Cantatas, Volume 16

~ Release by J.S. Bach; The Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 1 available)

Tracklist

▶CD 1
▼CD 2
#TitleArtistRatingLength
1Cantata "Vergnügte Ruh, Beliebte Seelenlust" BWV 170: I. Aria: "Vergnügte Ruh, Beliebte Seelenlust"
alto vocals:
Bogna Bartosz (in 2003-10)
orchestra:
Amsterdam Baroque Orchestra (in 2003-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 2003-10)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 2003-10)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:33
2Cantata "Vergnügte Ruh, Beliebte Seelenlust" BWV 170: II. Recitative: "Die Welt, Das Sündenhaus"
alto vocals:
Bogna Bartosz (in 2003-10)
orchestra:
Amsterdam Baroque Orchestra (in 2003-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 2003-10)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" (in 2003-10)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:10
3Cantata "Vergnügte Ruh, Beliebte Seelenlust" BWV 170: III. Aria: "Wie Jammern Mich Doch Die Verkehrten Hezen"
alto vocals:
Bogna Bartosz (in 2003-10)
orchestra:
Amsterdam Baroque Orchestra (in 2003-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 2003-10)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" (in 2003-10)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach7:12
4Cantata "Vergnügte Ruh, Beliebte Seelenlust" BWV 170: IV. Recitative: "Wer Sollte Sich Demnach"
alto vocals:
Bogna Bartosz (in 2003-10)
orchestra:
Amsterdam Baroque Orchestra (in 2003-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 2003-10)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" (in 2003-10)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach1:02
5Cantata "Vergnügte Ruh, Beliebte Seelenlust" BWV 170: V. Aria: "Mir Ekelt Mehr Zu Leben"
alto vocals:
Bogna Bartosz (in 2003-10)
orchestra:
Amsterdam Baroque Orchestra (in 2003-10)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2003-10)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 2003-10)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" (in 2003-10)
premiered in:
Leipzig, Sachsen, Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach5:40
6Cantata "Herr, Deine Augen Sehen Nach Dem Glauben" BWV 102: I. Chorus: "Herr, Deine Augen Sehen Nach Dem Glauben"
choir vocals:
Amsterdam Baroque Choir (from 2002-10 until 2002-11)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10 until 2002-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10 until 2002-11)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2002-10 until 2002-11)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (from 2002-10 until 2002-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach5:56
7Cantata "Herr, Deine Augen Sehen Nach Dem Glauben" BWV 102: II. Recitative (Bass): "Wo Ist Das Ebenbild"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 2002-10 until 2002-11)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10 until 2002-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10 until 2002-11)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2002-10 until 2002-11)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": II. Recitativo (Bass) "Wo ist das Ebenbild, das Gott uns eingepräget" (from 2002-10 until 2002-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach0:59
8Cantata "Herr, Deine Augen Sehen Nach Dem Glauben" BWV 102: III. Aria (Alto): "Weh Der Seele, Die Den Schaden Nicht Mehr Kennt"
alto vocals:
Bogna Bartosz (from 2002-10 until 2002-11)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10 until 2002-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10 until 2002-11)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2002-10 until 2002-11)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": III. Aria (Alt) "Weh der Seele, die den Schaden" (from 2002-10 until 2002-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach4:37
9Cantata "Herr, Deine Augen Sehen Nach Dem Glauben" BWV 102: IV. Arioso (Bass): "Verachtest Du Den Reichtum Seiner Gnade"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (from 2002-10 until 2002-11)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10 until 2002-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10 until 2002-11)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2002-10 until 2002-11)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": IV. Arioso (Bass) "Verachtest du den Reichtum deiner Gnad" (from 2002-10 until 2002-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach3:03
10Cantata "Herr, Deine Augen Sehen Nach Dem Glauben" BWV 102: V. Aria (Tenor): "Erschrecke Doch, Du Allzu Sichre Seele"
tenor vocals:
James Gilchrist (tenor) (from 2002-10 until 2002-11)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10 until 2002-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10 until 2002-11)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2002-10 until 2002-11)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (from 2002-10 until 2002-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
revision of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (for tenor, flauto traverso and continuo)
Johann Sebastian Bach3:20
11Cantata "Herr, Deine Augen Sehen Nach Dem Glauben" BWV 102: VI. Recitative (Alto): "Beim Warten Ist Gefahr"
alto vocals:
Bogna Bartosz (from 2002-10 until 2002-11)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10 until 2002-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10 until 2002-11)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2002-10 until 2002-11)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VI. Recitativo (Alt) "Beim Warten ist Gefahr" (from 2002-10 until 2002-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:07
12Cantata "Herr, Deine Augen Sehen Nach Dem Glauben" BWV 102: VII. Chorale: "Heut Lebst Du, Heut Bekehre Dich"
choir vocals:
Amsterdam Baroque Choir (from 2002-10 until 2002-11)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10 until 2002-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10 until 2002-11)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2002-10 until 2002-11)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VII. Choral "Heute lebst du, heut bekehre dich" (from 2002-10 until 2002-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 320)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:37
13Cantata "Gott Der Herr Ist Sonn Und Schild" BWV 79: I. Chorus: "Gott Der Herr Ist Sonn Und Schild"
choir vocals:
Amsterdam Baroque Choir (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": I. Coro "Gott der Herr ist Sonn und Schild" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach4:52
14Cantata "Gott Der Herr Ist Sonn Und Schild" BWV 79: II. Aria (Alto): "Gott Ist Unsre Sonn Und Schild!"
alto vocals:
Bogna Bartosz (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": II. Aria (Alt) "Gott ist unser Sonn und Schild!" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:08
15Cantata "Gott Der Herr Ist Sonn Und Schild" BWV 79: III. Chorale: "Nun Danket Alle Gott"
choir vocals:
Amsterdam Baroque Choir (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": III. Choral "Nun danket alle gott'" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Breitkopf 389 Choralgesänge (number: 259)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach2:05
16Cantata "Gott Der Herr Ist Sonn Und Schild" BWV 79: IV. Recitative (Bass): "Gottlob, Wir Wissen Den Rechten Weg Zur Seligkeit"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": IV. Recitativo (Bass) "Gottlob, wir wissen den rechten Weg" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach0:56
17Cantata "Gott Der Herr Ist Sonn Und Schild" BWV 79: V. Aria (Soprano, Bass): "Gott, Ach Gott, Verlaß Die Deinen Nimmermehr"
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (in 2001-11)
soprano vocals:
Sandrine Piau (soprano) (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": V. Aria (Duetto Sopran, Bass) "Gott, ach Gott, verlaß die Deinen" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach2:49
18Cantata "Gott Der Herr Ist Sonn Und Schild" BWV 79: VI. Chorale: "Erhalt Uns In Der Wahrheit"
choir vocals:
Amsterdam Baroque Choir (in 2001-11)
orchestra:
Amsterdam Baroque Orchestra (in 2001-11)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 2001-11)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 2001-11)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": VI. Choral "Erhalt uns in der Wahrheit" (in 2001-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 267)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach0:42
▶CD 3

Credits

Release Group

part of:Complete Cantatas (Ton Koopmans complete Bach Cantatas for Erato) (number: 16) (order: 15)