Into the Eighties

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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Cassette 1
#TitleArtistRatingLength
A1Two Tribes
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luis Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (Member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
part of:
TV Cream: Real 100 Best Singles Ever (number: 27)
recording of:
Two Tribes
written in:
Liverpool, Merseyside, England, United Kingdom (from 1982 until 1983)
lyricist and composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Mark William O'Toole (former bassist of Frankie Goes to Hollywood) and William Johnson
publisher:
Perfect Songs Ltd.
Frankie Goes to Hollywood4.253:23
A2Every Breath You Take
engineer:
Hugh Padgham
producer:
Hugh Padgham and The Police (British rock band)
drums (drum set):
Stewart Copeland
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
vocals:
Sting (singer, songwriter & member of The Police)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (record company, please use “Polydor” for release label.) (in 1983) and A&M Records, Inc. (in 1997)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Le Studio in Morin‐Heights, Québec, Canada
music videos:
Every Breath You Take by The Police
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 84) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 305)
recording of:
Every Breath You Take (in 1983)
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), GM Sumner, Magnetic Publishing Ltd., EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
50 First Dates
The Police44:13
A3Who's That Girl
engineer:
Jon Bavin
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
remaster of:
Who’s That Girl? by Eurythmics
recording of:
Who’s That Girl?
lyricist and composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
Eurythmics4.23:45
A4Sometimes
producer:
Flood (British producer Mark Ellis)
mixer:
Flood (British producer Mark Ellis), Daniel Miller (British music producer and founder of Mute Records) and Mike Pela
trumpet:
Guy Barker
recording of:
Sometimes
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo, ...)
publisher:
Warner/Chappell Music GmbH & Co. KG Germany
Erasure33:38
A5Girls on Film
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon (Singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran3.93:29
A6Shout
producer:
Chris Hughes (Producer. aka Merrick)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 2014)
recording of:
Shout (in 1984)
writer:
Roland Orzabal and Ian Stanley
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), Roland Orzabal Ltd. and Virgin Music (Publishers) Ltd.
Tears for Fears4.654:46
A7Call Me
producer:
Giorgio Moroder
bass guitar:
Nigel Harrison (in 1979)
drums (drum set):
Clem Burke (in 1979)
guitar:
Frank Infante (in 1979) and Chris Stein (in 1979)
keyboard:
Jimmy Destri (in 1979)
lead vocals:
Deborah Harry (in 1979)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
recording of:
Call Me (in 1979)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.153:25
A8Don't Go
engineer:
John Fryer (British producer and engineer) and Eric Radcliffe
producer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo, ...) and Daniel Miller (British music producer and founder of Mute Records)
vocals:
Alison Moyet (singer)
recording of:
Don’t Go
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo, ...)
publisher:
Mega Music Ltd., Musical Moments Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Yazoo4.752:54
A9I Go to Sleep
producer:
Chris Thomas (UK record producer / remixer)
mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
cover recording of:
I Go to Sleep
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
The Pretenders2:55
A10How Soon Is Now
engineer:
Stephen Street (famous producer, songwriter)
producer:
John Porter (producer and musician US and UK)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 3), NME: Greatest “Indie” Anthems Ever: 2007 (number: 7), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 421) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 486)
recording of:
How Soon Is Now? (in 1984-07)
lyricist:
Morrissey (English singer / songwriter)
composer:
Johnny Marr
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths4.76:42
B1Geno
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
writer:
Al Archer and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
Dexys Midnight Runners3.353:27
B2Ghost Town
engineer:
John A. Rivers
trombone:
Rico Rodriguez (Jamaican trombonist)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 217)
recording of:
Ghost Town
lyricist and composer:
Jerry Dammers
The Specials3.93:39
B3Our Lips Are Sealed
producer:
David Byrne (Talking Heads)
remixer:
Fun Boy Three and Jeremy Green
cover recording of:
Our Lips Are Sealed
writer:
The Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall and Jane Wiedlin
publisher:
Gotown Music and Plangent Visions Music
Fun Boy Three3.22:51
B4House of FunMadness3.652:49
B5Do You Really Want to Hurt Me
engineer and producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
membranophone and percussion:
Jon Moss
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!) (in 1982)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
Culture Club3.94:23
B6Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
publisher:
Complete Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.53:28
B7It's My Life
producer:
Tim Friese‐Greene
recording of:
It’s My Life
writer:
Tim Friese‐Greene and Mark Hollis
publisher:
Universal‐Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Talk Talk3.653:52
B8The Look of Love
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
SARM Studios in London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4) and The Downloader’s Music Source Book (number: 73)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (The American arm of Virgin's publishing company)
recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (The American arm of Virgin's publishing company)
ABC4.13:28
B9Gold
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
guitar:
Gary Kemp (in 1982)
keyboard:
Jess Bailey (in 1982)
membranophone:
John Keeble (in 1982)
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
lead vocals:
Tony Hadley (in 1982)
performer:
Spandau Ballet (in 1982)
recording of:
Gold (in 1982)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.353:50
B10Love Plus One
producer:
Bob Sargeant
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1982)
recording of:
Love Plus One
lyricist and composer:
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred4.53:34
B11No More I Love You'sThe Lover Speaks44:04
Cassette 2
#TitleArtistRatingLength
C1Blue MondayNew Order3.87:25
C2The Model
recording of:
The Model (Kraftwerk)
lyricist:
Ralf Hütter and Emil Schult
composer:
Karl Bartos and Ralf Hütter
additional translator:
Ralf Hütter and Emil Schult
translated version of:
Das Modell
Kraftwerk4.153:38
C3Temptation
producer:
B.E.F. and Greg Walsh (producer and engineer)
recording of:
Temptation
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 1754:38
C4I Second That EmotionJapan53:56
C5Enola Gay
engineer:
Laurence Diana and Max Norman
producer:
Mike Howlett and Orchestral Manoeuvres in the Dark
bass and synthesizer:
Andy McCluskey
drums (drum set) and percussion:
Malcolm Holmes (drummer)
keyboard and synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) and Andy McCluskey
recorded at:
Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
recording of:
Enola Gay
lyricist and composer:
Andy McCluskey
publisher:
Dinsong Music
Orchestral Manoeuvres in the Dark3.553:31
C6Echo Beach
assistant engineer:
Laurence Diana
engineer:
Richard Manwaring
producer:
Mike Howlett
phonographic copyright (℗) by:
Dindisc Ltd (in 1980)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1979-08)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 87)
recording of:
Echo Beach
lyricist and composer:
Mark Gane
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha and the Muffins43:34
C7The Sound of the Crowd
recording of:
The Sound of the Crowd
lyricist and composer:
Ian Burden and Philip Oakey
The Human League3:56
C8Pop Muzik
recording of:
Pop Muzik
lyricist and composer:
Robin Scott
publisher:
BMG Music Publishing Ltd. and Pop Muzik Limited
M3.53:18
C9Somewhere in My Heart
producer:
Michael Jonzun
recording of:
Somewhere in My Heart
lyricist and composer:
Roddy Frame
Aztec Camera3.53:54
D1I Don't Want to Talk About It
producer:
Ben Watt (from 1987-09 until 1987-12)
recorded at:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, United Kingdom (from 1987-09 until 1987-12)
cover recording of:
I Don’t Want to Talk About It (from 1987-09 until 1987-12)
lyricist and composer:
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher), Crazy Horse Music and Rondor Music
Everything but the Girl44:14
D2You're the Best Thing
recording of:
You’re the Best Thing
lyricist and composer:
Paul Weller
publisher:
BMG Music Publishing Ltd. and EMI Music Publishing (do not use as a release label!)
The Style Council4:34
D3Is Vic There?Department S53:06
D4Go Wild in the Country
recording of:
Go Wild in the Country
writer:
Malcolm McLaren
composer:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) and Malcolm McLaren
Bow Wow Wow2:59
D5Crash
mixer:
Mark Wallis (in 1988)
bass guitar:
Steve Dullaghan
guitar:
Paul Court (of "The Primitives")
vocals:
Tracy Cattell
recording of:
Crash
writer:
Tracy Cattell, Paul Court (of "The Primitives") and Steve Dullaghan
The Primitives4.652:31
D6The Killing Moon
recording engineer and producer:
David Lord (British composer, engineer and producer)
mixer:
Echo & the Bunnymen and Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen4.655:47
D7Down in the Tube Station at MidnightThe Jam4:04
D8I Can't Stand Up
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
cover recording of:
I Can’t Stand Up for Falling Down
composer:
Homer Banks and Allen Jones (producer/songwriter/musician/engineer)
Elvis Costello & The Attractions4.52:06
D9Einstein a Go-Go
producer:
Landscape (80s British synthpop)
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (from 1981 to present)
recording of:
Einstein a Go-Go
composer:
Richard James Burgess, Landscape (80s British synthpop) and John L. Walters
publisher:
Landscape Music Ltd. and Sunbury Music Ltd.
Landscape2:59
D10Vienna
producer:
Conny Plank (German producer and sound engineer) and Ultravox
bass:
Chris Cross (UK bassist for Ultravox)
drums (drum set):
Warren Cann
guitar:
Midge Ure
keyboard and violin:
Billy Currie
vocals:
Midge Ure
recording of:
Vienna
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox34:38