The Sacred Masterworks

~ Release by Johann Sebastian Bach; Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Tracklist

▶CD 1
▶CD 2
▶CD 3
▶CD 4
▶CD 5
▶CD 6
▶CD 7
▶CD 8
▼CD 9
#TitleArtistRatingLength
1Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro "Fallt mit Danken, fallt mit Loben"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:29
2Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo "Und da acht Tage um waren" (Evangelista)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:34
3Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale "Immanuel, o süßes Wort"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
bass vocals:
Peter Kooij (baritone)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:20
4Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) "Flößt, mein Heiland, flößt dein Namen"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
additional soprano vocals [echo]:
Midori Suzuki (vocalist)
soprano vocals:
Monika Frimmer (soprano)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:23
5Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale "Wohlan, dein Name soll allein"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
bass vocals:
Peter Kooij (baritone)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:22
6Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) "Ich will nur dir zu Ehren leben"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:30
7Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral "Jesus richte mein Beginnen"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:37
8Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro "Ehre sei dir, gott, gesungen"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach6:36
9Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo "Da Jesus geboren war zu Bethlehem" (Evangelista)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:22
10Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro "Wo ist der neugeborne König"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:48
11Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral "Dein Glanz all Finsternis verzehrt"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:46
12Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) "Erleucht auch meine finstre Sinnen"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
bass vocals:
Peter Kooij (baritone)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:11
13Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo "Da das der König Herodes hörte" (Evangelista)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:14
14Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) "Warum sollt ihr erschrecken"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
countertenor vocals:
Yoshikazu Mera
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:35
15Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo "Und ließ versammeln alle Hohepriester" (Evangelista)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:24
16Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, alto, tenore) "Ach, wenn wird die Zeit erscheinen"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
countertenor vocals:
Yoshikazu Mera
soprano vocals:
Monika Frimmer (soprano)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:16
17Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) "Mein Liebster herrschet schon"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
countertenor vocals:
Yoshikazu Mera
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:30
18Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral "Zwar ist solche Herzensstube"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:50
19Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro "Herr, wenn die stolzen Feinde schnauben"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:35
20Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo "Da berief Herodes die Weisen heimlich" (Evangelista)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:47
21Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) "Du Falscher, suche nur den Herrn zu fällen"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
soprano vocals:
Monika Frimmer (soprano)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:52
22Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) "Nur ein Wink von seinen Händen"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
soprano vocals:
Monika Frimmer (soprano)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:48
23Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo "Als sie nun den König gehöret hatten" (Evangelista)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:14
24Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral "Ich steh an deiner Krippen hier"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:02
25Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo "Und Gott befahl ihnen im Traum" (Evangelista)
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:24
26Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) "So geht! Genug, mein Schatz geht nicht von hier"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:51
27Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) "Nun mögt ihr stolzen Feinde schrecken"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:02
28Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, alto, tenore, basso) "Was will der Höllen Schrecken nun"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
bass vocals:
Peter Kooij (baritone)
countertenor vocals:
Yoshikazu Mera
soprano vocals:
Monika Frimmer (soprano)
tenor vocals:
Gerd Türk (German tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:40
29Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral "Nun seid ihr wohl gerochen"
sound engineer:
Jens Braun (classical engineer)
producer:
Ingo Petry
editor:
Oliver Curdt (Editor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
concertmaster:
Ryo Terakado (violinist)
phonographic copyright (℗) by:
BIS Records AB (Swedish classical music label) (in 1998)
recorded at:
Saitama Arts Theatre Concert Hall in Saitama, Saitama, Japan (in 1998-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:10
▶CD 10