Complete Recordings on Archiv Produktion and Deutsche Grammophon 2

~ Release by Sir John Eliot Gardiner (see all versions of this release, 8 available)

Tracklist

▶CD 12: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
▶CD 13: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
▶CD 14: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
▶CD 15: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
▼CD 16: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
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1“Gott fähret auf mit Jauchzen”, BWV 43: First Part. 1. Chorus: “Gott fähret auf mit Jauchzen”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, I. Coro "Gott fähret auf mit Jauchzen" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach3:12
2“Gott fähret auf mit Jauchzen”, BWV 43: First Part. 2. Recitative (tenor): “Es will der Höchste sich ein Siegsgepräng bereiten”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, II. Recitativo (Tenore) "Es will der Höchste sich ein Siegsgepräng bereiten" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:49
3“Gott fähret auf mit Jauchzen”, BWV 43: First Part. 3. Aria (tenor): “Ja tausend mal tausend begleiten den Wagen”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, III. Aria (Tenore) "Ja tausend mal tausend begleiten den Wagen" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:05
4“Gott fähret auf mit Jauchzen”, BWV 43: First Part. 4. Recitative (soprano): “Und der Herr, nachdem er mit ihnen geredet hatte”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Nancy Argenta (soprano) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, IV. Recitativo (Soprano) "Und der Herr, nachdem er mit ihnen geredet hatte" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:19
5“Gott fähret auf mit Jauchzen”, BWV 43: First Part. 5. Aria (soprano): “Mein Jesus hat nunmehr das Heilandwerk vollendet”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Nancy Argenta (soprano) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, V. Aria (Soprano) "Mein Jesus hat nunmehr" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:00
6“Gott fähret auf mit Jauchzen”, BWV 43: Second Part. 6. Recitative (bass): “Es kommt der Helden Held”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, VI. Recitativo (Basso) "Es kommt der Helden Held" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:38
7“Gott fähret auf mit Jauchzen”, BWV 43: Second Part. 7. Aria (bass): “Er ists, der ganz allein die Kelter hat getreten”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, VII. Aria (Basso) "Er ists, der ganz allein die Kelter hat getreten" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:39
8“Gott fähret auf mit Jauchzen”, BWV 43: Second Part. 8. Recitative (alto): “Der Vater hat ihm ja ein ewig Reich bestimmet”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, VIII. Recitativo (Alto) "Der Vater hat ihm ja ein ewig Reich bestimmet" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:38
9“Gott fähret auf mit Jauchzen”, BWV 43: Second Part. 9. Aria (alto): “Ich sehe schon im Geist”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, IX. Aria (Alto) "Ich sehe schon im Geist" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach3:02
10“Gott fähret auf mit Jauchzen”, BWV 43: Second Part. 10. Recitative (soprano): “Er will mir neben sich die Wohnung zubereiten”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Nancy Argenta (soprano) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, X. Recitativo (Soprano) "Er will mir neben sich die Wohnung zubereiten" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:37
11“Gott fähret auf mit Jauchzen”, BWV 43: Second Part. 11. Chorale: “Du Lebensfürst, Herr Jesu Christ”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, XI. Choral "Du Lebensfürst, Herr Jesu Christ" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 81)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:13
12“Auf Christi Himmelfahrt allein”, BWV 128: 1. Chorus: “Auf Christi Himmelfahrt allein”
recording engineer and balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
choir vocals:
Monteverdi Choir (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein": I. Coro "Auf Christi Himmelfahrt allein" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein"
Johann Sebastian Bach4:32
13“Auf Christi Himmelfahrt allein”, BWV 128: 2. Recitative (tenor): “Ich bin bereit, komm, hold mich!”
recording engineer and balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
tenor vocals:
Christoph Genz (tenor) (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein": II. Recitativo (Tenor) "Ich binn bereit, komm, hole mich!" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein"
Johann Sebastian Bach0:49
14“Auf Christi Himmelfahrt allein”, BWV 128: 3. Aria & Recitative (bass): “Auf, auf, mit hellem Schall”
recording engineer and balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
bass vocals:
Reinhard Hagen (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein": III. Aria e Recitativo (Bass) "Auf, auf, mit hellem Schall" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein"
Johann Sebastian Bach3:23
15“Auf Christi Himmelfahrt allein”, BWV 128: 4. Aria (alto, tenor): “Sein Allmacht zu ergründen”
recording engineer and balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
countertenor vocals [alto]:
Robin Blaze (countertenor) (in 1999-04)
tenor vocals:
Christoph Genz (tenor) (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
live recording of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein": IV. Aria (Duetto Alt, Tenor) "Sein Allmacht zu ergründen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein"
Johann Sebastian Bach6:47
16“Auf Christi Himmelfahrt allein”, BWV 128: 5. Chorale: “Alsdann so wirst du mich zu deiner Rechten stellen”
recording engineer and balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
choir vocals:
Monteverdi Choir (in 1999-04)
orchestra:
English Baroque Soloists (in 1999-04)
conductor:
Sir John Eliot Gardiner (in 1999-04)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1999-04)
recording of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein": V. Choral "Alsdann so wirst du mich" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 279)
part of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein"
Johann Sebastian Bach1:09
17“Wer da gläubet und getauft wird”, BWV 37: 1. Chorus: “Wer da gläubet und getauft wird”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": I. Coro "Wer da gläubet und getauft wird, der wird selig werden" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach2:19
18“Wer da gläubet und getauft wird”, BWV 37: 2. Aria (tenor): “Der Glaube ist das Pfand der Liebe”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": II. Aria (Tenore) "Der Glaube ist das Pfand der Liebe" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach5:36
19“Wer da gläubet und getauft wird”, BWV 37: 3. Chorale (soprano, alto): “Herr Gott Vater, mein starker Held!”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1993-10)
soprano vocals:
Nancy Argenta (soprano) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": III. Choral (Soprano, Alto) "Herr Gott Vater, mein starker Held!" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach2:35
20“Wer da gläubet und getauft wird”, BWV 37: 4. Recitative (bass): “Ihr Stereblichen, verlanget ihr”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": IV. Recitativo (Basso) "Ihr Sterblichen, verlanget ihr" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach0:54
21“Wer da gläubet und getauft wird”, BWV 37: 5. Aria (bass): “Der Glaube schafft der Seele Flügel”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": V. Aria (Basso) "Der Glaube schafft der Seele Flügel" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach2:49
22“Wer da gläubet und getauft wird”, BWV 37: 6. Chorale: “Den Glauben mir verleihe an dein' Sohn Jesus Christ”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": VI. Choral "Den Glauben mir verleihe" (in 1993-10)
lyricist:
Johannes Kolrose (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 178)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach1:12
23“Lobet Gott in seinen Reichen”, BWV 11: 1. Chorus: “Lobet Gott in seinen Reichen”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:38
24“Lobet Gott in seinen Reichen”, BWV 11: 2. Recitative (tenor): “Der Herr Jesus hub seine Hände auf”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:28
25“Lobet Gott in seinen Reichen”, BWV 11: 3. Recitative (bass): “Ach, Jesu, ist dein Abschied schon so nah?”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:56
26“Lobet Gott in seinen Reichen”, BWV 11: 4. Aria (alto): “Ach, bleibe doch, mein liebstes Leben”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach7:50
27“Lobet Gott in seinen Reichen”, BWV 11: 5. Recitative (tenor): “Und ward aufgehoben zusehends”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:27
28“Lobet Gott in seinen Reichen”, BWV 11: 6. Chorale: “Nun lieget alles unter dir”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (in 1993-10)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:26
29“Lobet Gott in seinen Reichen”, BWV 11: 7a. Recitative (tenor, bass): “Und da sie ihm nachsahen”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1993-10)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:48
30“Lobet Gott in seinen Reichen”, BWV 11: 7b. Recitative (alto): “Ach ja! so komme blad zurück”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
alto vocals:
Michael Chance (British countertenor) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:34
31“Lobet Gott in seinen Reichen”, BWV 11: 7c. Recitative (tenor): “Sie aber beteten ihn an”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista) (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:38
32“Lobet Gott in seinen Reichen”, BWV 11: 8. Aria (soprano): “Jesu, deine Gnadenblicke”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Nancy Argenta (soprano) (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:14
33“Lobet Gott in seinen Reichen”, BWV 11: 9. Chorale: “Wenn soll es doch geschehen”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (in 1993-10)
orchestra:
English Baroque Soloists (in 1993-10)
conductor:
Sir John Eliot Gardiner (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:14
▶CD 17: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
▶CD 18: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
▶CD 19: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
▶CD 20: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
▶CD 21: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
▶CD 22: Beethoven: Symphonies nos. 1 & 2
▶CD 23: Beethoven: Symphonies nos. 3 “Eroica” & 4
▶CD 24: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
▶CD 25: Beethoven: Symphonies nos. 7 & 8
▶CD 26: Beethoven: Symphony no. 9 “Choral”
▶CD 27: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
▶CD 28: Beethoven: Piano Concertos nos. 3 & 4
▶CD 29: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
▶CD 30: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
▶CD 31: Beethoven: Violin Concerto
▶CD 32: Beethoven: Missa solemnis