The Voice of Romance: The Columbia Original Album Collection

~ Release by Johnny Mathis (see all versions of this release, 1 available)

Tracklist

▶CD 1: Johnny Mathis

▶CD 2: Wonderful Wonderful

▶CD 3: Warm

▶CD 4: Good Night, Dear Lord

▶CD 5: Swing Softly

▶CD 6: Merry Christmas

▶CD 7: Open Fire, Two Guitars

▶CD 8: Heavenly

▶CD 9: Faithfully

▶CD 10: The Ballads of Broadway

▶CD 11: The Rhythms of Broadway

▶CD 12: Johnny's Mood

▶CD 13: I'll Buy You a Star

▶CD 14: Live It Up!

▶CD 15: Rapture

▶CD 16: Johnny

▶CD 17: Romantically

▶CD 18: Up, Up and Away

▶CD 19: Love Is Blue

▶CD 20: Those Were the Days

▶CD 21: Johnny Mathis Sings the Music of Bert Kaempfert

▶CD 22: Love Theme from "Romeo And Juliet" (A Time for Us)

▶CD 23: Give Me Your Love for Christmas

▶CD 24: Raindrops Keep Fallin' on My Head

▶CD 25: Close to You

▶CD 26: Love Story

▶CD 27: You've Got a Friend

▶CD 28: Johnny Mathis in Person: Recorded Live at Las Vegas

▶CD 29: The First Time Ever (I Saw Your Face)

▶CD 30: Song Sung Blue

▶CD 31: Me and Mrs. Jones

▶CD 32: Killing Me Softly with Her Song

▶CD 33: I'm Coming Home

▶CD 34: The Heart of a Woman

▶CD 35: When Will I See You Again

▶CD 36: Feelings

▶CD 37: I Only Have Eyes for You

▶CD 38: Mathis Is...

▶CD 39: Hold Me, Thrill Me, Kiss Me

▶CD 40: You Light Up My Life

▶CD 41: That's What Friends Are For

▶CD 42: The Best Days of My Life

▶CD 43: Mathis Magic

▶CD 44: Different Kinda Different

▶CD 45: Friends in Love

▶CD 46: I Love My Lady

▶CD 47: A Special Part of Me

▶CD 48: Unforgettable – A Musical Tribute to Nat King Cole

▶CD 49: Live

▶CD 50: Right from the Heart

▶CD 51: The Hollywood Musicals

▶CD 52: Christmas Eve with Johnny Mathis

▶CD 53: Once in a While

▶CD 54: In the Still of the Night

▶CD 55: The Island

▼CD 56: In a Sentimental Mood: Mathis Sings Ellington
#	Title	Rating	Length
1	Overture - A Musical Tribute To Duke Ellington recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) vocals: Johnny Mathis (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan arranger: Byron Olson phonographic copyright (℗) by: Jon Mat Records, Inc.		?:??
2	Lush Life recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) vocals: Johnny Mathis (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan arranger: Byron Olson phonographic copyright (℗) by: Jon Mat Records, Inc. recording of: Lush Life (from 1990-02-06 until 1990-02-10) lyricist: Billy Strayhorn (from 1933 until 1938) composer: Gary Fuhrmann and Billy Strayhorn (from 1933 until 1938) publisher: Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Reservoir Media Music, ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment) and Tempo Music Inc (from 1949 to present) part of: The Real Book (compilation of jazz standards, Volume I)		?:??
3	Don't You Know I Care (Or Don't You Care to Know) / I Didn't Know About You recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) vocals: Johnny Mathis (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan arranger: Brad Dechter phonographic copyright (℗) by: Jon Mat Records, Inc. medley including a recording of: Don't You Know I Care? (from 1990-02-06 until 1990-02-10) lyricist: Mack David (American lyricist and songwriter) (in 1944) composer: Duke Ellington (US composer, pianist & jazz bandleader) (in 1944) medley including a recording of: I Didn’t Know About You (from 1990-02-06 until 1990-02-10) lyricist: Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1944) composer: Duke Ellington (US composer, pianist & jazz bandleader) (in 1944) is based on: Sentimental Lady		?:??
4	Things Ain't What They Used To Be (Instrumental) recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan arranger: Brad Dechter phonographic copyright (℗) by: Jon Mat Records, Inc. instrumental recording of: Things Ain’t What They Used to Be (from 1990-02-06 until 1990-02-10) lyricist: Ted Persons composer: Mercer Ellington (in 1942)		?:??
5	In A Sentimental Mood recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) vocals: Johnny Mathis (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan arranger: Byron Olson phonographic copyright (℗) by: Jon Mat Records, Inc. recording of: In a Sentimental Mood (from 1990-02-06 until 1990-02-10) lyricist: Manny Kurtz and Irving Mills composer: Duke Ellington (US composer, pianist & jazz bandleader) (in 1935) publisher: American Academy of Music, Inc., Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony		?:??
6	What Am I Here For recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) vocals: Johnny Mathis (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan arranger: Brad Dechter phonographic copyright (℗) by: Jon Mat Records, Inc. recording of: What Am I Here For (from 1990-02-06 until 1990-02-10) composer: Duke Ellington (US composer, pianist & jazz bandleader)		?:??
7	I Got It Bad And That Ain't Good (Instrumental) recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan phonographic copyright (℗) by: Jon Mat Records, Inc. instrumental recording of: I Got It Bad (and That Ain’t Good) (from 1990-02-06 until 1990-02-10) lyricist: Paul Francis Webster (in 1941) composer: Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) part of: The Real Book (compilation of jazz standards, Volume I)		?:??
8	Something To Live For recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) vocals: Johnny Mathis (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan arranger: Byron Olson phonographic copyright (℗) by: Jon Mat Records, Inc. recording of: Something to Live For (1938 Billy Strayhorn jazz composition) (from 1990-02-06 until 1990-02-10) lyricist and composer: Billy Strayhorn		?:??
9	Solitude recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) vocals: Johnny Mathis (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan arranger: Byron Olson phonographic copyright (℗) by: Jon Mat Records, Inc. recording of: Solitude (for strings, Gould) (from 1990-02-06 until 1990-02-10) orchestrator: Morton Gould (composer and conductor) composer: Duke Ellington (US composer, pianist & jazz bandleader) arrangement of: (In My) Solitude		?:??
10	Perdido (Instrumental) recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan phonographic copyright (℗) by: Jon Mat Records, Inc. recording of: Perdido (original instrumental version) (from 1990-02-06 until 1990-02-10) composer: Juan Tizol		?:??
11	Prelude to a Kiss recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) producer: Mike Berniker piano: Fred Hersch (from 1990-02-06 until 1990-02-10) vocals: Johnny Mathis (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan arranger: Brad Dechter phonographic copyright (℗) by: Jon Mat Records, Inc. (in 1990) recording of: Prelude to a Kiss (from 1990-02-06 until 1990-02-10) lyricist: Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938) composer: Duke Ellington (US composer, pianist & jazz bandleader) (in 1938) publisher: J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.		?:??
12	In a Mellow Tone recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) vocals: Johnny Mathis (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan arranger: Brad Dechter phonographic copyright (℗) by: Jon Mat Records, Inc. recording of: In a Mellow Tone (from 1990-02-06 until 1990-02-10) lyricist: Milt Gabler (in 1939) composer: Duke Ellington (US composer, pianist & jazz bandleader) (in 1939) publisher: EMI Robbins		?:??
13	Don't Get Around Much Anymore recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) vocals: Johnny Mathis (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan arranger: Brad Dechter phonographic copyright (℗) by: Jon Mat Records, Inc. cover recording of: Don’t Get Around Much Anymore (from 1990-02-06 until 1990-02-10) lyricist: Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942) composer: Duke Ellington (US composer, pianist & jazz bandleader) (in 1940) publisher: EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp., Sony/ATV Harmony, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) version of: Never No Lament		?:??
14	Satin Doll (Instrumental) recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan phonographic copyright (℗) by: Jon Mat Records, Inc. instrumental recording of: Satin Doll (from 1990-02-06 until 1990-02-10) lyricist: Johnny Mercer (in 1953) additional composer: Duke Ellington (US composer, pianist & jazz bandleader) (in 1953) composer: Billy Strayhorn (in 1953) publisher: Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music Inc and WB Music Corp. (1929–2019)		?:??
15	Come Sunday recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) vocals: Johnny Mathis (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan arranger: Brad Dechter phonographic copyright (℗) by: Jon Mat Records, Inc. recording of: Come Sunday (from 1990-02-06 until 1990-02-10) composer: Duke Ellington (US composer, pianist & jazz bandleader) part of: Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)		?:??
16	Do Nothin' Till You Hear From Me recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) vocals: Johnny Mathis (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan arranger: Brad Dechter phonographic copyright (℗) by: Jon Mat Records, Inc. recording of: Do Nothin’ Till You Hear From Me (from 1990-02-06 until 1990-02-10) lyricist: Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943) composer: Duke Ellington (US composer, pianist & jazz bandleader) (in 1943) publisher: Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony version of: Concerto for Cootie		?:??
17	Caravan (Instrumental) recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan phonographic copyright (℗) by: Jon Mat Records, Inc. instrumental recording of: Caravan (from 1990-02-06 until 1990-02-10) lyricist: Irving Mills (in 1937) composer: Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937) publisher: American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)		?:??
18	Day Dream recorded in: London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10) assistant engineer: Jerry O'Reardon engineer: Keith Grant (classical recording engineer) piano: Fred Hersch (from 1990-02-06 until 1990-02-10) vocals: Johnny Mathis (from 1990-02-06 until 1990-02-10) conductor: Harry Rabinowitz (from 1990-02-06 until 1990-02-10) remixer: Tim Geelan arranger: Byron Olson phonographic copyright (℗) by: Jon Mat Records, Inc. recording of: Day Dream (from 1990-02-06 until 1990-02-10) lyricist: John Latouche (in 1941) composer: Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)		?:??

▶CD 57: Better Together: The Duet Album

▶CD 58: How Do You Keep the Music Playing?

▶CD 59: All About Love

▶CD 60: Because You Loved Me: The Songs of Diane Warren

▶CD 61: Mathis on Broadway

▶CD 62: The Christmas Album

▶CD 63: Isn't It Romantic: The Standards Album

▶CD 64: A Night to Remember

▶CD 65: Let It Be Me: Mathis in Nashville

▶CD 66: Sending You a Little Christmas

▶CD 67: Odds and Ends: That’s What Makes the Music Play

▶CD 68: Johnny Mathis Sings the Great New American Songbook

Credits

Release

ASIN:	US: B071JQXPC7 [info]