The Sacred Masterworks

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Tracklist

▶CD 1
▶CD 2
▶CD 3
▶CD 4
▶CD 5
▶CD 6
▶CD 7
▶CD 8
▶CD 9
▼CD 10
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1Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 1. Sinfonia
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 2004-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach4:07
2Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 2. Adagio
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
engineered at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (in 2004-05)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (in 2004-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach3:28
3Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 3. Chorus. Kommt, eilet und laufet, ihr flüchtigen Füß
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (in 2004-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach4:57
4Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 4. Recitative. O kalter Männer Sinn!
bass vocals:
Chiyuki Urano
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (in 2004-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:57
5Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 5. Aria. Seele, deine Spezerein
soprano vocals:
Yukari Nonoshita
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (in 2004-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach11:27
6Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 6. Recitative. Hier ist die Gruft
bass vocals:
Chiyuki Urano
countertenor vocals:
Patrick Van Goethem (Belgian countertenor, known for performing early music)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 2004-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:40
7Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 7. Aria. Sanfte soll mein Todeskummer
tenor vocals:
Jan Kobow (tenor)
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 2004-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach6:15
8Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 8. Recitative. Indessen seufzen wir
countertenor vocals:
Patrick Van Goethem (Belgian countertenor, known for performing early music)
soprano vocals:
Yukari Nonoshita
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (in 2004-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:54
9Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 9. Aria. Saget, saget mir geschwinde
countertenor vocals:
Patrick Van Goethem (Belgian countertenor, known for performing early music)
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:55
10Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 10. Recitative. Wir sind erfreut
bass vocals:
Chiyuki Urano
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (in 2004-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:35
11Easter Oratorio (Oster-Oratorium: “Kommt, eilet und laufet”), BWV 249 (BC D8): 11. Chorus. Preis und Dank
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (in 2004-05)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach2:16
12Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 1. Chorus. Lobet Gott in seinen Reichen
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:35
13Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 2. Recitative. Der Herr Jesus hub seine
tenor vocals:
Jan Kobow (tenor)
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:29
14Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 3. Recitative. Ach, Jesu, ist dein Absc
bass vocals:
Chiyuki Urano
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:01
15Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 4. Aria. Ach, bleibe doch, mein liebste
countertenor vocals:
Patrick Van Goethem (Belgian countertenor, known for performing early music)
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach7:13
16Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 5. Recitative. Und ward aufgehaben zuse
tenor vocals:
Jan Kobow (tenor)
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:28
17Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 6. Choral. Nun lieget alles unter dir
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (in 2004-05)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:09
18Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 7. Recitative. Und da sie ihm nachsahen
bass vocals:
Chiyuki Urano
countertenor vocals:
Patrick Van Goethem (Belgian countertenor, known for performing early music)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista) (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
recording of:
Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück" (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach2:12
19Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 8. Aria. Jesu, deine Gnadenblicke
soprano vocals:
Yukari Nonoshita
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:27
20Ascension Oratorio (Himmelfahrts-Oratorium: “Lobet Gott in seinen Reichen”), BWV 11 (BC D9): 9. Choral. Wenn soll es doch geschehen
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (keyboardist, conductor)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 2004-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach3:52