Bach 333: Instrumental & supplement (first half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

▶CD 1: Brandenburg Concertos 1-6 (Goebel)
▶CD 2: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
▶CD 3: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
▶CD 4: Orchestral Suites 1-3 (Goebel)
▶CD 5: Orchestral Suites 2-4 (Goebel / Hogwood)
▶CD 6: Orchestral Suites 1-4 (Pinnock)
▶CD 7: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
▶CD 8: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
▶CD 9: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
▶CD 10: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
▶CD 11: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
▶CD 12: Brandenburg Concertos (Landmark Performances 1935-1964)
▶CD 13: Brandenburg Concertos (Landmark Performances 1967-2013)
▶CD 14: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
▶CD 15: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
▶CD 16: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
▶CD 17: Concertos (Alternative Instrumentations)
▶CD 18: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
▶CD 19: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
▶CD 20: Suites for "Lute"
▶CD 21: Cello Suites 1, 3, 5 (Watkin)
▶CD 22: Cello Suites 2, 4, 6 (Watkin)
▶CD 23: Violin Sonatas BWV 1014-1018
▶CD 24: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
▶CD 25: 5 Flute Sonatas / Partita for Solo Flute
▶CD 26: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
▶CD 27: Musical Offering / Canons (Goebel)
▼CD 28: The Art of Fugue (Accademia Bizantina, Dantone)
#TitleRatingLength
1The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [1.] Contrapunctus 1
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1
2:57
2The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [2.] Contrapunctus 2
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2
2:52
3The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [3.] Contrapunctus 3
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3
3:08
4The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [4.] Contrapunctus 4
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4
4:17
5The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [5.] Contrapunctus 5
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5
2:54
6The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [6.] Contrapunctus 6 a 4 in Stylo Francese
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese
4:04
7The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [7.] Contrapunctus 7 a 4 per Augmentationem et Diminutionem
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem
4:07
8The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [8.] Contrapunctus 8 a 3
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3
7:31
9The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [9.] Contrapunctus 9 a 4 alla Duodecima
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (catch-all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima
2:31
10The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [10.] Contrapunctus 10 a 4 alla Decima
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima
4:44
11The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [11.] Contrapunctus 11 a 4
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4
7:41
12The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [12b.] Contrapunctus rectus a 4
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta)
1:39
13The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [12a.] Contrapunctus inversus a 4
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa)
1:31
14The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [13b.] Contrapunctus inversus a 3
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
2:10
15The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [13a.] Contrapunctus rectus a 3
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 1. Fuga à 2 Claviere (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: XVIII, 1. Fuga à 2 Claviere
2:14
16The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [15.] Canon per Augmentationem in Contrario Motu
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu
5:25
17The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [16.] Canon alla Ottava
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava (catch-all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava
2:19
18The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [17.] Canon alla Decima in Contrappunto alla Terza
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza
4:40
19The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [18.] Canon alla Duodecima in Contrappunto alla Quinta
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta
2:24
20The Art of Fugue, BWV 1080 (1751 Original Print arr. Chamber Ensemble by Hermann Diener): [20.] Fuga a 3 Soggetti (unfinished)
recording engineer and editor:
Roberto Chinellato
producer:
Fabio Framba
orchestra:
Accademia Bizantina (in 2017-02)
conductor:
Ottavio Dantone (harpsichordist, organist and conductor) (in 2017-02)
recorded at:
Teatro Goldoni in Bagnacavallo, Ravenna, Emilia-Romagna, Italy (in 2017-02)
recording of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti (catch all for arrangements) (in 2017-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti
7:48
▶CD 29: The Art of Fugue (Aimard)
▶CD 30: The Art of Fugue (1742) (Gilbert)
▶CD 31: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)

Credits

Release Group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]