Complete Recordings on Archiv Produktion and Deutsche Grammophon 2

~ Release by Sir John Eliot Gardiner (see all versions of this release, 8 available)

Tracklist

▶CD 12: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
▶CD 13: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
▶CD 14: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
▶CD 15: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
▶CD 16: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
▶CD 17: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
▶CD 18: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
▶CD 19: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
▶CD 20: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
▶CD 21: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
▶CD 22: Beethoven: Symphonies nos. 1 & 2
▶CD 23: Beethoven: Symphonies nos. 3 “Eroica” & 4
▶CD 24: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
▶CD 25: Beethoven: Symphonies nos. 7 & 8
▶CD 26: Beethoven: Symphony no. 9 “Choral”
▶CD 27: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
▶CD 28: Beethoven: Piano Concertos nos. 3 & 4
▼CD 29: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
#TitleArtistRatingLength
1Piano Concerto no. 5 in E-flat major “Emperor”, op. 73: 1. Allegro
recording engineer and editor:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1995-01)
conductor:
Sir John Eliot Gardiner (in 1995-01)
balance engineer:
Gernot von Schultzendorff (Engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (in 1995-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven19:30
2Piano Concerto no. 5 in E-flat major “Emperor”, op. 73: 2. Adagio un poco moto - attacca
recording engineer and editor:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1995-01)
conductor:
Sir John Eliot Gardiner (in 1995-01)
balance engineer:
Gernot von Schultzendorff (Engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1995-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven6:44
3Piano Concerto no. 5 in E-flat major “Emperor”, op. 73: 3. Rondo. Allegro ma non troppo
recording engineer and editor:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1995-01)
conductor:
Sir John Eliot Gardiner (in 1995-01)
balance engineer:
Gernot von Schultzendorff (Engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (in 1995-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven9:46
4Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Adagio -
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
editor:
Mark Buecker (Engineer of classical recordings)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1995-01)
conductor:
Sir John Eliot Gardiner (in 1995-01)
balance engineer:
Gernot von Schultzendorff (Engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio (in 1995-01)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven3:26
5Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Finale. Allegro - Meno allegro (Allegretto) - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto - Presto
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
editor:
Mark Buecker (Engineer of classical recordings)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
alto vocals:
Susanna Spicer (in 1995-01)
baritone vocals:
Julian Clarkson (baritone) (in 1995-01)
choir vocals:
Monteverdi Choir (in 1995-01)
soprano vocals:
Constanze Backes (in 1995-01) and Angela Kazimierczuk (Classical soprano) (in 1995-01)
tenor vocals:
Robert Johnston (English tenor) (in 1995-01) and Julian Podger (English tenor vocalist & choral conductor) (in 1995-01)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1995-01)
conductor:
Sir John Eliot Gardiner (in 1995-01)
balance engineer:
Gernot von Schultzendorff (Engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (in 1995-01)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven15:34
6Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80 (2 alternative improvised introductions): No. 1
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
editor:
Mark Buecker (Engineer of classical recordings)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
conductor:
Sir John Eliot Gardiner (in 1995-01)
balance engineer:
Gernot von Schultzendorff (Engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Choral Fantasy, op. 80 (alternative improvised introduction no. 1) (improvisation by Robert Levin) (in 1995-01)
composer:
Robert Levin (American classical pianist) (in 1995)
is based on:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio
Ludwig van Beethoven2:32
7Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80 (2 alternative improvised introductions): No. 2
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
editor:
Mark Buecker (Engineer of classical recordings)
fortepiano:
Robert Levin (American classical pianist) (in 1995-01)
conductor:
Sir John Eliot Gardiner (in 1995-01)
balance engineer:
Gernot von Schultzendorff (Engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1995-01)
recording of:
Choral Fantasy, op. 80 (alternative improvised introduction no. 2) (improvisation by Robert Levin) (in 1995-01)
composer:
Robert Levin (American classical pianist) (in 1995)
is based on:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio
Ludwig van Beethoven2:08
▶CD 30: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
▶CD 31: Beethoven: Violin Concerto
▶CD 32: Beethoven: Missa solemnis