The Sacred Masterworks

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Tracklist

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▼CD 1
#TitleArtistRatingLength
1Mass in B minor, BWV 232: I. Kyrie: Kyrie eleison
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach10:33
2Mass in B minor, BWV 232: II. Kyrie: Christe eleison
soprano vocals [Sop I]:
Carolyn Sampson (soprano) (in 2007-03)
soprano vocals [Sop II]:
Rachel Nicholls (soprano)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:47
3Mass in B minor, BWV 232: III. Kyrie: Kyrie eleison
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:09
4Mass in B minor, BWV 232: IV. Gloria: Gloria in excelsis Deo
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach1:40
5Mass in B minor, BWV 232: V. Gloria: Et in terra pax
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:50
6Mass in B minor, BWV 232: VI. Gloria: Laudamus te
soprano vocals [Sop II]:
Rachel Nicholls (soprano) (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:00
7Mass in B minor, BWV 232: VII. Gloria: Gratias agimus tibi
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:08
8Mass in B minor, BWV 232: VII. Gloria: Domine Deus, Rex coelestis
soprano vocals [Sop I]:
Carolyn Sampson (soprano) (in 2007-03)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:07
9Mass in B minor, BWV 232: IX. Gloria: Qui tollis peccata mundi
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:03
10Mass in B minor, BWV 232: X. Gloria: Qui sedes ad dextram Patris
alto vocals:
Robin Blaze (countertenor) (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:22
11Mass in B minor, BWV 232: XI. Gloria: Quoniam tu solus sanctus
bass vocals:
Peter Kooy (baritone) (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:18
12Mass in B minor, BWV 232: XII. Gloria: Cum Sancto Spiritu
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:53
▼CD 2
#TitleArtistRatingLength
1Mass in B minor, BWV 232: XIII. Credo: Credo in unum Deum
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach1:46
2Mass in B minor, BWV 232: XIV. Credo: Patrem omnipotentem
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach1:53
3Mass in B minor, BWV 232: XV. Credo: Et in unum Dominum Jesum Christum
alto vocals:
Robin Blaze (countertenor) (in 2007-03)
soprano vocals [Sop I]:
Carolyn Sampson (soprano)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:18
4Mass in B minor, BWV 232: XVI. Credo: Et incarnatus est
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:36
5Mass in B minor, BWV 232: XVII. Credo: Crucifixus etiam pro nobis
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:16
6Mass in B minor, BWV 232: XVIII. Credo: Et resurrexit tertia die
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:51
7Mass in B minor, BWV 232: XIX. Credo: Et in Spiritum Sanctum
bass vocals:
Peter Kooy (baritone) (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:48
8Mass in B minor, BWV 232: XX. Credo: Confiteor unum baptisma
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:55
9Mass in B minor, BWV 232: XXI. Credo: Et expecto resurrectionem mortuorum
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:02
10Mass in B minor, BWV 232: XXII. Sanctus
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:58
11Mass in B minor, BWV 232: XXIII. Osanna in excelsis
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:34
12Mass in B minor, BWV 232: XXIV. Benedictus
tenor vocals:
Gerd Türk (German tenor) (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:03
13Mass in B minor, BWV 232: XXV. Osanna in excelsis
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:36
14Mass in B minor, BWV 232: XXVI. Agnus Dei
alto vocals:
Robin Blaze (countertenor) (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:15
15Mass in B minor, BWV 232: XXVII. Dona nobis pacem
choir vocals:
Bach Collegium Japan (in 2007-03)
orchestra:
Bach Collegium Japan (in 2007-03)
conductor:
Masaaki Suzuki (keyboardist, conductor) (in 2007-03)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 2007-03)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:38
▼CD 3
#TitleArtistRatingLength
1Johannes-Passion, BWV 245, Teil I: Herr, unser Herrscher
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach9:06
2Johannes-Passion, BWV 245, Teil I: Jesus ging mit seinen Jüngern / Jesum von Nazareth! / Jesus spricht zu ihnen / Jesum von Nazareth / Jesus antwortete
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 2 "Jesus ging mit seinen Jüngern" (Evangelista, Jesus, Chorus) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach2:25
3Johannes-Passion, BWV 245, Teil I: O große Lieb', o Lieb' ohn'alle Maße
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 3 Choral "O große Lieb" (in 1998-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 168)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:47
4Johannes-Passion, BWV 245, Teil I: Auf daß das Wort erfüllet würde
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 4 "Auf daß das Wort erfüllet werde" (Evangelista, Jesus) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach1:10
5Johannes-Passion, BWV 245, Teil I: Dein Will' gescheh', Herr Gott, zugleich
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 5 Choral "Dein Will gescheh, Herr Gott, zugleich" (in 1998-04)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 317)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:46
6Johannes-Passion, BWV 245, Teil I: Die Schar aber und der Oberhauptmann
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 6 "Die Schar aber und der Oberhauptmann" (Evangelista) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:48
7Johannes-Passion, BWV 245, Teil I: Von den Stricken meiner Sünden
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 7 Aria (Alt) "Von den Stricken meiner Sünden" (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach4:32
8Johannes-Passion, BWV 245, Teil I: Simon Petrus aber folgete Jesum
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 8 "Simon Petrus aber folgete Jesu nach" (Evangelista) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:12
9Johannes-Passion, BWV 245, Teil I: Ich folge dir gleichfalls mit freudigen Schritten
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls" (1749 version) (in 1998-04)
writer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245, 1749 revision
Johann Sebastian Bach3:47
10Johannes-Passion, BWV 245, Teil I: Derselbige Jünger war dem Hohenpriester bekannt
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 10 "Derselbige Jünger war" (Evangelista, Ancilla, Servus, Petrus, Jesus) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach3:02
11Johannes-Passion, BWV 245, Teil I: Wer hat dich so geschlagen
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 11 Choral "Wer hat dich so geschlagen" (in 1998-04)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 293)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach1:23
12Johannes-Passion, BWV 245, Teil I: Und Hannas sandte ihn gebunden / Bist du nicht seiner Jünger einer? / Er leugnete aber
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 12 "Und Hannas sandte ihn gebunden" (Evangelista, Chorus, Servus, Petrus) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach2:18
13Johannes-Passion, BWV 245, Teil I: Ach, mein Sinn
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 13 Aria (Tenor) "Ach, mein Sinn" (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach2:35
14Johannes-Passion, BWV 245, Teil I: Petrus, der nicht denkt zurück
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 14 Choral "Petrus, der nicht denkt zurück" (in 1998-04)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 192)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach1:01
15Johannes-Passion, BWV 245, Teil II: Christus, der uns selig macht
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 15 Choral "Christus, der uns selig macht" (in 1998-04)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 49)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:55
16Johannes-Passion, BWV 245, Teil II: Da führeten sie Jesum / Wäre dieser nicht ein Übeltäter / Da sprach Pilatus zu ihnen / Wir dürfen niemand töten / Auf daß erfüllet würde
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 16 "Da führeten sie Jesum" (Evangelista, Pilatus, Jesus, Chorus) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach4:09
17Johannes-Passion, BWV 245, Teil II: Ach, großer König, groß zu allen Zeiten
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 17 Choral "Ach großer König" (in 1998-04)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 169)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach1:23
18Johannes-Passion, BWV 245, Teil II: Da sprach Pilatus zu ihm / Nicht diesen, diesen nich, sondern Barrabam! / Barrabas aber war ein Mörder
Johann Sebastian Bach1:53
19Johannes-Passion, BWV 245, Teil II: Betrachte, meine Seel', mit ängstlichem Vergnügen
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 19 Arioso (Bass) "Betrachte, meine Seel" (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach2:33
20Johannes-Passion, BWV 245, Teil II: Mein Jesu, ach! Dein schmerzhaft bitter Leiden
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II, XX. Aria (Tenore) "Mein Jesu, ach! Dein schmerzhaft bitter Leiden" (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245, 1749 revision
Johann Sebastian Bach7:12
21Johannes-Passion, BWV 245, Teil II: Und die Kriegsknechte flochten / Sei gegrüßet, lieber Judenkönig! / Und gaben ihm Backenstreiche / Kreuzige, kreuzige! / Pilatus sprach zu ihnen / Wir haben ein Gesetz / Da Pilatus das Wort hörete
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 21 "Und die Kriegsknechte flochten" (Evangelista, Chorus, Pilatus, Jesus) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach5:29
22Johannes-Passion, BWV 245, Teil II: Durch dein Gefängnis, Gottes Sohn
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 22 Choral "Durch dein Gefängnis, Gottes Sohn" (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 239)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:59
23Johannes-Passion, BWV 245, Teil II: Die Juden aber schrieen und sprachen / Lässest du diesen los / Da Pilatus das Wort hörete / Weg, weg mit dem, kreuzige ihn! / Spricht Pilatus zu ihnen / Wir haben keinen König, denn den Kaiser / Da überantwortete er ihn
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 23 "Die Juden aber schrieen" (Evangelista, Chorus, Pilatus) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach4:13
24Johannes-Passion, BWV 245, Teil II: Eilt, ihr angefocht'nen Seelen
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 24 Aria (Bass, Chorus) "Eilt, ihr angefochtnen Seelen" (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach3:52
▼CD 4
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1Johannes-Passion, BWV 245, Teil II: Allda kreuzigten sie ihn / Schreibe nicht: der Juden König / Pilatus antwortet
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 25 "Allda kreuzigten sie ihn" (Evangelista, Chorus, Pilatus) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach2:18
2Johannes-Passion, BWV 245, Teil II: In meines Herzens Grunde
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 26 Choral "In meines Herzens Grunde" (in 1998-04)
lyricist:
Valerius Herberger (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 315)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:58
3Johannes-Passion, BWV 245, Teil II: Die Kriegsknechte aber / Lasset uns den nicht zerteilen / Auf daß erfüllet würde die Schrift
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 27 "Die Kriegsknechte aber" (Evangelista, Chorus, Jesus) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach3:54
4Johannes-Passion, BWV 245, Teil II: Er nahm alles wohl in acht
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 28 Choral "Er nahm alles wohl in acht" (in 1998-04)
lyricist:
Paul Stockmann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 193)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach1:02
5Johannes-Passion, BWV 245, Teil II: Und von Stund' an nahm sie der Jünger
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 29 "Und von Stund an" (Evangelista, Jesus) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach1:26
6Johannes-Passion, BWV 245, Teil II: Es ist vollbracht!
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach6:06
7Johannes-Passion, BWV 245, Teil II: Und neiget das Haupt und verschied
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 31 "Und neiget sein Haupt" (Evangelista) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:25
8Johannes-Passion, BWV 245, Teil II: Mein teurer Heiland, laß dich fragen
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 32 Aria (Bass, Chorus) "Mein teurer Heiland, laß dich fragen" (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach4:28
9Johannes-Passion, BWV 245, Teil II: Ud siehe da, der Vorhang im Tempel zerriß
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 33 "Und siehe da, der Vorhang" (Evangelista) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:31
10Johannes-Passion, BWV 245, Teil II: Mein Herz! in dem die ganze Welt
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) "Mein Herz, in dem die ganze Welt" (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:46
11Johannes-Passion, BWV 245, Teil II: Zerfließe, mein Herze, in Fluten der Zähren
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze" (1749 version) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245, 1749 revision
Johann Sebastian Bach6:50
12Johannes-Passion, BWV 245, Teil II: Die Juden aber, dieweil es der Rüsttag war
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 36 "Die Juden aber" (Evangelista) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach2:18
13Johannes-Passion, BWV 245, Teil II: O hilf, Christe, Gottes Sohn
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 37 Choral "O hilf, Christe, Gottes Sohn" (in 1998-04)
lyricist:
Michael Weiße (German theologian and hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 50)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach0:58
14Johannes-Passion, BWV 245, Teil II: Darnach bat Pilatum Joseph von Arimathia
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 38 "Darnach bat Pilatum" (Evangelista) (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach2:12
15Johannes-Passion, BWV 245, Teil II: Ruht wohl, ihr heiligen Gebeine
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine" (in 1998-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach7:04
16Johannes-Passion, BWV 245, Teil II: Ah, Herr, laß dein' lieb' Engelein
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 40 Choral "Ach Herr, laß dein lieb Engelein" (in 1998-04)
lyricist:
Martin Schalling
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 154)
part of:
Johannes-Passion, BWV 245
Johann Sebastian Bach1:43
17Johannes-Passion, BWV 245, Anhang: Himmel, reiße, Welt, erbebe
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245a: Teil I. No. 11 Aria (Bass, Sopran, Chorus) & Choral "Himmel, reiße, Welt erhebe" (1725 revision) (in 1998-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-30)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245, 1725 revision
Johann Sebastian Bach3:40
18Johannes-Passion, BWV 245, Anhang: Zerschmettert mich, ihr Felsen und ihr Hügel
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245b: Teil I. No. 13 Aria (Tenor) "Zerschmettert mich" (1725 revision) (in 1998-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-30)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245, 1725 revision
Johann Sebastian Bach5:23
19Johannes-Passion, BWV 245, Anhang: Ach windet euch nicht so, geplagte Seelen
conductor:
鈴木雅明 (keyboardist, conductor) (in 1998-04)
performer:
Bach Collegium Japan (in 1998-04)
recording of:
Johannes-Passion, BWV 245c: Teil II. No. 19 Aria (Tenor) "Ach, windet euch nicht so" (1725 revision) (in 1998-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-30)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245, 1725 revision
Johann Sebastian Bach5:22
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