Boy With Lots of... BRASS

~ Veröffentlichung von Maynard Ferguson (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

Titelliste

▼CD 1
Nr.TitelBewertungLänge
1Give Me the Simple Life
recorded in:
New York, New York, Vereinigte Staaten (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
Bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
Klavier:
Bobby Timmons (in 1957-07)
Posaune:
Bob Burgess (american trombonist) (in 1957-07) und Jimmy Cleveland (in 1957-07)
Saxophon:
Jimmy Ford (saxophone) (in 1957-07) und Anthony Ortega (jazz saxophonist) (in 1957-07)
Schlagzeug:
Larry Bunker (in 1957-07)
Tenorsaxophon:
Willie Maiden (in 1957-07)
Trompete:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) und Tom Slaney (in 1957-07)
instrumental recording of:
Give Me the Simple Life (in 1957-07)
Texter:
Harry Ruby
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
WC Music Corp.
2:34
2My Funny Valentine
recorded in:
New York, New York, Vereinigte Staaten (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
Bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
Klavier:
Bobby Timmons (in 1957-07)
Posaune:
Bob Burgess (american trombonist) (in 1957-07) und Jimmy Cleveland (in 1957-07)
Saxophon:
Jimmy Ford (saxophone) (in 1957-07) und Anthony Ortega (jazz saxophonist) (in 1957-07)
Schlagzeug:
Larry Bunker (in 1957-07)
Tenorsaxophon:
Willie Maiden (in 1957-07)
Trompete:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) und Tom Slaney (in 1957-07)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (in 1957-07)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Teil von:
Waiting to Exhale (1995 film)
4:00
3The Lamp Is Low
recorded in:
New York, New York, Vereinigte Staaten (am 1957-08-02)
baritone saxophone:
Tate Houston (am 1957-08-02)
Klavier:
Bobby Timmons (am 1957-08-02)
Kontrabass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (am 1957-08-02)
Posaune:
Bob Burgess (american trombonist) (am 1957-08-02) und Jimmy Cleveland (am 1957-08-02)
Saxophon:
Jimmy Ford (saxophone) (am 1957-08-02) und Anthony Ortega (jazz saxophonist) (am 1957-08-02)
Schlagzeug:
Larry Bunker (am 1957-08-02)
Tenorsaxophon:
Willie Maiden (am 1957-08-02)
Trompete:
John Bellow (am 1957-08-02), Joe Burnett (am 1957-08-02), Maynard Ferguson (am 1957-08-02) und Tom Slaney (am 1957-08-02)
Ventilposaune:
Maynard Ferguson (am 1957-08-02)
instrumental recording of:
The Lamp Is Low (1939 song) (am 1957-08-02)
Texter:
Mitchell Parish
Komponist(in):
Maurice Ravel (classical composer)
zusätzliche(r) Komponist(in):
Peter de Rose und Bert Shefter
basiert auf:
Pavane pour une infante défunte (original version for solo piano)
3:25
4Imagination
recorded in:
New York, New York, Vereinigte Staaten (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
Bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
Klavier:
Bobby Timmons (in 1957-07)
Posaune:
Bob Burgess (american trombonist) (in 1957-07) und Jimmy Cleveland (in 1957-07)
Saxophon:
Jimmy Ford (saxophone) (in 1957-07) und Anthony Ortega (jazz saxophonist) (in 1957-07)
Schlagzeug:
Larry Bunker (in 1957-07)
Tenorsaxophon:
Willie Maiden (in 1957-07)
Trompete:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) und Tom Slaney (in 1957-07)
instrumental recording of:
Imagination (in 1957-07)
Texter:
Johnny Burke (American lyricist, 1908-1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
3:56
5The Song Is You
recorded in:
New York, New York, Vereinigte Staaten (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
Bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
Klavier:
Bobby Timmons (in 1957-07)
Posaune:
Bob Burgess (american trombonist) (in 1957-07) und Jimmy Cleveland (in 1957-07)
Saxophon:
Jimmy Ford (saxophone) (in 1957-07) und Anthony Ortega (jazz saxophonist) (in 1957-07)
Schlagzeug:
Larry Bunker (in 1957-07)
Tenorsaxophon:
Willie Maiden (in 1957-07)
Trompete:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) und Tom Slaney (in 1957-07)
instrumental recording of:
The Song Is You (in 1957-07)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
2:10
6Jeepers Creepers
recorded in:
New York, New York, Vereinigte Staaten (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
Bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
Klavier:
Bobby Timmons (in 1957-07)
Posaune:
Bob Burgess (american trombonist) (in 1957-07) und Jimmy Cleveland (in 1957-07)
Saxophon:
Jimmy Ford (saxophone) (in 1957-07) und Anthony Ortega (jazz saxophonist) (in 1957-07)
Schlagzeug:
Larry Bunker (in 1957-07)
Tenorsaxophon:
Willie Maiden (in 1957-07)
Trompete:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) und Tom Slaney (in 1957-07)
instrumental recording of:
Jeepers Creepers (in 1957-07)
Texter:
Johnny Mercer (in 1938)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:33
7Love Me or Leave Me
recorded in:
New York, New York, Vereinigte Staaten (am 1957-08-02)
baritone saxophone:
Tate Houston (am 1957-08-02)
Klavier:
Bobby Timmons (am 1957-08-02)
Kontrabass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (am 1957-08-02)
Posaune:
Bob Burgess (american trombonist) (am 1957-08-02) und Jimmy Cleveland (am 1957-08-02)
Saxophon:
Jimmy Ford (saxophone) (am 1957-08-02) und Anthony Ortega (jazz saxophonist) (am 1957-08-02)
Schlagzeug:
Larry Bunker (am 1957-08-02)
Tenorsaxophon:
Willie Maiden (am 1957-08-02)
Trompete:
John Bellow (am 1957-08-02), Joe Burnett (am 1957-08-02), Maynard Ferguson (am 1957-08-02) und Tom Slaney (am 1957-08-02)
instrumental recording of:
Love Me or Leave Me (am 1957-08-02)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Company (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
2:45
8A Foggy Day
recorded in:
New York, New York, Vereinigte Staaten (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
Bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
Klavier:
Bobby Timmons (in 1957-07)
Posaune:
Bob Burgess (american trombonist) (in 1957-07) und Jimmy Cleveland (in 1957-07)
Saxophon:
Jimmy Ford (saxophone) (in 1957-07) und Anthony Ortega (jazz saxophonist) (in 1957-07)
Schlagzeug:
Larry Bunker (in 1957-07)
Tenorsaxophon:
Willie Maiden (in 1957-07)
Trompete:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) und Tom Slaney (in 1957-07)
instrumental recording of:
A Foggy Day (in London Town) (in 1957-07)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019)
Teil von:
A Damsel in Distress (1937 film score)
3:02
9Easy to Love
recorded in:
New York, New York, Vereinigte Staaten (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
Bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
Klavier:
Bobby Timmons (in 1957-07)
Posaune:
Bob Burgess (american trombonist) (in 1957-07) und Jimmy Cleveland (in 1957-07)
Saxophon:
Jimmy Ford (saxophone) (in 1957-07) und Anthony Ortega (jazz saxophonist) (in 1957-07)
Schlagzeug:
Larry Bunker (in 1957-07)
Tenorsaxophon:
Willie Maiden (in 1957-07)
Trompete:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) und Tom Slaney (in 1957-07)
instrumental recording of:
Easy to Love (in 1957-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
3:10
10Moonlight in Vermont
recorded in:
New York, New York, Vereinigte Staaten (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
Bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
Klavier:
Bobby Timmons (in 1957-07)
Posaune:
Bob Burgess (american trombonist) (in 1957-07) und Jimmy Cleveland (in 1957-07)
Saxophon:
Jimmy Ford (saxophone) (in 1957-07) und Anthony Ortega (jazz saxophonist) (in 1957-07)
Schlagzeug:
Larry Bunker (in 1957-07)
Tenorsaxophon:
Willie Maiden (in 1957-07)
Trompete:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) und Tom Slaney (in 1957-07)
instrumental recording of:
Moonlight in Vermont (in 1957-07)
Texter:
John Blackburn (songwriter)
Komponist(in):
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
3:50
11I Hadn't Anyone Till You
recorded in:
New York, New York, Vereinigte Staaten (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
Bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
Klavier:
Bobby Timmons (in 1957-07)
Posaune:
Bob Burgess (american trombonist) (in 1957-07) und Jimmy Cleveland (in 1957-07)
Saxophon:
Jimmy Ford (saxophone) (in 1957-07) und Anthony Ortega (jazz saxophonist) (in 1957-07)
Schlagzeug:
Larry Bunker (in 1957-07)
Tenorsaxophon:
Willie Maiden (in 1957-07)
Trompete:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) und Tom Slaney (in 1957-07)
instrumental recording of:
I Hadn’t Anyone Till You (in 1957-07)
Texter und Komponist(in):
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
1:43
12I Never Knew
recorded in:
New York, New York, Vereinigte Staaten (in 1957-07)
baritone saxophone:
Tate Houston (in 1957-07)
Bass:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) (in 1957-07)
Klavier:
Bobby Timmons (in 1957-07)
Posaune:
Bob Burgess (american trombonist) (in 1957-07) und Jimmy Cleveland (in 1957-07)
Saxophon:
Jimmy Ford (saxophone) (in 1957-07) und Anthony Ortega (jazz saxophonist) (in 1957-07)
Schlagzeug:
Larry Bunker (in 1957-07)
Tenorsaxophon:
Willie Maiden (in 1957-07)
Trompete:
John Bellow (in 1957-07), Joe Burnett (in 1957-07), Maynard Ferguson (in 1957-07) und Tom Slaney (in 1957-07)
instrumental recording of:
I Never Knew (in 1957-07)
Texter:
Gus Kahn
Komponist(in):
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Gilbert Keyes Music Company
3:08