1000 klassiekers: De absolute top, Vol. 4

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶CD 1
▶CD 2
▶CD 3
▶CD 4
▼CD 5
#TitleArtistRatingLength
1Our Darkness
recording of:
Our Darkness
lyricist and composer:
Anne Clark (English poet, songwriter and electronic musician) and David Harrow (English record producer, DJ, and multimedia artist)
publisher:
BMG 10 Music Ltd., Red Flame Music Ltd. and Virgin Music (Publishers) Ltd.
Anne Clark55:19
2Love Will Tear Us Apart
producer:
Martin Hannett and Joy Division
recording of:
Love Will Tear Us Apart
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division3.53:11
3The Reflex
producer:
Duran Duran (English rock band), Ian Little (producer, engineer, songwriter) and Alex Sadkin
mixer:
Jason Corsaro and Nile Rodgers
remixer:
Jason Corsaro and Nile Rodgers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
recording of:
The Reflex
writer:
Simon Le Bon (Singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran3.84:23
4Karma Chameleon
engineer:
Simon Frith
producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and percussion:
Jon Moss
guest harmonica:
Judd Lander
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player)
guitar and keyboard:
Roy Hay (Member of Culture Club and composer for film and television)
guest choir vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
recording of:
Karma Chameleon
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG VM Music Ltd. (from 2013-05 to present)
Culture Club4:11
5Lovely Day
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Lovely Day
writer:
Skip Scarborough and Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Bill Withers43:48
6Amoureux solitaires
recording of:
Amoureux solitaires
lyricist:
Elli Medeiros
composer:
Jacno
translator:
Jacques Duvall
version of:
Lonely Lovers
Lio3:34
7The look
programming:
Anders Herrlin and Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin (in 1988-08)
classical guitar:
Erik Borelius (in 1988-08)
drums (drum set) and hi-hat:
Pelle Alsing (in 1988-08)
electric guitar:
Jonas Isacsson (in 1988-08)
keyboard:
Clarence Öfwerman (in 1988-08)
saxophone:
Erik Häusler (in 1988-08)
slide guitar:
Janne Oldaeus (in 1988-08)
background vocals:
Marie Fredriksson (in 1988-08), Per Gessle (Swedish singer and guitarist) (in 1988-08) and Clarence Öfwerman (in 1988-08)
lead vocals:
Marie Fredriksson (in 1988-08) and Per Gessle (Swedish singer and guitarist) (in 1988-08)
phonographic copyright (℗) by:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) and EMI Svenska AB (not for release label use!)
recorded at:
EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden (in 1988-08)
mixed at:
EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden
recording of:
The Look (in 1988-08)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.63:58
8You’re My Heart, You’re My Soul
recording of:
You’re My Heart, You’re My Soul
lyricist and composer:
Steve Benson (German songwriter Dieter Bohlen)
publisher:
Arabella Musikverlag GmbH, Blue Obsession, Hansa Musikverlag and Hanseatic Musikverlag GmbH (since 2017)
Modern Talking3:18
9Rock Me Amadeus
producer:
Ferdi Bolland and Rob Bolland
music videos:
Rock Me Amadeus by Falco
part of:
TV Cream: Real 100 Best Singles Ever (number: 15)
recording of:
Rock Me Amadeus
lyricist:
Ferdi Bolland, Rob Bolland and Falco (Austrian pop & rock musician)
composer:
Ferdi Bolland and Rob Bolland
publisher:
Manuskript (not for release label use! this is only for copyrights and publishing relationships) and Nada Music (Dutch publisher)
music quoted on:
Mope
Falco3.73:21
10Superfreak
engineer:
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez and Tom "Super" Flye
executive producer:
Alonzo Miller
producer:
Rick James (US vocalist, multi-instrumentalist, composer & producer)
background vocals:
Melvin Franklin, Richard Street and Otis Williams (US baritone singer, member of The Temptations & The Distants)
horn arranger:
Daniel LeMelle and Rick James (US vocalist, multi-instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi-instrumentalist, composer & producer)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 153) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 477)
recording of:
Super Freak
lyricist and composer:
Alonzo Miller and Rick James (US vocalist, multi-instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. and Stone Diamond Music Corporation
lyrics quoted on:
Hard to Get (revisited)
music quoted on:
Hard to Get (revisited)
Rick James3.853:18
11How Bizarre
additional engineer and additional mixer:
Rick Huntington
engineer and producer:
Alan Jansson
accordion:
Hershal Herscher
guitar:
Lee Baker (NZ guitarist)
trumpet:
George Chisholm (jazz trombonist (1915-1997))
background vocals:
Sina Saipaia
phonographic copyright (℗) by:
Universal Music NZ Ltd. (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 1995)
recording of:
How Bizarre
writer:
Pauly Fuemana and Alan Jansson
publisher:
Lamont Music
OMC43:45
12Tell It to My Heart
producer:
Ric Wake
recording of:
Tell It to My Heart
writer:
Ernie Gold and Seth Swirsky
Taylor Dayne3.653:38
13Such a Shame
recording of:
Such a Shame
lyricist and composer:
Mark Hollis
publisher:
Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk3:58
14True Colors
recording of:
True Colors
writer:
Billy Steinberg and Tom Kelly (songwriter)
publisher:
Sony Tunes, Inc. (ended), Brain Drain Music (work publisher), Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC
Cyndi Lauper3:47
15Gold
recording of:
Gold
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet34:46
16Stars
mastering:
Bernie Grundman
engineer and mixer:
Daren Klein
co-producer:
Mick Hucknall (lead singer of Simply Red)
producer:
Stewart Levine (record producer and saxophonist)
recording of:
Stars
lyricist and composer:
Mick Hucknall (lead singer of Simply Red)
Simply Red2.54:07
17Lieve kleine Piranha
producer:
Wouter Van Belle (Belgian producer & musician)
phonographic copyright (℗) by:
Virgin Belgium NV (in 1998)
recording of:
Lieve kleine Piranha
writer:
Geert Bonne (Belgian drummer), Wout De Schutter (Belgian bass player) and Luc De Vos (Singer & songwriter of Belgian band Gorki/Gorky)
publisher:
Lipstick Notes
Gorki3:10
18Making Plans for Nigel
engineer:
Hugh Padgham
producer:
Steve Lillywhite
bass guitar and lead vocals:
Colin Moulding
drums (drum set):
Terry Chambers
electric guitar:
Dave Gregory (XTC) and Andy Partridge
background vocals:
Andy Partridge
part of:
Indie 88: Top 500 Indie Rock Songs (number: 477)
recording of:
Making Plans for Nigel
lyricist and composer:
Colin Moulding
XTC4.54:07
19Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry, Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr.
percussion:
Paulinho da Costa
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
Deniece Williams3.64:20
20I'm Every Woman
programming:
James T. Alfano and Chauncey Mahan
additional engineer:
Richard Joseph (recording engineer and musician) and Acar Key
engineer:
Marc Reyburn and Matt Rohr (Recording Engineer)
additional producer:
Robert Clivillés and David Cole (US musician/producer, member of C+C Music Factory)
producer:
Narada Michael Walden
mixer:
Bob Rosa
additional vocals arranger:
Robert Clivillés and David Cole (US musician/producer, member of C+C Music Factory)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Tarpan Studios in San Rafael, California, United States
cover recording of:
I’m Every Woman (in 1992)
writer:
Nickolas Ashford and Valerie Simpson
Whitney Houston4.24:45

Credits

Release Group

part of:1000 klassiekers: De absolute top (Series of compilation albums by Belgian radio station Radio 2) (order: 4)