Mercury Living Presence: The Collector's Edition Vol. 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼CD 1: Vienna
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1Five Pieces for Orchestra, op. 16 (1949 Revision): I. Vorgefühle (Premonitions)
orchestra:
London Symphony Orchestra (from 1962-07-14 until 1962-07-22)
conductor:
Antal Doráti (conductor) (from 1962-07-14 until 1962-07-22)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1962-07-14 until 1962-07-22)
recording of:
Fünf Orchesterstücke, op. 16: I. Vorgefühle. Sehr rasch (from 1962-07-14 until 1962-07-22)
composer:
Arnold Schönberg (composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16
Arnold Schoenberg2:02
2Five Pieces for Orchestra, op. 16 (1949 Revision): II. Vergangenes (Yesteryears)
orchestra:
London Symphony Orchestra (from 1962-07-14 until 1962-07-22)
conductor:
Antal Doráti (conductor) (from 1962-07-14 until 1962-07-22)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1962-07-14 until 1962-07-22)
recording of:
Fünf Orchesterstücke, op. 16: II. Vergangenes. Mässige Viertel (from 1962-07-14 until 1962-07-22)
composer:
Arnold Schönberg (composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16
Arnold Schoenberg5:43
3Five Pieces for Orchestra, op. 16 (1949 Revision): III. Sommermorgen an einem See (Summer Morning by a Lake)
orchestra:
London Symphony Orchestra (from 1962-07-14 until 1962-07-22)
conductor:
Antal Doráti (conductor) (from 1962-07-14 until 1962-07-22)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1962-07-14 until 1962-07-22)
recording of:
Fünf Orchesterstücke, op. 16: III. Farben. Mässige Viertel (from 1962-07-14 until 1962-07-22)
composer:
Arnold Schönberg (composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16
Arnold Schoenberg3:39
4Five Pieces for Orchestra, op. 16 (1949 Revision): IV. Peripetie (Peripetia)
orchestra:
London Symphony Orchestra (from 1962-07-14 until 1962-07-22)
conductor:
Antal Doráti (conductor) (from 1962-07-14 until 1962-07-22)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1962-07-14 until 1962-07-22)
recording of:
Fünf Orchesterstücke, op. 16: IV. Peripetie. Sehr rasch (from 1962-07-14 until 1962-07-22)
composer:
Arnold Schönberg (composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16
Arnold Schoenberg2:34
5Five Pieces for Orchestra, op. 16 (1949 Revision): V. Das obligate Rezitativ (The Obligatory Recitative)
orchestra:
London Symphony Orchestra (from 1962-07-14 until 1962-07-22)
conductor:
Antal Doráti (conductor) (from 1962-07-14 until 1962-07-22)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1962-07-14 until 1962-07-22)
recording of:
Fünf Orchesterstücke, op. 16: V. Das obligate Rezitativ. Bewegte Achtel (from 1962-07-14 until 1962-07-22)
composer:
Arnold Schönberg (composer) (in 1909)
part of:
Fünf Orchesterstücke, op. 16
Arnold Schoenberg3:27
6Five Pieces for Orchestra, op. 10: I. Sehr ruhig und zart - II. Lebhaft und zart bewegt - III. Sehr langsam und äußerst ruhig - IV. Fliessend äusserst zart - V. Sehr fliessend
orchestra:
London Symphony Orchestra (from 1962-07-14 until 1962-07-22)
conductor:
Antal Doráti (conductor) (from 1962-07-14 until 1962-07-22)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1962-07-14 until 1962-07-22)
recording of:
5 Pieces for Orchestra, op. 10 (from 1962-07-14 until 1962-07-22)
composer:
Anton Webern (composer) (in 1913)
part of:
Works of Anton Webern by opus number (number: op. 10)
Arnold Schoenberg4:16
7Three Pieces for Orchestra, op. 6: I. Praeludium (Prelude)
orchestra:
London Symphony Orchestra (from 1962-07-14 until 1962-07-22)
conductor:
Antal Doráti (conductor) (from 1962-07-14 until 1962-07-22)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1962-07-14 until 1962-07-22)
recording of:
Drei Orchesterstücke, op. 6: I. Präludium (from 1962-07-14 until 1962-07-22)
composer:
Alban Berg (composer) (from 1913 until 1915)
part of:
Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra)
Anton Webern4:23
8Three Pieces for Orchestra, op. 6: II. Reigen (Round Dance)
orchestra:
London Symphony Orchestra (from 1962-07-14 until 1962-07-22)
conductor:
Antal Doráti (conductor) (from 1962-07-14 until 1962-07-22)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1962-07-14 until 1962-07-22)
recording of:
Drei Orchesterstücke, op. 6: II. Reigen (from 1962-07-14 until 1962-07-22)
composer:
Alban Berg (composer) (from 1913 until 1915)
part of:
Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra)
Anton Webern5:03
9Three Pieces for Orchestra, op. 6: III. Marsch (March)
orchestra:
London Symphony Orchestra (from 1962-07-14 until 1962-07-22)
conductor:
Antal Doráti (conductor) (from 1962-07-14 until 1962-07-22)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1962-07-14 until 1962-07-22)
recording of:
Drei Orchesterstücke, op. 6: III. Marsch (from 1962-07-14 until 1962-07-22)
composer:
Alban Berg (composer) (from 1913 until 1915)
part of:
Drei Orchesterstücke, op. 6 (Three Pieces for Orchestra)
Anton Webern8:53
10"Lulu" Suite: I. Rondo
soprano vocals:
Helga Pilarczyk (soprano) (from 1961-06-19 until 1961-06-24)
orchestra:
London Symphony Orchestra (from 1961-06-19 until 1961-06-24)
conductor:
Antal Doráti (conductor) (from 1961-06-19 until 1961-06-24)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1961-06-19 until 1961-06-24)
recording of:
Lulu Suite: I. Rondo: Andante (Introduzione) - Hymne: Sostenuto (from 1961-06-19 until 1961-06-24)
composer:
Alban Berg (composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg16:22
11"Lulu" Suite: II. Ostinato
soprano vocals:
Helga Pilarczyk (soprano) (from 1961-06-19 until 1961-06-24)
orchestra:
London Symphony Orchestra (from 1961-06-19 until 1961-06-24)
conductor:
Antal Doráti (conductor) (from 1961-06-19 until 1961-06-24)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1961-06-19 until 1961-06-24)
recording of:
Lulu Suite: II. Ostinato: Allegro (from 1961-06-19 until 1961-06-24)
composer:
Alban Berg (composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg3:43
12"Lulu" Suite: III. Lulu's Song
soprano vocals:
Helga Pilarczyk (soprano) (from 1961-06-19 until 1961-06-24)
orchestra:
London Symphony Orchestra (from 1961-06-19 until 1961-06-24)
conductor:
Antal Doráti (conductor) (from 1961-06-19 until 1961-06-24)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1961-06-19 until 1961-06-24)
recording of:
Lulu Suite: III. Lied der Lulu: Comodo (from 1961-06-19 until 1961-06-24)
composer:
Alban Berg (composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg2:14
13"Lulu" Suite: IV. Variations
soprano vocals:
Helga Pilarczyk (soprano) (from 1961-06-19 until 1961-06-24)
orchestra:
London Symphony Orchestra (from 1961-06-19 until 1961-06-24)
conductor:
Antal Doráti (conductor) (from 1961-06-19 until 1961-06-24)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1961-06-19 until 1961-06-24)
recording of:
Lulu Suite: IV. Variationen: Moderato (Grandioso - Grazioso - Funèbre - Affettuoso) - Thema: Subito tempo moderato (from 1961-06-19 until 1961-06-24)
composer:
Alban Berg (composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg4:36
14"Lulu" Suite: V. Adagio
soprano vocals:
Helga Pilarczyk (soprano) (from 1961-06-19 until 1961-06-24)
orchestra:
London Symphony Orchestra (from 1961-06-19 until 1961-06-24)
conductor:
Antal Doráti (conductor) (from 1961-06-19 until 1961-06-24)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1961-06-19 until 1961-06-24)
recording of:
Lulu Suite: V. Adagio: Sostenuto - Lento - Grave (from 1961-06-19 until 1961-06-24)
composer:
Alban Berg (composer) (in 1934)
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg8:59
▼CD 2: Dorati conducts Respighi
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1The Birds: I. Prelude
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Gli uccelli, P. 154: I. Preludio (Prelude) (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
is based on:
Arie in C per organo o clavicembalo No. 2
part of:
Gli uccelli, P. 154 (The Birds)
Ottorino Respighi3:04
2The Birds: II. The Dove
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Gli uccelli, P. 154: II. La Colomba (The dove) (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Gli uccelli, P. 154 (The Birds)
Ottorino Respighi4:22
3The Birds: III. The Hen
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Gli uccelli, P. 154: III. La Gallina (The hen) (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
is based on:
Nouvelles Suites de Pièces de Clavecin: La Poule
part of:
Gli uccelli, P. 154 (The Birds)
Ottorino Respighi3:02
4The Birds: IV. The Nightingale
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Gli uccelli, P. 154: IV. L'Usignuolo (The nightingale) (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Gli uccelli, P. 154 (The Birds)
Ottorino Respighi4:24
5The Birds: V. The Cuckoo
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Gli uccelli, P. 154: V. Il Cucù (The cuckoo) (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Gli uccelli, P. 154 (The Birds)
Ottorino Respighi4:15
6Brazilian Impressions: I. Tropical Night
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Impressione brasiliane: I. Notte tropicale (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Impressione brasiliane
Ottorino Respighi9:48
7Brazilian Impressions: II. Butantan
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Impressione brasiliane: II. Butantan (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Impressione brasiliane
Ottorino Respighi4:47
8Brazilian Impressions: III. Song and Dance
orchestra:
London Symphony Orchestra (from 1957-07-07 until 1957-07-10)
conductor:
Antal Doráti (conductor) (from 1957-07-07 until 1957-07-10)
recorded at:
Watford Town Hall (municipal building that includes the Assembly Rooms that are today the Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1957-07-07 until 1957-07-10)
recording of:
Impressione brasiliane: III. Canzone e danza (from 1957-07-07 until 1957-07-10)
composer:
Ottorino Respighi (composer) (in 1928)
part of:
Impressione brasiliane
Ottorino Respighi4:34
9The Fountains of Rome: I. The Fountain of Valle Giulia
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-19)
recording of:
Fontane di Roma, P 106: I. La fontana di Valle Giulia all'alba (on 1960-04-19)
composer:
Ottorino Respighi (composer) (from 1915 until 1916)
part of:
Fontane di Roma, P 106
Ottorino Respighi4:10
10The Fountains of Rome: II. The Triton Fountain
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-19)
recording of:
Fontane di Roma, P 106: II. La fontana del Tritone al mattino (on 1960-04-19)
composer:
Ottorino Respighi (composer) (from 1915 until 1916)
part of:
Fontane di Roma, P 106
Ottorino Respighi2:12
11The Fountains of Rome: III. The Fountain of Trevi
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-19)
recording of:
Fontane di Roma, P 106: III. La fontana di Trevi al meriggio (on 1960-04-19)
composer:
Ottorino Respighi (composer) (from 1915 until 1916)
part of:
Fontane di Roma, P 106
Ottorino Respighi3:40
12The Fountains of Rome: IV. The Villa Medici Fountain
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-19)
recording of:
Fontane di Roma, P 106: IV. La fontana di Villa Medici al tramonto (on 1960-04-19)
composer:
Ottorino Respighi (composer) (from 1915 until 1916)
part of:
Fontane di Roma, P 106
Ottorino Respighi5:28
13The Pines of Rome: I. The Pines of Villa Borghese
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-19)
recording of:
Pini di Roma, P 141: I. I pini di Villa Borghese (on 1960-04-19)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141
Ottorino Respighi2:43
14The Pines of Rome: II. The Pines near a Catacomb
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-19)
recording of:
Pini di Roma, P 141: II. Pini presso una catacomba (on 1960-04-19)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141
Ottorino Respighi5:34
15The Pines of Rome: III. The Pines of the Janiculum
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-19)
recording of:
Pini di Roma, P 141: III. I pini del Gianicolo (on 1960-04-19)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141
Ottorino Respighi5:37
16The Pines of Rome: IV. The Pines of the Appian Way
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-19)
conductor:
Antal Doráti (conductor) (on 1960-04-19)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-19)
recording of:
Pini di Roma, P 141: IV. I pini della Via Appia (on 1960-04-19)
composer:
Ottorino Respighi (composer) (in 1924)
part of:
Pini di Roma, P 141
Ottorino Respighi5:25
▼CD 3: Bartók: Concerto for Orchestra / Dance Suite / Two Portraits, Op. 5 / Mikrokosmos: Bourrée and From the Diary of a Fly
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1Concerto For Orchestra: I. Introduzione (Andante non troppo - Allegro vivace)
orchestra:
London Symphony Orchestra (on 1962-07-03)
conductor:
Antal Doráti (conductor) (on 1962-07-03)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (on 1962-07-03)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo - Allegro vivace (on 1962-07-03)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:37
2Concerto For Orchestra: II. Giuoco della coppie (Allegretto scherzando)
orchestra:
London Symphony Orchestra (on 1962-07-03)
conductor:
Antal Doráti (conductor) (on 1962-07-03)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (on 1962-07-03)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (on 1962-07-03)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:18
3Concerto For Orchestra: III. Elegia (Andante, non troppo)
orchestra:
London Symphony Orchestra (on 1962-07-03)
conductor:
Antal Doráti (conductor) (on 1962-07-03)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (on 1962-07-03)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo (on 1962-07-03)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók7:15
4Concerto For Orchestra: IV. Intermezzo interrotto (Allegretto)
orchestra:
London Symphony Orchestra (on 1962-07-03)
conductor:
Antal Doráti (conductor) (on 1962-07-03)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (on 1962-07-03)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (on 1962-07-03)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:26
5Concerto For Orchestra: V. Finale (Presto)
orchestra:
London Symphony Orchestra (on 1962-07-03)
conductor:
Antal Doráti (conductor) (on 1962-07-03)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (on 1962-07-03)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante - Presto (on 1962-07-03)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:40
6Dance Suite: I. Moderato
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-10 until 1958-06-11)
recording of:
Dance Suite, Sz. 77, BB 86a: I. Moderato (for orchestra) (from 1958-06-10 until 1958-06-11)
composer:
Béla Bartók (composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók3:32
7Dance Suite: II. Allegro molto
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-10 until 1958-06-11)
recording of:
Dance Suite, Sz. 77, BB 86a: II. Allegro molto (for orchestra) (from 1958-06-10 until 1958-06-11)
composer:
Béla Bartók (composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók2:17
8Dance Suite: III. Allegro vivace
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-10 until 1958-06-11)
recording of:
Dance Suite, Sz. 77, BB 86a: III. Allegro vivace (for orchestra) (from 1958-06-10 until 1958-06-11)
composer:
Béla Bartók (composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók2:49
9Dance Suite: IV. Molto tranquillo
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-10 until 1958-06-11)
recording of:
Dance Suite, Sz. 77, BB 86a: IV. Molto tranquillo (for orchestra) (from 1958-06-10 until 1958-06-11)
composer:
Béla Bartók (composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók3:10
10Dance Suite: V. Comodo - VI. Finale (Allegro)
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-10 until 1958-06-11)
recording of:
Dance Suite, Sz. 77, BB 86a: V. Comodo (for orchestra) (from 1958-06-10 until 1958-06-11)
composer:
Béla Bartók (composer) (in 1923)
part of:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók5:01
11Two Portraits, op. 5: I. "Ideal"
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-10 until 1958-06-11)
recording of:
Two Portraits, op. 5: 1. One Ideal. Andante (from 1958-06-10 until 1958-06-11)
composer:
Béla Bartók (composer)
part of:
Two Portraits, Sz. 37, BB 48b, op. 5
Béla Bartók10:17
12Two Portraits, op. 5: II. "Distorted"
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-10 until 1958-06-11)
recording of:
Two Portraits, op. 5: 2. One Grotesque (from 1958-06-10 until 1958-06-11)
composer:
Béla Bartók (composer)
part of:
Two Portraits, Sz. 37, BB 48b, op. 5
Béla Bartók2:54
13Mikrokosmos: I. Bourrée (No. 117, Book IV)
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-10 until 1958-06-11)
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume IV, No. 117: Bourrée (for orchestra, arr. Tibor Serly)
orchestrator:
Tibor Serly
composer:
Béla Bartók (composer)
orchestration of:
Mikrokosmos, Sz. 107, BB 105: Volume IV, No. 117: Bourrée
Béla Bartók1:56
14Mikrokosmos: II. From the Diary of a Fly (No. 142, Book VI)
orchestra:
Philharmonia Hungarica (from 1958-06-10 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-10 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-10 until 1958-06-11)
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 142: From the Diary of a Fly (for orchestra, arr. Tibor Serly)
orchestrator:
Tibor Serly
composer:
Béla Bartók (composer)
orchestration of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 142: From the Diary of a Fly
Béla Bartók2:22
▼CD 4: Respighi: Ancient Airs & Dances
#TitleArtistRatingLength
1Antiche danze ed arie, Suite no. 1 for orchestra: I. Balletto detto « Il Conte Orlando »
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 1: I. Balletto detto "Il Conte Orlando" (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1917)
part of:
Ancient Airs and Dances Suite no. 1
Ottorino Respighi3:10
2Antiche danze ed arie, Suite no. 1 for orchestra: II. Gagliarda
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 1: II. Gagliarda (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1917)
part of:
Ancient Airs and Dances Suite no. 1
Ottorino Respighi3:54
3Antiche danze ed arie, Suite no. 1 for orchestra: III. Villanella
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 1: III. Villanella (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1917)
part of:
Ancient Airs and Dances Suite no. 1
Ottorino Respighi5:14
4Antiche danze ed arie, Suite no. 1 for orchestra: IV. Finale: Passo mezzo e Mascherada
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 1: IV. Passo mezzo e mascherada (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1917)
part of:
Ancient Airs and Dances Suite no. 1
Ottorino Respighi4:15
5Antiche danze ed arie, Suite no. 2 for orchestra: I. « Laura soave » - Balletto con gagliarda, saltarello e canario
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 2: I. Laura soave (Balletto con gagliarda, saltarello e canario) (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1923)
part of:
Ancient Airs and Dances Suite no. 2
Ottorino Respighi4:07
6Antiche danze ed arie, Suite no. 2 for orchestra: II. Danza rustica
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 2: II. Danza rustica (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1923)
part of:
Ancient Airs and Dances Suite no. 2
Ottorino Respighi4:13
7Antiche danze ed arie, Suite no. 2 for orchestra: III. « Campanae parisienses » - Aria (« sopra Les cloches de Paris »)
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 2: III. Campanae parisienses - Aria (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1923)
part of:
Ancient Airs and Dances Suite no. 2
Ottorino Respighi5:11
8Antiche danze ed arie, Suite no. 2 for orchestra: IV. Bergamasca
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 2: IV. Bergamasca (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1923)
part of:
Ancient Airs and Dances Suite no. 2
Ottorino Respighi5:44
9Antiche danze ed arie, Suite no. 3 for strings: I. Italiana
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 3: I. Italiana (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi3:43
10Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (a) « C'est malheur que de vous aymer » - Andante cantabile
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi1:58
11Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (b) « Adieu bergere pour iamais » - Allegretto
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi0:27
12Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (c) « Beaux yeux qui me voyes clairement » - Vivace
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi0:45
13Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (d) « La voila la nacelle d'amour ou ma maitresse arrive » - Lento con grande espressione
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi1:28
14Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (e) « Quelle divinité s'imprime dans mon ame » - Allegro vivace
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi0:15
15Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (f) « Si c'est pour mon pucellage que vous me faites l'amour » - Vivacissimo
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi0:42
16Antiche danze ed arie, Suite no. 3 for strings: II. Arie di corte: (g) Andante cantabile
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
partial recording of:
Ancient Airs and Dances Suite no. 3: II. Arie di corte (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi2:14
17Antiche danze ed arie, Suite no. 3 for strings: III. Siciliana
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 3: III. Siciliana (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi3:05
18Antiche danze ed arie, Suite no. 3 for strings: IV. Passacaglia
orchestra:
Philharmonia Hungarica (from 1958-06-09 until 1958-06-11)
conductor:
Antal Doráti (conductor) (from 1958-06-09 until 1958-06-11)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1958-06-09 until 1958-06-11)
recording of:
Ancient Airs and Dances Suite no. 3: IV. Passacaglia (from 1958-06-09 until 1958-06-11)
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi4:09
▼CD 5: Dvořák: Symphony No. 7 in D minor / Symphony No. 8 in G major
#TitleArtistRatingLength
1Symphony no. 7 in D minor, op. 70: I. Allegro maestoso
orchestra:
London Symphony Orchestra (from 1963-07-17 until 1963-07-18)
conductor:
Antal Doráti (conductor) (from 1963-07-17 until 1963-07-18)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1963-07-17 until 1963-07-18)
recording of:
Symphony no. 7 in D minor, op. 70: I. Allegro maestoso (from 1963-07-17 until 1963-07-18)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák12:06
2Symphony no. 7 in D minor, op. 70: II. Poco adagio
orchestra:
London Symphony Orchestra (from 1963-07-17 until 1963-07-18)
conductor:
Antal Doráti (conductor) (from 1963-07-17 until 1963-07-18)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1963-07-17 until 1963-07-18)
recording of:
Symphony no. 7 in D minor, op. 70: II. Poco adagio (from 1963-07-17 until 1963-07-18)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák8:20
3Symphony no. 7 in D minor, op. 70: III. Scherzo. Vivace - Poco meno mosso
orchestra:
London Symphony Orchestra (from 1963-07-17 until 1963-07-18)
conductor:
Antal Doráti (conductor) (from 1963-07-17 until 1963-07-18)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1963-07-17 until 1963-07-18)
recording of:
Symphony no. 7 in D minor, op. 70: III. Scherzo: Vivace - Poco meno mosso (from 1963-07-17 until 1963-07-18)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák7:55
4Symphony no. 7 in D minor, op. 70: IV. Allegro
orchestra:
London Symphony Orchestra (from 1963-07-17 until 1963-07-18)
conductor:
Antal Doráti (conductor) (from 1963-07-17 until 1963-07-18)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1963-07-17 until 1963-07-18)
recording of:
Symphony no. 7 in D minor, op. 70: IV. Finale: Allegro (from 1963-07-17 until 1963-07-18)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák9:04
5Symphony no. 8 in G major, op. 88: I. Allegro con brio
orchestra:
London Symphony Orchestra (from 1959-07-19 until 1959-07-20)
conductor:
Antal Doráti (conductor) (from 1959-07-19 until 1959-07-20)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1959-07-19 until 1959-07-20)
recording of:
Symphony no. 8 in G major, op. 88: I. Allegro con brio (from 1959-07-19 until 1959-07-20)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák9:30
6Symphony no. 8 in G major, op. 88: II. Adagio
orchestra:
London Symphony Orchestra (from 1959-07-19 until 1959-07-20)
conductor:
Antal Doráti (conductor) (from 1959-07-19 until 1959-07-20)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1959-07-19 until 1959-07-20)
recording of:
Symphony no. 8 in G major, op. 88: II. Adagio (from 1959-07-19 until 1959-07-20)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák10:27
7Symphony no. 8 in G major, op. 88: III. Allegretto grazioso
orchestra:
London Symphony Orchestra (from 1959-07-19 until 1959-07-20)
conductor:
Antal Doráti (conductor) (from 1959-07-19 until 1959-07-20)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1959-07-19 until 1959-07-20)
recording of:
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace (from 1959-07-19 until 1959-07-20)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák5:26
8Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo
orchestra:
London Symphony Orchestra (from 1959-07-19 until 1959-07-20)
conductor:
Antal Doráti (conductor) (from 1959-07-19 until 1959-07-20)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1959-07-19 until 1959-07-20)
recording of:
Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo (from 1959-07-19 until 1959-07-20)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák9:05
▼CD 6: Gershwin: An American in Paris / Copland: Rodeo: Four Dance Episodes / Schuller: Seven Studies on Themes of Paul Klee / Bkich Sinfonia Breve
#TitleArtistRatingLength
1An American in Paris
orchestra:
Minneapolis Symphony Orchestra (on 1957-12-20)
conductor:
Antal Doráti (conductor) (on 1957-12-20)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-12-20)
recording of:
An American in Paris (on 1957-12-20)
composer:
George Gershwin (composer) (in 1928)
publisher:
Chappell Music Ltd.
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1928-12-13)
part of:
An American in Paris (2015 Broadway musical)
George Gershwin16:18
2Rodeo, Four Dance Episodes: I. Buckaroo Holiday
orchestra:
Minneapolis Symphony Orchestra (on 1957-12-20)
conductor:
Antal Doráti (conductor) (on 1957-12-20)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-12-20)
recording of:
Rodeo: I. Buckaroo Holiday (on 1957-12-20)
composer:
Aaron Copland (composer) (in 1942)
part of:
Rodeo (symphonic version)
Aaron Copland8:03
3Rodeo, Four Dance Episodes: II. Corral Nocturne
orchestra:
Minneapolis Symphony Orchestra (on 1957-12-20)
conductor:
Antal Doráti (conductor) (on 1957-12-20)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-12-20)
recording of:
Rodeo: II. Corral Nocturne (on 1957-12-20)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Rodeo (symphonic version)
Aaron Copland3:26
4Rodeo, Four Dance Episodes: III. Saturday Night Waltz
orchestra:
Minneapolis Symphony Orchestra (on 1957-12-20)
conductor:
Antal Doráti (conductor) (on 1957-12-20)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-12-20)
recording of:
Rodeo: III. Saturday Night Waltz (on 1957-12-20)
composer:
Aaron Copland (composer) (in 1942)
part of:
Rodeo (symphonic version)
Aaron Copland4:05
5Rodeo, Four Dance Episodes: IV. Hoe-Down
orchestra:
Minneapolis Symphony Orchestra (on 1957-12-20)
conductor:
Antal Doráti (conductor) (on 1957-12-20)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1957-12-20)
recording of:
Rodeo: IV. Hoedown (on 1957-12-20)
composer:
Aaron Copland (composer) (in 1942)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
is based on:
Bonaparte's Retreat
part of:
Rodeo (symphonic version)
Aaron Copland3:33
6Seven Studies on Themes of Paul Klee: I. Antique Harmonies
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 1: Antique Harmonies (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller2:23
7Seven Studies on Themes of Paul Klee: II. Abstract Trio
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 2: Abstract Trio (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller1:47
8Seven Studies on Themes of Paul Klee: III. Little Blue Devil
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 3: Little Blue Devil (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller3:22
9Seven Studies on Themes of Paul Klee: IV. The Twittering-machine
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 4: The Twittering-machine (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller2:05
10Seven Studies on Themes of Paul Klee: V. Arab Village
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 5: Arab Village (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller6:29
11Seven Studies on Themes of Paul Klee: VI. An Eerie Moment
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 6: An Eerie Moment (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller2:06
12Seven Studies on Themes of Paul Klee: VII. Pastorale
orchestra:
Minneapolis Symphony Orchestra (from 1960-04-16 until 1960-04-17)
conductor:
Antal Doráti (conductor) (from 1960-04-16 until 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (from 1960-04-16 until 1960-04-17)
recording of:
Seven Studies on Themes of Paul Klee, No. 7: Pastorale (from 1960-04-16 until 1960-04-17)
composer:
Gunther Schuller (horn player, conductor, composer)
part of:
Seven Studies on Themes of Paul Klee
Gunther Schuller3:02
13Sinfonia Breve: I. Moderato
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-17)
recording of:
Sinfonia Breve: I. Moderato (on 1960-04-17)
composer:
Ernest Bloch (composer)
Ernest Bloch5:20
14Sinfonia Breve: II. Andante
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-17)
recording of:
Sinfonia Breve: II. Andante (on 1960-04-17)
composer:
Ernest Bloch (composer)
Ernest Bloch4:55
15Sinfonia Breve: III. Allegro molto
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-17)
recording of:
Sinfonia Breve: III. Allegro molto (on 1960-04-17)
composer:
Ernest Bloch (composer)
Ernest Bloch4:04
16Sinfonia Breve: IV. Allegro deciso
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-17)
recording of:
Sinfonia Breve: IV. Allegro deciso (on 1960-04-17)
composer:
Ernest Bloch (composer)
Ernest Bloch4:31
▼CD 7: Satie: Parade / Milhaud: Le Bœeuf sur le toit / Auric: Ouverture / Françaix: Concerinoto for Piano & Orchestra / Fetler: Contrasts for Orchestra
#TitleArtistRatingLength
1Parade
orchestra:
London Symphony Orchestra (from 1965-08-04 until 1965-08-06)
conductor:
Antal Doráti (conductor) (from 1965-08-04 until 1965-08-06)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1965-08-04 until 1965-08-06)
recording of:
Parade (from 1965-08-04 until 1965-08-06)
composer:
Erik Satie (French composer)
Erik Satie14:37
2Le Bœuf sur le toit
orchestra:
London Symphony Orchestra (from 1965-08-04 until 1965-08-06)
conductor:
Antal Doráti (conductor) (from 1965-08-04 until 1965-08-06)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1965-08-04 until 1965-08-06)
recording of:
Le Bœuf sur le toit, op. 58 (from 1965-08-04 until 1965-08-06)
composer:
Darius Milhaud (composer) (in 1919)
part of:
Works of Darius Milhaud by opus number (number: op. 58)
Darius Milhaud18:45
3Ouverture
orchestra:
London Symphony Orchestra (from 1965-08-04 until 1965-08-06)
conductor:
Antal Doráti (conductor) (from 1965-08-04 until 1965-08-06)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1965-08-04 until 1965-08-06)
recording of:
Overture (from 1965-08-04 until 1965-08-06)
composer:
Georges Auric (composer)
Georges Auric8:01
4Concerinoto for Piano and Orchestra: I. Presto leggiero
orchestra:
London Symphony Orchestra (from 1965-08-04 until 1965-08-06)
conductor:
Antal Doráti (conductor) (from 1965-08-04 until 1965-08-06)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1965-08-04 until 1965-08-06)
recording of:
Concertino pour piano et orchestre: I. Presto leggiero (from 1965-08-04 until 1965-08-06)
composer:
Jean Françaix (French composer) (in 1932)
part of:
Concertino pour piano et orchestre
Jean Françaix1:56
5Concerinoto for Piano and Orchestra: II. Lent
orchestra:
London Symphony Orchestra (from 1965-08-04 until 1965-08-06)
conductor:
Antal Doráti (conductor) (from 1965-08-04 until 1965-08-06)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1965-08-04 until 1965-08-06)
recording of:
Concertino pour piano et orchestre: II. Lent (from 1965-08-04 until 1965-08-06)
composer:
Jean Françaix (French composer) (in 1932)
part of:
Concertino pour piano et orchestre
Jean Françaix1:44
6Concerinoto for Piano and Orchestra: III. Allgretto: Rondeau
orchestra:
London Symphony Orchestra (from 1965-08-04 until 1965-08-06)
conductor:
Antal Doráti (conductor) (from 1965-08-04 until 1965-08-06)
recorded at:
Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1965-08-04 until 1965-08-06)
recording of:
Concertino pour piano et orchestre: III. Allegretto (from 1965-08-04 until 1965-08-06)
composer:
Jean Françaix (French composer) (in 1932)
part of:
Concertino pour piano et orchestre
recording of:
Concertino pour piano et orchestre: IV. Rondeau (from 1965-08-04 until 1965-08-06)
composer:
Jean Françaix (French composer) (in 1932)
part of:
Concertino pour piano et orchestre
Jean Françaix4:25
7Contrasts for Orchestra: I. Allegro con forza
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-17)
recording of:
Contrasts for Orchestra: I. Allegro con forza (on 1960-04-17)
composer:
Paul Fetler (composer) (in 1958)
part of:
Contrasts for Orchestra
Paul Fetler4:07
8Contrasts for Orchestra: II. Adagio
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-17)
recording of:
Contrasts for Orchestra: II. Adagio (on 1960-04-17)
composer:
Paul Fetler (composer) (in 1958)
part of:
Contrasts for Orchestra
Paul Fetler5:27
9Contrasts for Orchestra: III. Scherzo: Allegro ma non troppo
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-17)
recording of:
Contrasts for Orchestra: III. Scherzo (Allegro ma non troppo) (on 1960-04-17)
composer:
Paul Fetler (composer) (in 1958)
part of:
Contrasts for Orchestra
Paul Fetler4:00
10Contrasts for Orchestra: IV. Allegro marciale - Presto
orchestra:
Minneapolis Symphony Orchestra (on 1960-04-17)
conductor:
Antal Doráti (conductor) (on 1960-04-17)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (on 1960-04-17)
recording of:
Contrasts for Orchestra: IV. Allegro marciale - Presto (on 1960-04-17)
composer:
Paul Fetler (composer) (in 1958)
part of:
Contrasts for Orchestra
Paul Fetler4:59
▶CD 8: Tchaikovsky: Symphony No. 6 "Pathétique" / Romeo & Juliet
▶CD 9: Béla Bartók: The Wooden Prince / Music for Strings, Percussion and Celesta
▶CD 10: Bartók: The Miraculous Mandarin / Sonata for 2 Pianos and Percussion / Divertimento
▶CD 11: Tchaikovsky: Symphony No.4 / Francesca da Rimini
▶CD 12: Beethoven: Symphonies 5 and 6 "Pastoral"
▶CD 13: Antal Dorati Conducts Albéniz: Iberia / Falla: La Vida Breve, Interlude & Dance No.1 / Moussorgsky: Prelude & Dance of the Persian Slaves / Smetana: The Bartered Bride, Overture & Dances
▶CD 14: Bartók: The Miraculous Mandarin, Suite / Kodály: Peacock Variations / Hindemith: Symphonic Metamorphosis / Schoenberg: Five pieces, Op. 16
▶CD 15: Beethoven: Symphony No.7 / Overtures "Egmont" & "Leonore 3" / "Consecration of the House"
▶CD 16: Tchaikovsky: Swan Lake complete Ballet
▶CD 17: Tchaikovsky: Swan Lake complete Ballet
▶CD 18: Delibes: Coppélia / Sylvia
▶CD 19: Delibes: Coppélia / Sylvia
▶CD 20: Delibes: Coppélia / Sylvia
▶CD 21: Marcel Dupré Recital
▶CD 22: Frederick Fennell conducts the music of Leroy Anderson
▶CD 23: Grainger: Lincolnshire Posy / Hill Song No.2 / Persichetti: Symphony for Band / Khachaturian: Armenian Dances / Hartley: Concerto for 23 Winds / Rogers: Three Japanese Dances
▶CD 24: Morton Gould: West Point Symphony / Hovhaness: Symphony No.4 / Giannini: Symphony No.3
▶CD 25: Country Gardens and other Favorites by Percy Grainger and Eric Coates
▶CD 26: Hands Across The Sea - Marches from Around the World
▶CD 27: Frederick Fennell conducts the music of Leroy Anderson and Eric Coates
▶CD 28: The Spirit of '76 and Ruffles and Flourishes
▶CD 29: Mozart: Serenade No.10 in B-flat, K.361 / Strauss: Serenade in E-flat / Milhaud: Suite Française
▶CD 30: Holst: Suites 1 & 2 / Vaughan Williams: Folksong Suite & Toccata Marziale / Mennin / Persichetti / Reed: La Fiesta Mexicana
▶CD 31: Hanson conducts Hanson
▶CD 32: Morton Gould: Spirituals, Fall River Legend / Samuel Barber: Medea
▶CD 33: Charles Ives: Three Places in New England, Symphony No. 3 / William Schuman: New England Triptych / Peter Mennin: Symphony No. 5
▶CD 34: Hanson: Symphony No. 3, Elegy in Memory of Serge Koussevitzky, Lament for Beowulf
▶CD 35: Howard Hanson Conducts Barber: Capricorn Concerto / Piston: The Incredible Flutist / Griffes: Poem for Flute & Orchestra / McCauley: Five Miniatures for Flute & Strings / Kennan: Three Pieces for Orchestra / Bergsma: Gold & the Señor Commandante
▶CD 36: McPhee:Tabuh-Tabuhan / Sessions: The Black Maskers / Thomson: Symphony on a Hymn Tune, The Feast of Love
▶CD 37: Douglas Moore: Pageant of P.T. Barnum / John Alden Carpenter: Adventures in a Perambulator / Bernard Rogers: Once Upon a Time / Burrill Phillips: Selections from McGuffey's Reader
▶CD 38: Chadwick: Symphonic Sketches / MacDowell: Suite for Large Orchestra / Peter: Sinfonia in G
▶CD 39: Music for Quiet Listening
▶CD 40: Music for Quiet Listening Vol. 2
▶CD 41: Dvorák: Symphony No.9 ("From The New World") / Mozart: Symphony No.38 ("Prague")
▶CD 42: Ibert: Escales / Ravel: Rapsodie Espagnole, Alborada del gracioso, Pavane pour une infante défunte, La valse, Le tombeau de Couperin
▶CD 43: French Opera Highlights
▶CD 44: Saint-Saëns: Symphony No.3 / Paray: Mass for the 500th Anniversary of the Death of Joan of Arc
▶CD 45: Chabrier: España, Suite pastorale, Fête polonaise, Overture «Gwendoline», Danse slave, Joyeuse marche, Bourrée fantastique / Roussel: Suite in F
▶CD 46: Ravel: Daphnis et Chloé, Suite No.2, Boléro, Valses nobles et sentimentales / Debussy: Three Nocturnes, Petite Suite
▶CD 47: Bizet: Carmen Suite, La Patrie Overture, L'arlésienne Suite / Thomas: Mignon & Raymond Overtures
▶CD 48: Paul Paray conducts Dances of Death
▶CD 49: Debussy: La Mer / Ibéria / Prelude to the Afternoon of a Faun / Ravel: Mother Goose Suite
▶CD 50: The Golden Age of Harpsichord Music
▶CD 51: Puyana plays Bach
▶CD 52: Baroque Masterpieces for Harpsichord
▶CD 53: Chopin: Sonata in G minor, Polonaise Brillante / Bartók: First Rhapsody / Mendelssohn: Variations Concertantes / Martinu: Variations on a Theme of Rossini / Debussy: Sonata / Weiner: Hungarian Wedding Dance
▶CD 54: Stravinsky: The Rite of Spring
▶CD 55: Corigliano: Concerto for Piano and Orchestra / Strauss: Parergon to the Sinfonia Domestica

Credits

Release Group

includes:Ancient Dances and Airs for Lute Suites 1, 2 & 3 by Respighi; Philharmonia Hungarica, Antal Doráti
Baroque Masterpieces for Harpsichord by Rafael Puyana
Bartók: The Miraculous Mandarin, Suite / Kodály: Peacock Variations / Hindemith: Symphonic Metamorphosis / Schoenberg: Five Pieces, op. 16 by Bartók, Kodály, Hindemith, Schoenberg; Chicago Symphony Orchestra, Antal Doráti, Rafael Kubelík
Bizet: Carmen Suite / La Patrie Ouverture / L'Arlésienne Suites 1 & 2 / Thomas: Mignon & Raymond Overtures by Bizet, Thomas; Detroit Symphony Orchestra, Paul Paray
Chadwick: Symphonic Sketches / MacDowell: Suite for Large Orchestra / Peter: Sinfonia in G by Chadwick, MacDowell, Peter; Eastman-Rochester Orchestra, Howard Hanson
Concerto for Orchestra / Dance Suite / Two Portraits / Mikrokosmos by Bartók; London Symphony Orchestra, Philharmonia Hungarica, Antal Doráti
Debussy: La Mer / Ibéria / Prelude to the Afternoon of a Faun / Ravel: Mother Goose Suite by Debussy, Ravel; Paul Paray, Detroit Symphony Orchestra
Doráti Conducts Respighi by Respighi; London Symphony Orchestra, Minneapolis Symphony Orchestra, Antal Doráti
French Opera Highlights by Detroit Symphony Orchestra, Paul Paray
Gershwin, Copland, Schuller, Bloch by Gershwin, Copland, Schuller, Bloch; Minneapolis Symphony Orchestra, Antal Doráti
Gould: West Point Symphony / Hovhaness: Symphony no. 4 / Giannini: Symphony no. 3 by Morton Gould, Alan Hovhaness, Vittorio Giannini; Eastman Wind Ensemble, Frederick Fennell, A. Clyde Roller
Grainger: Lincolnshire Posy / Hill Song no. 2 / Persichetti: Symphony for Band / Khachaturian: Armenian Dances / Hartley: Concerto for 23 Winds / Rogers: Three Japanese Dances by Grainger, Persichetti, Khachaturian, Hartley, Rogers; Eastman Wind Ensemble, Frederick Fennell
Hands Across the Sea: Marches From Around the World by Frederick Fennell, Eastman Wind Ensemble
Hanson Conducts Hanson by Hanson; Hanson, Eastman-Rochester Orchestra, Eastman School of Music Chorus
Holst: Suites / Vaughan Williams: Folk Song Suite / Toccata Marziale by Holst, Vaughan Williams; Frederick Fennell
Howard Hanson Conducts Barber, Piston, Griffes, McCauley, Kennan, Bergsma by Eastman-Rochester Orchestra, Howard Hanson
Ibert: Escales / Ravel: Rapsodie espagnole / Alborada del gracioso / Pavane pour une infante défunte / La Valse / Le Tombeau de Couperin by Ibert, Ravel; Detroit Symphony Orchestra, Paul Paray
Ives: Three Places in New England / Symphony no. 3 / Schuman: New England Triptych / Mennin: Symphony no. 5 by Charles Ives, William Schuman, Peter Mennin; Eastman-Rochester Orchestra, Howard Hanson
Janos Starker plays Chopin, Mendelssohn, Martinu, Debussy, Bartok, Weiner by János Starker, György Sebök
McPhee: Tabuh-Tabuhan / Sessions: The Black Maskers / Thomson: Symphony on a Hymn Tune / The Feast of Love by McPhee, Sessions, Thomson; Eastman-Rochester Orchestra, Howard Hanson
Moore: Pageant of P.T. Barnum / Carpenter: Adventures in a Perambulator / Rogers: Once Upon a Time / Phillips: Selections from McGuffey's Reader by Moore, Carpenter, Rogers, Phillips; Eastman-Rochester Orchestra, Howard Hanson
Morton Gould: Spirituals / Fall River Legend / Samuel Barber: Medea by Morton Gould, Samuel Barber; Howard Hanson, Eastman-Rochester Orchestra
Mozart: Serenade no. 10 in B-flat, K. 361 / Strauss: Serenade in E-flat, op. 7 / Milhaud: Suite française by Mozart, Strauss, Milhaud; Eastman Wind Ensemble, Frederick Fennell
Mozart: Symphony no. 38 / Dvořák: From the New World by Dvořák, Mozart; Chicago Symphony Orchestra, Rafael Kubelík
Music for Quiet Listening by Eastman-Rochester Orchestra, Howard Hanson
Paray Conducts Chabrier & Roussel by Emmanuel Chabrier, Albert Roussel; Paul Paray, Detroit Symphony Orchestra
Paul Paray Conducts Dances of Death by Detroit Symphony Orchestra, Paul Paray
Puyana Plays Bach by Johann Sebastian Bach, Johann Christoph Bach, Wilhelm Friedemann Bach; Rafael Puyana
Ravel: Daphnis et Chloé, Suite no. 2 / Boléro / Valses nobles et sentimentales / Debussy: Three Nocturnes / Petite Suite by Ravel, Debussy; Detroit Symphony Orchestra, Paul Paray
Saint-Saëns: Symphony no. 3 / Paray: Mass for the 500th Anniversary of the Death of Joan of Arc by Camille Saint‐Saëns, Paul Paray; Detroit Symphony Orchestra, Paul Paray
Swan Lake by Tchaikovsky; Antal Dorati
Sylvia / Coppélia by Léo Delibes
Symphonies 5 and 6 "Pastoral" by Beethoven; London Symphony Orchestra, Antal Doráti
Symphony 7, Overtures 'Egmont' & 'Leonore 3' & 'Consecration of the House' by Ludwig van Beethoven; London Symphony Orchestra, Antal Doráti
Symphony no. 3 / Elegy in Memory of Serge Koussevitzky / Lament for Beowulf by Howard Hanson; Eastman-Rochester Orchestra, Eastman-Rochester Chorus, Howard Hanson
Symphony no. 4 / Francesca da Rimini by Tchaikovsky; Antal Dorati, London Symphony
Symphony no. 6 "Pathétique" / Romeo & Juliet by Tchaikovsky; London Symphony Orchestra, Antal Doráti
Symphony no. 7 in D minor / Symphony no. 8 in G major by Dvořák; London Symphony Orchestra, Antal Doráti
The Spirit of '76 / Ruffles and Flourishes by Frederick Fennell, Members of the Eastman Wind Ensemble
The Wooden Prince / Music for Strings, Percussion, and Celesta by Bartók; London Symphony Orchestra, Antal Doráti
Widor: Allegro (from Symphony no. 6) / Salve Regina / Franck: Pièce héroïque / Three Chorales by Widor, Franck; Marcel Dupré