Complete Recordings on Archiv Produktion and Deutsche Grammophon 2

~ Release by Sir John Eliot Gardiner (see all versions of this release, 8 available)

Tracklist

▶CD 12: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16

▶CD 13: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156

▼CD 14: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
#	Title	Artist	Rating	Length
1	“Erfreute Zeit im neuen Bunde”, BWV 83: 1. Aria (alto): “Erfreute Zeit im neuen Bunde” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) countertenor vocals [alto]: Robin Tyson (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": I. Aria (Alto) "Erfreute Zeit im neuen Bunde" (on 2000-02-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) part of: Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"	Johann Sebastian Bach		6:48
2	“Erfreute Zeit im neuen Bunde”, BWV 83: 2. Intonation & Recitative (bass): “Herr, nun lässest du deinen Diener” / “Was uns als Menschen schrecklich scheint” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) bass vocals: Peter Harvey (bass-baritone) (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": II. Aria (Bass) "Herr, nun lässest du deinen Diener" (on 2000-02-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) part of: Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"	Johann Sebastian Bach		3:33
3	“Erfreute Zeit im neuen Bunde”, BWV 83: 3. Aria (tenor): “Eile, Herz, voll Freudigkeit” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) tenor vocals: Paul Agnew (tenor / conductor) (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": III. Aria (Ten) "Eile, Herz, voll Freudigkeit" (on 2000-02-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) part of: Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"	Johann Sebastian Bach		5:53
4	“Erfreute Zeit im neuen Bunde”, BWV 83: 4. Recitative (alto): “Ja, merkt dein Glaube noch viel Finsternis” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) countertenor vocals [alto]: Robin Tyson (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": IV. Recitativo (Alto) "Ja, merkt dein Glaube noch viel Finsternis" (on 2000-02-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) part of: Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"	Johann Sebastian Bach		0:37
5	“Erfreute Zeit im neuen Bunde”, BWV 83: 5. Chorale: “Er ist das Heil und selig Licht” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) choir vocals: Monteverdi Choir (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": V. Choral (Coro) "Er ist das heil und selig Licht" (on 2000-02-02) lyricist: Martin Luther (German theologian of the Reformation) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) part of: Breitkopf 389 Choralgesänge (number: 250) part of: Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"	Johann Sebastian Bach		0:56
6	“Ich habe genug”, BWV 82: 1. Aria (bass): “Ich habe genug” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) bass vocals: Peter Harvey (bass-baritone) (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (on 2000-02-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1727) part of: Kantate, BWV 82 “Ich habe genung” (for bass)	Johann Sebastian Bach		6:56
7	“Ich habe genug”, BWV 82: 2. Recitative (bass): “Ich habe genug” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) bass vocals: Peter Harvey (bass-baritone) (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (on 2000-02-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1727) part of: Kantate, BWV 82 “Ich habe genung” (for bass)	Johann Sebastian Bach		1:06
8	“Ich habe genug”, BWV 82: 3. Aria (bass): “Schlummert ein, ihr matten Augen” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) bass vocals: Peter Harvey (bass-baritone) (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (on 2000-02-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1727) part of: Kantate, BWV 82 “Ich habe genung” (for bass)	Johann Sebastian Bach		11:11
9	“Ich habe genug”, BWV 82: 4. Recitative (bass): “Mein Gott! wann kommt das schöne: Nun!” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) bass vocals: Peter Harvey (bass-baritone) (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (on 2000-02-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1727) part of: Kantate, BWV 82 “Ich habe genung” (for bass)	Johann Sebastian Bach		0:44
10	“Ich habe genug”, BWV 82: 5. Aria (bass): “Ich freue mich auf meinen Tod” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) bass vocals: Peter Harvey (bass-baritone) (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) recording of: Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (on 2000-02-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1727) part of: Kantate, BWV 82 “Ich habe genung” (for bass)	Johann Sebastian Bach		3:40
11	“Mit Fried und Freud ich fahr dahin”, BWV 125: 1. Chorus: “Mit Fried und Freud ich fahr dahin” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) choir vocals: Monteverdi Choir (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": I. Coro "Mit Fried und Freud ich fahr dahin" (on 2000-02-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) part of: Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"	Johann Sebastian Bach		4:57
12	“Mit Fried und Freud ich fahr dahin”, BWV 125: 2. Aria (alto): “Ich will auch mit gebrochnen Augen” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) countertenor vocals [alto]: Robin Tyson (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": II. Aria (Alt) "Ich will auch mit gebrochnen Augen" (on 2000-02-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) part of: Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"	Johann Sebastian Bach		10:27
13	“Mit Fried und Freud ich fahr dahin”, BWV 125: 3. Recitative & Chorale (bass): “O Wunder, dass ein Herz” / “Das macht Christus, wahr' Gottes Sohn” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) bass vocals: Peter Harvey (bass-baritone) (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": III. Recitativo e Choral (Bass) "O Wunder, daß dein Herz" (on 2000-02-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) part of: Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"	Johann Sebastian Bach		1:59
14	“Mit Fried und Freud ich fahr dahin”, BWV 125: 4. Aria (Duet: tenor, bass): “Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) bass vocals: Peter Harvey (bass-baritone) (on 2000-02-02) tenor vocals: Paul Agnew (tenor / conductor) (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": IV. Aria (Duetto Tenor, Bass) "Ein unbegreiflich Licht erfüllt" (on 2000-02-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) part of: Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"	Johann Sebastian Bach		4:35
15	“Mit Fried und Freud ich fahr dahin”, BWV 125: 5. Recitative (alto): “O unerschöpfter Schatz der Güte” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) countertenor vocals [alto]: Robin Tyson (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": V. Recitativo (Alt) "O unerschöpfter Schatz der Güte" (on 2000-02-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) part of: Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"	Johann Sebastian Bach		0:41
16	“Mit Fried und Freud ich fahr dahin”, BWV 125: 6. Chorale: “Er ist das Heil und sel'ge Licht” recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) choir vocals: Monteverdi Choir (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin": VI. Choral "Er ist das Heil und selig Licht" (on 2000-02-02) lyricist: Martin Luther (German theologian of the Reformation) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) part of: Breitkopf 389 Choralgesänge (number: 251) part of: Kantate, BWV 125 "Mit Fried und Freud ich fahr dahin"	Johann Sebastian Bach		0:43
17	“Bekennen will ich seinen Namen”, BWV 200: Aria (alto): “Bekennen will ich seinen Namen”* recording engineer: Roger de Schot and Taco van der Werf executive producer: Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.) producer: Nicholas Parker (classical violinist, producer, engineer) countertenor vocals [alto]: Robin Tyson (on 2000-02-02) orchestra: English Baroque Soloists (on 2000-02-02) conductor: Sir John Eliot Gardiner (on 2000-02-02) balance engineer: Erdo Groot (Sound engineer for recordings of classical music) recorded at: Christchurch Priory in Christchurch, Dorset, England, United Kingdom (on 2000-02-02) live recording of: Kantate (Aria), BWV 200 "Bekennen will ich seinen Namen" (on 2000-02-02) premiered in: Leipzig, Sachsen, Germany composer: Gottfried Heinrich Stölzel (composer) librettist: [anonymous] (Special Purpose Artist) arranger: Johann Sebastian Bach (German Baroque period composer & musician) (from 1742 until 1743) part of: Bach-Werke-Verzeichnis (number: BWV 200)	Johann Sebastian Bach		4:10

▶CD 15: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66

▶CD 16: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11

▶CD 17: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34

▶CD 18: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105

▶CD 19: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113

▶CD 20: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147

▶CD 21: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198

▶CD 22: Beethoven: Symphonies nos. 1 & 2

▶CD 23: Beethoven: Symphonies nos. 3 “Eroica” & 4

▶CD 24: Beethoven: Symphonies nos. 5 & 6 “Pastoral”

▶CD 25: Beethoven: Symphonies nos. 7 & 8

▶CD 26: Beethoven: Symphony no. 9 “Choral”

▶CD 27: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major

▶CD 28: Beethoven: Piano Concertos nos. 3 & 4

▶CD 29: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80

▶CD 30: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)

▶CD 31: Beethoven: Violin Concerto

▶CD 32: Beethoven: Missa solemnis