Die größten SWR1 Filmhits aller Zeiten

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

MOVIE LIST:

01. Highlander
02. Pretty Woman
03. Blues Brothers
04. James Bond 007: GoldenEye
05. Ghostbusters
06. Rocky
07. Miami Vice
08. Car Wash
09. 9 1/2 Wochen
10. Zurück in die Zukunft
11. The Falcon and the Snowman
12. Breakfast Club
13. 9 1/2 Wochen
14. Pretty Woman
15. Footloose
16. Beverly Hills Cop
17. Shaft
18. Buster
19. Zärtliche Chaoten 2
20. Cocktail
21. La Boum

MOVIE LIST:

01. Good Morning, Vietnam
02. Zwei Himmelhunde auf dem Weg zur Hölle
03. Ghost
04. Spiel mir das Lied vom Tod
05. Eis am Stiel
06. Cocktail
07. La Bamba
08. Striptease
09. Cocktail
10. Good Morning, Vietnam
11. The Rose
12. La Boum 2
13. Sliver
14. Pretty Woman
15. Footloose
16. Das Boot
17. Mission Impossible
18. James Bond 007: Goldfinger
19. Buster
20. Geboren am 4.Juli
21. James Bond 007: Leben und sterben lassen

Annotation last modified on 2009-07-22 16:00 UTC.

Tracklist

| |
CD 1
#TitleArtistRatingLength
1A Kind of Magic
assistant engineer:
Croydon (Engineer)
engineer:
David Richards (Swiss-based producer and engineer)
producer:
Queen (UK rock group) and David Richards (Swiss-based producer and engineer)
bass guitar:
John Deacon
drum machine, drums (drum set) and electronic drum set:
Roger Taylor (Queen drummer)
electric guitar:
Brian May (Queen guitarist)
synthesizer and background vocals:
Freddie Mercury and Roger Taylor (Queen drummer)
lead vocals:
Freddie Mercury
phonographic copyright (℗) by:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1986, in 2011)
recorded at:
Mountain Studios in Attalens, Fribourg, Switzerland (from 1985-09 until 1986-04), Musicland Studios (Munich) in München, Bayern, Germany (from 1985-09 until 1986-04) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1985-09 until 1986-04)
recording of:
A Kind of Magic
lyricist and composer:
Roger Taylor (Queen drummer)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) (in 1986) and Queen Music Ltd. (in 1986)
part of:
We Will Rock You (German version of the Queen musical)
part of:
We Will Rock You (Queen musical)
Queen3.854:22
2Oh, Pretty Woman
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
phonographic copyright (℗) by:
Monument Record Corp. (not for release label use!) (in 1964)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (publisher) (in 1972)
Roy Orbison4.32:57
3Everybody Needs Somebody to Love
producer:
Bob Tischler
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Willie "Too Big" Hall
guitar:
Steve Cropper and Matt Murphy (US blues guitarist)
keyboard:
Murphy Dunne
saxophone:
Tom “Bones” Malone (US trombonist) and Lou Marini
trumpet:
Al Rubin
vocals:
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd) and Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
background vocals arranger:
Paul Schaffer (pianist, bandleader, Dave Letterman's sidekick)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
cover recording of:
Everybody Needs Somebody to Love
writer:
Bert Russell Berns, Solomon Burke and Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS-affiliated), Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC and Musical Lights Tokyo
Blues Brothers4.153:23
4Goldeneye
vocals:
Tina Turner
recording of:
GoldenEye
writer:
Bono (singer of U2) and The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music and Songs of PolyGram International, Inc.
Tina Turner3.353:29
5Ghostbusters
producer:
Ray Parker Jr.
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS-affiliated), IQ Music Ltd., Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
is based on:
I Want a New Drug
lyrics quoted on:
Ghostingbust
Ray Parker Jr.4.154:05
6Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonnano and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Volcano Entertainment III, L.L.C. (in 1982) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Easy Action Music, Ensign Music Corporation, Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division, WB Music Corp. (1929–2019), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label) (from 2017-04-01 to present)
Survivor4.54:06
7Crocket's Theme
Jan Hammer3:26
8Car Wash
recording of:
Car Wash
lyricist and composer:
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) and USI B Music Publishing
Rose Royce4.53:16
9You Can Leave Your Hat On
engineer:
Brian Reeves
producer:
Richie Zito
mixer:
Rik Pekkonen
bass and synthesizer:
Arthur Barrow
guitar:
Richie Zito
horn:
Dick Hyde, Steve Madaio and Joel Peskin
membranophone:
Michael Baird
background vocals:
Maxine Sharp, Julia Waters and Maxine Waters
lead vocals:
Joe Cocker
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer-songwriter and score composer)
publisher:
WB Music Corp. (1929–2019)
cover recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer-songwriter and score composer)
publisher:
WB Music Corp. (1929–2019)
Joe Cocker34:14
10The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios in Manhattan, New York, New York, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
part of:
Back to the Future: the Musical
Huey Lewis & the News43:52
11This Is Not America
engineer:
Marcellus Frank and David Richards (Swiss-based producer and engineer)
producer:
David Bowie and Pat Metheny
mixer:
Bob Clearmountain
analog synthesizer [Oberheim], analog synthesizer [Prophet-5], keyboard [Kurzweil] and marimba:
Lyle Mays (from 1984-09 until 1984-10)
drums (drum set):
Paul Wertico (from 1984-09 until 1984-10)
electric bass guitar:
Steve Rodby (from 1984-09 until 1984-10)
electric guitar, guitar synthesizer [Roland GR-300 guitar synthesizer] and synclavier:
Pat Metheny (from 1984-09 until 1984-10)
background vocals and lead vocals:
David Bowie (from 1984-09 until 1984-10)
performer:
Pat Metheny Group (from 1984-09 until 1984-10)
phonographic copyright (℗) by:
David Bowie (in 1985)
recorded at:
Mountain Recording Studios (moved to Attalens in 2002) in Montreux, Vaud, Switzerland (from 1984-09 until 1984-10)
recording of:
This Is Not America (from 1984-09 until 1984-10)
lyricist and writer:
David Bowie
composer:
Lyle Mays and Pat Metheny
publisher:
CBS Songs Ltd., Donna Dijon Music Publications, Jones Music (publishers associated with David Bowie), Jones Music America, OPC Music Publishing, Inc., Pat Meth Music Corp (Pat Meth Music Corporation), Pat-Meth Music, RZO Music Ltd, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, ソニー・ミュージックパブリッシング A事業部 and 渡辺音楽出版 CM事業部
David Bowie & Pat Metheny Group3.653:53
12Don't You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
MCA Music Ltd.
Simple Minds4.354:20
13Slave to Love
additional engineer:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee (sound engineer)
assistant engineer:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker (UK producer/engineer/guitarist)
engineer:
Rhett Davies
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
lead vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin Records Ltd. (not for release label use!) (in 1985, in 1999)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The White House in Nashville, Tennessee, United States
mixed at:
Power Station Studios in Manhattan, New York, New York, United States
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
part of:
50 First Dates
Bryan Ferry44:26
14It Must Have Been Love
programming and producer:
Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
remixer:
Humberto Gatica
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län, Sweden (from 1987 until 1990) and EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) and Jimmy Fun Music
Roxette3.154:20
15Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Publishing Ltd., Ensign Music Corporation, Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody), Milk Money Music, Sony/ATV Harmony, Sony/ATV Melody and Sony/ATV Music Publishing Ltd.
Kenny Loggins4.13:47
16Axel F
producer:
Harold Faltermeyer
synthesizer:
William Goldstein
arranger:
Louis Febre, William Goldstein and Peter Rotter (score composer)
phonographic copyright (℗) by:
Geffen Records (in 1984)
recorded at:
New Gold Studios in Los Angeles, California, United States (from 1988-02-01 until 1988-07-15)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer43:01
17Theme From Shaft
edit of:
Theme From Shaft by Isaac Hayes
recording of:
Theme From Shaft
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
Academy Award for Best Original Song (number: 44)
Isaac Hayes4.53:16
18Loco in Acapulco
recording of:
Loco in Acapulco
writer:
Phil Collins (of Genesis) and Lamont Dozier
Four Tops3:30
19With a Girl Like You
recording of:
With a Girl Like You
writer:
Reg Presley
The Troggs4.42:09
20Kokomo
engineer and mixer:
Keith Wechsler
producer:
Terry Melcher
accordion:
Van Dyke Parks (from 1988-03-22 until 1988-04-06)
acoustic guitar:
Jeffrey Foskett (from 1988-03-22 until 1988-04-06)
alto saxophone:
Joel Peskin (from 1988-03-22 until 1988-04-06)
bass:
Rod Clark (UK bassist) (from 1988-03-22 until 1988-04-06)
drums (drum set):
Jim Keltner (from 1988-03-22 until 1988-04-06)
slide guitar [electric slide guitar]:
Ry Cooder (from 1988-03-22 until 1988-04-06)
background vocals:
Al Jardine (from 1988-03-22 until 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1988-03-22 until 1988-04-06), Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
lead vocals:
Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
performer:
The Beach Boys (American rock band) (on 1988-03-22)
music videos:
Kokomo by The Beach Boys
recording of:
Kokomo (in 1988)
writer:
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher and John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division, Spirit One Music, Touchstone Pictures Music and Songs Inc. and Yamaha Music EH(CM)
The Beach Boys4.453:36
21Reality
Richard Sanderson4:45
CD 2
#TitleArtistRatingLength
1I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (“The Godfather of Soul”)
alto saxophone:
Nat Jones (on 1965-05-06) and Maceo Parker (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (on 1965-05-06)
lead vocals:
James Brown (“The Godfather of Soul”) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (“The Godfather of Soul”)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.62:47
2Flying Though the Air
Oliver Onions2:51
3Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Bobby Hatfield and Bill Medley
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios in Hollywood, Los Angeles, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing, Unchained Melody Publishing, LLC and 日音 Synch事業部
recording of:
Unchained Melody
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing, Unchained Melody Publishing, LLC and 日音 Synch事業部
The Righteous Brothers33:37
4C'era una volta il West
Ennio Morricone3:42
5Save the Last Dance for MeThe Drifters2:27
6Don't Worry Be Happy
engineer:
Chris Tergesen
producer:
Linda Goldstein
vocals:
Bobby McFerrin
phonographic copyright (℗) by:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America; discontinued in Sep 1988) (in 1988)
recording of:
Don’t Worry, Be Happy
lyricist and composer:
Bobby McFerrin
publisher:
BMG Music Publishing Ltd.
Bobby McFerrin4.54:50
7La Bamba
producer:
Mitchell Froom
arranger:
Ritchie Valens
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
additional lyricist:
Ritchie Valens
composer:
[traditional] (special purpose artist)
publisher:
EMI Longitude Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
La bamba
Los Lobos4.32:55
8Gimme Some Lovin'
producer:
Chris Blackwell (Island Records) and Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographic copyright (℗) by:
Island Records Ltd. (UK) (in 1966)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 244)
recording of:
Gimme Some Lovin’
writer:
Spencer Davis, Muff Winwood (Bass player, songwriter, producer) and Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc., Universal Music Publishing, Synch Division, Universal‐Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
The Spencer Davis Group4.62:57
9Tutti FruttiLittle Richard2:25
10I Get Around
recording of:
I Get Around
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co-founder)
composer:
Brian Wilson (Beach Boys co-founder)
publisher:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher - do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label) (from 2017-04-01 to present)
The Beach Boys2:08
11The Rose
Bette Midler3:41
12Your Eyes
recording of:
Your Eyes (la boum 2)
lyricist:
Jeff Jordan (Vladimir Cosma)
composer:
Vladimir Cosma (French-Romanian composer, conductor and violinist)
Cook Da Books4:41
13(I Can't Help) Falling in Love With YouUB403.253:24
14The King of Wishful Thinking
recording of:
King of Wishful Thinking
writer:
Peter Cox (Artist and songwriter), Richard Drummie and Martin Page
publisher:
Bug Music (music publishing), Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS-affiliated), Sony/ATV Music Publishing (UK) Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Go West4:01
15Let's Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry, Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr.
percussion:
Paulinho da Costa
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
Deniece Williams3.64:21
16Das Boot
Klaus Doldinger4:15
17Mission Impossible
Lalo Schifrin2:33
18Goldfinger
Shirley Bassey2:49
19Sweets for My Sweet
cover recording of:
Sweets for My Sweet
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Pomus Songs Inc. and Trio Music Company
The Searchers42:28
20American Pie, Part 1
engineer:
Tom Flye
acoustic guitar and banjo:
Don McLean (on 1971-05-26)
bass:
Bob Rothstein (on 1971-05-26)
electric guitar:
David Spinozza (on 1971-05-26)
electric piano:
Ray Colcord (on 1971-05-26)
marimba and vibraphone:
Mike Mainieri (on 1971-05-26)
membranophone and percussion:
Roy Markowitz (on 1971-05-26)
piano:
Paul Griffin (American pianist, session musician) (on 1971-05-26)
choir vocals:
West 44th Street Rhythm and Noise Choir (on 1971-05-26)
vocals:
Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
recording of:
American Pie (on 1971-05-26)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Publishing Ltd., Songs of Universal, Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Don McLean54:07
21Live and Let Die
recording engineer:
Bill Price (UK producer/engineer) (from 1972-10-19 until 1972-10-20)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (from 1972-10-19 until 1972-10-20) and Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
mixer:
Bill Price (UK producer/engineer) (on 1972-10-21)
bass guitar:
Denny Laine (from 1972-10-19 until 1972-10-20)
bass guitar, electric guitar and percussion, piano and lead vocals:
Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
drums (drum set):
Denny Seiwell (drummer / percussionist) (from 1972-10-19 until 1972-10-20)
duck call and timpani:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20)
electric guitar:
Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (from 1972-10-19 until 1972-10-20)
percussion:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20) and Denny Seiwell (drummer / percussionist) (from 1972-10-19 until 1972-10-20)
background vocals:
Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
orchestrator:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney-related, NYC-based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1973)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-20)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-19)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-21)
recording of:
Live and Let Die (from 1972-10-19 until 1972-10-20)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
EMI United Partnership Ltd. and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Paul McCartney & Wings4.13:12

Credits

Release

ASIN:DE: B000V75VXS [info]