| # | Title | Rating | Length |
|---|
| 1 | Sunrise- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar and banjolin:
- Kevin Breit (from 2003 until 2004)
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- slit drum:
- Andrew Borger (from 2003 until 2004)
- background vocals [backup vocal]:
- Adam Levy (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Manhattan, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- recording of:
- Sunrise (from 2003 until 2004)
- writer:
- Lee Alexander and Norah Jones
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. , Fumblethumbs Music and Muthajones Music
| 3.8 | 3:21 |
| 2 | What Am I to You?- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- drums (drum set):
- Levon Helm (from 2003 until 2004)
- electric guitar:
- Tony Scherr (from 2003 until 2004)
- Hammond organ:
- Garth Hudson (from 2003 until 2004)
- Wurlitzer electric piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- background vocals [backup vocal]:
- Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Manhattan, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- recording of:
- What Am I to You? (from 2003 until 2004)
- lyricist and composer:
- Norah Jones
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. and Muthajones Music
| 4.25 | 3:30 |
| 3 | Those Sweet Words- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar:
- Kevin Breit (from 2003 until 2004) and Jesse Harris (from 2003 until 2004)
- cajón [box]:
- Andrew Borger (from 2003 until 2004)
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- piano and lead vocals [vocals]:
- Norah Jones (from 2003 until 2004)
- reed organ [pump organ]:
- Rob Burger (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Manhattan, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- recording of:
- Those Sweet Words (from 2003 until 2004)
- writer:
- Lee Alexander and Richard Julian
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. , Fumblethumbs Music, Slow New York Music and Sony/ATV Songs LLC
| 4.35 | 3:23 |
| 4 | Carnival Town- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar:
- Jesse Harris (from 2003 until 2004)
- cello:
- Jane Scarpantoni (from 2003 until 2004)
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- viola:
- David Gold (from 2003 until 2004)
- strings arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Manhattan, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- recording of:
- Carnival Town (from 2003 until 2004)
- writer:
- Lee Alexander and Norah Jones
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. , Fumblethumbs Music and Muthajones Music
| 3.25 | 3:12 |
| 5 | In the Morning- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar:
- Adam Levy (from 2003 until 2004)
- double bass [acoustic bass] and electric bass guitar:
- Lee Alexander (from 2003 until 2004)
- drums (drum set):
- Andrew Borger (from 2003 until 2004)
- resonator guitar:
- Kevin Breit (from 2003 until 2004)
- Wurlitzer electric piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- background vocals [backup vocal]:
- Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Manhattan, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- recording of:
- In the Morning (from 2003 until 2004)
- lyricist and composer:
- Adam Levy
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- Bughouse, Lost Wax Music and Universal Music Corp.
| 3.65 | 4:07 |
| 6 | Be Here to Love Me- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- accordion:
- Garth Hudson (from 2003 until 2004)
- acoustic guitar:
- Kevin Breit (from 2003 until 2004)
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- drums (drum set):
- Andrew Borger (from 2003 until 2004)
- electric guitar:
- Adam Levy (from 2003 until 2004)
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- background vocals [backup vocal]:
- Kevin Breit (from 2003 until 2004), Adam Levy (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Manhattan, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- cover recording of:
- Be Here to Love Me (from 2003 until 2004)
- lyricist and composer:
- Townes van Zandt
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- Bughouse and Silver House Music Inc.
| 3.65 | 3:29 |
| 7 | Creepin' In- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar:
- Kevin Breit (from 2003 until 2004)
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- reed organ [pump organ]:
- Rob Burger (from 2003 until 2004)
- snare drum:
- Andrew Borger (from 2003 until 2004)
- background vocals [backup vocal]:
- Adam Levy (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
- lead vocals [vocal]:
- Norah Jones (from 2003 until 2004) and Dolly Parton (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Manhattan, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- recording of:
- Creepin’ In (from 2003 until 2004)
- lyricist and composer:
- Lee Alexander
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. and Fumblethumbs Music
| 3.75 | 3:04 |
| 8 | Toes- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- drums (drum set):
- Andrew Borger (from 2003 until 2004)
- electric guitar:
- Adam Levy (from 2003 until 2004)
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- resonator guitar:
- Kevin Breit (from 2003 until 2004)
- background vocals [backup vocal]:
- Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Manhattan, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- recording of:
- Toes (from 2003 until 2004)
- writer:
- Lee Alexander and Norah Jones
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. , Fumblethumbs Music and Muthajones Music
| 3.65 | 3:47 |
| 9 | Humble Me- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- reed organ [pump organ] and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- resonator guitar:
- Kevin Breit (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Manhattan, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- recording of:
- Humble Me (from 2003 until 2004)
- lyricist and composer:
- Kevin Breit
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- Poverty Playlist and Sony/ATV Songs LLC
| 3.5 | 4:36 |
| 10 | Above Ground- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- drums (drum set):
- Andrew Borger (from 2003 until 2004)
- electric guitar:
- Adam Levy (from 2003 until 2004)
- electric guitar, foot stomps [foot tapping] and resonator guitar:
- Kevin Breit (from 2003 until 2004)
- Wurlitzer electric piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- background vocals [backup vocal]:
- Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Manhattan, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- recording of:
- Above Ground (from 2003 until 2004)
- writer:
- Adrew Borger and Daru Oda
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- Chamfered Music and Honk Shoo Music
| 3.65 | 3:44 |
| 11 | The Long Way Home- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar:
- Kevin Breit (from 2003 until 2004)
- cajón [box]:
- Andrew Borger (from 2003 until 2004)
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- electric guitar:
- Adam Levy (from 2003 until 2004)
- flute [flutes] and background vocals [backup vocal]:
- Daru Oda (from 2003 until 2004)
- lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Manhattan, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- cover recording of:
- Long Way Home (from 2003 until 2004)
- writer:
- Kathleen Brennan and Tom Waits
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- Jalma Music
| 4 | 3:13 |
| 12 | The Prettiest Thing- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar:
- Kevin Breit (from 2003 until 2004)
- double bass [bass] and lap steel guitar [lap steel]:
- Lee Alexander (from 2003 until 2004)
- drums (drum set):
- Brian Blade (from 2003 until 2004)
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- background vocals [backup vocal]:
- Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Manhattan, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- recording of:
- The Prettiest Thing (from 2003 until 2004)
- writer:
- Lee Alexander , Norah Jones and Richard Julian
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. , Fumblethumbs Music, Muthajones Music, Slow New York Music and Sony/ATV Songs LLC
| 3.75 | 3:52 |
| 13 | Don't Miss You at All- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Manhattan, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- recording of:
- Don't Miss You at All (from 2003 until 2004)
- lyricist:
- Norah Jones
- composer:
- Duke Ellington
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. , Famous Music , Muthajones Music and Sony/ATV Harmony
| 4 | 3:08 |
| 14 | Sleepless Nights | | 4:15 |
| 15 | Moon Song | | 2:45 |
| 16 | I Turned Your Picture to the Wall | | 3:01 |
