Super Hits

~ Release by Johnny Mathis (see all versions of this release, 4 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Chances Are
executive producer:
Michael Berniker and Jerry Shulman
producer:
Al Ham and Mitch Miller
vocals:
Johnny Mathis (in 1957)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1957)
part of:
Grammy Hall of Fame
recording of:
Chances Are (in 1957)
lyricist:
Al Stillman
composer:
Robert Allen (US songwriter/arranger/pianist)
publisher:
Kitty Anne Music Co., Inc. (ended), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd. and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:02
2Love Look Away
recording of:
Love, Look Away (Flower Drum Song)
orchestrator:
Don Sebesky
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Flower Drum Song (Rodgers & Hammerstein musical)
Johnny Mathis3:29
3Somewhere My Love (Lara’s Theme)
cover recording of:
Somewhere My Love
lyricist:
Paul Francis Webster
composer:
Maurice Jarre
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Webster Music Co.
version of:
Lara’s Theme
Johnny Mathis3:31
4The Twelfth of Never
executive producer:
Michael Berniker and Jerry Shulman
producer:
Al Ham and Mitch Miller
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1957)
recording of:
The Twelfth of Never
lyricist:
Paul Francis Webster
composer:
Jerry Livingston (songwriter)
publisher:
Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Webster Music Co. and フジパシフィックミュージック
is based on:
The Riddle Song (aka “I Gave My Love a Cherry”)
Johnny Mathis2:27
5My Funny Valentine
guitar:
Al Caiola and Tony Mottola
vocals:
Johnny Mathis
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
cover recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Johnny Mathis3:36
6It Might as Well Be Spring
cover recording of:
It Might as Well Be Spring (State Fair)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc., Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
part of:
Academy Award for Best Original Song (number: 18)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair
part of:
State Fair (1962 film soundtrack)
Johnny Mathis4:35
7Wonderful! Wonderful!
recording of:
Wonderful, Wonderful
lyricist:
Ben Raleigh
composer:
Sherman Edwards
Johnny Mathis2:49
8Prelude to a Kiss
recorded in:
London (Greater London), England, United Kingdom (from 1990-02-06 until 1990-02-10)
assistant engineer:
Jerry O'Reardon
engineer:
Keith Grant (classical recording engineer)
producer:
Mike Berniker
piano:
Fred Hersch (from 1990-02-06 until 1990-02-10)
vocals:
Johnny Mathis (from 1990-02-06 until 1990-02-10)
conductor:
Harry Rabinowitz (from 1990-02-06 until 1990-02-10)
remixer:
Tim Geelan
arranger:
Brad Dechter
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1990)
recording of:
Prelude to a Kiss (from 1990-02-06 until 1990-02-10)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
Johnny Mathis2:54
9Life Is a Song Worth Singing
recording of:
Life Is a Song Worth Singing
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Johnny Mathis6:03
10Too Much, Too Little, Too Late
producer:
Jack Gold
performer:
Johnny Mathis and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
writer:
Nat Kipner (Australian producer, songwriter, label owner & publisher) and John McIntyre Vallins
publisher:
Homewood House Music and MCA Music Ltd.
Johnny Mathis duet with Deniece Williams42:59