The Broadway Album

~ Release by Barbra Streisand (see all versions of this release, 10 available)

Tracklist

▼MiniDisc 1
#TitleRatingLength
1Putting It Together
recording engineer:
Don Hahn (engineer)
producer:
Peter Matz and Barbra Streisand
synthesizer:
Randy Waldman (in 1985)
additional spoken vocals:
David Geffen (in 1985), Sydney Pollack (in 1985) and Ken Sylk (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
Humberto Gatica
arranger:
Peter Matz and Barbra Streisand
orchestrator:
Peter Matz
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1985)
cover recording of:
Sunday in the Park With George: Putting It Together (in 1985)
lyricist and composer:
Stephen Sondheim
publisher:
Revelation Music Publishing Corp. and Rilting Music, Inc.
part of:
Sunday in the Park With George
4:19
2If I Loved You
recording engineer:
Don Hahn (engineer)
producer:
Peter Matz and Barbra Streisand
French horn:
Brian O’Connor (French hornist) (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
Humberto Gatica
arranger:
Peter Matz
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1985)
cover recording of:
If I Loved You (Carousel) (in 1985)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
2:38
3Something’s Coming
recording engineer and mixer:
John Arrias (engineer)
producer:
Richard Baskin
synthesizer:
Randy Waldman (in 1985)
vocals:
Barbra Streisand (in 1985)
brass [horns] arranger:
Jerry Hey
arranger:
Richard Baskin and Randy Waldman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
Randy Waldman Studio in Van Nuys, California, United States (in 1985) and The Village (aka The Village Recorder) in Los Angeles, California, United States (in 1985)
cover recording of:
West Side Story: Something’s Coming (Tony) (in 1985)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (US composer & conductor)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and G. Schirmer Inc.
part of:
West Side Story
2:53
4Not While I’m Around
recording engineer and mixer:
Don Hahn (engineer)
producer:
Richard Baskin
vocals:
Barbra Streisand (in 1985)
conductor:
Jeremy Lubbock (in 1985)
orchestrator:
Jeremy Lubbock
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1985)
cover recording of:
Not While I'm Around (contemporary version) (in 1985)
lyricist and composer:
Stephen Sondheim
publisher:
Revelation Music Publishing Corp. and Rilting Music, Inc.
3:29
5Being Alive
recording engineer:
Don Hahn (engineer)
producer:
Peter Matz and Barbra Streisand
bass guitar [bass]:
Neil Stubenhaus (in 1985)
drums (drum set):
Steve Schaeffer (drummer) (in 1985)
percussion:
Paulinho da Costa (in 1985)
solo alto saxophone:
Gary Herbig (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
Humberto Gatica
arranger:
Peter Matz and Barbra Streisand
orchestrator:
Peter Matz
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1985)
cover recording of:
Company: Being Alive (in 1985)
orchestrator:
Jonathan Tunick
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation, Quartet Music Inc., Range Road Music Inc. and Rilting Music, Inc.
part of:
Company
3:22
6I Have Dreamed / We Kiss in a Shadow / Something Wonderful
recording engineer:
John Arrias (engineer)
keyboard programming:
Rhett Lawrence
producer:
Bob Esty (disco songwriter - producer from Massachusetts), Paul Jabara and Barbra Streisand
keyboard:
Bob Esty (disco songwriter - producer from Massachusetts) (in 1985)
strings:
Jeremy Lubbock (in 1985)
vocals:
Barbra Streisand (in 1985)
remixer:
John Arrias (engineer)
arranger:
Bob Esty (disco songwriter - producer from Massachusetts) and Paul Jabara
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States (in 1985)
medley including a cover recording of:
I Have Dreamed (The King and I) (in 1985)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Sony Music Publishing (Japan) Inc. and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
part of:
The King and I (Rodgers & Hammerstein musical)
medley including a cover recording of:
Something Wonderful (The King and I) (in 1985)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
translated version of:
דבר מה נפלא כל כך
part of:
The King and I (Rodgers & Hammerstein musical)
medley including a cover recording of:
We Kiss in a Shadow (The King and I) (in 1985)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
4:49
7Adelaide’s Lament
recording engineer:
Don Hahn (engineer)
producer:
Peter Matz and Barbra Streisand
double bass:
Chuck Berghofer (Jazz bassist) (in 1985)
membranophone:
Sol Gubin (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
orchestrator:
Sid Ramin
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
cover recording of:
Adelaide's Lament (in 1985)
lyricist and composer:
Frank Loesser
part of:
Guys and Dolls (full musical)
3:24
8Send In the Clowns
recording engineer:
John Arrias (engineer)
producer:
Barbra Streisand
cor anglais and oboe:
Earle Dumler (in 1985)
French horn:
Richard Todd (American hornist) (in 1985)
piano:
Randy Kerber (in 1985)
synthesizer:
Randy Waldman (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Jeremy Lubbock (in 1985)
remixer:
John Arrias (engineer)
orchestrator:
Jeremy Lubbock
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
Evergreen Recording Studios in Burbank, California, United States (in 1985)
cover recording of:
Send In the Clowns (A Little Night Music) (in 1985)
lyricist and composer:
Stephen Sondheim
publisher:
Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
A Little Night Music (musical)
4:41
9Pretty Women / The Ladies Who Lunch
recording engineer:
Don Hahn (engineer)
producer:
Peter Matz and Barbra Streisand
drums (drum set):
Sol Gubin (in 1985)
guitar:
Oscar Castro‐Neves (in 1985)
percussion:
Paulinho da Costa (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
Humberto Gatica
arranger:
Peter Matz and Barbra Streisand
orchestrator:
Peter Matz
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1985)
medley including a cover recording of:
Company: The Ladies Who Lunch (in 1985)
orchestrator:
Jonathan Tunick
lyricist and composer:
Stephen Sondheim
publisher:
Carlin Music Corporation, Quartet Music Inc., Range Road Music Inc. and Rilting Music, Inc.
part of:
Company
medley including a cover recording of:
Pretty Women (Sweeney Todd) (in 1985)
orchestrator:
Jonathan Tunick (in 1979) and Sarah Travis (orchestrator, musical supervisor) (in 2004)
lyricist and composer:
Stephen Sondheim
publisher:
Revelation Music Publishing Corp. and Rilting Music, Inc.
part of:
Sweeney Todd: The Demon Barber of Fleet Street
5:07
10Can’t Help Lovin’ That Man
recording engineer:
Don Hahn (engineer)
producer:
Peter Matz and Barbra Streisand
harmonica:
Stevie Wonder (in 1985)
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
John Arrias (engineer)
additional orchestrator:
Peter Matz
orchestrator:
Conrad Salinger (, in 1951)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1985)
cover recording of:
Can’t Help Lovin’ Dat Man (Show Boat) (in 1985)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, Volume I)
3:29
11I Loves You Porgy / Porgy, I’s Your Woman Now (Bess, You Is My Woman)
recording engineer:
Don Hahn (engineer)
producer:
Peter Matz and Barbra Streisand
vocals:
Barbra Streisand (in 1985)
conductor:
Peter Matz (in 1985)
remixer:
Humberto Gatica
arranger:
Peter Matz and Barbra Streisand
orchestrator:
Alexander Courage
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1985)
medley including a cover recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (in 1985)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, you is my woman now”
medley including a cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1985)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:33
12Somewhere
synthesizer programming:
Michael Boddicker
additional engineer:
Magic Moreno
assistant engineer:
Woody Woodruff
engineer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
keyboard and synthesizer:
David Foster (Canadian music producer, arranger and composer) (in 1985) and Randy Waldman (in 1985)
vocals:
Barbra Streisand (in 1985)
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recorded at:
Randy Waldman Studio in Van Nuys, California, United States (in 1985) and The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1985)
cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (in 1985)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (US composer & conductor)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
lyrics quoted on:
West Side Story: Ballet Sequence: Procession and Nightmare (Jets, Sharks)
music quoted on:
West Side Story: Ballet Sequence: Procession and Nightmare (Jets, Sharks)
music quoted on:
West Side Story: End Credits (2021 motion picture)
music quoted on:
West Side Story: Finale (2021 motion picture version)
music quoted on:
West Side Story: Finale
part of:
West Side Story: Ballet Sequence
4:55

Credits

Release

art direction:Lane/Donald (design and art direction)
photography:Richard Corman (photographer)
Mark Sennet (Photographer)
liner notes:Alan Bergman (American lyricist)
Marilyn Bergman
assistant mixer:Laura Livingston
Jay Willis
assistant engineer:Benny Faccone
Magic Moreno
executive producer:Peter Matz
Barbra Streisand
mastering:Stephen Marcussen (mastering engineer)
mixed at:A&M Recording Studios in Hollywood, Los Angeles, California, United States
Lion Share Recording Studios in Los Angeles, California, United States
The Village (aka The Village Recorder) in Los Angeles, California, United States
mastered at:Precision Lacquer in Los Angeles, California, United States
Discogs:https://www.discogs.com/release/15252484 [info]
ASIN:US: B00000264M [info]

Release Group

part of:Grammy Award: Album of the Year nominees (number: 1987) (order: 120)
Discogs:https://www.discogs.com/master/74357 [info]
Wikidata:Q768362 [info]