Bach Greatest Hits (Maxiplay™ • 67 minutes of music)

~ Uitgave van Johann Sebastian Bach (Bekijk alle versies van deze uitgave, 2 beschikbaar)

Nummerlijst

▼cd 1
#TitelWaarderingDuur
1Brandenburg Concerto no. 2: Allegro assai
trompet:
Rolf Quinque (trumpet player)
viool:
J. Brezina (violinist)
orkest:
Camerata Labacensis, Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) en Südwest-Studioorchester (an Alfred Scholz pseudonym)
dirigent:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym)), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) en Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
3:06
2Brandenburg Concerto no. 3: Allegro
viool:
J. Brezina (violinist)
orkest:
Camerata Labacensis, Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Musici di San Marco (an Alfred Scholz pseudonym), Oregon Bach Festival Orchestra, Philharmonia Slavonia (an Alfred Scholz pseudonym) en Südwest-Studioorchester (an Alfred Scholz pseudonym)
dirigent:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Rudolf Pribil (pseudonym for Alfred Scholz) en Helmuth Rilling (conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048
deel van:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt)
4:30
3Italian Concerto: I
klavecimbel:
Christiane Jaccottet (harpsichord) (in 1990)
fonografisch auteursrecht (℗):
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (vanaf 1980 tot nu)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (in 1990)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
deel van:
Italienisches Konzert F-Dur, BWV 971
4:23
4Prelude in C
klavecimbel:
Christiane Jaccottet (harpsichord)
klavecimbel [cembalo]:
Silvia Čápová (pianist)
fonografisch auteursrecht (℗):
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (vanaf 1980 tot nu)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1989)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
deel van:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
1:55
5Art of the Fugue, Canon 17
recording of:
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (nummer: BWV 1080/17)
deel van:
Die Kunst der Fuge, BWV 1080
2:08
6Suite No. 1. (French), Allemande
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: I. Allemande
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
muziek geciteerd in:
Knife-Edge
deel van:
Französische Suite Nr. 1 d-Moll, BWV 812
2:09
7Suite No. 2. (English), Courante
klavecimbel:
Gustav Leonhardt (conductor, harpsichordist) (in 1973-09)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: III. Courante (in 1973-09)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Englische Suite Nr. 2 a-Moll, BWV 807
2:08
8Concerto for Harpischord, Allegro
recording of:
Keyboard Concerto in D minor, BWV 1052: I. Allegro
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
versie van:
Harpsichord Concerto No.1 in D minor, BWV 1052a: I. Allegro (early version of BWV 1052)
deel van:
Keyboard Concerto in D minor, BWV 1052
8:38
9Chorale 'Sleeper's Wake'
orkest:
Deutsche Bachsolisten
uitvoerend artiest:
Helmut Winschermann (oboist/conductor)
opgenomen bij:
Eching Kirche in Eching, Landshut, Bayern, Duitsland
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral “Zion hört die Wächter singen” (catch-all for arrangements) (in 1978-10)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement van:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
3:58
10Orchestral Suite No. 3: Air on a G String
orkest:
La Petite Bande (Belgian chamber orchestra)
dirigent:
Sigiswald Kuijken
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
deel van:
Orchestersuite Nr. 3 D-Dur, BWV 1068
4:40
11Orchestral Suite no. 1: Boureé I and II
orkest:
Camerata Romana (an Alfred Scholz pseudonym)
dirigent:
Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VI. Bourrée I / Bourrée II
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Orchestersuite Nr. 1 C-Dur, BWV 1066
2:26
12Orchestral Suite no. 2: Polonaise
orkest:
London Philharmonic Orchestra (LPO)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Orchestersuite Nr. 2 h-Moll, BWV 1067
3:58
13Orchestral Suite no. 2: Menuett
orkest:
Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym) en Philharmonia Slavonica (an Alfred Scholz pseudonym)
dirigent:
Henry Adolph (conductor, an Alfred Scholz pseudonym) en Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Orchestersuite Nr. 2 h-Moll, BWV 1067
1:27
14Orchestral Suite no. 2: Badinerie
orkest:
Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym) en Philharmonia Slavonica (an Alfred Scholz pseudonym)
dirigent:
Henry Adolph (conductor, an Alfred Scholz pseudonym) en Eugen Duvier (conductor, an Alfred Scholz pseudonym)
fonografisch auteursrecht (℗):
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (vanaf 1993 tot nu)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
muziek geciteerd in:
Dies irae
deel van:
Orchestersuite Nr. 2 h-Moll, BWV 1067
1:22
15Concerto for Two Violins: Vivace
viool:
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi en Tomasco Vecchi
orkest:
Camerata Labacensis, Camerata Romana (an Alfred Scholz pseudonym), London Symphony Orchestra en Musici di San Marco (an Alfred Scholz pseudonym)
dirigent:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) en Francesco Macci (an Alfred Scholz pseudonym)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1730 tot 1731)
deel van:
Concerto for 2 Violins in D minor, BWV 1043
3:45
16Concerto for Two Violins: Largo
viool:
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi en Tomasco Vecchi
orkest:
Camerata Romana (an Alfred Scholz pseudonym) en Musici di San Marco (an Alfred Scholz pseudonym)
dirigent:
Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym) en Alfred Scholz
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1730 tot 1731)
deel van:
Concerto for 2 Violins in D minor, BWV 1043
7:40
17Concerto for Two Violins: Allegro
viool:
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi en Tomasco Vecchi
orkest:
Camerata Labacensis, Camerata Romana (an Alfred Scholz pseudonym) en Musici di San Marco (an Alfred Scholz pseudonym)
dirigent:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) en Francesco Macci (an Alfred Scholz pseudonym)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1730 tot 1731)
deel van:
Concerto for 2 Violins in D minor, BWV 1043
4:44
18Sinfonia in D
orkest:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg) en Camerata Salzburg (Austrian chamber orchestra)
dirigent:
Kurt Redel (flutist and conductor)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": I. Sinfonia
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
deel van:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
recording of:
Sinfonia in D major, BWV 1045
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (nummer: BWV 1045)
3:24