 15 | Time to Wonder | Fury in the Slaughterhouse | | 5:23 |
| 16 | Walk This Way | Run‐D.M.C. feat. Aerosmith | | 3:35 |
| 17 | Walking on Sunshine | Katrina and the Waves | | 3:56 |
| 18 | Tubthumping- engineer:
- Neil Ferguson
- producer:
- Chumbawamba
- phonographic copyright (℗) by:
- Chumbawamba (in 1997)
- phonographic copyright (℗) by:
- EMI Electrola GmbH & Co KG (in 1997)
- recorded at:
- Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997)
- remix of:
- Tubthumping by Chumbawamba
- recording of:
- Tubthumping (in 1997)
- publisher:
- Chumbawamba (in 1997)
- writer:
- Jude Abbott, Dunstan Bruce, Paul Greco , Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts and Boff Whalley
- publisher:
- EMI Music Publishing Ltd. and Leosong (in 1997)
| Chumbawamba | 3.2 | 3:32 |
| 19 | Ring of Fire | Johnny Cash | | 2:36 |
| 20 | Live Is Life | Opus | 3.65 | 4:08 |
