The Originals: Legendary Recordings Vol. 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Toccata und Fugue in D minor, BWV 565: I. Toccata
miscellaneous support:
Erich Thienhaus (task: production and recording supervision)
producer:
Erich Thienhaus
organ:
Helmut Walcha (on 1956-09-17)
balance engineer:
Hansjoachim Reiser (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1959) and Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1956-09-17)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (on 1956-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach2:37
2Toccata und Fugue in D minor, BWV 565: II. Fugue
miscellaneous support:
Erich Thienhaus (task: production and recording supervision)
producer:
Erich Thienhaus
organ:
Helmut Walcha (on 1956-09-17)
pipe organ:
Helmut Walcha
balance engineer:
Hansjoachim Reiser (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1959) and Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1956-09-17)
recording of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge (on 1956-09-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach6:55
3Trio Sonata no. 1 in E-flat major, BWV 525: I. Allegro moderato
miscellaneous support:
Erich Thienhaus (task: production and recording supervision)
producer:
Erich Thienhaus
organ:
Helmut Walcha (in 1956-09)
balance engineer:
Hansjoachim Reiser (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1959)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1956-09)
recording of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: I. (Allegro) (in 1956-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525
Johann Sebastian Bach3:13
4Trio Sonata no. 1 in E-flat major, BWV 525: II. Adagio
miscellaneous support:
Erich Thienhaus (task: production and recording supervision)
producer:
Erich Thienhaus
organ:
Helmut Walcha (in 1956-09)
balance engineer:
Hansjoachim Reiser (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1959)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1956-09)
recording of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: II. Adagio (in 1956-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525
Johann Sebastian Bach5:40
5Trio Sonata no. 1 in E-flat major, BWV 525: III. Allegro
miscellaneous support:
Erich Thienhaus (task: production and recording supervision)
producer:
Erich Thienhaus
organ:
Helmut Walcha (in 1956-09)
balance engineer:
Hansjoachim Reiser (engineer/producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1959)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1956-09)
recording of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525: III. Allegro (in 1956-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Triosonate für Orgel Nr. 1 Es-Dur, BWV 525
Johann Sebastian Bach4:28
6Chorale Partita, BWV 768 “Sei gegrüßet, Jesu gütig”
organ:
Helmut Walcha (in 1956-09)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1956-09)
recording of:
Choral-Partita, BWV 768 "Sei gegrüsset, Jesu gütig" (in 1956-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: K96) and Bach-Werke-Verzeichnis (number: BWV 768)
Johann Sebastian Bach20:51
7Prelude and Fugue in E-flat major “St. Anne”, BWV 552: I. Prelude
organ:
Helmut Walcha (in 1962-09)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1962-09)
recording of:
Präludium und Fuge Es-Dur, BWV 552: I. Präludium (in 1962-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Präludium und Fuge Es-Dur, BWV 552
Johann Sebastian Bach9:19
8Prelude and Fugue in E-flat major “St. Anne”, BWV 552: II. Fugue
organ:
Helmut Walcha (in 1962-09)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1962-09)
recording of:
Präludium und Fuge Es-Dur, BWV 552: II. Fuge (in 1962-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Präludium und Fuge Es-Dur, BWV 552
Johann Sebastian Bach7:19
96 Chorales of Diverse Kinds (“Schübler Chorales”), BWV 645: I. “Wachet auf, ruft uns die Stimme”
organ:
Helmut Walcha (in 1956-09)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1956-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1956-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach4:18
106 Chorales of Diverse Kinds (“Schübler Chorales”), BWV 646: II. “Wo soll ich fliehen hin”
organ:
Helmut Walcha (in 1956-09)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1956-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1956-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach2:13
116 Chorales of Diverse Kinds (“Schübler Chorales”), BWV 647: III. “Wer nur den lieben Gott läßt walten”
organ:
Helmut Walcha (in 1956-09)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1956-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wer nur den lieben Gott läßt walten, BWV 647 (in 1956-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 647)
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach3:12
126 Chorales of Diverse Kinds (“Schübler Chorales”), BWV 648: IV. “Meine Seele erhebet den Herrn”
organ:
Helmut Walcha (in 1956-09)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1956-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Meine Seele erhebet den Herren, BWV 648 (in 1956-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 648)
is based on:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit"
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach2:04
136 Chorales of Diverse Kinds (“Schübler Chorales”), BWV 649: V. “Ach bleib’ bei uns, Herr Jesu Christ”
organ:
Helmut Walcha (in 1956-09)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1956-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (in 1956-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 649)
is based on:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ"
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach3:10
146 Chorales of Diverse Kinds (“Schübler Chorales”), BWV 650: VI. “Kommst du nun, Jesu, vom Himmel herunter”
organ:
Helmut Walcha (in 1956-09)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1956-09)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (in 1956-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 650)
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach3:41
▼CD 2
#TitleArtistRatingLength
1Sonata No. 1 in G minor, BWV 1001: I. Adagio
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001: I. Adagio (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001
Johann Sebastian Bach3:56
2Sonata No. 1 in G minor, BWV 1001: II. Fuga. Allegro
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001: II. Fuga (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001
Johann Sebastian Bach5:01
3Sonata No. 1 in G minor, BWV 1001: III. Siciliana
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001: III. Siciliana (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001
Johann Sebastian Bach3:11
4Sonata No. 1 in G minor, BWV 1001: IV. Presto
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001: IV. Presto (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001
Johann Sebastian Bach2:40
5Partita No. 1 in B minor, BWV 1002: I. Allemanda
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Partita no. 1 in B minor, BWV 1002: I. Allemanda (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Partita no. 1 in B minor, BWV 1002
Johann Sebastian Bach4:06
6Partita No. 1 in B minor, BWV 1002: II. Double
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Partita no. 1 in B minor, BWV 1002: II. Double (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Partita no. 1 in B minor, BWV 1002
Johann Sebastian Bach2:13
7Partita No. 1 in B minor, BWV 1002: III. Courante
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Partita no. 1 in B minor, BWV 1002: III. Corrente (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Partita no. 1 in B minor, BWV 1002
Johann Sebastian Bach2:35
8Partita No. 1 in B minor, BWV 1002: IV. Double. Presto
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Partita no. 1 in B minor, BWV 1002: IV. Double (Presto) (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Partita no. 1 in B minor, BWV 1002
Johann Sebastian Bach2:47
9Partita No. 1 in B minor, BWV 1002: V. Sarabande
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Partita no. 1 in B minor, BWV 1002: V. Sarabande (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Partita no. 1 in B minor, BWV 1002
Johann Sebastian Bach2:10
10Partita No. 1 in B minor, BWV 1002: VI. Double
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Partita no. 1 in B minor, BWV 1002: VI. Double (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Partita no. 1 in B minor, BWV 1002
Johann Sebastian Bach1:26
11Partita No. 1 in B minor, BWV 1002: VII. Tempo di Borea
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Partita no. 1 in B minor, BWV 1002: VII. Tempo di Borea (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Partita no. 1 in B minor, BWV 1002
Johann Sebastian Bach2:02
12Partita No. 1 in B minor, BWV 1002: VIII. Double
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Partita no. 1 in B minor, BWV 1002: VIII. Double (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Partita no. 1 in B minor, BWV 1002
Johann Sebastian Bach2:01
13Sonata No. 2 in A minor, BWV 1003: I. Grave
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Sonata no. 2 in A minor, BWV 1003: I. Grave (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Sonata no. 2 in A minor, BWV 1003
Johann Sebastian Bach4:01
14Sonata No. 2 in A minor, BWV 1003: II. Fuga
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Sonata no. 2 in A minor, BWV 1003: II. Fuga (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Sonata no. 2 in A minor, BWV 1003
Johann Sebastian Bach7:22
15Sonata No. 2 in A minor, BWV 1003: III. Andante
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Sonata no. 2 in A minor, BWV 1003: III. Andante (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Sonata no. 2 in A minor, BWV 1003
Johann Sebastian Bach4:35
16Sonata No. 2 in A minor, BWV 1003: IV. Allegro
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Sonata no. 2 in A minor, BWV 1003: IV. Allegro (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Sonata no. 2 in A minor, BWV 1003
Johann Sebastian Bach6:08
▼CD 3
#TitleArtistRatingLength
1Partita No. 2 in D minor, BWV 1004: I. Allemande
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: I. Allemande (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
Johann Sebastian Bach4:05
2Partita No. 2 in D minor, BWV 1004: II. Courante
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: II. Courante (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
Johann Sebastian Bach3:33
3Partita No. 2 in D minor, BWV 1004: III. Sarabanda
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: III. Sarabande (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
Johann Sebastian Bach4:01
4Partita No. 2 in D minor, BWV 1004: IV. Gigue
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
Johann Sebastian Bach4:13
5Partita No. 2 in D minor, BWV 1004: V. Chaconne
engineer and balance engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973-02)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (in 1973-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
Johann Sebastian Bach14:04
6Sonata No. 3 in C major, BWV 1005: I. Adagio
engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973, in 1974-04)
recording of:
Violin Sonata no. 3 in C major, BWV 1005: I. Adagio (in 1973)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Sonata no. 3 in C major, BWV 1005
Johann Sebastian Bach4:22
7Sonata No. 3 in C major, BWV 1005: II. Fuga
engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973, in 1974-04)
recording of:
Violin Sonata no. 3 in C major, BWV 1005: II. Fuga (in 1973)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Sonata no. 3 in C major, BWV 1005
Johann Sebastian Bach9:46
8Sonata No. 3 in C major, BWV 1005: III. Largo
engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973, in 1974-04)
recording of:
Violin Sonata no. 3 in C major, BWV 1005: III. Largo (in 1973)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Sonata no. 3 in C major, BWV 1005
Johann Sebastian Bach3:15
9Sonata No. 3 in C major, BWV 1005: IV. Allegro assai
engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973, in 1974-04)
recording of:
Violin Sonata no. 3 in C major, BWV 1005: IV. Allegro assai (in 1973)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (until 1720)
part of:
Violin Sonata no. 3 in C major, BWV 1005
Johann Sebastian Bach3:41
10Partita No. 3 in E major, BWV 1006: I. Preludio
engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973, in 1974-04)
recording of:
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (in 1974-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
Johann Sebastian Bach3:36
11Partita No. 3 in E major, BWV 1006: II. Loure
engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973, in 1974-04)
recording of:
Violin Partita no. 3 in E major, BWV 1006: II. Loure (in 1973)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
Johann Sebastian Bach4:12
12Partita No. 3 in E major, BWV 1006: III. Gavotte en Rondeau
engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973, in 1974-04)
recording of:
Violin Partita no. 3 in E major, BWV 1006: III. Gavotte en rondeau (in 1973)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
Johann Sebastian Bach3:08
13Partita No. 3 in E major, BWV 1006: IV. Menuet I
engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973, in 1974-04)
recording of:
Violin Partita no. 3 in E major, BWV 1006: IV. Menuet I (in 1973)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
Johann Sebastian Bach1:56
14Partita No. 3 in E major, BWV 1006: V. Menuet II - Menuet I da capo
engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973, in 1974-04)
recording of:
Violin Partita no. 3 in E major, BWV 1006: V. Menuet II (in 1973)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
Johann Sebastian Bach2:02
15Partita No. 3 in E major, BWV 1006: VI. Bourrée
engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973, in 1974-04)
recording of:
Violin Partita no. 3 in E major, BWV 1006: VI. Bourrée (in 1973)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
Johann Sebastian Bach1:30
16Partita No. 3 in E major, BWV 1006: VII. Gigue
engineer:
Klaus Hiemann (German audio)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973, in 1974-04)
recording of:
Violin Partita no. 3 in E major, BWV 1006: VII. Gigue (in 1973)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
Johann Sebastian Bach1:59
▼CD 4
#TitleArtistRatingLength
1Piano Concerto no. 1, Sz 83: I. Allegro Moderato - Allegro
producer:
Otto Gerdes (conductor and producer) and Rolf Peter Schröder
piano:
Géza Anda (pianist) (in 1960-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1960-10)
conductor:
Ferenc Fricsay (conductor) (in 1960-10)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1960-10)
recording of:
Piano Concerto no. 1, Sz. 83, BB 91: I. Allegro moderato (in 1960-10)
composer:
Béla Bartók (composer) (in 1926)
part of:
Piano Concerto no. 1, Sz. 83, BB 91
Béla Bartók9:14
2Piano Concerto no. 1, Sz 83: II. Andante
producer:
Otto Gerdes (conductor and producer) and Rolf Peter Schröder
piano:
Géza Anda (pianist) (in 1960-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1960-10)
conductor:
Ferenc Fricsay (conductor) (in 1960-10)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1960-10)
recording of:
Piano Concerto no. 1, Sz. 83, BB 91: II. Andante (in 1960-10)
composer:
Béla Bartók (composer) (in 1926)
part of:
Piano Concerto no. 1, Sz. 83, BB 91
Béla Bartók8:35
3Piano Concerto no. 1, Sz 83: III. Allegro molto
producer:
Otto Gerdes (conductor and producer) and Rolf Peter Schröder
piano:
Géza Anda (pianist) (in 1960-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1960-10)
conductor:
Ferenc Fricsay (conductor) (in 1960-10)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1960-10)
recording of:
Piano Concerto no. 1, Sz. 83, BB 91: III. Allegro molto (in 1960-10)
composer:
Béla Bartók (composer) (in 1926)
part of:
Piano Concerto no. 1, Sz. 83, BB 91
Béla Bartók7:13
4Piano Concerto no. 2, Sz 95: I. Allegro
producer:
Otto Gerdes (conductor and producer), Günter Hermanns (producer/engineer) and Hans Weber (producer/engineer)
piano:
Géza Anda (pianist) (in 1959-09)
orchestra:
Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1959-09)
conductor:
Ferenc Fricsay (conductor) (in 1959-09)
balance engineer:
Werner Wolf (engineer/producer) (in 1959-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1959-09)
recording of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101: I. Allegro (in 1959-09)
composer:
Béla Bartók (composer) (from 1930 until 1931)
part of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101
Béla Bartók9:50
5Piano Concerto no. 2, Sz 95: II. Adagio - Presto - Adagio
producer:
Otto Gerdes (conductor and producer), Günter Hermanns (producer/engineer) and Hans Weber (producer/engineer)
piano:
Géza Anda (pianist) (in 1959-09)
orchestra:
Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1959-09)
conductor:
Ferenc Fricsay (conductor) (in 1959-09)
balance engineer:
Werner Wolf (engineer/producer) (in 1959-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1959-09)
recording of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101: II. Adagio - Più adagio - Presto (in 1959-09)
composer:
Béla Bartók (composer) (from 1930 until 1931)
part of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101
Béla Bartók12:19
6Piano Concerto no. 2, Sz 95: III. Allegro molto
producer:
Otto Gerdes (conductor and producer), Günter Hermanns (producer/engineer) and Hans Weber (producer/engineer)
piano:
Géza Anda (pianist) (in 1959-09)
orchestra:
Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1959-09)
conductor:
Ferenc Fricsay (conductor) (in 1959-09)
balance engineer:
Werner Wolf (engineer/producer) (in 1959-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1959-09)
recording of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101: III. Allegro molto (in 1959-09)
composer:
Béla Bartók (composer) (from 1930 until 1931)
part of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101
Béla Bartók6:12
7Piano Concerto no. 3, Sz 119: I. Allegretto
producer:
Otto Gerdes (conductor and producer), Günter Hermanns (producer/engineer) and Hans Weber (producer/engineer)
piano:
Géza Anda (pianist) (in 1959-09)
orchestra:
Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1959-09)
conductor:
Ferenc Fricsay (conductor) (in 1959-09)
balance engineer:
Werner Wolf (engineer/producer) (in 1959-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1959-09)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: I. Allegretto (in 1959-09)
composer:
Béla Bartók (composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók7:13
8Piano Concerto no. 3, Sz 119: II. Allegro religioso
producer:
Otto Gerdes (conductor and producer), Günter Hermanns (producer/engineer) and Hans Weber (producer/engineer)
piano:
Géza Anda (pianist) (in 1959-09)
orchestra:
Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1959-09)
conductor:
Ferenc Fricsay (conductor) (in 1959-09)
balance engineer:
Werner Wolf (engineer/producer) (in 1959-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1959-09)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: II. Adagio religioso (in 1959-09)
composer:
Béla Bartók (composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók10:17
9Piano Concerto no. 3, Sz 119: III. Allegro vivace
producer:
Otto Gerdes (conductor and producer), Günter Hermanns (producer/engineer) and Hans Weber (producer/engineer)
piano:
Géza Anda (pianist) (in 1959-09)
orchestra:
Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1959-09)
conductor:
Ferenc Fricsay (conductor) (in 1959-09)
balance engineer:
Werner Wolf (engineer/producer) (in 1959-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1959-09)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: III. Allegro vivace (in 1959-09)
composer:
Béla Bartók (composer) (in 1945)
part of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók6:47
▼CD 5
#TitleArtistRatingLength
1Piano Concerto No. 1 in C major, op. 15: I. Allegro con brio
producer:
Cord Garben
piano:
Arturo Benedetti Michelangeli (pianist) (in 1979-09)
orchestra:
Wiener Symphoniker (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
balance engineer:
Klaus Hiemann (German audio) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-09)
live recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio (in 1979-09)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven18:33
2Piano Concerto No. 1 in C major, op. 15: II. Largo
producer:
Cord Garben
piano:
Arturo Benedetti Michelangeli (pianist) (in 1979-09)
orchestra:
Wiener Symphoniker (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
balance engineer:
Klaus Hiemann (German audio) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-09)
live recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo (in 1979-09)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven10:36
3Piano Concerto No. 1 in C major, op. 15: III. Rondo. Allegro
producer:
Cord Garben
piano:
Arturo Benedetti Michelangeli (pianist) (in 1979-09)
orchestra:
Wiener Symphoniker (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
balance engineer:
Klaus Hiemann (German audio) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-09)
live recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando (in 1979-09)
composer:
Ludwig van Beethoven (German composer) (from 1796 until 1797)
part of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven9:05
4Piano Concerto No. 3 in C minor, op. 37: I. Allegro con brio
producer:
Cord Garben
piano:
Arturo Benedetti Michelangeli (pianist) (in 1979-02)
orchestra:
Wiener Symphoniker (in 1979-02)
conductor:
Carlo Maria Giulini (conductor) (in 1979-02)
balance engineer:
Klaus Hiemann (German audio) (in 1979-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-02)
live recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio (in 1979-02)
additional composer:
Ludwig van Beethoven (German composer) (in 1809)
composer:
Ludwig van Beethoven (German composer) (in 1800)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven17:14
5Piano Concerto No. 3 in C minor, op. 37: II. Largo
producer:
Cord Garben
piano:
Arturo Benedetti Michelangeli (pianist) (in 1979-02)
orchestra:
Wiener Symphoniker (in 1979-02)
conductor:
Carlo Maria Giulini (conductor) (in 1979-02)
balance engineer:
Klaus Hiemann (German audio) (in 1979-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-02)
live recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo (in 1979-02)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven11:16
6Piano Concerto No. 3 in C minor, op. 37: III. Rondo. Allegro
producer:
Cord Garben
piano:
Arturo Benedetti Michelangeli (pianist) (in 1979-02)
orchestra:
Wiener Symphoniker (in 1979-02)
conductor:
Carlo Maria Giulini (conductor) (in 1979-02)
balance engineer:
Klaus Hiemann (German audio) (in 1979-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-02)
live recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro (in 1979-02)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven9:35
▼CD 6
#TitleArtistRatingLength
1Piano Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo
recorded in:
Vienna, Austria (in 1977-01)
engineer:
Werner Mayer (classical producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Werner Mayer (classical producer) and Motoaki Ohmachi (producer at JP hi-fi audio equipment makers Esoteric Company)
piano:
Maurizio Pollini (pianist) (in 1977-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1977-01)
recording of:
Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo (in 1977-01)
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Sonata for Piano no. 28 in A major, op. 101
Ludwig van Beethoven3:47
2Piano Sonata no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia
recorded in:
Vienna, Austria (in 1977-07)
engineer:
Werner Mayer (classical producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Werner Mayer (classical producer) and Motoaki Ohmachi (producer at JP hi-fi audio equipment makers Esoteric Company)
piano:
Maurizio Pollini (pianist) (in 1977-07)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-07)
recording of:
Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia (in 1977-07)
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Sonata for Piano no. 28 in A major, op. 101
Ludwig van Beethoven6:14
3Piano Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto
recorded in:
Vienna, Austria (in 1977-01)
engineer:
Werner Mayer (classical producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Werner Mayer (classical producer) and Motoaki Ohmachi (producer at JP hi-fi audio equipment makers Esoteric Company)
piano:
Maurizio Pollini (pianist) (in 1977-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1977-01)
recording of:
Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto (in 1977-01)
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Sonata for Piano no. 28 in A major, op. 101
Ludwig van Beethoven2:39
4Piano Sonata no. 28 in A major, op. 101: IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit. Allegro
recorded in:
Vienna, Austria (in 1977-01)
engineer:
Werner Mayer (classical producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Werner Mayer (classical producer) and Motoaki Ohmachi (producer at JP hi-fi audio equipment makers Esoteric Company)
piano:
Maurizio Pollini (pianist) (in 1977-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1977-01)
recording of:
Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro (in 1977-01)
composer:
Ludwig van Beethoven (German composer) (in 1816)
part of:
Sonata for Piano no. 28 in A major, op. 101
Ludwig van Beethoven7:36
5Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: I. Allegro
recorded in:
München, Bayern, Germany (in 1977-06)
engineer:
Werner Mayer (classical producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Werner Mayer (classical producer) and Motoaki Ohmachi (producer at JP hi-fi audio equipment makers Esoteric Company)
piano:
Maurizio Pollini (pianist) (in 1977-06)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-06)
recording of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": I. Allegro (in 1977-06)
composer:
Ludwig van Beethoven (German composer) (from 1817 until 1818)
part of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier"
Ludwig van Beethoven10:45
6Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: II. Scherzo. Assai vivace
recorded in:
München, Bayern, Germany (in 1977-06)
engineer:
Werner Mayer (classical producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Werner Mayer (classical producer) and Motoaki Ohmachi (producer at JP hi-fi audio equipment makers Esoteric Company)
piano:
Maurizio Pollini (pianist) (in 1977-06)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-06)
recording of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": II. Scherzo. Assai vivace (in 1977-06)
composer:
Ludwig van Beethoven (German composer) (from 1817 until 1818)
part of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier"
Ludwig van Beethoven2:42
7Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto. Appassionato e con molto sentimento
recorded in:
München, Bayern, Germany (in 1977-06)
engineer:
Werner Mayer (classical producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Werner Mayer (classical producer) and Motoaki Ohmachi (producer at JP hi-fi audio equipment makers Esoteric Company)
piano:
Maurizio Pollini (pianist) (in 1977-06)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-06)
recording of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": III. Adagio sostenuto. Appassionato e molto con sentimento (in 1977-06)
composer:
Ludwig van Beethoven (German composer) (from 1817 until 1818)
part of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier"
Ludwig van Beethoven17:11
8Piano Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: IV. Largo - Allegro risoluto
recorded in:
München, Bayern, Germany (in 1977-06)
engineer:
Werner Mayer (classical producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon), Werner Mayer (classical producer) and Motoaki Ohmachi (producer at JP hi-fi audio equipment makers Esoteric Company)
piano:
Maurizio Pollini (pianist) (in 1977-06)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-06)
recording of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": IV. Largo - Allegro risoluto (in 1977-06)
composer:
Ludwig van Beethoven (German composer) (from 1817 until 1818)
part of:
Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier"
Ludwig van Beethoven12:14
▼CD 7
#TitleArtistRatingLength
1Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Maurizio Pollini (pianist) (in 1975-06)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-06)
recording of:
Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo (in 1975-06)
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Sonata for Piano no. 30 in E major, op. 109
Ludwig van Beethoven3:16
2Piano Sonata no. 30 in E major, op. 109: II. Prestissimo
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Maurizio Pollini (pianist) (in 1975-06)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-06)
recording of:
Sonata for Piano no. 30 in E major, op. 109: II. Prestissimo (in 1975-06)
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Sonata for Piano no. 30 in E major, op. 109
Ludwig van Beethoven2:16
3Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Maurizio Pollini (pianist) (in 1975-06)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-06)
recording of:
Sonata for Piano no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo (Theme with variations) (in 1975-06)
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Sonata for Piano no. 30 in E major, op. 109
Ludwig van Beethoven12:42
4Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Maurizio Pollini (pianist) (in 1975-06)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-06)
recording of:
Sonata for Piano no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo (in 1975-06)
composer:
Ludwig van Beethoven (German composer) (in 1821)
part of:
Sonata for Piano no. 31 in A-flat major, op. 110
Ludwig van Beethoven6:03
5Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Maurizio Pollini (pianist) (in 1975-06)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-06)
recording of:
Sonata for Piano no. 31 in A-flat major, op. 110: II. Allegro molto (in 1975-06)
composer:
Ludwig van Beethoven (German composer) (in 1821)
part of:
Sonata for Piano no. 31 in A-flat major, op. 110
Ludwig van Beethoven1:57
6Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro, ma non troppo
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Maurizio Pollini (pianist) (in 1975-06)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-06)
recording of:
Sonata for Piano no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo (in 1975-06)
composer:
Ludwig van Beethoven (German composer) (in 1821)
part of:
Sonata for Piano no. 31 in A-flat major, op. 110
Ludwig van Beethoven9:46
7Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato
producer:
Werner Mayer (classical producer)
piano:
Maurizio Pollini (pianist) (in 1977-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1977-01)
recording of:
Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso – Allegro con brio ed appassionato (in 1977-01)
composer:
Ludwig van Beethoven (German composer) (from 1821 until 1822)
part of:
Sonata for Piano no. 32 in C minor, op. 111
Ludwig van Beethoven8:47
8Piano Sonata no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile
producer:
Werner Mayer (classical producer)
piano:
Maurizio Pollini (pianist) (in 1977-01)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1977-01)
recording of:
Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile (in 1977-01)
composer:
Ludwig van Beethoven (German composer) (from 1821 until 1822)
part of:
Sonata for Piano no. 32 in C minor, op. 111
Ludwig van Beethoven17:23
▼CD 8
#TitleArtistRatingLength
1Violin Concerto in D major, op. 61: I. Allegro ma non troppo
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
solo violin:
Wolfgang Schneiderhan (violinist) (in 1962-05)
violin:
Wolfgang Schneiderhan (violinist)
orchestra:
Berlin Philharmonic Orchestra (in 1962-05)
conductor:
Eugen Jochum (conductor) (in 1962-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-05)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-05)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo (in 1962-05)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven24:35
2Violin Concerto in D major, op. 61: II. Larghetto
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
solo violin:
Wolfgang Schneiderhan (violinist) (in 1962-05)
violin:
Wolfgang Schneiderhan (violinist)
orchestra:
Berlin Philharmonic Orchestra (in 1962-05)
conductor:
Eugen Jochum (conductor) (in 1962-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-05)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-05)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto (in 1962-05)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven10:49
3Violin Concerto in D major, op. 61: III. Rondo. Allegro
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
solo violin:
Wolfgang Schneiderhan (violinist) (in 1962-05)
violin:
Wolfgang Schneiderhan (violinist)
orchestra:
Berlin Philharmonic Orchestra (in 1962-05)
conductor:
Eugen Jochum (conductor) (in 1962-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1962-05)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-05)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (in 1962-05)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven11:01
4Violin Concerto No. 5 in A major, K. 219: I. Allegro aperto
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
violin:
Wolfgang Schneiderhan (violinist) (in 1967-02)
orchestra:
Berliner Philharmoniker (in 1967-02)
conductor:
Wolfgang Schneiderhan (violinist) (in 1967-02)
balance engineer:
Hans-Peter Schweigmann (in 1967-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-02)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: I. Allegro aperto (in 1967-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
Wolfgang Amadeus Mozart9:11
5Violin Concerto No. 5 in A major, K. 219: II. Adagio
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
violin:
Wolfgang Schneiderhan (violinist) (in 1967-02)
orchestra:
Berliner Philharmoniker (in 1967-02)
conductor:
Wolfgang Schneiderhan (violinist) (in 1967-02)
balance engineer:
Hans-Peter Schweigmann (in 1967-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-02)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: II. Adagio (in 1967-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
Wolfgang Amadeus Mozart10:20
6Violin Concerto No. 5 in A major, K. 219: III. Rondeau. Tempo di menuetto
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
violin:
Wolfgang Schneiderhan (violinist) (in 1967-02)
orchestra:
Berliner Philharmoniker (in 1967-02)
conductor:
Wolfgang Schneiderhan (violinist) (in 1967-02)
balance engineer:
Hans-Peter Schweigmann (in 1967-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-02)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: III. Rondeau. Tempo di menuetto – Allegro (in 1967-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
Wolfgang Amadeus Mozart8:40
▼CD 9
#TitleArtistRatingLength
1Chamber Concerto for Piano and Violin with 13 Wind Instruments: I. Thema scherzoso con variazioni
recording engineer:
Gernot Westhaeuser (Engineer)
executive producer:
Günther Breest (producer for classical music)
producer:
Guenther Breest (producer for classical music) and Wolfgang Stengel
instruments:
Ensemble intercontemporain (in 1977-06)
piano:
Daniel Barenboim (pianist and conductor) (in 1977-06)
violin:
Pinchas Zukerman (violinist) (in 1977-06)
conductor:
Pierre Boulez (composer and conductor) (in 1977-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1977-06)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1977-06)
recording of:
Chamber Concerto: I. Thema scherzoso con variazioni (in 1977-06)
composer:
Alban Berg (composer) (from 1923 until 1925)
part of:
Chamber Concerto
Alban Berg7:38
2Chamber Concerto for Piano and Violin with 13 Wind Instruments: II. Adagio
recording engineer:
Gernot Westhaeuser (Engineer)
executive producer:
Günther Breest (producer for classical music)
producer:
Guenther Breest (producer for classical music) and Wolfgang Stengel
instruments:
Ensemble intercontemporain (in 1977-06)
piano:
Daniel Barenboim (pianist and conductor) (in 1977-06)
violin:
Pinchas Zukerman (violinist) (in 1977-06)
conductor:
Pierre Boulez (composer and conductor) (in 1977-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1977-06)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1977-06)
recording of:
Chamber Concerto: II. Adagio (in 1977-06)
composer:
Alban Berg (composer) (from 1923 until 1925)
part of:
Chamber Concerto
Alban Berg12:11
3Chamber Concerto for Piano and Violin with 13 Wind Instruments: III. Rondo ritmico con introduzione
recording engineer:
Gernot Westhaeuser (Engineer)
executive producer:
Günther Breest (producer for classical music)
producer:
Guenther Breest (producer for classical music) and Wolfgang Stengel
instruments:
Ensemble intercontemporain (in 1977-06)
piano:
Daniel Barenboim (pianist and conductor) (in 1977-06)
violin:
Pinchas Zukerman (violinist) (in 1977-06)
conductor:
Pierre Boulez (composer and conductor) (in 1977-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1977-06)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1977-06)
recording of:
Chamber Concerto: III. Rondo ritmico con introduzione (in 1977-06)
composer:
Alban Berg (composer) (from 1923 until 1925)
part of:
Chamber Concerto
Alban Berg10:20
4Concerto “Dumbarton Oaks” in E-flat major for Chamber Orchestra: I. Tempo giusto
recording engineer:
Wolf-Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
instruments:
Ensemble intercontemporain (in 1981-12)
conductor:
Pierre Boulez (composer and conductor) (in 1981-12)
balance engineer:
Karl-August Naegler (balance engineer) (in 1981-12)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1981-12)
recording of:
Concerto in E-flat for chamber orchestra "Dumbarton Oaks": I. Tempo giusto (in 1981-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1937 until 1938-03-29)
part of:
Concerto in E-flat for chamber orchestra "Dumbarton Oaks"
Igor Stravinsky4:42
5Concerto “Dumbarton Oaks” in E-flat major for Chamber Orchestra: II. Allegretto
recording engineer:
Wolf-Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
instruments:
Ensemble intercontemporain (in 1981-12)
conductor:
Pierre Boulez (composer and conductor) (in 1981-12)
balance engineer:
Karl-August Naegler (balance engineer) (in 1981-12)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1981-12)
recording of:
Concerto in E-flat for chamber orchestra "Dumbarton Oaks": II. Allegretto (in 1981-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1937 until 1938-03-29)
part of:
Concerto in E-flat for chamber orchestra "Dumbarton Oaks"
Igor Stravinsky5:17
6Concerto “Dumbarton Oaks” in E-flat major for Chamber Orchestra: III. Con moto
recording engineer:
Wolf-Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
instruments:
Ensemble intercontemporain (in 1981-12)
conductor:
Pierre Boulez (composer and conductor) (in 1981-12)
balance engineer:
Karl-August Naegler (balance engineer) (in 1981-12)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1981-12)
recording of:
Concerto in E-flat for chamber orchestra "Dumbarton Oaks": III. Con moto (in 1981-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (from 1937 until 1938-03-29)
part of:
Concerto in E-flat for chamber orchestra "Dumbarton Oaks"
Igor Stravinsky5:22
78 Instrumental Miniatures for 15 Players
recording engineer:
Wolf-Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
instruments:
Ensemble intercontemporain (in 1980-11)
conductor:
Pierre Boulez (composer and conductor) (in 1980-11)
balance engineer:
Karl-August Naegler (balance engineer) (in 1980-11)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1980-11)
recording of:
Eight Instrumental Miniatures (in 1980-11)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1962)
premiered at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (on 1962-04-29)
Igor Stravinsky7:21
8Ebony Concerto
recording engineer:
Wolf-Dieter Karwatky
producer:
Rudolf Werner (producer at Deutsche Grammophon)
clarinet:
Michel Arrignon (French clarinetist) (in 1981-12)
instruments:
Ensemble intercontemporain (in 1981-12)
conductor:
Pierre Boulez (composer and conductor) (in 1981-12)
balance engineer:
Karl-August Naegler (balance engineer) (in 1981-12)
recorded at:
IRCAM in Paris, Île-de-France, France (in 1981-12)
recording of:
Ebony Concerto for Clarinet Solo and Big Band (in 1981-12)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1945)
dedicated to and was commissioned by:
Woody Herman
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1946-03-25)
Igor Stravinsky8:55
▼CD 10
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1Symphonie fantastique, op. 14: I. Rêveries - Passions
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions (in 1961-01)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz14:15
2Symphonie fantastique, op. 14: II. Un bal
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
recording of:
Symphonie fantastique, op. 14: II. Un bal (in 1961-01)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:08
3Symphonie fantastique, op. 14: III. Scène aux champs
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
compilation of:
Symphonie fantastique, op. 14: 3. Satz: 1. Teil: Scène aux champs. Adagio by Orchestre Lamoureux, Igor Markevitch and Symphonie fantastique, op. 14: 3. Satz: 2. Teil: Scène aux champs. Adagio by Orchestre Lamoureux, Igor Markevitch
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs (in 1961-01)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz15:58
4Symphonie fantastique, op. 14: IV. Marche au supplice
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (in 1961-01)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:48
5Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (in 1961-01)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz11:13
6Anacréon: Overture
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
recording of:
Anacréon: Overture (in 1961-01)
composer:
Luigi Cherubini (composer)
part of:
Anacréon
Luigi Cherubini9:52
7La Muette de Portici: Overture
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
recording of:
Masaniello, ou La Muette de Portici: Overture (in 1961-01)
composer:
Daniel François Esprit Auber (composer)
part of:
Masaniello, ou La Muette de Portici
Daniel François Esprit Auber8:18
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