Complete Recordings on Archiv Produktion and Deutsche Grammophon 2

~ Release by Sir John Eliot Gardiner (see all versions of this release, 8 available)

Tracklist

▶CD 12: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
▶CD 13: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
▶CD 14: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
▼CD 15: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
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1“Bleib bei uns, denn es will Abend werden”, BWV 6: 1. Chorus: “Bleib bei uns, denn es will Abend werden”
recording engineer:
Wolf-Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
choir vocals:
Monteverdi Choir (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" (in 1999-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach5:52
2“Bleib bei uns, denn es will Abend werden”, BWV 6: 2. Aria (alto): “Hochgelobter Gottessohn”
recording engineer:
Wolf-Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
alto vocals:
Bernarda Fink (mezzo soprano) (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (in 1999-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach3:37
3“Bleib bei uns, denn es will Abend werden”, BWV 6: 3. Chorale (sopranos): “Ach bleib bei uns, Herr Jesu Christ”
recording engineer:
Wolf-Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
choir vocals [sopranos]:
Monteverdi Choir (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" (in 1999-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Herman (in 1572) and Nikolaus Selnecker (in 1572)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach3:53
4“Bleib bei uns, denn es will Abend werden”, BWV 6: 4. Recitative (bass): “Es hat die Dunkelheit an vielen Orten”
recording engineer:
Wolf-Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
bass vocals:
Julian Clarkson (baritone) (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit" (in 1999-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:44
5“Bleib bei uns, denn es will Abend werden”, BWV 6: 5. Aria (tenor): “Jesu, lass uns auf duch sehen”
recording engineer:
Wolf-Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
tenor vocals:
Steve Davislim (tenor) (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen" (in 1999-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:04
6“Bleib bei uns, denn es will Abend werden”, BWV 6: 6. Chorale: “Beweis dein Macht, Herr Jesu Christ”
recording engineer:
Wolf-Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Chris Sayers (producer)
choir vocals:
Monteverdi Choir (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ" (in 1999-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Luther (German theologian of the Reformation) (in 1542)
part of:
Breitkopf 389 Choralgesänge (number: 79)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:47
7“Erfreut euch, ihr Herzen”, BWV 66: 1. Chorus: “Erfreut euch, ihr Herzen”
recording engineer:
Wolf-Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
choir vocals:
Monteverdi Choir (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Stephan Flock
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": I. Coro "Erfreut euch, ihr Herzen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach9:14
8“Erfreut euch, ihr Herzen”, BWV 66: 2. Recitative (bass): “Es bricht das Grab und damit unsre Not”
recording engineer:
Wolf-Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
bass vocals:
Dietrich Henschel (baritone) (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Stephan Flock
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": II. Recitativo (Bass) "Es bricht das Grab und damit unsre Not" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach0:32
9“Erfreut euch, ihr Herzen”, BWV 66: 3. Aria (bass): “Lasset dem Höchsten ein Danklied erschallen”
recording engineer:
Wolf-Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
bass vocals:
Dietrich Henschel (baritone) (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Stephan Flock
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": III. Aria (Bass) "Lasset dem Höchsten ein Danklied erschallen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach6:18
10“Erfreut euch, ihr Herzen”, BWV 66: 4. Recitative (dialogue) & Arioso (alto, tenor): “Bei Jesu Leben freudig sein”
recording engineer:
Wolf-Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1999-04)
tenor vocals:
Mark Padmore (British tenor) (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Stephan Flock
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": IV. Recitativo à 2 (Tenor, Alt) "Bei Jesu Leben freudig sein" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach4:16
11“Erfreut euch, ihr Herzen”, BWV 66: 5. Duet (alto, tenor): “Ich fürchte zwar/nicht des Grabes Finsternissen”
recording engineer:
Wolf-Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1999-04)
tenor vocals:
Mark Padmore (British tenor) (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Stephan Flock
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": V. Aria (Duetto Alt, Tenor) "Ich furchte zwar nicht des Grabes Finsternissen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach8:11
12“Erfreut euch, ihr Herzen”, BWV 66: 6. Chorale: “Halleluja! Des solln wir alle froh sein”
recording engineer:
Wolf-Dieter Karwatky and Andrew Wedman (producer and engineer)
executive producer:
David R. Murray
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
choir vocals:
Monteverdi Choir (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
balance engineer:
Stephan Flock
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen": VI. Choral "Alleluja! Alleluja! Alleluja!" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 37)
part of:
Kantate, BWV 66 "Erfreut euch, ihr Herzen"
Johann Sebastian Bach0:48
▶CD 16: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
▶CD 17: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
▶CD 18: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
▶CD 19: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
▶CD 20: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
▶CD 21: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
▶CD 22: Beethoven: Symphonies nos. 1 & 2
▶CD 23: Beethoven: Symphonies nos. 3 “Eroica” & 4
▶CD 24: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
▶CD 25: Beethoven: Symphonies nos. 7 & 8
▶CD 26: Beethoven: Symphony no. 9 “Choral”
▶CD 27: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
▶CD 28: Beethoven: Piano Concertos nos. 3 & 4
▶CD 29: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
▶CD 30: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
▶CD 31: Beethoven: Violin Concerto
▶CD 32: Beethoven: Missa solemnis