Bach Edition, V: Vocal Works

~ Release by Johann Sebastian Bach (see all versions of this release, 6 available)

Annotation

FIXME (see also Edit #25169889 for the disc order):

* These are CDs V-1-32 (107-138 in total) from the 2006 155-CD box.
* The rest will also be added (or has already been added) as pseudo-volumes to the same release group to avoid issues with the single 155-CD release being too large.
* Once there are no more 502 errors with large releases, all those pseudo-volumes should be merged into a single release.

Annotation last modified on 2015-02-10 07:54 UTC.

Tracklist

▶CD 1: Mass in B Minor / Hohe Messe BWV 232 (disc 1)
▼CD 2: Mass in B Minor / Hohe Messe BWV 232 (disc 2)
#TitleRatingLength
1Hohe Messe in b moll (BWV 232) / Credo: Chorus: Credo in unum Deum
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
1:58
2Hohe Messe in b moll (BWV 232) / Credo: Chorus: Patrem omnipotentem
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232
2:01
3Hohe Messe in b moll (BWV 232) / Credo: Duet (soprano I, alto): Et in unum Dominum
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
alto vocals and countertenor vocals:
James Bowman (UK countertenor)
soprano vocals:
Catherine Dubosc (soprano)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
4:22
4Hohe Messe in b moll (BWV 232) / Credo: Chorus: Et incarnatus est
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
The Symphony of Harmony and Invention
conductor:
Harry Christophers (conductor)
performer:
The Sixteen (UK choir)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
3:20
5Hohe Messe in b moll (BWV 232) / Credo: Chorus: Crucifixus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232
3:12
6Hohe Messe in b moll (BWV 232) / Credo: Chorus: Et resurrexit
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
4:01
7Hohe Messe in b moll (BWV 232) / Credo: Aria (bass): Et in Spiritum Sanctum
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
bass vocals:
Michael George (operatic bass)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
5:18
8Hohe Messe in b moll (BWV 232) / Credo: Chorus: Confiteorunum baptisma
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
4:54
9Hohe Messe in b moll (BWV 232) / Credo: Chorus: Et expecto
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232
2:05
10Hohe Messe in b moll (BWV 232) / Sanctus: Chorus: Sanctus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
4:50
11Hohe Messe in b moll (BWV 232) / Chorus: Osanna in excelsis I
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
3:03
12Hohe Messe in b moll (BWV 232) / Aria (tenor): Benedictus
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
4:25
13Hohe Messe in b moll (BWV 232) / Chorus: Osanna in excelsis II
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
3:03
14Hohe Messe in b moll (BWV 232) / Aria (alto): Agnus Dei
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
alto vocals:
James Bowman (UK countertenor)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
5:37
15Hohe Messe in b moll (BWV 232) / Chorus: Dona nobis pacem
engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
conductor:
Harry Christophers (conductor)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1994-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232
2:43
▶CD 3: Messen, BWV 233 & 234
▶CD 4: Messen, BWV 235 & 236
▶CD 5: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 1)
▶CD 6: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 2)
▶CD 7: Motetten
▶CD 8: Osteroratorium, BWV 249
▶CD 9: Secular Cantatas: Schwingt freudig euch empor / Non sa che sia dolore / Amore traditore
▶CD 10: Secular Cantata, BWV 201; Geschwinde, ihr wirbelnden Winde - Der Streit zwischen Phoebus und Pan
▶CD 11: Zwei Hochzeitskantaten, BWV 202 & 210
▶CD 12: Secular Cantatas, BWV 204 & 208; Was mir behagt, ist nur die muntre Jagd / Ich bin in mir vergnügt
▶CD 13: Secular Cantatas, BWV 205 & 207: Zerreißet, zersprenget, zertrümmert die Gruft / Vereinigte Zwietracht der wechselnden Saiten
▶CD 14: Secular Cantatas, BWV 206 & 215: Schleicht, spielende Wellen / Preise dein Glücke, gesegnetes Sachsen
▶CD 15: Secular Cantatas, BWV 211 & 212: Schweigt stille, plaudert nicht (Kaffee-Kantate) / Mehr hahn en neue Oberkeet (Bauernkantate)
▶CD 16: Secular Cantatas, BWV 213 & 214; Laßt uns sorgen, laßt uns wachen, Herkules auf dem Scheidewege / Tönet ihr Pauken! Erschallet, Trompeten!
▶CD 17: Matthäus-Passion, BWV 244 (disc 1)
▶CD 18: Matthäus-Passion, BWV 244 (disc 2)
▶CD 19: Matthäus-Passion, BWV 244 (disc 3)
▶CD 20: Johannes-Passion, BWV 245 (disc 1)
▶CD 21: Johannes-Passion, BWV 245 (disc 2)
▶CD 22: Weihnachtsoratorium, BWV 248 (disc 1)
▶CD 23: Weihnachtsoratorium, BWV 248 (disc 2)
▶CD 24: Himmelfahrts-Oratorium, BWV 11; Ich habe genug, BWV 82a; Sanctus, BWV 238
▶CD 25: Tilge, Höchster, meine Sünden, BWV 1083 (nach Pergolesis's Stabat Mater), BWV 1083; BWV 118, 200, 231
▶CD 26: Magnificat, BWV 243; Choräle
▶CD 27: Choräle (aus der Breitkopf-Edition "389 Choräle") (disc 1)
▶CD 28: Choräle (aus der Breitkopf-Edition "389 Choräle") (disc 2)
▶CD 29: Choräle (disc 1)
▶CD 30: Choräle (disc 2)
▶CD 31: Choräle (disc 3)
▶CD 32: Choräle (disc 4)