Complete Recordings on Archiv Produktion and Deutsche Grammophon 2

~ Release by Sir John Eliot Gardiner (see all versions of this release, 8 available)

Tracklist

▶CD 12: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16

▶CD 13: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156

▶CD 14: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200

▶CD 15: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66

▶CD 16: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11

▶CD 17: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34

▶CD 18: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105

▶CD 19: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113

▼CD 20: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
#	Title	Artist	Rating	Length
1	“Wachet auf, ruft uns die Stimme”, BWV 140: 1. Chorale: “Wachet auf, ruft uns die Stimme” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) choir vocals: Monteverdi Choir (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach		6:17
2	“Wachet auf, ruft uns die Stimme”, BWV 140: 2. Recitative (tenor): “Er kommt, er kommt, der Bräut'gam kommt!” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) tenor vocals: Anthony Rolfe Johnson (tenor) (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Wachet auf, ruft uns die Stimme, BWV 140: II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach		0:51
3	“Wachet auf, ruft uns die Stimme”, BWV 140: 3. Aria (Duet: soprano, bass): “Wann kömmst du, mein Heil?” - “Ich himme, dein Teil” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) bass vocals: Stephen Varcoe (bass-baritone) (in 1990-03) soprano vocals: Ruth Holton (soprano) (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Wachet auf, ruft uns die Stimme, BWV 140: III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach		5:32
4	“Wachet auf, ruft uns die Stimme”, BWV 140: 4. Chorale (tenors): “Zion hört die Wächter singen” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) violin: Shlomo Mintz (violinist, violist and conductor) (in 1990-03) choir vocals [tenors]: Monteverdi Choir (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach		3:49
5	“Wachet auf, ruft uns die Stimme”, BWV 140: 5. Recitative (bass): “So geh herein zu mir” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) bass vocals: Stephen Varcoe (bass-baritone) (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Wachet auf, ruft uns die Stimme, BWV 140: V. Recitativo (Bass) "So geh herein zu mir" (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach		1:25
6	“Wachet auf, ruft uns die Stimme”, BWV 140: 6. Aria (Duet: soprano, bass): “Mein Freund ist mein!” - “Und ich bein dein!” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) bass vocals: Stephen Varcoe (bass-baritone) (in 1990-03) soprano vocals: Ruth Holton (soprano) (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Wachet auf, ruft uns die Stimme, BWV 140: VI. Aria (Sop Bass) "Mein Freund ist mein" (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach		5:05
7	“Wachet auf, ruft uns die Stimme”, BWV 140: 7. Chorale: “Gloria sei dir gesungen” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) choir vocals: Monteverdi Choir (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Wachet auf, ruft uns die Stimme, BWV 140: VII. Choral "Gloria sei dir gesungen" (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) lyricist: Philipp Nicolai composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) part of: Breitkopf 389 Choralgesänge (number: 329) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach		1:45
8	“Herz und Mund und Tat und Leben”, BWV 147: First Part. 1. Chorus: “Herz und Mund und Tat und Leben” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) choir vocals: Monteverdi Choir (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		4:00
9	“Herz und Mund und Tat und Leben”, BWV 147: First Part. 2. Recitative (tenor): “Gebenedeiter Mund!” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) tenor vocals: Anthony Rolfe Johnson (tenor) (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		1:44
10	“Herz und Mund und Tat und Leben”, BWV 147: First Part. 3. Aria (alto): “Schäme dich, o Seele, nicht” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) countertenor vocals [alto]: Michael Chance (British countertenor) (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		3:14
11	“Herz und Mund und Tat und Leben”, BWV 147: First Part. 4. Recitative (bass): “Verstockung kann Gewaltige verblenden” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) bass vocals: Stephen Varcoe (bass-baritone) (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		1:34
12	“Herz und Mund und Tat und Leben”, BWV 147: First Part. 5. Aria (soprano): “Bereite dir, Jesu, noch itzo die Bahn” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) soprano vocals: Ruth Holton (soprano) (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		4:29
13	“Herz und Mund und Tat und Leben”, BWV 147: First Part. 6. Chorale: “Wohl mir, dass ich Jesum habe” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) choir vocals: Monteverdi Choir (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		2:29
14	“Herz und Mund und Tat und Leben”, BWV 147: Second Part. 7. Aria (tenor): “Hilf, Jesu, hilf, dass ich auch dich bekenne” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) tenor vocals: Anthony Rolfe Johnson (tenor) (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		3:16
15	“Herz und Mund und Tat und Leben”, BWV 147: Second Part. 8. Recitative (alto): “Der höchsten Allmacht Wunderhand” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) countertenor vocals [alto]: Michael Chance (British countertenor) (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		2:16
16	“Herz und Mund und Tat und Leben”, BWV 147: Second Part. 9. Aria (bass): “Ich will von Jesu Wundern singen” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) bass vocals: Stephen Varcoe (bass-baritone) (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) recorded at: St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		2:33
17	“Herz und Mund und Tat und Leben”, BWV 147: Second Part. 10. Chorale: “Jesus bleibet meine Freude” executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler (balance engineer) choir vocals: The Monteverdi Choir (in 1990-03) orchestra: The English Baroque Soloists (in 1990-03) conductor: John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette (engineer) phonographic copyright (℗) by: Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1992) recorded at: St. Andrewʼs Church, Fontmell Magna (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) lyricist: Martin Janus (German Protestant minister, c. 1620–1682) (in 1665) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) music quoted on: Minnen av aprilhimlen part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		2:31

▶CD 21: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198

▶CD 22: Beethoven: Symphonies nos. 1 & 2

▶CD 23: Beethoven: Symphonies nos. 3 “Eroica” & 4

▶CD 24: Beethoven: Symphonies nos. 5 & 6 “Pastoral”

▶CD 25: Beethoven: Symphonies nos. 7 & 8

▶CD 26: Beethoven: Symphony no. 9 “Choral”

▶CD 27: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major

▶CD 28: Beethoven: Piano Concertos nos. 3 & 4

▶CD 29: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80

▶CD 30: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)

▶CD 31: Beethoven: Violin Concerto

▶CD 32: Beethoven: Missa solemnis