The Ultimate Collection

~ Release by Santana (see all versions of this release, 2 available)

Annotation

Catalog # on disc 2 is 488544-2.

Catalog # on disc 1 is 488544-2.

Possible catalog # for the entire release might also be SMMTV12.

Catalog # for disc 3 is SAMPCM 4831.

Annotation last modified on 2009-10-26 20:17 UTC.

Tracklist

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CD 1
#TitleRatingLength
1Jin‐Go‐Lo‐Ba
cover recording of:
Jin‐go‐lo‐ba (Drums of Passion) (Jingo)
lyricist and composer:
Babatunde Olatunji
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc. (1989-07-24–present) and EMI Songs Ltd.
4:11
2Evil Ways
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1969-05-12)
congas and percussion:
Michael Carabello (on 1969-05-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1969-05-12)
drums (drum set):
Michael Shrieve (on 1969-05-12)
guitar:
Carlos Santana (on 1969-05-12)
organ and piano:
Gregg Rolie (on 1969-05-12)
vocals:
Gregg Rolie (on 1969-05-12) and Carlos Santana (on 1969-05-12)
arranger:
Alberto Gianquinto
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969), Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1969) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
recorded at:
Pacific Recording Studio in San Mateo, California, United States (on 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California, United States
cover recording of:
Evil Ways (on 1969-05-12)
lyricist and composer:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal‐Songs of PolyGram International, Inc.
4.23:58
3Soul Sacrifice
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
recording of:
Soul Sacrifice
composer:
David Brown (US bassist for Santana/Allman Brothers/31st of February), Marcus Malone (US percussionist, member of Santana), Gregg Rolie and Carlos Santana
publisher:
Careers‐BMG Music Publishing, Petra Music and Universal Music (plain logo: “Universal Music”)
43:16
4Black Magic Woman
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-04)
congas:
Michael Carabello (on 1970-07-04) and Jose Chepito Áreas (on 1970-07-04)
guitar:
Carlos Santana (on 1970-07-04)
keyboard:
Gregg Rolie (on 1970-07-04)
membranophone:
Michael Shrieve (on 1970-07-04)
timbales:
Jose Chepito Áreas (on 1970-07-04)
vocals:
Gregg Rolie (on 1970-07-04) and Carlos Santana (on 1970-07-04)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios in San Francisco, California, United States (on 1970-07-04)
cover recording of:
Black Magic Woman (on 1970-07-04)
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd. and Murbo Music Publishers, Inc.
3.853:15
5Oye como va
engineer:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
vocals:
Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios in San Francisco, California, United States (on 1970-07-08)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing, LLC (1995–2020), Windswept Pacific Music Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
Man on Fire
4.44:17
6Samba pa ti
engineer:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-19)
congas and percussion:
Michael Carabello (on 1970-07-19)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-19)
drums (drum set):
Michael Shrieve (on 1970-07-19)
guitar:
Carlos Santana (on 1970-07-19)
keyboard:
Gregg Rolie (on 1970-07-19)
percussion:
Rico Reyes (on 1970-07-19)
tabla:
Steven Saphore (on 1970-07-19)
arranger:
Gregg Rolie and Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios in San Francisco, California, United States (on 1970-07-19)
recording of:
Samba pa ti (on 1970-07-19)
composer:
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers‐BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
44:34
7Everybody’s Everything
recording engineer:
Mike Larner (on 1971-06-05)
engineer:
Glen Kolotkin
producer:
Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1971-06-05)
congas, flugelhorn, percussion and timbales:
Jose Chepito Áreas (on 1971-06-05)
guitar:
Carlos Santana (on 1971-06-05) and Neal Schon (on 1971-06-05)
instruments and performer:
Tower of Power Horn Section (on 1971-06-05)
membranophone:
Michael Carabello (on 1971-06-05), Coke Escovedo (on 1971-06-05), Jose Chepito Áreas (on 1971-06-05) and Michael Shrieve (on 1971-06-05)
organ and piano:
Gregg Rolie (on 1971-06-05)
percussion [percussion assistance]:
Coke Escovedo (on 1971-06-05)
tambourine:
Michael Carabello (on 1971-06-05)
vibraphone:
Michael Shrieve (on 1971-06-05)
background vocals:
Coke Escovedo (on 1971-06-05) and Linda Tillery (AKA Sweet Linda Divine) (on 1971-06-05)
vocals:
Michael Carabello (on 1971-06-05), Jose Chepito Áreas (on 1971-06-05), Gregg Rolie (on 1971-06-05) and Carlos Santana (on 1971-06-05)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
recorded at:
Columbia Studios in San Francisco, California, United States (on 1971-06-05)
recording of:
Everybody’s Everything (reworded lyric version of The Emperors’ 1966 “Karate”) (on 1971-06-05)
additional lyricist:
Carlos Santana
composer:
Milton Brown (member of 1960s soul group The Emperors, co-songwriter with Tyrone Moss for “Karate”, “L’urlo”) and Tyrone Moss
publisher:
Careers‐BMG Music Publishing, Inc., Dandelion Music Co. and Universal Music (plain logo: “Universal Music”)
is based on:
Karate
3.53:33
8No One to Depend On
recording engineer:
Mike Larner (on 1971-06-16)
engineer:
Glen Kolotkin
producer:
Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1971-06-16)
congas:
Michael Carabello (on 1971-06-16)
guitar:
Carlos Santana (on 1971-06-16) and Neal Schon (on 1971-06-16)
keyboard:
Gregg Rolie (on 1971-06-16)
membranophone:
Michael Shrieve (on 1971-06-16)
percussion [percussion assistance]:
Coke Escovedo (on 1971-06-16)
tambourine:
Greg Errico (on 1971-06-16)
timbales:
Jose Chepito Áreas (on 1971-06-16)
background vocals:
Coke Escovedo (on 1971-06-16) and Rico Reyes (on 1971-06-16)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1971) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
recorded at:
Columbia Studios in San Francisco, California, United States (on 1971-06-16)
recording of:
No One to Depend On (on 1971-06-16)
writer:
Michael Carabello, Coke Escovedo and Gregg Rolie
publisher:
Careers‐BMG Music Publishing, Inc., Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
3.55:33
9Song of the Wind
producer:
Fred Catero and Carlos Santana
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recording of:
Song of the Wind
composer:
Gregg Rolie, Carlos Santana and Neal Schon
publisher:
Careers‐BMG Music Publishing, Inc.
6:05
10Love, Devotion & Surrender
producer:
Tom Coster, Carlos Santana and Michael Shrieve
acoustic guitar and electric guitar:
Carlos Santana (in 1973-05)
bass:
Doug Rauch (in 1973-05)
congas:
Armando Peraza (in 1973-05)
drums (drum set):
Maitreya Michael Shrieve (in 1973-05)
electric piano:
Richard Kermode (in 1973-05)
Hammond organ:
Tom Coster (in 1973-05)
timbales:
José “Chepito” Áreas (in 1973-05)
vocals:
Wendy Haas (in 1973-05), Carlos Santana (in 1973-05) and Leo Thomas (in 1973-05)
phonographic copyright (℗) by:
Columbia Records (EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recording of:
Love Devotion and Surrender (in 1973-05)
writer:
Richard Kermode and Carlos Santana
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
33:41
11Give and Take35:47
12Europa (Earth’s Cry Heaven’s Smile)
assistant engineer:
Susan Foot (recording engineer)
engineer:
Fred Catero and David Rubinson
producer:
David Rubinson and David Rubinson & Friends, Inc.
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1975-12-16)
congas:
Armando Peraza (on 1975-12-16)
drums (drum set):
Leon Ndugu Chancler (on 1975-12-16) and Michael Shrieve (on 1975-12-16)
guitar:
Carlos Santana (on 1975-12-16)
keyboard:
Tom Coster (on 1975-12-16)
percussion:
Jose Chepito Áreas (on 1975-12-16) and Armando Peraza (on 1975-12-16)
piano:
Leon Patillo (on 1975-12-16)
saxophone:
Jules Broussard (on 1975-12-16)
vocals:
Leon Patillo (on 1975-12-16) and Carlos Santana (on 1975-12-16)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Columbia Records (EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Wally Heider Studios in San Francisco, California, United States (on 1975-12-16)
recording of:
Europa (Earth’s Cry, Heaven’s Smile) (on 1975-12-16)
composer:
Tom Coster and Carlos Santana
publisher:
Light Music (US publishing label), Rondor Music (London) Ltd. and Wixen Music Publishing, Inc.
4.25:04
13Dance Sister Dance (Baila mi hermana)
producer:
David Rubinson & Friends, Inc.
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
Dance Sister Dance (Baila mi hermana)
writer:
Leon Ndugu Chancler, Tom Coster and David Rubinson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Light Music (US publishing label), Polo Grounds Music and Rondor Music (London) Ltd.
3:13
14Let the Children Play
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Let the Children Play
writer:
Leon Patillo and Carlos Santana
publisher:
Light Music (US publishing label) and Rondor Music (London) Ltd.
2:39
15Revelations
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Revelations
writer:
Tom Coster and Carlos Santana
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Rondor Music (London) Ltd.
3:18
16She’s Not There3:17
17I’ll Be Waiting
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
I’ll Be Waiting
writer:
Carlos Santana
publisher:
Light Music (US publishing label) and Rondor Music (London) Ltd.
3:12
18Stormy
assistant engineer:
Gary Boatner (Engineer)
producer:
Dennis Lambert and Brian Potter (US songwriter & producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Stormy (from 1978-07 until 1978-08)
writer:
Buddy Buie and J. R. Cobb
publisher:
Low-Sal Music, Inc.
4:47
19One Chain (Don’t Make No Prison)3:40
CD 2
#TitleRatingLength
1Well All Right
assistant engineer:
Gary Boatner (Engineer)
producer:
Dennis Lambert and Brian Potter (US songwriter & producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1978-07 until 1978-08)
cover recording of:
Well… All Right (from 1978-07 until 1978-08)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter), Joe B. Mauldin and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney-related, NYC-based company) and MPL Music Publishing Inc.
34:12
2Open Invitation
assistant engineer:
Gary Boatner (Engineer)
producer:
Dennis Lambert and Brian Potter (US songwriter & producer)
guitar:
Carlos Santana (from 1978-07 until 1978-08) and Chris Solberg (from 1978-07 until 1978-08)
instruments:
Chris Rhyne (from 1978-07 until 1978-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Open Invitation (from 1978-07 until 1978-08)
writer:
D.C. Santana, Dennis Lambert, Brian Potter (US songwriter & producer) and Greg Walker (ex-member of Santana)
publisher:
Lambert & Potter Music Co.
4:49
3Aqua Marine3:58
4All I Ever Wanted
recording of:
All I Ever Wanted
writer:
Alex Ligertwood, Carlos Santana and Chris Solberg
publisher:
Light Music (US publishing label) and Urmila Music
3:37
5You Know That I Love You
recording of:
You Know That I Love You
writer:
Alex Ligertwood, Alan Pasqua, Carlos Santana and Chris Solberg
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Light Music (US publishing label) and Urmila Music
3:31
6Winning
assistant engineer and assistant mixer:
Chris Minto (engineer)
engineer, producer and mixer:
Keith Olsen (US producer and engineer)
associate producer:
Devadip Carlos Santana
bass guitar:
David Margen (in 1980)
bongos:
Armando Peraza (in 1980)
congas:
Raul Rekow (in 1980)
drums (drum set):
Graham Lear (in 1980)
electric guitar [lead guitar]:
Devadip Carlos Santana (in 1980)
keyboard:
Alan Pasqua (in 1980)
percussion:
Devadip Carlos Santana (in 1980), Armando Peraza (in 1980), Raul Rekow (in 1980) and Orestes Vilató (in 1980)
synthesizer:
Richard Baker (US keyboardist for Santana) (in 1980)
timbales:
Orestes Vilató (in 1980)
background vocals:
Alexander J. Ligertwood (in 1980), Devadip Carlos Santana (in 1980), Alan Pasqua (in 1980), Raul Rekow (in 1980) and Orestes Vilató (in 1980)
lead vocals:
Alexander J. Ligertwood (in 1980)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
The Automatt in San Francisco, California, United States (in 1980)
mixed at:
Sound City Studios in Van Nuys, California, United States
recording of:
Winning (in 1980)
lyricist and composer:
Russ Ballard
publisher:
Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd and フジパシフィックミュージック BMG事業部
3:31
7The Sensitive Kind3:35
8Hold On
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
cover recording of:
Hold On
lyricist and composer:
Ian Thomas (Canadian singer/songwriter)
publisher:
Chelsea Music Publishing Co., Ltd., Ole Mark-Cain Music Publ., Over the Rainbow Music Co. and フジパシフィックミュージック
3:54
9Nowhere to Run
producer:
John Ryan (producer a/k/a “The Chicago Kid”)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
cover recording of:
Nowhere to Run (in 1985)
lyricist and composer:
Russ Ballard
publisher:
Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd and フジパシフィックミュージック BMG事業部
2:54
10What Does It Take (to Win Your Love)3:25
11Say It Again
cover recording of:
Say It Again
writer:
Val Garay, Steve Goldstein and Anthony La Peau
publisher:
Black Mountain Road Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:28
12How Long
assistant recording engineer:
Duane Seykora (from 1984-03-28 until 1984-11-01)
recording engineer:
Richard Bosworth (from 1984-03-28 until 1984-11-01) and Val Garay (from 1984-03-28 until 1984-11-01)
mixer:
Val Garay
bass synthesizer and drum machine:
David Adelstein (from 1984-03-28 until 1984-11-01)
guitar:
Carlos Santana (from 1984-03-28 until 1984-11-01) and John Woodhead (from 1984-03-28 until 1984-11-01)
synthesizer:
David Adelstein (from 1984-03-28 until 1984-11-01) and Steve Goldstein (from 1984-03-28 until 1984-11-01)
vocals:
Alex Ligertwood (from 1984-03-28 until 1984-11-01)
arranger:
David Adelstein, Val Garay, Robbie Patton and Santana (US Latin, blues, & rock band)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (from 1984-03-28 until 1984-11-01)
mixed at:
Record One in Sherman Oaks, Los Angeles, California, United States
recording of:
How Long (from 1984-03-28 until 1984-11-01)
writer:
Robbie Patton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd. and Red Snapper Music
3:59
13I’m the One Who Loves You
cover recording of:
I’m the One Who Loves You
writer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:14
14Veracruz
producer:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Carlos Santana
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1987)
recording of:
Veracruz (in 1987)
writer:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter), Buddy Miles, Gregg Rolie, Carlos Santana and Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), BMG Music Publishing Ltd., EMI Songs Ltd., Justa Publishing Co., Light Music (US publishing label), Rondor Music (London) Ltd., Urmila Music and When Words Collide Music
3:47
15Gypsy Woman
cover recording of:
Gypsy Woman
lyricist and composer:
Curtis Mayfield
publisher:
EMI Tunes Ltd, EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 and Curtom Publishing Co Inc (from 1961 to ????)
4:30
16Right On
cover recording of:
Right On
composer:
Earl DeRouen and Marvin Gaye
4:46
17Havana Moon
recording of:
Havana Moon
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Tristan Music Ltd.
4:12
18Daughter of the Night
engineer:
Maureen Droney and Ken Kessie
producer:
Carlos Santana
vocals:
Ernie Johnson
remixer:
Jim Gaines (in 1987-11)
remixed at:
The Plant Studios (1981-2008) in Sausalito, California, United States (in 1987-11)
cover recording of:
Daughter of the Night (from 1982-01 to ????)
writer:
Hasse Huss and Mikael Rickfors
4:51
19They All Went to Mexico
recording of:
They All Went to Mexico
writer:
Greg Brown (American folk singer)
4:43
CD 3
#TitleRatingLength
1Jingo
producer:
David Rubinson
mixer:
Vic Anesini
recorded at:
Fillmore West in San Francisco, California, United States (from 1968-12-19 until 1968-12-22)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
live cover recording of:
Jin‐go‐lo‐ba (Drums of Passion) (Jingo) (from 1968-12-19 until 1968-12-22)
lyricist and composer:
Babatunde Olatunji
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc. (1989-07-24–present) and EMI Songs Ltd.
59:40
2Soul Sacrifice
assistant engineer:
Tom Flye and Dave Ragno (Engineer)
engineer:
Eddie Kramer (engineer) and Lee Osborne
producer:
Eric Blackstead
recorded at:
Woodstock Music & Art Fair (1969-08-15 – 1969-08-18) (1969)
recorded at:
Yasgur's Farm in Bethel, New York, United States (on 1969-08-16)
live recording of:
Soul Sacrifice (on 1969-08-16)
composer:
David Brown (US bassist for Santana/Allman Brothers/31st of February), Marcus Malone (US percussionist, member of Santana), Gregg Rolie and Carlos Santana
publisher:
Careers‐BMG Music Publishing, Petra Music and Universal Music (plain logo: “Universal Music”)
8:50
3Them Changes
earliest release:
Them Changes by Carlos Santana & Buddy Miles
live recording of:
Them Changes
lyricist and composer:
Buddy Miles
publisher:
Bughouse and Miles Ahead Music
5:54
4Samba pa ti
recording engineer:
鈴木智雄
producer:
Santana (US Latin, blues, & rock band)
bass:
Doug Rauch (from 1973-07-03 until 1973-07-04)
congas:
Armando Peraza (from 1973-07-03 until 1973-07-04)
drums (drum set):
Michael Shrieve (from 1973-07-03 until 1973-07-04)
electric piano:
Richard Kermode (from 1973-07-03 until 1973-07-04)
guitar:
Carlos Santana (from 1973-07-03 until 1973-07-04)
Hammond organ:
Tom Coster (from 1973-07-03 until 1973-07-04)
maracas:
Leon Thomas (American jazz vocalist) (from 1973-07-03 until 1973-07-04)
timbales:
José “Chepito” Áreas (from 1973-07-03 until 1973-07-04)
recorded at:
大阪厚生年金会館 (original complex) in Shinmachi, Osaka, Osaka, Japan (from 1973-07-03 until 1973-07-04)
live recording of:
Samba pa ti (from 1973-07-03 until 1973-07-07)
composer:
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers‐BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
28:57
5Black Magic Woman / Gypsy Queen
producer:
Tom Coster and Carlos Santana
mixer:
Chris Minto (engineer) and Tommy Vicari
bass:
Pablo Tellez
mixed at:
The Automatt in San Francisco, California, United States
live medley including a cover recording of:
Black Magic Woman
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd. and Murbo Music Publishers, Inc.
live medley including a cover recording of:
Gypsy Queen
composer:
Gábor Szabó (in 1966)
publisher:
Gabor & Cardigan Music, PAB Music Corp. and Wixen Music Publishing, Inc.
6:36
6She’s Not There
engineer:
Bryan Bell (engineer) and Guy Charbonneau
producer:
Santana (US Latin, blues, & rock band)
mixer:
Jim Gaines (in 1988-01)
recorded at:
Warfield Theatre in San Francisco, California, United States (on 1985-08-09)
mixed at:
The Plant Studios (1981-2008) in Sausalito, California, United States (in 1988-01)
live cover recording of:
She’s Not There (on 1985-08-09)
lyricist and composer:
Rod Argent
publisher:
Al Gallico Music Corp., Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd., Marquis Songs USA, Parker Music and シンコーミュージック・パブリッシャーズ
4:23
7Esperando
additional engineer:
Wally Buck
assistant engineer:
Judy Kirschner and Kent Matcke
engineer and mixer:
Jim Gaines
producer:
Carlos Santana and Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
recorded at:
Palacio de los Deportes in Ciudad de México, Mexico (from 1993-05-22 until 1993-05-23)
live recording of:
Esperando (from 1993-05-22 until 1993-05-23)
writer:
Karl Perazzo, Carlos Santana and Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
publisher:
Light Music (US publishing label) and Urmila Music
6:01

Credits

Release

distributed by and marketed by:Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
copyrighted (©) by:Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 2000)
Discogs:https://www.discogs.com/release/732966 [info]
ASIN:DE: B000005KEM [info]