The Great Classical Collection

~ Release by Hector Berlioz (see all versions of this release, 1 available)

Tracklist

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▼CD 1
#TitleRatingLength
1Symphonie fantastique I Reveries-Passions
orchestra:
Berliner Philharmoniker (from 1953-11-23 until 1953-11-29)
conductor:
Igor Markevitch (conductor) (from 1953-11-23 until 1953-11-29)
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions (from 1953-11-23 until 1953-11-29)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
13:19
2Symphonie fantastique II Un bal
orchestra:
Berliner Philharmoniker (from 1953-11-23 until 1953-11-29)
conductor:
Igor Markevitch (conductor) (from 1953-11-23 until 1953-11-29)
recording of:
Symphonie fantastique, op. 14: II. Un bal (from 1953-11-23 until 1953-11-29)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
5:50
3Symphonie fantastique III Scene aux champs
orchestra:
Berliner Philharmoniker (from 1953-11-23 until 1953-11-29)
conductor:
Igor Markevitch (conductor) (from 1953-11-23 until 1953-11-29)
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs (from 1953-11-23 until 1953-11-29)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
14:39
4Symphonie fantastique IV Marche au supplice
orchestra:
Berliner Philharmoniker (from 1953-11-23 until 1953-11-29)
conductor:
Igor Markevitch (conductor) (from 1953-11-23 until 1953-11-29)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 1953-11-23 until 1953-11-29)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
4:27
5Symphonie fantastique V Songe dúne nuit du Sabbat
orchestra:
Berliner Philharmoniker (from 1953-11-23 until 1953-11-29)
conductor:
Igor Markevitch (conductor) (from 1953-11-23 until 1953-11-29)
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (from 1953-11-23 until 1953-11-29)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
10:08
6Le carnaval romain, op. 9
orchestra:
Royal Philharmonic Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Le carnaval romain, ouverture pour orchestre, op. 9
composer:
Hector Berlioz (composer) (in 1843)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 95)
8:59
▼CD 2
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1Harold En Italie Op.16-I. Harold Aux Montagnes
recording engineer:
Lewis Layton (engineer) (on 1958-03-31)
producer:
Richard Mohr (producer)
viola:
William Primrose (violist) (on 1958-03-31)
orchestra:
Boston Symphony Orchestra (on 1958-03-31)
conductor:
Charles Munch (conductor and violinist) (on 1958-03-31)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1958-03-31)
recording of:
Harold en Italie, op. 16: I. Harold aux Montagnes. Scènes de mélancolie, de bonheur et de joie. Adagio — Allegro (on 1958-03-31)
composer:
Hector Berlioz (composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
12:11
2Harold En Italie Op.16-II. Marche Des Pélerins
recording engineer:
Lewis Layton (engineer) (on 1958-03-31)
producer:
Richard Mohr (producer)
viola:
William Primrose (violist) (on 1958-03-31)
orchestra:
Boston Symphony Orchestra (on 1958-03-31)
conductor:
Charles Munch (conductor and violinist) (on 1958-03-31)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1958-03-31)
recording of:
Harold en Italie, op. 16: II. Marche des pélerins chantant la prière du soir. Allegretto (on 1958-03-31)
composer:
Hector Berlioz (composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
6:45
3Harold En Italie Op.16-III. Sérénade
recording engineer:
Lewis Layton (engineer) (on 1958-03-31)
producer:
Richard Mohr (producer)
viola:
William Primrose (violist) (on 1958-03-31)
orchestra:
Boston Symphony Orchestra (on 1958-03-31)
conductor:
Charles Munch (conductor and violinist) (on 1958-03-31)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1958-03-31)
recording of:
Harold en Italie, op. 16: III. Sérénade d'un montagnard des Abruzzes à sa maîtresse. Allegro assai — Allegretto (on 1958-03-31)
composer:
Hector Berlioz (composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
6:34
4Harold En Italie Op.16-IV. Orgie Des Brigands
recording engineer:
Lewis Layton (engineer) (on 1958-03-31)
producer:
Richard Mohr (producer)
viola:
William Primrose (violist) (on 1958-03-31)
orchestra:
Boston Symphony Orchestra (on 1958-03-31)
conductor:
Charles Munch (conductor and violinist) (on 1958-03-31)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1958-03-31)
recording of:
Harold en Italie, op. 16: IV. Orgie de brigands. Souvenirs des scènes précédentes. Allegro frenetico — Adagio — Allegro (on 1958-03-31)
composer:
Hector Berlioz (composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
12:36
5Les Nuits D'été Op.7-I. Vallanelle
soprano vocals:
Victoria de los Ángeles (soprano) (from 1955-04-12 until 1955-04-13)
orchestra:
Boston Symphony Orchestra (from 1955-04-12 until 1955-04-13)
conductor:
Charles Munch (conductor and violinist) (from 1955-04-12 until 1955-04-13)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 1. Villanelle (from 1955-04-12 until 1955-04-13)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
2:17
6Les Nuits D'été Op.7-II. Le Spectre De La Rose
soprano vocals:
Victoria de los Ángeles (soprano) (from 1955-04-12 until 1955-04-13)
orchestra:
Boston Symphony Orchestra (from 1955-04-12 until 1955-04-13)
conductor:
Charles Munch (conductor and violinist) (from 1955-04-12 until 1955-04-13)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 2. Le Spectre de la rose (from 1955-04-12 until 1955-04-13)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
6:27
7Les Nuits D'été Op.7-III. Sur Les Lagunes
soprano vocals:
Victoria de los Ángeles (soprano) (from 1955-04-12 until 1955-04-13)
orchestra:
Boston Symphony Orchestra (from 1955-04-12 until 1955-04-13)
conductor:
Charles Munch (conductor and violinist) (from 1955-04-12 until 1955-04-13)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 3. Sur les lagunes (from 1955-04-12 until 1955-04-13)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
7:06
8Les Nuits D'été Op.7-IV. Absence
soprano vocals:
Victoria de los Ángeles (soprano) (from 1955-04-12 until 1955-04-13)
orchestra:
Boston Symphony Orchestra (from 1955-04-12 until 1955-04-13)
conductor:
Charles Munch (conductor and violinist) (from 1955-04-12 until 1955-04-13)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 4. Absence (from 1955-04-12 until 1955-04-13)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
5:11
9Les Nuits D'été Op.7-V. Aucometiére
soprano vocals:
Victoria de los Ángeles (soprano) (from 1955-04-12 until 1955-04-13)
orchestra:
Boston Symphony Orchestra (from 1955-04-12 until 1955-04-13)
conductor:
Charles Munch (conductor and violinist) (from 1955-04-12 until 1955-04-13)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 5. Au cimetière (from 1955-04-12 until 1955-04-13)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
5:51
10Les Nuits D'été Op.7-VI. L'île Inconnue
soprano vocals:
Victoria de los Ángeles (soprano) (from 1955-04-12 until 1955-04-13)
orchestra:
Boston Symphony Orchestra (from 1955-04-12 until 1955-04-13)
conductor:
Charles Munch (conductor and violinist) (from 1955-04-12 until 1955-04-13)
recording of:
Les Nuits d’été, H. 81, op. 7: Nº 6. L’Île inconnue (from 1955-04-12 until 1955-04-13)
lyricist:
Théophile Gautier
composer:
Hector Berlioz (composer) (in 1841)
part of:
Les Nuits d’été, H. 81, op. 7
3:48
▼CD 3
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1"Roméo et Juliette, for alto, tenor, bass, chorus & orchestra (""symphonie dramatique""), H.79 (Op. 17): Grande fête chez Capulet"
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (from 1957-02 until 1957-06)
conductor:
Lorin Maazel (conductor) (from 1957-02 until 1957-06)
balance engineer:
Werner Wolf (engineer/producer) (from 1957-02 until 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-02 until 1957-06)
recording of:
Roméo et Juliette, op. 17: Part II. Roméo seul / Tristesse / Concert et bal / Grande fête chez Capulet (from 1957-02 until 1997-06)
composer:
Hector Berlioz (composer)
part of:
Roméo et Juliette, op. 17
11:46
2"Roméo et Juliette, for alto, tenor, bass, chorus & orchestra (""symphonie dramatique""), H.79 (Op. 17): La reine Mab. Scherzo"
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (from 1957-02 until 1957-06)
conductor:
Lorin Maazel (conductor) (from 1957-02 until 1957-06)
balance engineer:
Werner Wolf (engineer/producer) (from 1957-02 until 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-02 until 1957-06)
recording of:
Roméo et Juliette, op. 17: Part II. La Reine Mab, ou La fée des songes (Scherzo) (from 1957-02 until 1957-06)
composer:
Hector Berlioz (composer)
part of:
Roméo et Juliette, op. 17
7:41
3"Roméo et Juliette, for alto, tenor, bass, chorus & orchestra (""symphonie dramatique""), H.79 (Op. 17): Scène d'amour"
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (from 1957-02 until 1957-06)
conductor:
Lorin Maazel (conductor) (from 1957-02 until 1957-06)
balance engineer:
Werner Wolf (engineer/producer) (from 1957-02 until 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-02 until 1957-06)
partial recording of:
Roméo et Juliette, op. 17: Part II. Scène d'amour (from 1957-02 until 1957-06)
lyricist:
Émile Deschamps (poet)
composer:
Hector Berlioz (composer)
part of:
Roméo et Juliette, op. 17
17:36
4"Roméo et Juliette, for alto, tenor, bass, chorus & orchestra (""symphonie dramatique""), H.79 (Op. 17): Roméo au tombeau des Capulets"
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (from 1957-02 until 1957-06)
conductor:
Lorin Maazel (conductor) (from 1957-02 until 1957-06)
balance engineer:
Werner Wolf (engineer/producer) (from 1957-02 until 1957-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-02 until 1957-06)
partial recording of:
Roméo et Juliette, op. 17: Part III: Roméo au tombeau des Capulets (from 1957-02 until 1957-06)
composer:
Hector Berlioz (composer)
part of:
Roméo et Juliette, op. 17
8:02
▼CD 4
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1La Damnation de Faust: Premiere partie. Scene 1
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
tenor vocals [Faust]:
Richard Verreau (tenor) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La damnation de Faust, op. 24: Première Partie, scène 1. "Plaines de Hongrie" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Première Partie
5:56
2La Damnation de Faust: Premiere partie. Scene 2
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
choir vocals:
Chœurs Élisabeth Brasseur (in 1959-05) and Maîtrise de Radio France (in 1959-05)
tenor vocals [Faust]:
Richard Verreau (tenor) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La damnation de Faust, op. 24: Première Partie, scène 2. "Rondo de paysans" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Première Partie
recording of:
La damnation de Faust, op. 24: Première Partie, scène 3. "Une autre partie de la plaine" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Première Partie
4:06
3La Damnation de Faust: Premiere partie. Scene 3
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
tenor vocals [Faust]:
Richard Verreau (tenor) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation de Faust, op. 24: Première Partie, scène 3. “Marche hongroise” (Rákóczi March) (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Première Partie
4:24
4La Damnation de Faust: Deuxieme partie. Scene 4-1
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
tenor vocals [Faust]:
Richard Verreau (tenor) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation de Faust, op. 24: Deuxième Partie, scène 4. "Nord de l'Allemagne" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
4:19
5La Damnation de Faust: Deuxieme partie. Scene 4-2
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
choir vocals:
Chœurs Élisabeth Brasseur (in 1959-05) and Maîtrise de Radio France (in 1959-05)
tenor vocals [Faust]:
Richard Verreau (tenor) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation de Faust, op. 24: Deuxième Partie, scène 4. "Chant de la Fête de Pâque" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
3:45
6La Damnation de Faust: Deuxieme partie. Scene 5
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
tenor vocals [Faust]:
Richard Verreau (tenor) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation de Faust, op. 24: Deuxième Partie, scène 5. Allegro moderato "O pure émotion" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
2:04
7La Damnation de Faust: Deuxieme partie. Scene 6-1
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
bass vocals [Brander]:
Pierre Mollet (baritone) (in 1959-05)
choir vocals:
Chœurs Élisabeth Brasseur (in 1959-05) and Maîtrise de Radio France (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation de Faust, op. 24: Deuxième Partie, scène 6. "Choeur de buveurs" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
2:35
8La Damnation de Faust: Deuxieme partie. Scene 6-2
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
bass vocals [Brander]:
Pierre Mollet (baritone) (in 1959-05)
choir vocals:
Chœurs Élisabeth Brasseur (in 1959-05) and Maîtrise de Radio France (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation de Faust : Acte II, scène VI. Chanson de Brander « Certain rat, dans une cuisine » (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
1:56
9La Damnation de Faust: Deuxieme partie. Scene 6-3
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
bass vocals [Brander]:
Pierre Mollet (baritone) (in 1959-05)
choir vocals:
Chœurs Élisabeth Brasseur (in 1959-05) and Maîtrise de Radio France (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation de Faust, op. 24: Deuxième Partie, scène 6. "Fugue sur le thème de la chanson de Brander" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
2:36
10La Damnation de Faust: Deuxieme partie. Scene 6-4
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
choir vocals:
Chœurs Élisabeth Brasseur (in 1959-05) and Maîtrise de Radio France (in 1959-05)
tenor vocals [Faust]:
Richard Verreau (tenor) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation de Faust, op. 24: Deuxième Partie, scène 6. Chanson de Méphistophélès "Une puce gentille" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
4:00
11La Damnation de Faust: Deuxieme partie. Scene 7-1
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation De Faust, op. 24: Deuxième Partie, scène 7. "Bosquets et Prairies du Bord de l'Elbe - Air de Méphistophélès" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
2:27
12La Damnation de Faust: Deuxieme partie. Scene 7-2
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
choir vocals:
Chœurs Élisabeth Brasseur (in 1959-05) and Maîtrise de Radio France (in 1959-05)
tenor vocals [Faust]:
Richard Verreau (tenor) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation De Faust, op. 24: Deuxième Partie, scène 7. "Choeur de gnomes et de sylphes - Songe de Faust" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
6:21
13La Damnation de Faust: Deuxieme partie. Scene 7-3
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
tenor vocals [Faust]:
Richard Verreau (tenor) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La damnation de Faust, op. 24: Deuxième Partie, scéne 7. "Ballet des Sylphes" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
3:26
14La Damnation de Faust: Deuxieme partie. Scene 8
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
choir vocals:
Chœurs Élisabeth Brasseur (in 1959-05) and Maîtrise de Radio France (in 1959-05)
tenor vocals [Faust]:
Richard Verreau (tenor) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation De Faust, op. 24: Deuxième Partie, scène 8. "Final - Choeur d'étudiants et de soldas marchant vers la ville" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
4:17
▼CD 5
#TitleRatingLength
1"La Damnation de Faust, op. 24: Troisième Partie: Tambours et trompettes sonnant la retraite"
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation De Faust, op. 24: Troisième Partie, scène 9. "Tambours et trompettes sonnant la retraite" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
0:52
2"La Damnation de Faust, op. 24: Troisième Partie, Scène 9: Air de Faust. ""Merci, doux crépuscule!"" / Scène 10: ""J'entends!"""
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recording of:
La Damnation de Faust, op. 24: Troisième Partie, scène 9. "Air de Faust" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
4:02
3"La Damnation de Faust, op. 24: Scene 10 J'etends!"
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recording of:
La Damnation De Faust, op. 24: Troisième Partie, scène 10. Moderato "Je l'entends!" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
0:54
4"La Damnation de Faust, op. 24: Troisième Partie, Scène 11: ""Que l'air est étouffant!"""
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
mezzo-soprano vocals [Marguerite]:
Consuelo Rubio (soprano) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation De Faust, op. 24: Troisième Partie, scène 11. Allegretto non troppo presto e dolce "J'ai peur comme une enfant" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
3:14
5"La Damnation de Faust, op. 24: Troisième Partie, Scène 11: Le Roi de Thulé (Chanson Gothique). ""Autrefois un roi de Thulé"""
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
mezzo-soprano vocals [Marguerite]:
Consuelo Rubio (soprano) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation De Faust, op. 24: Troisième Partie, scène 11. "Le roi de Thulé, chanson gothique" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
4:59
6"La Damnation de Faust, op. 24: Troisième Partie, Scène 12: Evocation. ""Esprits des flammes inconstantes"""
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation De Faust, op. 24: Troisième Partie, scène 12. "Évocation" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
1:46
7"La Damnation de Faust, op. 24: Troisième Partie, Scène 12: Menuet des Feux follets. ""Maintenant, chantons à cette belle ..."""
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La damnation de Faust, op. 24: Troisième Partie, scène 12. "Menuet des follets" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
3:57
8"La Damnation de Faust, op. 24: Troisième Partie, Scène 12: Sérénade de Méphistophélès avec Chœur des Feux follets. ""Devant la maison"""
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation de Faust, op. 24: Troisième Partie, scène 12. "Sérénade de Méphistophélès" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
2:02
9"La Damnation de Faust, op. 24: Troisième Partie, Scène 13: Duo. ""Grand Dieu! Que vois-je?"""
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
mezzo-soprano vocals [Marguerite]:
Consuelo Rubio (soprano) (in 1959-05)
tenor vocals [Faust]:
Richard Verreau (tenor) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation De Faust, op. 24: Troisième Partie, scène 13. Final: Duo (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
5:01
10"La Damnation de Faust, op. 24: Troisième Partie, Scène 14: Trio et Chœur. ""Allons, il est trop tard!"""
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
choir vocals:
Chœurs Élisabeth Brasseur (in 1959-05) and Maîtrise de Radio France (in 1959-05)
mezzo-soprano vocals [Marguerite]:
Consuelo Rubio (soprano) (in 1959-05)
tenor vocals [Faust]:
Richard Verreau (tenor) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation De Faust, op. 24: Troisième Partie, scène 14. Final: Trio et Choeur (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Troisième Partie
4:26
11"La Damnation de Faust, op. 24: Quatrième Partie, Scène 15: Romance. ""D'amour l'ardente flamme"""
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
mezzo-soprano vocals [Marguerite]:
Consuelo Rubio (soprano) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La damnation de Faust, op. 24: Quatrième Partie, scène 15. "D'amour l'ardente flamme" (Marguerite, Chœur)" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
7:55
12"La Damnation de Faust, op. 24: Quatrième Partie, Scène 15: ""Au son des trompettes"""
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
choir vocals:
Chœurs Élisabeth Brasseur (in 1959-05) and Maîtrise de Radio France (in 1959-05)
mezzo-soprano vocals [Marguerite]:
Consuelo Rubio (soprano) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
1:55
13"La Damnation de Faust, op. 24: Quatrième Partie, Scène 16: Invocation à la Nature. ""Nature immense, impénétrable et fière"""
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
tenor vocals [Faust]:
Richard Verreau (tenor) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La damnation de Faust, op. 24: Quatrième Partie, scène 16. "Invocation à la Nature (Nature immense, impénetrable et fière)" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
4:11
14"La Damnation de Faust, op. 24: Quatrième Partie, Scène 17: Récitatif et Chasse. ""A la voûte azurée"""
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
tenor vocals [Faust]:
Richard Verreau (tenor) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La damnation de Faust, op. 24: Quatrième Partie, scène 17. "Récitatif et chasse" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
2:26
15"La Damnation de Faust, op. 24: Quatrième Partie, Scène 18: La Cours à l'Abîme. ""Dans mon coeur retentit sa voix"""
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
choir vocals:
Chœurs Élisabeth Brasseur (in 1959-05) and Maîtrise de Radio France (in 1959-05)
tenor vocals [Faust]:
Richard Verreau (tenor) (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation de Faust : Quatrième Partie, scène 18. « La course à l'abîme » … « Dans mon cœur » (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
3:19
16"La Damnation de Faust, op. 24: Quatrième Partie, Scène 19: Pandaemonium (Chœur en langue infernale) ""Has! Irimiru Karabrao! Has!"" / Epilogue: ""Alors l'Enfer se tut"""
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
baritone vocals [Méphistophélès]:
Michel Roux (baritone, 1924-1998) (in 1959-05)
choir vocals:
Chœurs Élisabeth Brasseur (in 1959-05) and Maîtrise de Radio France (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La Damnation de Faust : Quatrième Partie, scène 19. Pandaemonium « Has ! Irimirukarabrao ! Has ! Has ! Has ! » (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
5:02
17"La Damnation de Faust, op. 24: Epilogue, Scène 20: ""Laus! Hosanna!"" / Apothéose de Marguerite. ""Remonte au ciel, âme naïve"""
engineer:
Günter Hermanns (producer/engineer) and Werner Wolf (engineer/producer)
producer:
Hans Ritter
choir vocals:
Chœurs Élisabeth Brasseur (in 1959-05) and Maîtrise de Radio France (in 1959-05)
orchestra:
Orchestre Lamoureux (in 1959-05)
conductor:
Igor Markevitch (conductor) (in 1959-05)
recorded at:
Théâtre de la Mutualité (part of Maison de la Mutualité) in Paris, Île-de-France, France (in 1959-05)
recording of:
La damnation de Faust, op. 24: Quatrième Partie, scène 19. "Épilogue: Apothéose de Marguerite" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
recording of:
La damnation de Faust, op. 24: Quatrième Partie, scène 19. "Épilogue: Sur la terre" (in 1959-05)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
4:50
▼CD 6
#TitleRatingLength
1Requiem: I. Requiem et Kyrie
engineer:
Pierre Rosenwald (French recording engineer)
producer:
Jacques Pradère (producer)
choir vocals:
Chœurs de la Radiodiffusion-Télévision Française (in 1958-04)
orchestra:
Orchestre du Theatre National de l’Opéra de Paris (in 1958-04)
conductor:
Hermann Scherchen (conductor) (in 1958-04)
recorded at:
Cathédrale Saint-Louis des Invalides in Paris, Île-de-France, France (in 1958-04)
recording of:
Requiem, op. 5: I. Requiem et Kyrie (in 1958-04)
composer:
Hector Berlioz (composer)
part of:
Requiem, op. 5 "Grande Messe des Morts"
13:23
2Requiem: II. Dies irae
engineer:
Pierre Rosenwald (French recording engineer)
producer:
Jacques Pradère (producer)
choir vocals:
Chœurs de la Radiodiffusion-Télévision Française (in 1958-04)
orchestra:
Orchestre du Theatre National de l’Opéra de Paris (in 1958-04)
conductor:
Hermann Scherchen (conductor) (in 1958-04)
recorded at:
Cathédrale Saint-Louis des Invalides in Paris, Île-de-France, France (in 1958-04)
recording of:
Requiem, op. 5: II. Dies Irae (in 1958-04)
composer:
Hector Berlioz (composer)
part of:
Requiem, op. 5 "Grande Messe des Morts"
12:54
3Requiem: III. Quid sum miser
engineer:
Pierre Rosenwald (French recording engineer)
producer:
Jacques Pradère (producer)
choir vocals:
Chœurs de la Radiodiffusion-Télévision Française (in 1958-04)
orchestra:
Orchestre du Theatre National de l’Opéra de Paris (in 1958-04)
conductor:
Hermann Scherchen (conductor) (in 1958-04)
recorded at:
Cathédrale Saint-Louis des Invalides in Paris, Île-de-France, France (in 1958-04)
recording of:
Requiem, op. 5: III. Quid sum miser (in 1958-04)
composer:
Hector Berlioz (composer)
part of:
Requiem, op. 5 "Grande Messe des Morts"
4:50
4Requiem: IV. Rex tremendae
engineer:
Pierre Rosenwald (French recording engineer)
producer:
Jacques Pradère (producer)
choir vocals:
Chœurs de la Radiodiffusion-Télévision Française (in 1958-04)
orchestra:
Orchestre du Theatre National de l’Opéra de Paris (in 1958-04)
conductor:
Hermann Scherchen (conductor) (in 1958-04)
recorded at:
Cathédrale Saint-Louis des Invalides in Paris, Île-de-France, France (in 1958-04)
recording of:
Requiem, op. 5: IV. Rex tremendae (in 1958-04)
composer:
Hector Berlioz (composer)
part of:
Requiem, op. 5 "Grande Messe des Morts"
6:52
5Requiem: V. Quaerens me
engineer:
Pierre Rosenwald (French recording engineer)
producer:
Jacques Pradère (producer)
choir vocals:
Chœurs de la Radiodiffusion-Télévision Française (in 1958-04)
orchestra:
Orchestre du Theatre National de l’Opéra de Paris (in 1958-04)
conductor:
Hermann Scherchen (conductor) (in 1958-04)
recorded at:
Cathédrale Saint-Louis des Invalides in Paris, Île-de-France, France (in 1958-04)
recording of:
Requiem, op. 5: V. Quaerens me (in 1958-04)
composer:
Hector Berlioz (composer)
part of:
Requiem, op. 5 "Grande Messe des Morts"
6:20
▼CD 7
#TitleRatingLength
1Requiem: VI. Lacrymosa
engineer:
Pierre Rosenwald (French recording engineer)
producer:
Jacques Pradère (producer)
choir vocals:
Chœurs de la Radiodiffusion-Télévision Française (in 1958-04)
orchestra:
Orchestre du Theatre National de l’Opéra de Paris (in 1958-04)
conductor:
Hermann Scherchen (conductor) (in 1958-04)
recorded at:
Cathédrale Saint-Louis des Invalides in Paris, Île-de-France, France (in 1958-04)
recording of:
Requiem, op. 5: VI. Lacrymosa (in 1958-04)
composer:
Hector Berlioz (composer)
part of:
Requiem, op. 5 "Grande Messe des Morts"
12:21
2Requiem: VII. Offertoire
engineer:
Pierre Rosenwald (French recording engineer)
producer:
Jacques Pradère (producer)
choir vocals:
Chœurs de la Radiodiffusion-Télévision Française (in 1958-04)
orchestra:
Orchestre du Theatre National de l’Opéra de Paris (in 1958-04)
conductor:
Hermann Scherchen (conductor) (in 1958-04)
recorded at:
Cathédrale Saint-Louis des Invalides in Paris, Île-de-France, France (in 1958-04)
recording of:
Requiem, op. 5: VII. Offertorium (in 1958-04)
composer:
Hector Berlioz (composer)
part of:
Requiem, op. 5 "Grande Messe des Morts"
11:04
3Requiem: VIII. Hostias
engineer:
Pierre Rosenwald (French recording engineer)
producer:
Jacques Pradère (producer)
choir vocals:
Chœurs de la Radiodiffusion-Télévision Française (in 1958-04)
orchestra:
Orchestre du Theatre National de l’Opéra de Paris (in 1958-04)
conductor:
Hermann Scherchen (conductor) (in 1958-04)
recorded at:
Cathédrale Saint-Louis des Invalides in Paris, Île-de-France, France (in 1958-04)
recording of:
Requiem, op. 5: VIII. Hostias (in 1958-04)
composer:
Hector Berlioz (composer)
part of:
Requiem, op. 5 "Grande Messe des Morts"
4:04
4Requiem: IX. Sanctus
engineer:
Pierre Rosenwald (French recording engineer)
producer:
Jacques Pradère (producer)
choir vocals:
Chœurs de la Radiodiffusion-Télévision Française (in 1958-04)
solo tenor vocals:
Jean Giraudeau (tenor) (in 1958-04)
orchestra:
Orchestre du Theatre National de l’Opéra de Paris (in 1958-04)
conductor:
Hermann Scherchen (conductor) (in 1958-04)
recorded at:
Cathédrale Saint-Louis des Invalides in Paris, Île-de-France, France (in 1958-04)
recording of:
Requiem, op. 5: IX. Sanctus (in 1958-04)
lyricist and composer:
Hector Berlioz (composer)
part of:
Requiem, op. 5 "Grande Messe des Morts"
10:33
5Requiem: X. Agnus Dei
engineer:
Pierre Rosenwald (French recording engineer)
producer:
Jacques Pradère (producer)
choir vocals:
Chœurs de la Radiodiffusion-Télévision Française (in 1958-04)
orchestra:
Orchestre du Theatre National de l’Opéra de Paris (in 1958-04)
conductor:
Hermann Scherchen (conductor) (in 1958-04)
recorded at:
Cathédrale Saint-Louis des Invalides in Paris, Île-de-France, France (in 1958-04)
recording of:
Requiem, op. 5: X. Agnus Dei (in 1958-04)
composer:
Hector Berlioz (composer)
part of:
Requiem, op. 5 "Grande Messe des Morts"
15:41
▼CD 8
#TitleRatingLength
1"Overture to ""Benvenuto Cellini"" (Grande Ouverture de Benvenuto Cellini) for orchestra, H. 76b (Op. 23)"
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Alexander Gibson (conductor)
recording of:
Benvenuto Cellini, op. 23: Overture
composer:
Hector Berlioz (composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 76B)
part of:
Benvenuto Cellini, op. 23
10:31
2"Grande Ouverture des Francs-Juges, for orchestra, H. 23d"
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Alexander Gibson (conductor)
recording of:
Grande Ouverture des Francs-Juges, for orchestra, op. 3
composer:
Hector Berlioz (composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 23D)
part of:
Les Francs-Juges, H 23
12:15
3"Le Corsaire, overture for orchestra, H. 101 (Op. 21)"
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Alexander Gibson (conductor)
recording of:
Le Corsaire op. 21: Overture (H 101)
composer:
Hector Berlioz (composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 101)
8:09
4"Overture to Béatrice et Bénédict, opera, H. 138"
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Alexander Gibson (conductor)
recording of:
Béatrice et Bénédict: Overture
composer:
Hector Berlioz (composer) (in 1862)
part of:
Béatrice et Bénédict
7:43
5"Waverly Overture (Grande Ouverture de Waverly) for orchestra, H. 26 (Op. 1)"
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Alexander Gibson (conductor)
recording of:
Grande Ouverture de Waverly, op. 1
composer:
Hector Berlioz (composer) (in 1828-02)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 26)
10:27
6"King Lear Overture (Grande Ouverture du roi Lear), for orchestra, H. 53 (Op. 4)"
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Alexander Gibson (conductor)
recording of:
Overture “Le roi Lear”, op. 4
composer:
Hector Berlioz (composer) (in 1831)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 53)
14:14
▼CD 9
#TitleRatingLength
1L'enfance du Christ: Premiere Partie: Le songe d'Hérode,
orchestra:
Boston Symphony Orchestra
conductor:
Charles Munch (conductor and violinist)
recording of:
L'Enfance du Christ: Première Partie "Le Songe d’Hérode"
composer:
Hector Berlioz (composer)
part of:
L'Enfance du Christ
39:46
▼CD 10
#TitleRatingLength
1L'enfance du Christ: Deuxième Parite: La Fuite dans Égypte
orchestra:
Boston Symphony Orchestra
conductor:
Charles Munch (conductor and violinist)
recording of:
L'Enfance du Christ: Deuxième Partie "La Fuite en Égypte"
composer:
Hector Berlioz (composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 128)
part of:
L'Enfance du Christ
?:??
2L'enfance du Christ: Troisième Partie: L'arrivée à Sais
orchestra:
Boston Symphony Orchestra
conductor:
Charles Munch (conductor and violinist)
recording of:
L'Enfance du Christ: Troisième Partie: "L’Arrivée à Saïs"
composer:
Hector Berlioz (composer)
part of:
L'Enfance du Christ
?:??

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ASIN:US: B00J3FKAKI [info]