Beverly Sills and Friends

~ Release by Beverly Sills (see all versions of this release, 1 available)

Annotation

Compilation of arias from releases dated 1959-1973
CD 2: Tracks 7-12 were originally published on several releases
as "A Beverly Sills Concert." See > http://www.beverlysillsonline.com/discography-recitals.htm#emi

Annotation last modified on 2017-02-21 19:14 UTC.

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Manon : Acte III, Scene 1. “Je marche sur tous les chemins” (Manon)
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Manon: Acte III, Scène I. “Je marche sur tous les chemins” (Manon) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
part of:
Manon: Acte III
Jules Massenet2:51
2Manon : Acte III, Scene 1. Gavotte “Obéissons, quand leur voix appelle” (Manon, Britgny)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1970-07) and Andrew Stephens (recording engineer) (in 1970-07)
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Andrew Stephens (recording engineer)
assistant producer:
Michael Gardener (UK classical producer) (in 1970-07)
associate producer:
Siva Elia (recording producer) (in 1970-07)
producer:
Michael Williamson (in 1970-07)
baritone vocals:
Michel Trempont (baritone) (in 1970-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1970-07, from 1970-07-15 until 1970-07-29)
recording of:
Manon: Acte III, Scène I. Gavotte “Obéissons quand leur voix appelle” (Manon, Brétigny, Chœur) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte III
Jules Massenet3:54
3Manon : Acte IV. “Un mot, s’il vous plaît, Chevalier” (Manon, des Grieux, cast)
engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Andrew Stephens (recording engineer)
producer:
Michael Williamson
baritone vocals:
Gérard Souzay (baritone) (in 1970-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-07)
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (in 1970-07)
soprano vocals:
Beverly Sills (soprano) (in 1970-07) and Helia T'Hezan (soprano) (in 1970-07)
tenor vocals:
Nico Castel (tenor) (in 1970-07) and Nicolai Gedda (tenor) (in 1970-07)
vocals:
Michele Raynaud (opera singer) (in 1970-07)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1970-07)
conductor:
Julius Rudel (conductor) (in 1970-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-07)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1970-07)
recording of:
Manon: Acte IV. “Un mot, s’il vous plait, Chevalier” (Guillot, des Grieux, Manon, Cast) (in 1970-07)
composer:
Jules Massenet (French Romantic composer)
librettist:
Philippe Gille and Henri Meilhac
part of:
Manon: Acte IV
Jules Massenet3:28
4Lucia di Lammermoor: Atto I. Duetto “Sulla tomba che rinserra” (Edgardo, Lucia)
recording engineer:
Stuart Ectham (recording engineer) and Richard Hale (baritone)
producer:
Michael Williamson
guest soprano vocals:
Beverly Sills (soprano) (in 1970-08)
tenor vocals:
Carlo Bergonzi (tenor) (in 1970-08)
orchestra:
London Symphony Orchestra (in 1970-08)
conductor:
Thomas Schippers (conductor and composer) (in 1970-08)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1970-08)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) (in 1970-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4c) ”Qui di sposa eterna fede” … “Ah, talor del tuo pensiero” (Edgardo, Lucia) (in 1970-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 4d) “Verranno a te sull’aure” (Edgardo, Lucia) (in 1970-08)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti10:53
5Lucia di Lammermoor: Atto II. Scena 2. “Chi mi frena in tal momento?“ / “Chi raffrena il mio furore?“ (Sextet, coro)
recording engineer:
Stuart Ectham (recording engineer) and Richard Hale (baritone)
producer:
Michael Williamson
baritone vocals:
Piero Cappuccilli (baritone) (in 1970-08)
bass-baritone vocals:
Justino Díaz (operatic bass) (in 1970-08)
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (in 1970-08)
soprano vocals:
Beverly Sills (soprano) (in 1970-08)
tenor vocals:
Carlo Bergonzi (tenor) (in 1970-08) and Adolf Dallapozza (tenor) (in 1970-08)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1970-08)
orchestra:
London Symphony Orchestra (in 1970-08)
conductor:
Thomas Schippers (conductor and composer) (in 1970-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1970-08)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1970-08)
recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) (in 1970-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto II
Gaetano Donizetti3:55
6I puritani: Atto I, Scena 2. Duetta “O amato zio“ … “Sai com’arde in petlo mio“ (Elvira, Giorgio)
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
John Mordler (producer)
bass vocals:
Paul Plishka (operatic bass) (in 1973-08)
soprano vocals:
Beverly Sills (soprano) (in 1973-08)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1973-08)
orchestra:
London Philharmonic Orchestra (LPO) (in 1973-08)
conductor:
Julius Rudel (conductor) (in 1973-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1973-08)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1973-08)
recording of:
I puritani: Atto I, scena 2. N°5a Duetto “O amato zio” … “Sai com'arde in petto mio” (Elvira, Giorgio) (in 1973-08)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
Vincenzo Bellini6:10
7I puritani: Atto I, Scena 2. “Chi mosse a’ miei desir il genitor?“
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
John Mordler (producer)
bass vocals:
Paul Plishka (operatic bass) (in 1973-08)
soprano vocals:
Beverly Sills (soprano) (in 1973-08)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1973-08)
orchestra:
London Philharmonic Orchestra (LPO) (in 1973-08)
conductor:
Julius Rudel (conductor) (in 1973-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1973-08)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1973-08)
recording of:
I puritani: Atto I, scena 2. N°5b “Piangi, o figlia” … “Chi mosse a' miei desir il genitor?” (Elvira, Giorgio) (in 1973-08)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
Vincenzo Bellini3:34
8I puritani: Atto I, Scena 2. “Odi … Qual suon si desta?“
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
John Mordler (producer)
bass vocals:
Paul Plishka (operatic bass) (in 1973-08)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1973-08)
orchestra:
London Philharmonic Orchestra (LPO) (in 1973-08)
conductor:
Julius Rudel (conductor) (in 1973-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1973-08)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1973-08)
recording of:
I puritani: Atto I, scena 2. N°5c “Odi...Qual suon si desta?” (Elvira, Giorgio, Coro) (in 1973-08)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
Vincenzo Bellini4:08
9Anna Bolena: Atto II, Scena 1. “Dio, che mi vedi in core“
recording engineer:
Michael Gray (UK classical recording engineer) and Richard Hale (baritone)
producer:
David Mottley (producer)
mezzo-soprano vocals:
Shirley Verrett (mezzo-soprano) (in 1972-08)
mezzo-soprano vocals [Giovanna]:
Shirley Verrett (mezzo-soprano) (in 1972)
soprano vocals:
Beverly Sills (soprano) (in 1972-08)
soprano vocals [Anna]:
Beverly Sills (soprano) (in 1972)
orchestra:
London Symphony Orchestra (in 1972, in 1972-08)
conductor:
Julius Rudel (conductor) (in 1972, in 1972-08)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Anna Bolena: Atto II, Scena 1. Duetto “Dio, che mi vedi in core” (Anna, Giovanna) (in 1972-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
recording of:
Anna Bolena: Atto II, Scena 1. Duetto “Dio, che mi vedi in core” (Anna, Giovanna) (in 1972)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
Gaetano Donizetti7:13
10Anna Bolena: Atto II, Scena 1. Duetto “Sul suo capo aggravi un Dio“ (Anna, Giovanna)
recording engineer:
Michael Gray (UK classical recording engineer) and Richard Hale (baritone)
producer:
David Mottley (producer)
mezzo-soprano vocals:
Shirley Verrett (mezzo-soprano) (in 1972-08)
soprano vocals:
Beverly Sills (soprano) (in 1972-08)
orchestra:
London Symphony Orchestra (in 1972-08)
conductor:
Julius Rudel (conductor) (in 1972-08)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Anna Bolena: Atto II, Scena 1. Duetto “Sul suo capo aggravi un Dio” (Anna, Giovanna) (in 1972-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
Gaetano Donizetti3:32
11Anna Bolena: Atto II, Scena 1. “Dal mio cor punita io sono“
recording engineer:
Michael Gray (UK classical recording engineer) and Richard Hale (baritone)
producer:
David Mottley (producer)
mezzo-soprano vocals:
Shirley Verrett (mezzo-soprano) (in 1972-08)
mezzo-soprano vocals [Giovanna]:
Shirley Verrett (mezzo-soprano) (in 1972)
soprano vocals:
Beverly Sills (soprano) (in 1972-08)
soprano vocals [Anna]:
Beverly Sills (soprano) (in 1972)
orchestra:
London Symphony Orchestra (in 1972, in 1972-08)
conductor:
Julius Rudel (conductor) (in 1972, in 1972-08)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Anna Bolena: Atto II, Scena 1. Duetto “Dal mio cor punita io sono” (Giovanni, Anna) (in 1972-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
recording of:
Anna Bolena: Atto II, Scena 1. Duetto “Dal mio cor punita io sono” (Giovanni, Anna) (in 1972)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
Gaetano Donizetti2:55
12Anna Bolena: Atto II, Scena 1. “Va, infelice, e teco reca“
recording engineer:
Michael Gray (UK classical recording engineer) and Richard Hale (baritone)
producer:
David Mottley (producer)
mezzo-soprano vocals:
Shirley Verrett (mezzo-soprano) (in 1972-08)
mezzo-soprano vocals [Giovanna]:
Shirley Verrett (mezzo-soprano) (in 1972)
soprano vocals:
Beverly Sills (soprano) (in 1972-08)
soprano vocals [Anna]:
Beverly Sills (soprano) (in 1972)
orchestra:
London Symphony Orchestra (in 1972, in 1972-08)
conductor:
Julius Rudel (conductor) (in 1972, in 1972-08)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Anna Bolena: Atto II, Scena 1. Duetto " Va, infelice, e teco reca" (Anna, Giovanna) (in 1972-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
recording of:
Anna Bolena: Atto II, Scena 1. Duetto " Va, infelice, e teco reca" (Anna, Giovanna) (in 1972)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
Gaetano Donizetti3:17
13Roberto Devereux: Atto I, Scena 1. “Nunzio son del Parlamento“
associate recording engineer:
Richard Lush
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
producer:
Michael Williamson
bass vocals:
Don Garrard (operatic bass) (in 1969-06) and Gwynne Howell (operatic bass) (in 1969-06)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1969-06)
mezzo-soprano vocals:
Beverly Wolff (mezzo-soprano) (in 1969-06)
soprano vocals:
Beverly Sills (soprano) (in 1969-06)
tenor vocals:
Kenneth MacDonald (tenor) (in 1969-06)
orchestra:
Royal Philharmonic Orchestra (in 1969-06)
conductor:
Charles Mackerras (Australian conductor) (in 1969-06)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1969-06)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1969-06)
recording of:
Roberto Devereux: Atto I, Scena 3. “Nunzio son del Parlamento” (Elisabetta, Sara, Lord Cecil, Page, Raleigh, Lords) (in 1969-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Roberto Devereux: Atto I.
Gaetano Donizetti5:52
14Maria Stuarda: Atto II, Scena 3. “Deh! l’accogli!“ … “Morta al mondo, e morta al trono"“ (Leicester, Maria)
recording engineer:
Bob Auger (audio)
producer:
Michael Williamson
baritone vocals:
Louis Quilico (baritone) (in 1971-06)
choir vocals:
The John Alldis Choir (in 1971-06)
guest baritone vocals:
Christian du Plessis (baritone) (in 1971-06)
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (in 1971-06)
soprano vocals:
Eileen Farrell (soprano) (in 1971-06) and Beverly Sills (soprano) (in 1971-06)
tenor vocals:
Stuart Burrows (tenor) (in 1971-06)
orchestra:
London Philharmonic Orchestra (LPO) (in 1971-06)
conductor:
Aldo Ceccato (conductor) (in 1971-06)
recorded at:
Fairfield Halls in Croydon, London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Maria Stuarda: Atto II, no. 10. "Deh! l'accogli... Morta al mondo, e morta al trono" (Maria, Elisabetta, Anna, Leicester, Talbot, Cecil) (in 1971-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Maria Stuarda: Atto II
Gaetano Donizetti8:05
15Maria Stuarda: Atto II, Scena 3. “Va, preparati, furente“ (Elisabetta)
recording engineer:
Bob Auger (audio)
producer:
Michael Williamson
baritone vocals:
Christian du Plessis (baritone) (in 1971-06) and Louis Quilico (baritone) (in 1971-06)
choir vocals:
The John Alldis Choir (in 1971-06)
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (in 1971-06)
soprano vocals:
Eileen Farrell (soprano) (in 1971-06) and Beverly Sills (soprano) (in 1971-06)
tenor vocals:
Stuart Burrows (tenor) (in 1971-06)
orchestra:
London Philharmonic Orchestra (LPO) (in 1971-06)
conductor:
Aldo Ceccato (conductor) (in 1971-06)
recorded at:
Fairfield Halls in Croydon, London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Maria Stuarda: Atto II, no. 11. Stretta Finale "Va, preparati, furente" (Maria, Elisabetta, Anna, Leicester, Cecil, Talbot, Coro) (in 1971-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Maria Stuarda: Atto II
Gaetano Donizetti2:59
▼CD 2
#TitleArtistRatingLength
1Les Contes d’Hoffmann : Acte III. Barcarolle “Belle nuit, ô nuit d’amour“ (Niklausse, Giulietta)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Richard Hale (baritone)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals:
Susanne Marsee (mezzo-soprano) (from 1972-07 until 1972-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07 until 1972-08)
orchestra:
London Symphony Orchestra (from 1972-07 until 1972-08)
conductor:
Julius Rudel (conductor) (from 1972-07 until 1972-08)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-07 until 1972-08)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta, les invités, Hoffmann, Schlemil) (from 1972-07 until 1972-08)
composer:
Jacques Offenbach
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:15
2Les Contes d’Hoffmann : Acte III. Duetto “Cher ange !” (Depertutto. Giulietta)
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Richard Hale (baritone)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07 until 1972-08)
choir vocals:
The John Alldis Choir (from 1972-07 until 1972-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07 until 1972-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07 until 1972-08)
orchestra:
London Symphony Orchestra (from 1972-07 until 1972-08)
conductor:
Julius Rudel (conductor) (from 1972-07 until 1972-08)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-07 until 1972-08)
recording of:
Les Contes d'Hoffmann: Acte III. "Cher ange !" (Dapertutto, Giulietta) (from 1972-07 until 1972-08)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach2:05
3Les Contes d’Hoffmann : Acte III. “Malheureux, tu ne comprends donc pas”
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Richard Hale (baritone)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Beverly Sills (soprano) (from 1972-07 until 1972-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07 until 1972-08) and Norman Treigle (bass-baritone) (from 1972-07 until 1972-08)
orchestra:
London Symphony Orchestra (from 1972-07 until 1972-08)
conductor:
Julius Rudel (conductor) (from 1972-07 until 1972-08)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-07 until 1972-08)
recording of:
Les Contes d'Hoffmann: Acte III. Duo "Malheureux, tu ne comprends donc pas" – "Ô dieu, de quelle ivresse" (Giulietta, Hoffmann, Dapertutto) (from 1972-07 until 1972-08)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach6:02
4The Ballad of Baby Doe: Act I, Scene 2 “Willow, where we meet together” (Baby Doe)
soprano vocals:
Beverly Sills (soprano) (in 1959-06)
orchestra:
New York City Opera Orchestra (in 1959-06)
conductor:
Emerson Buckley (conductor) (in 1959-06)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (in 1959-06)
recording of:
The Ballad of Baby Doe: Act I, Scene II. "Willow, where we meet together" (Baby Doe) (in 1959-06)
composer:
Douglas Stuart Moore
part of:
The Ballad of Baby Doe: Act I.
Douglas Stuart Moore3:02
5The Ballad of Baby Doe: Act I, Scene 2. “Oh, Mr. Tabor!” (Baby Doe, Tabor)
baritone vocals:
Walter Cassel (baritone) (in 1959-06)
soprano vocals:
Beverly Sills (soprano) (in 1959-06)
orchestra:
New York City Opera Orchestra (in 1959-06)
conductor:
Emerson Buckley (conductor) (in 1959-06)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (in 1959-06)
recording of:
The Ballad of Baby Doe: Act I, Scene II. "Oh, Mr. Tabor!" (Baby Doe, Tabor) (in 1959-06)
composer:
Douglas Stuart Moore
part of:
The Ballad of Baby Doe: Act I.
Douglas Stuart Moore1:14
6The Ballad of Baby Doe: Act I, Scene 2. “Warm as the autumn light” (Tabor, Baby Doe, Augusta)
baritone vocals:
Walter Cassel (baritone) (in 1959-06)
mezzo-soprano vocals:
Frances Bible (mezzo-soprano) (in 1959-06)
soprano vocals:
Beverly Sills (soprano) (in 1959-06)
orchestra:
New York City Opera Orchestra (in 1959-06)
conductor:
Emerson Buckley (conductor) (in 1959-06)
recorded at:
New York City Center in New York, New York, United States (in 1959-06)
recording of:
The Ballad of Baby Doe: Act I, Scene II. "Warm as the autumn light" (Tabor, Baby Doe, Augusta) (in 1959-06)
composer:
Douglas Stuart Moore
part of:
The Ballad of Baby Doe: Act I.
Douglas Stuart Moore4:09
7Le Toréador : Acte I. ”Ah ! vous dirai-je, maman” (Coraline)
recording engineer:
Johanna Nickerenz (recording engineer)
producer:
Israel Horowitz
flute:
Paula Robison (in 1972-03)
piano:
Charles Wadsworth (pianist) (in 1972-03)
soprano vocals:
Beverly Sills (soprano) (in 1972-03)
balance engineer:
Marc Aubort (engineer / producer)
recorded at:
Rutgers Presbyterian Church in New York, New York, United States (in 1972-03)
recording of:
Le Toréador: Acte I. "Ah ! vous dirai-je, maman" (Coraline) (in 1972-03)
composer:
Adolphe Adam (composer)
librettist:
Thomas-Marie-François Sauvage
part of:
Le Toréador: Acte I
Adolphe Adam6:19
8Der Hirt auf dem Felsen, D 965
recording engineer:
Johanna Nickerenz (recording engineer)
producer:
Israel Horowitz
clarinet:
Gervase de Peyer (clarinetist) (in 1972-03)
piano:
Charles Wadsworth (pianist) (in 1972-03)
soprano vocals:
Beverly Sills (soprano) (in 1972-03)
balance engineer:
Marc Aubort (engineer / producer)
recorded at:
Rutgers Presbyterian Church in New York, New York, United States (in 1972-03)
recording of:
Der Hirt auf dem Felsen, D. 965 (in 1972-03)
lyricist:
Karl August Varnhagen von Ense and Wilhelm Müller
composer:
Franz Schubert (composer) (in 1828-10)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 965)
Franz Schubert11:45
9Meine Seele hort im Schen, HWV 207
recording engineer:
Johanna Nickerenz (recording engineer)
producer:
Israel Horowitz
flute:
Paula Robison (in 1972-03)
harpsichord:
Charles Wadsworth (pianist) (in 1972-03)
violin [violoncello]:
Leslie Parnas (cellist) (in 1972-03)
soprano vocals:
Beverly Sills (soprano) (in 1972-03)
balance engineer:
Marc Aubort (engineer / producer)
recorded at:
Rutgers Presbyterian Church in New York, New York, United States (in 1972-03)
recording of:
Meine Seele hört im Sehen, HWV 207 (in 1972-03)
composer:
George Frideric Handel (German‐British baroque composer) (from 1724 until 1726)
librettist:
Barthold Heinrich Brockes
part of:
Händel-Werke-Verzeichnis (number: HWV 207)
George Frideric Handel7:04
10Artaxerxes: Act III, no 28. Aria “The soldier tir’d of war’s alarms”
recording engineer:
Johanna Nickerenz (recording engineer)
producer:
Israel Horowitz
harpsichord:
Charles Wadsworth (pianist) (in 1972-03)
violin:
Charles Treger (violinist) (in 1972-03)
violin [violoncello]:
Leslie Parnas (cellist) (in 1972-03)
soprano vocals:
Beverly Sills (soprano) (in 1972-03)
balance engineer:
Marc Aubort (engineer / producer)
recorded at:
Rutgers Presbyterian Church in New York, New York, United States (in 1972-03)
recording of:
Artaxerxes: Act III: No. 28. Air: The soldier, tir'd of war's alarms (in 1972-03)
composer:
Thomas Arne (composer)
part of:
Artaxerxes: Act III
Thomas Arne3:31
11“La rosa” (Cantata)
recording engineer:
Johanna Nickerenz (recording engineer)
producer:
Israel Horowitz
harpsichord:
Charles Wadsworth (pianist) (in 1972-03)
violin [violoncello]:
Leslie Parnas (cellist) (in 1972-03)
soprano vocals:
Beverly Sills (soprano) (in 1972-03)
balance engineer:
Marc Aubort (engineer / producer)
recorded at:
Rutgers Presbyterian Church in New York, New York, United States (in 1972-03)
recording of:
"La rosa" (Cantata) (in 1972-03)
composer:
Antonio Caldara
Antonio Caldara7:15
12The Comedy of Errors: “Lo! Here the gentle lark“
recording engineer:
Johanna Nickerenz (recording engineer)
producer:
Israel Horowitz
flute:
Paula Robison (in 1972-03)
piano:
Charles Wadsworth (pianist) (in 1972-03)
soprano vocals:
Beverly Sills (soprano) (in 1972-03)
balance engineer:
Marc Aubort (engineer / producer)
recorded at:
Rutgers Presbyterian Church in New York, New York, United States (in 1972-03)
recording of:
The Comedy of Errors: "Lo! Here the Gentle Lark" (in 1972-03)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Sir Henry Rowley Bishop
part of:
The Comedy of Errors
Sir Henry Rowley Bishop5:18
13Der Zarewitsch: Akt I. “Einer wird kommen“
recording engineer:
Bob Auger (audio)
producer:
Michael Williamson
soprano vocals:
Beverly Sills (soprano) (in 1971-05)
orchestra:
London Philharmonic Orchestra (LPO) (in 1971-05)
conductor:
Julius Rudel (conductor) (in 1971-05)
recorded at:
Fairfield Halls in Croydon, London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Der Zarewitsch: Akt I. Nr. 4 Lied „Einer wird kommen, der wird mich begehren“ (Sonja) (in 1971-05)
composer:
Franz Lehár (composer)
part of:
Der Zarewitsch: Akt I
Franz Lehár5:06

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2006)
ASIN:US: B000ICLSWE [info]
discography entry:http://www.beverlysillsonline.com/text/csillsnfriends.htm [info]
https://www.allmusic.com/album/mw0001944093 [info]