The Most Relaxing Classical Album in the World... Ever!

~ Release by Various Artists (see all versions of this release, 5 available)

Tracklist

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▼CD 1
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1Suite for Orchestra No. 3 in D major, BWV 1068: II. Air 'on the G string'
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
partial recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach3:36
2Peer Gynt, Op. 23: No 13, Act 4 Prelude - Morning
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:18
3Canon and Gigue for 3 Violins and Basso Continuo in D Major: Canon
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Canon and Gigue in D major, T. 377: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 377
Johann Pachelbel5:04
4Herz und Mund und Tat und Leben, BWV 147: Jesu Bleibet Meine Freude
producer:
Christopher Bishop (conductor/producer)
choir vocals:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
conductor:
Sir David Willcocks
balance engineer:
Neville Boyling (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
music quoted on:
Minnen av aprilhimlen
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:33
5Gymnopédies (3) for Piano: No 1, Lent et Doulourex
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Louis Frémaux (conductor)
recording of:
Gymnopédies: II. Lent et douloureux (Satie: Gymnopédie No. 1 orchestrated by Debussy)
orchestrator:
Claude Debussy (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie: Lent et douloureux
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie2:52
6Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
piano:
Stephen Hough (pianist)
orchestra:
Hallé Orchestra
conductor:
Bryden Thomson (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987)
partial recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart5:23
7Lakmé: Viens, Malliká... Sous le Dôme épais "Flower Duet"
choir vocals:
Chœurs du Théâtre National de l’Opéra‐Comique
mezzo-soprano vocals:
Danielle Millet (mezzo-soprano) (in 1970)
soprano vocals:
Mady Mesplé (soprano) (in 1970)
orchestra:
National Opera Orchestra and Orchestre du Théâtre National de l’Opéra‐Comique (in 1970)
conductor:
Alain Lombard (conductor) (in 1970)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
edit of:
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) by Chœurs du Théâtre National de l’Opéra‐Comique, Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard
partial recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs … Dôme épais le jasmin » (Lakmé, Mallika) (in 1970)
composer:
Léo Delibes (composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes4:21
8Requiem, Op. 48: In Paradisum
producer:
Christopher Bishop (conductor/producer)
organ [organ]:
John Wells (concert organist and composer)
baritone vocals [baritone]:
John Carol Case (English baritone)
choir vocals:
Choir of King’s College, Cambridge
treble vocals [treble]:
Robert Chilcott
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
David Willcocks
balance engineer:
Neville Boyling (engineer)
recording of:
Requiem, op. 48: VII. In Paradisum
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48
Gabriel Fauré3:49
9Suite Bergamasque: 3rd Movement, Clair de Lune
piano:
Moura Lympany (British pianist) (in 1988)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1988)
recording of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano)
composer:
Claude Debussy (from 1890 until 1905)
music quoted on:
Happy Birthday but 13 classical composers are fighting over the last slice of cake
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
Claude Debussy4:59
10Violin Concerto in E minor, Op. 64: II. Andante
violin:
Yehudi Menuhin (violinist)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Efrem Kurtz (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1959)
partial recording of:
Violinkonzert in e-Moll, op. 64: II. Andante
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64
Felix Mendelssohn4:32
11Carnival of the Animals: No 13, the Swan
cello:
Jacqueline du Pré (cellist)
harp:
Osian Ellis (Welsh harpist and composer)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:55
12Symphony No 3, Op. 36 "Symphony of Sorrowful Songs": 2nd Movement
soprano vocals:
Zofia Kilanowicz (in 1993)
orchestra:
Kraków Symphony Orchestra (in 1993)
conductor:
Jacek Kaspszyk (conductor) (in 1993)
recorded at:
Wratislava Cantans (1993) (28th International Oratorio-Cantata Festival)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1995)
live partial recording of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo (in 1993)
lyricist:
Helena Wanda Błażusiakówna
composer:
Henryk Mikołaj Górecki (Polish composer) (in 1976)
part of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs"
Henryk Mikołaj Górecki4:34
13Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
flute:
James Galway (flautist)
harp:
Fritz Helmis (harpist)
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
partial recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart4:02
14Concert for Violin in F Minor, Op. 8 No 4/RV 297 "L'Inverno": 2nd Movement
harpsichord:
Paul Crocker (harpsichord) (in 1979-12)
violin:
Yehudi Menuhin (violinist) (in 1979-12)
orchestra:
Camerata Lysy Gstaad (in 1979-12)
conductor:
Alberto Lysy (violinist and conductor) (in 1979-12)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1979-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1979-12)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi2:10
15Variations on an Original Theme, Op. 36 "Enigma": Variation 9, Nimrod
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1970-08-04 until 1970-08-06)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:59
16Song to the Moon (Rusalka)
soprano vocals:
Lucia Popp (soprano)
orchestra:
Münchner Rundfunkorchester
conductor:
Stefan Soltész (conductor)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Song to the Moon)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák5:04
17Rhapsody on a Theme of Paganini, Op. 43: Variation 18
producer:
John Fraser (UK producer) (from 1984-05-03 until 1984-05-04)
piano:
Cécile Ousset (French pianist) (from 1984-05-03 until 1984-05-04)
orchestra:
City of Birmingham Symphony Orchestra (from 1984-05-03 until 1984-05-04)
conductor:
Simon Rattle (conductor) (from 1984-05-03 until 1984-05-04)
balance engineer:
Michael Sheady (engineer) (from 1984-05-03 until 1984-05-04)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1984)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1984-05-03 until 1984-05-04)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (from 1984-05-03 until 1984-05-04)
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Сергей Васильевич Рахманинов3:02
18Pavane, Op. 50
producer:
Christopher Bishop (conductor/producer)
flute:
Gareth Morris (British flautist)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Sir David Willcocks
balance engineer:
Neville Boyling (engineer)
recording of:
Pavane, op. 50 (catch-all for arrangements and unknown versions)
writer and composer:
Gabriel Fauré (French composer)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:47
▼CD 2
#TitleArtistRatingLength
1Wachet Auf, Ruft Uns Die Stimme, BWV 140: Zion Hört Die Wächter Singen
choir vocals:
South German Madrigal Choir (from 1967-07-15 until 1967-07-20)
orchestra:
Consortium Musicum (from 1967-07-15 until 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (from 1967-07-15 until 1967-07-20)
edit of:
Cantata No. 140: IV. Chorale "Zion hört die Wächter singen" by South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1967-07-15 until 1967-07-20)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach3:30
2Adagio for Organ and Strings in G minor
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1974)
partial recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music)
Tomaso Giovanni Albinoni5:53
3Quintet for 2 Violins, Viola and 2 Cellos in E major, Op. 11 No. 5/G 27
engineer:
Stuart Eltham (engineer)
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1986)
conductor:
Sir Neville Marriner (conductor) (in 1986)
arranger:
Ch. Woodhouse
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orch. Woodhouse) (in 1986)
orchestrator:
Charles Woodhouse (violinist, arranger, composer)
composer:
Luigi Boccherini (composer) (in 1771)
orchestration of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
Luigi Boccherini3:58
4Concerto for Harpsichord in F minor, BWV 1056: II. Largo
piano:
Andrei Gavrilov (pianist) (in 1987)
orchestra:
Academy of St Martin in the Fields (in 1987)
conductor:
Sir Neville Marriner (conductor) (in 1987)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1987)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:29
5Thaïs: Meditation
violin:
Hans Kalafusz (violinist)
orchestra:
Stuttgart Radio Symphony Orchestra
conductor:
Sir Neville Marriner (conductor)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Thaïs: Acte II
Jules Massenet5:07
6Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
piano:
Moura Lympany (British pianist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1991)
partial recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
music quoted on:
Happy Birthday but 13 classical composers are fighting over the last slice of cake
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven4:00
7Les Contes d'Hoffmann: Barcarolle
choir vocals:
René Duclos Chorus (from 1964-09-01 until 1965-05-27)
contralto vocals [une voix] and mezzo-soprano vocals [Nicklausse]:
Jeannine Collard (mezzo-soprano / contralto) (from 1964-09-01 until 1965-05-27)
soprano vocals [Giulietta]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1964-09-01 until 1965-05-27)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-09-01 until 1965-05-27)
conductor:
André Cluytens (conductor) (from 1964-09-01 until 1965-05-27)
chorus master:
Jean Laforge (choral conductor) (from 1964-09-01 until 1965-05-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1965)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1965-05-26 until 1965-05-27)
recording of:
Les Contes d'Hoffmann : Acte IV. No 17 Barcarolle « Belle nuit, ô nuit d'amour » (Nicklausse, Giulietta, les invités) (from 1964-09-01 until 1965-05-27)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur) (from 1964-09-01 until 1965-05-27)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:53
8Prayer (Coppelia)
orchestra:
Paris Opera Orchestra
conductor:
Jean-Baptiste Mari (conductor)
recording of:
Coppélia : Tableau III, No. 20c. La Prière
composer:
Léo Delibes (composer) (in 1870)
part of:
Coppélia : Tableau III
Antonio Vivaldi3:51
9Concerto for Clarinet in A major, K. 622: II. Adagio
clarinet:
Jack Brymer (clarinettist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1960)
partial recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart4:42
10Cavalleria Rusticana: Intermezzo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Riccardo Muti (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1980)
recording of:
Cavalleria rusticana: Intermezzo
composer:
Pietro Mascagni (composer & conductor) (in 1888)
part of:
Cavalleria rusticana (german lyrics)
part of:
Cavalleria rusticana
Pietro Mascagni3:44
11Serenade for Strings in E major, Op. 22: I. Moderato
orchestra:
London Chamber Orchestra
conductor:
Christopher Warren‐Green (violinist and conductor)
recording of:
Serenade for Strings in E major, op. 22, B. 52: I. Moderato
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52
Antonín Dvořák4:44
12Gianni Schicchi: O Mio Babbino Caro
soprano vocals and soprano vocals [Lauretta]:
Montserrat Caballé (soprano)
orchestra:
London Symphony Orchestra
conductor:
Charles Mackerras (Australian conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1970)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:45
13Fantasia on "Greensleeves"
producer:
Victor Olof
orchestra:
Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
arranger:
Ralph Greaves (in 1934)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Fantasia on “Greensleeves” (from 1962-05-10 until 1962-05-11)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:42
14Concerto for Piano No. 2 in C minor, Op. 18: II. Adagio Sostenuto
piano:
Cécile Ousset (French pianist)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1984)
partial recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Рахманинов (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов4:35
15Quartet for Strings No. 2 in D major: III. Andante "Nocturne"
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1984)
recording of:
String Quartet no. 2 in D major: III. Notturno (catch-all for arrangements)
composer:
Александр Порфирьевич Бородин (Alexander Borodin)
arrangement of:
String Quartet no. 2 in D major: III. Notturno. Andante
Александр Порфирьевич Бородин4:01
16Concierto de Aranjuez for Guitar: II. Adagio
classical guitar:
Julian Bream (British classical guitarist and lutenist)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1993)
partial recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
music quoted on:
Alma vieja
part of:
Concierto de Aranjuez
Joaquín Rodrigo54:49
17Adagio for Strings, Op. 11
orchestra:
The Philadelphia Orchestra (in 1957)
conductor:
Eugene Ormandy (conductor) (in 1957)
recording of:
Adagio for Strings (in 1957)
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber36:25
18Carmen: Act 3 Prelude "Intermezzo"
orchestra:
Orchestre national de France (RTF / ORTF / Radio France)
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:32

Credits

Release

ASIN:US: B000002SBF [info]