I'm Old Kentucky Bound

~ Release by Charlie Monroe (see all versions of this release, 1 available)

Annotation

4 CDs in individual jewel cases packaged in an LP-sized box with booklet.

Annotation last modified on 2020-11-02 01:31 UTC.

Tracklist

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▼CD 1
#TitleRatingLength
1Once I Had a Darling Mother
guitar:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Charlie Monroe (on 1938-09-29)
mandolin:
Zeke Morris (on 1938-09-29)
background vocals [harmony vocal]:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Zeke Morris (on 1938-09-29)
vocals:
Charlie Monroe (on 1938-09-29)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1938-09-29)
3:19
2No Home, No Place to Pillow My Head
guitar:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Charlie Monroe (on 1938-09-29)
mandolin:
Zeke Morris (on 1938-09-29)
background vocals [harmony vocal]:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Zeke Morris (on 1938-09-29)
vocals:
Charlie Monroe (on 1938-09-29)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1938-09-29)
2:07
3Farther Along
guitar:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Charlie Monroe (on 1938-09-29)
mandolin:
Zeke Morris (on 1938-09-29)
background vocals [harmony vocal]:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Zeke Morris (on 1938-09-29)
vocals:
Charlie Monroe (on 1938-09-29)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1938-09-29)
recording of:
Farther Along (on 1938-09-29)
lyricist:
Rev. W.A. Fletcher (in 1911)
composer:
J.R. Baxter and W.B. Stevens
publisher:
Carlin Music Corporation
2:44
4When the World's on Fire (Part 2)
guitar:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Charlie Monroe (on 1938-09-29)
mandolin:
Zeke Morris (on 1938-09-29)
background vocals [harmony vocal]:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Zeke Morris (on 1938-09-29)
vocals:
Charlie Monroe (on 1938-09-29)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1938-09-29)
recording of:
When the World's on Fire (on 1938-09-29)
writer:
A.P. Carter
2:03
5Take Me Back to the Valley
guitar:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Charlie Monroe (on 1938-09-29)
mandolin:
Zeke Morris (on 1938-09-29)
background vocals [harmony vocal]:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Zeke Morris (on 1938-09-29)
vocals:
Charlie Monroe (on 1938-09-29)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1938-09-29)
2:20
6Happy Spirit
guitar:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Charlie Monroe (on 1938-09-29)
mandolin:
Zeke Morris (on 1938-09-29)
background vocals [harmony vocal]:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Zeke Morris (on 1938-09-29)
vocals:
Charlie Monroe (on 1938-09-29)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1938-09-29)
2:40
7The Great Speckled Bird
guitar:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Charlie Monroe (on 1938-09-29)
mandolin:
Zeke Morris (on 1938-09-29)
background vocals [harmony vocal]:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Zeke Morris (on 1938-09-29)
vocals:
Charlie Monroe (on 1938-09-29)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1938-09-29)
recording of:
The Great Speckled Bird (on 1938-09-29)
lyricist:
Guy Smith (Reverend)
composer:
Roy Carter (country songwriter)
2:12
8Tell Him to Come Back Sweet Fern
guitar:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Charlie Monroe (on 1938-09-29)
mandolin:
Zeke Morris (on 1938-09-29)
background vocals [harmony vocal]:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Zeke Morris (on 1938-09-29)
vocals:
Charlie Monroe (on 1938-09-29)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1938-09-29)
recording of:
Sweet Fern (on 1938-09-29)
writer:
A.P. Carter
is based on:
Sweet Bird
2:27
9Every Time I Feel
guitar:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Charlie Monroe (on 1938-09-29)
mandolin:
Zeke Morris (on 1938-09-29)
background vocals [harmony vocal]:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Zeke Morris (on 1938-09-29)
vocals:
Charlie Monroe (on 1938-09-29)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1938-09-29)
2:05
10You're Gonna Miss Me When I'm Gone
guitar:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Charlie Monroe (on 1938-09-29)
mandolin:
Zeke Morris (on 1938-09-29)
background vocals [harmony vocal]:
Bill Calhoun (US country musician, active 1930s/40s) (on 1938-09-29) and Zeke Morris (on 1938-09-29)
vocals:
Charlie Monroe (on 1938-09-29)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1938-09-29)
2:11
11Oh Death
guitar:
Charlie Monroe (on 1939-05-02)
mandolin and background vocals [harmony vocal]:
Zeke Morris (on 1939-05-02)
vocals:
Charlie Monroe (on 1939-05-02)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1939-05-02)
recording of:
O Death (on 1939-05-02)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 4933)
2:09
12Guided by Love
guitar:
Charlie Monroe (on 1939-05-02)
mandolin and background vocals [harmony vocal]:
Zeke Morris (on 1939-05-02)
vocals:
Charlie Monroe (on 1939-05-02)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1939-05-02)
2:39
13If You See My Saviour
guitar:
Charlie Monroe (on 1939-05-02)
mandolin and background vocals [harmony vocal]:
Zeke Morris (on 1939-05-02)
vocals:
Charlie Monroe (on 1939-05-02)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1939-05-02)
recording of:
If You See My Savior (on 1939-05-02)
lyricist and composer:
Thomas A. Dorsey (gospel musician aka “Georgia Tom”)
2:00
14From Shore to Shore
guitar:
Charlie Monroe (on 1939-05-02)
mandolin and background vocals [harmony vocal]:
Zeke Morris (on 1939-05-02)
vocals:
Charlie Monroe (on 1939-05-02)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1939-05-02)
recording of:
Wabash Cannonball (on 1939-05-02)
composer:
A.P. Carter and William Kindt
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
part of:
Roud Folk Song Index (number: 4228)
2:31
15Is She Praying There?
guitar:
Charlie Monroe (on 1939-05-02)
mandolin and background vocals [harmony vocal]:
Zeke Morris (on 1939-05-02)
vocals:
Charlie Monroe (on 1939-05-02)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1939-05-02)
2:51
16Joy Bells in My Soul
guitar:
Charlie Monroe (on 1939-05-02)
mandolin and background vocals [harmony vocal]:
Zeke Morris (on 1939-05-02)
vocals:
Charlie Monroe (on 1939-05-02)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1939-05-02)
2:16
17Just One Year
guitar:
Charlie Monroe (on 1939-05-02)
mandolin and background vocals [harmony vocal]:
Zeke Morris (on 1939-05-02)
vocals:
Charlie Monroe (on 1939-05-02)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1939-05-02)
2:20
18Black Sheep
guitar:
Charlie Monroe (on 1939-05-02)
mandolin and background vocals [harmony vocal]:
Zeke Morris (on 1939-05-02)
vocals:
Charlie Monroe (on 1939-05-02)
recorded at:
Andrew Jackson Hotel in Rock Hill, South Carolina, United States (on 1939-05-02)
2:47
19Who's Calling You Sweetheart Tonight
recorded in:
Atlanta, Georgia, United States (on 1946-09-30)
double bass [bass]:
Robert Ray Lambert (US bluegrass bassist and comedian) (on 1946-09-30)
fiddle:
Paul Prince (US country fiddler) (on 1946-09-30)
guitar:
Tex Isley (on 1946-09-30) and Charlie Monroe (on 1946-09-30)
mandolin:
Curly Seckler (on 1946-09-30)
vocals:
Charlie Monroe (on 1946-09-30)
2:34
20Rubber Neck Blues
recorded in:
Atlanta, Georgia, United States (on 1946-09-30)
double bass [bass]:
Robert Ray Lambert (US bluegrass bassist and comedian) (on 1946-09-30)
fiddle:
Paul Prince (US country fiddler) (on 1946-09-30)
guitar:
Tex Isley (on 1946-09-30) and Charlie Monroe (on 1946-09-30)
mandolin:
Curly Seckler (on 1946-09-30)
vocals:
Charlie Monroe (on 1946-09-30)
2:20
21There's No Depression in Heaven
recorded in:
Atlanta, Georgia, United States (on 1946-09-30)
double bass [bass]:
Robert Ray Lambert (US bluegrass bassist and comedian) (on 1946-09-30)
fiddle:
Paul Prince (US country fiddler) (on 1946-09-30)
guitar:
Tex Isley (on 1946-09-30) and Charlie Monroe (on 1946-09-30)
mandolin and background vocals [harmony vocal]:
Curly Seckler (on 1946-09-30)
vocals:
Charlie Monroe (on 1946-09-30)
recording of:
No Depression in Heaven (on 1946-09-30)
2:23
22Mother's Not Dead, She's Only Sleeping
recorded in:
Atlanta, Georgia, United States (on 1946-09-30)
double bass [bass]:
Robert Ray Lambert (US bluegrass bassist and comedian) (on 1946-09-30)
fiddle:
Paul Prince (US country fiddler) (on 1946-09-30)
guitar:
Tex Isley (on 1946-09-30) and Charlie Monroe (on 1946-09-30)
mandolin and background vocals [harmony vocal]:
Curly Seckler (on 1946-09-30)
vocals:
Charlie Monroe (on 1946-09-30)
recording of:
Mother's Only Sleeping (on 1946-09-30)
writer:
Bill Monroe
publisher:
Bill Monroe Music
2:49
▼CD 2
#TitleRatingLength
1I'm Coming Back but I Don't Know When
double bass [bass]:
Ray Lambert (US bluegrass bassist and comedian) (on 1947-03-24)
electric guitar:
Tex Isley (on 1947-03-24)
fiddle and tenor vocals:
Slim Martin (on 1947-03-24)
guitar:
Charlie Monroe (on 1947-03-24)
mandolin:
Ira Louvin (on 1947-03-24)
vocals:
Charlie Monroe (on 1947-03-24)
recorded at:
RCA Studios (Chicago, 1935-1969) in Chicago, Illinois, United States (on 1947-03-24)
recording of:
I'm Comin' Back, But I Don't Know When (on 1947-03-24)
lyricist and composer:
Charlie Monroe
2:49
2It's Only a Phonograph Record
double bass [bass]:
Ray Lambert (US bluegrass bassist and comedian) (on 1947-03-24)
electric guitar:
Tex Isley (on 1947-03-24)
fiddle:
Slim Martin (on 1947-03-24)
guitar:
Charlie Monroe (on 1947-03-24)
mandolin:
Ira Louvin (on 1947-03-24)
vocals:
Charlie Monroe (on 1947-03-24)
recorded at:
RCA Studios (Chicago, 1935-1969) in Chicago, Illinois, United States (on 1947-03-24)
2:34
3Down in the Willow Garden
double bass [bass]:
Ray Lambert (US bluegrass bassist and comedian) (on 1947-03-24)
electric guitar:
Tex Isley (on 1947-03-24)
fiddle:
Slim Martin (on 1947-03-24)
guitar:
Charlie Monroe (on 1947-03-24)
mandolin:
Ira Louvin (on 1947-03-24)
vocals:
Charlie Monroe (on 1947-03-24)
recorded at:
RCA Studios (Chicago, 1935-1969) in Chicago, Illinois, United States (on 1947-03-24)
recording of:
Down in the Willow Garden (on 1947-03-24)
composer:
Charlie Monroe
2:20
4Bringin' in the Georgia Mail
double bass [bass]:
Ray Lambert (US bluegrass bassist and comedian) (on 1947-03-24)
electric guitar:
Tex Isley (on 1947-03-24)
fiddle, harmonica and tenor vocals:
Slim Martin (on 1947-03-24)
guitar:
Charlie Monroe (on 1947-03-24)
mandolin:
Ira Louvin (on 1947-03-24)
vocals:
Charlie Monroe (on 1947-03-24)
recorded at:
RCA Studios (Chicago, 1935-1969) in Chicago, Illinois, United States (on 1947-03-24)
2:51
5When the Angels Carry Me Home
double bass [bass]:
Charles R. Grean (on 1947-11-07)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1947-11-07)
guitar:
Rex Henderson (US country guitarist) (on 1947-11-07) and Charlie Monroe (on 1947-11-07)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1947-11-07)
vocals:
Charlie Monroe (on 1947-11-07)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1947-11-07)
2:25
6If We Ever Meet Again
double bass [bass]:
Charles R. Grean (on 1947-11-07)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1947-11-07)
guitar:
Rex Henderson (US country guitarist) (on 1947-11-07) and Charlie Monroe (on 1947-11-07)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1947-11-07)
vocals:
Charlie Monroe (on 1947-11-07)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1947-11-07)
recording of:
If We Never Meet Again (on 1947-11-07)
lyricist and composer:
Albert E. Brumley
2:21
7Campin' in Canaan's Land
double bass [bass]:
Charles R. Grean (on 1947-11-07)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1947-11-07)
guitar:
Rex Henderson (US country guitarist) (on 1947-11-07) and Charlie Monroe (on 1947-11-07)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1947-11-07)
vocals:
Charlie Monroe (on 1947-11-07)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1947-11-07)
2:22
8Don't Forget to Pray
double bass [bass]:
Charles R. Grean (on 1947-11-07)
guitar:
Rex Henderson (US country guitarist) (on 1947-11-07) and Charlie Monroe (on 1947-11-07)
mandolin:
Orne Osborne (US country mandolinist, 1940s) (on 1947-11-07) and Red Rector (American bluegrass mandolin player) (on 1947-11-07)
vocals:
Charlie Monroe (on 1947-11-07)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1947-11-07)
2:27
9The Grave at the Foot of the Mountain
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1947-11-07)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1947-11-07)
guitar:
Rex Henderson (US country guitarist) (on 1947-11-07) and Charlie Monroe (on 1947-11-07)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1947-11-07)
vocals:
Charlie Monroe (on 1947-11-07)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1947-11-07)
3:10
10I See a Bright Light Shining
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1947-11-07)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1947-11-07)
guitar:
Rex Henderson (US country guitarist) (on 1947-11-07) and Charlie Monroe (on 1947-11-07)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1947-11-07)
vocals:
Charlie Monroe (on 1947-11-07)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1947-11-07)
2:43
11End of Memory Lane
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1947-11-07)
guitar:
Rex Henderson (US country guitarist) (on 1947-11-07) and Charlie Monroe (on 1947-11-07)
mandolin:
Orne Osborne (US country mandolinist, 1940s) (on 1947-11-07) and Red Rector (American bluegrass mandolin player) (on 1947-11-07)
vocals:
Charlie Monroe (on 1947-11-07)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1947-11-07)
2:47
12Shenandoah Waltz
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1947-11-07)
fiddle:
Orne Osborne (US country mandolinist, 1940s) (on 1947-11-07)
guitar:
Rex Henderson (US country guitarist) (on 1947-11-07) and Charlie Monroe (on 1947-11-07)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1947-11-07)
vocals:
Charlie Monroe (on 1947-11-07)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1947-11-07)
recording of:
Shenandoah Waltz (on 1947-11-07)
lyricist:
Clyde Moody
composer:
Chubby Wise
2:19
13Sweetheart I Love You Best
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1947-11-07)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1947-11-07)
guitar:
Rex Henderson (US country guitarist) (on 1947-11-07) and Charlie Monroe (on 1947-11-07)
lap steel guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1947-11-07)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1947-11-07)
vocals:
Charlie Monroe (on 1947-11-07)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1947-11-07)
2:19
14I Know You'll Understand
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1947-11-07)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1947-11-07)
guitar:
Rex Henderson (US country guitarist) (on 1947-11-07) and Charlie Monroe (on 1947-11-07)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1947-11-07)
vocals:
Charlie Monroe (on 1947-11-07)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1947-11-07)
2:26
15What Became of That Beautiful Picture
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1947-11-07)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1947-11-07)
guitar:
Rex Henderson (US country guitarist) (on 1947-11-07) and Charlie Monroe (on 1947-11-07)
lap steel guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1947-11-07)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1947-11-07)
vocals:
Charlie Monroe (on 1947-11-07)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1947-11-07)
2:16
16Walking With You in My Dreams
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1947-11-07)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1947-11-07)
guitar:
Rex Henderson (US country guitarist) (on 1947-11-07) and Charlie Monroe (on 1947-11-07)
lap steel guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1947-11-07)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1947-11-07)
vocals:
Charlie Monroe (on 1947-11-07)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1947-11-07)
2:24
17They Didn't Believe It Was True
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1949-02-01)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1949-02-01)
guitar:
Charlie Monroe (on 1949-02-01)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1949-02-01)
vocals:
Charlie Monroe (on 1949-02-01)
recorded at:
Fox Theatre in Atlanta, Georgia, United States (on 1949-02-01)
2:24
18Time Clock of Life
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1949-02-01)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1949-02-01)
guitar:
Charlie Monroe (on 1949-02-01)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1949-02-01)
vocals:
Charlie Monroe (on 1949-02-01)
recorded at:
Fox Theatre in Atlanta, Georgia, United States (on 1949-02-01)
2:21
19Red Rocking Chair
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1949-02-01)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1949-02-01)
guitar:
Charlie Monroe (on 1949-02-01)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1949-02-01)
vocals:
Charlie Monroe (on 1949-02-01)
recorded at:
Fox Theatre in Atlanta, Georgia, United States (on 1949-02-01)
recording of:
Red Rocking Chair (Red Apple Juice / Sugar Babe / Where Have You Been So Long) (on 1949-02-01)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 5731)
2:27
20Without Me Are You Blue
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1949-02-01)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1949-02-01)
guitar:
Charlie Monroe (on 1949-02-01)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1949-02-01)
vocals:
Charlie Monroe (on 1949-02-01)
recorded at:
Fox Theatre in Atlanta, Georgia, United States (on 1949-02-01)
2:19
21Our Mansion Is Ready
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1949-02-01)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1949-02-01)
guitar:
Charlie Monroe (on 1949-02-01)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1949-02-01)
vocals:
Charlie Monroe (on 1949-02-01)
recorded at:
Fox Theatre in Atlanta, Georgia, United States (on 1949-02-01)
2:12
22A Valley of Peace
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1949-02-01)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1949-02-01)
guitar:
Charlie Monroe (on 1949-02-01)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1949-02-01)
vocals:
Charlie Monroe (on 1949-02-01)
recorded at:
Fox Theatre in Atlanta, Georgia, United States (on 1949-02-01)
2:29
23Rosa Lee McFall
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1949-02-01)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1949-02-01)
guitar:
Charlie Monroe (on 1949-02-01)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1949-02-01)
vocals:
Charlie Monroe (on 1949-02-01)
recorded at:
Fox Theatre in Atlanta, Georgia, United States (on 1949-02-01)
recording of:
Rosa Lee McFall (on 1949-02-01)
lyricist and composer:
Charlie Monroe
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
2:31
24My Saviour's Train
double bass [bass]:
Lavelle Coy (US country bassist and singer) (on 1949-02-01)
electric guitar [electric lead guitar]:
Orne Osborne (US country mandolinist, 1940s) (on 1949-02-01)
guitar:
Charlie Monroe (on 1949-02-01)
mandolin:
Red Rector (American bluegrass mandolin player) (on 1949-02-01)
vocals:
Charlie Monroe (on 1949-02-01)
recorded at:
Fox Theatre in Atlanta, Georgia, United States (on 1949-02-01)
recording of:
My Savior's Train (on 1949-02-01)
writer:
[traditional] (special purpose artist)
2:40
▼CD 3
#TitleRatingLength
1Gonna Shake Hands With Mother Over There (alt. take)
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle and bass vocals:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
baritone vocals:
Birch Monroe (on 1950-03-25)
tenor vocals:
Lavelle Coy (US country bassist and singer) (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
recording of:
Gonna Shake Hands With Mother Over There (on 1950-03-25)
writer:
Charlie Louvin and Ira Louvin
2:18
2Gonna Shake Hands With Mother Over There
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle and bass vocals:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
baritone vocals:
Birch Monroe (on 1950-03-25)
tenor vocals:
Lavelle Coy (US country bassist and singer) (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
recording of:
Gonna Shake Hands With Mother Over There (on 1950-03-25)
writer:
Charlie Louvin and Ira Louvin
2:22
3Springtime in Glory
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle and bass vocals:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
baritone vocals:
Birch Monroe (on 1950-03-25)
tenor vocals:
Lavelle Coy (US country bassist and singer) (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
recording of:
Springtime in Glory (on 1950-03-25)
lyricist and composer:
Luther G. Presley
2:16
4So Blue
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
2:42
5Sugar Cane Mama
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
2:16
6Down in Caroline
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
recording of:
Down in Caroline (on 1950-03-25)
lyricist and composer:
Charlie Monroe
3:03
7I Know He's Been Dealing With Me
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle and bass vocals:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
baritone vocals:
Birch Monroe (on 1950-03-25)
tenor vocals:
Lavelle Coy (US country bassist and singer) (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
2:31
8I Know He's Been Dealing With Me (alt. take)
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle and bass vocals:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
baritone vocals:
Birch Monroe (on 1950-03-25)
tenor vocals:
Lavelle Coy (US country bassist and singer) (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
2:30
9You'd Better Be Somewhere Praying
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle and bass vocals:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
baritone vocals:
Birch Monroe (on 1950-03-25)
tenor vocals:
Lavelle Coy (US country bassist and singer) (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
2:25
10You'll Find Me There
double bass [bass]:
Hillous Butrum (US country guitarist and bassist) (on 1950-03-25)
fiddle and bass vocals:
Jerry Rivers (on 1950-03-25)
guitar:
Charlie Monroe (on 1950-03-25) and Robert C. McNett (on 1950-03-25)
baritone vocals:
Birch Monroe (on 1950-03-25)
tenor vocals:
Lavelle Coy (US country bassist and singer) (on 1950-03-25)
vocals:
Charlie Monroe (on 1950-03-25)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-03-25)
2:16
11'Neath a Cold Gray Tomb of Stone (alt. take)
double bass [bass]:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1950-10-20)
fiddle:
Jerry Rivers (on 1950-10-20)
guitar:
Charlie Monroe (on 1950-10-20)
steel guitar:
Don Helms (on 1950-10-20)
vocals:
Charlie Monroe (on 1950-10-20)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-10-20)
recording of:
'Neath a Cold Gray Tomb of Stone (on 1950-10-20)
lyricist and composer:
Mel Foree and Hank Williams (country music legend)
2:30
12'Neath a Cold Gray Tomb of Stone
double bass [bass]:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1950-10-20)
fiddle:
Jerry Rivers (on 1950-10-20)
guitar:
Charlie Monroe (on 1950-10-20)
steel guitar:
Don Helms (on 1950-10-20)
vocals:
Charlie Monroe (on 1950-10-20)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-10-20)
recording of:
'Neath a Cold Gray Tomb of Stone (on 1950-10-20)
lyricist and composer:
Mel Foree and Hank Williams (country music legend)
2:32
13Good Morning to You
double bass [bass]:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1950-10-20)
fiddle:
Jerry Rivers (on 1950-10-20)
guitar:
Charlie Monroe (on 1950-10-20)
steel guitar:
Don Helms (on 1950-10-20)
vocals:
Charlie Monroe (on 1950-10-20)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-10-20)
recording of:
Good Morning to You (on 1950-10-20)
lyricist and composer:
Charlie Monroe
2:29
14I'm Gonna Sing, Sing, Sing (alt. take)
double bass [bass] and baritone vocals [high baritone vocals]:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1950-10-20)
fiddle and bass vocals:
Jerry Rivers (on 1950-10-20)
guitar:
Charlie Monroe (on 1950-10-20)
steel guitar and tenor vocals:
Don Helms (on 1950-10-20)
vocals:
Charlie Monroe (on 1950-10-20)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-10-20)
recording of:
(I’m Gonna) Sing, Sing, Sing (on 1950-10-20)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff-Rose Publications, Inc. (BMI) (on 1951-01-24)
2:23
15I'm Gonna Sing, Sing, Sing
double bass [bass] and baritone vocals [high baritone vocals]:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1950-10-20)
fiddle and bass vocals:
Jerry Rivers (on 1950-10-20)
guitar:
Charlie Monroe (on 1950-10-20)
steel guitar and tenor vocals:
Don Helms (on 1950-10-20)
vocals:
Charlie Monroe (on 1950-10-20)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-10-20)
recording of:
(I’m Gonna) Sing, Sing, Sing (on 1950-10-20)
lyricist and composer:
Hank Williams (country music legend)
publisher:
Acuff-Rose Publications, Inc. (BMI) (on 1951-01-24)
2:24
16Gold Star Mother
double bass [bass] and baritone vocals [high baritone vocals]:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1950-10-20)
fiddle and bass vocals:
Jerry Rivers (on 1950-10-20)
guitar:
Charlie Monroe (on 1950-10-20)
steel guitar and tenor vocals:
Don Helms (on 1950-10-20)
vocals:
Charlie Monroe (on 1950-10-20)
recorded at:
Brown Radio Productions in Nashville, Tennessee, United States (on 1950-10-20)
2:37
17Jesus Is Calling (alt. take)
producer:
Stephen H. Sholes
fiddle:
Slim Martin (on 1951-05-06)
guitar:
Tex Isley (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
mandolin:
Clyde Baum (on 1951-05-06)
vocals:
Clyde Baum (on 1951-05-06), Slim Martin (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1951-05-06) and Fox Theatre in Atlanta, Georgia, United States (on 1951-05-06)
recording of:
Jesus Is Calling (on 1951-05-06)
writer:
Charlie Monroe and Hank Williams (country music legend)
2:26
18Jesus Is Calling
producer:
Stephen H. Sholes
fiddle:
Slim Martin (on 1951-05-06)
guitar:
Tex Isley (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
mandolin:
Clyde Baum (on 1951-05-06)
vocals:
Clyde Baum (on 1951-05-06), Slim Martin (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1951-05-06) and Fox Theatre in Atlanta, Georgia, United States (on 1951-05-06)
recording of:
Jesus Is Calling (on 1951-05-06)
writer:
Charlie Monroe and Hank Williams (country music legend)
2:25
19My Lord's Gonna Move This Wicked Race (alt. take)
producer:
Stephen H. Sholes
fiddle:
Slim Martin (on 1951-05-06)
guitar:
Tex Isley (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
mandolin:
Clyde Baum (on 1951-05-06)
vocals:
Clyde Baum (on 1951-05-06), Slim Martin (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
arranger:
Charlie Monroe
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1951-05-06) and Fox Theatre in Atlanta, Georgia, United States (on 1951-05-06)
recording of:
My Lord's Gonna Move This Wicked Race (on 1951-05-06)
writer:
[traditional] (special purpose artist)
2:07
20My Lord's Gonna Move This Wicked Race
producer:
Stephen H. Sholes
fiddle:
Slim Martin (on 1951-05-06)
guitar:
Tex Isley (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
mandolin:
Clyde Baum (on 1951-05-06)
vocals:
Clyde Baum (on 1951-05-06), Slim Martin (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
arranger:
Charlie Monroe
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1951-05-06) and Fox Theatre in Atlanta, Georgia, United States (on 1951-05-06)
recording of:
My Lord's Gonna Move This Wicked Race (on 1951-05-06)
writer:
[traditional] (special purpose artist)
2:07
21That Wild Black Engine
producer:
Stephen H. Sholes
guitar:
Tex Isley (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
harmonica:
Slim Martin (on 1951-05-06)
mandolin:
Clyde Baum (on 1951-05-06)
vocals:
Clyde Baum (on 1951-05-06), Slim Martin (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1951-05-06) and Fox Theatre in Atlanta, Georgia, United States (on 1951-05-06)
2:38
22You'll Find Her Name Written There (alt. take)
producer:
Stephen H. Sholes
fiddle:
Slim Martin (on 1951-05-06)
guitar:
Tex Isley (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
mandolin:
Clyde Baum (on 1951-05-06)
vocals:
Charlie Monroe (on 1951-05-06)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1951-05-06) and Fox Theatre in Atlanta, Georgia, United States (on 1951-05-06)
recording of:
You'll Find Her Name Written There (on 1951-05-06)
lyricist and composer:
Harold Hensley
3:07
23You'll Find Her Name Written There
producer:
Stephen H. Sholes
fiddle:
Slim Martin (on 1951-05-06)
guitar:
Tex Isley (on 1951-05-06), Charlie Monroe (on 1951-05-06) and Orne Osborne (US country mandolinist, 1940s) (on 1951-05-06)
mandolin:
Clyde Baum (on 1951-05-06)
vocals:
Charlie Monroe (on 1951-05-06)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1951-05-06) and Fox Theatre in Atlanta, Georgia, United States (on 1951-05-06)
recording of:
You'll Find Her Name Written There (on 1951-05-06)
lyricist and composer:
Harold Hensley
2:45
24An Angel in Disguise
producer:
Paul Cohen (Nashville country producer)
double bass [bass]:
Ernie Newton (contrabassist) (on 1952-01-20)
fiddle:
Jerry Rivers (on 1952-01-20)
guitar:
Grady Martin (country/rockabilly guitarist) (on 1952-01-20), Joe Medford (on 1952-01-20) and Charlie Monroe (on 1952-01-20)
steel guitar:
Bob Foster (US steel guitarist) (on 1952-01-20)
vocals:
Charlie Monroe (on 1952-01-20)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1952-01-20)
2:35
25Find 'em, Fool 'em and Leave 'em Alone
producer:
Paul Cohen (Nashville country producer)
banjo:
Joe Medford (on 1952-01-20)
double bass [bass]:
Ernie Newton (contrabassist) (on 1952-01-20)
fiddle:
Jerry Rivers (on 1952-01-20)
guitar:
Grady Martin (country/rockabilly guitarist) (on 1952-01-20) and Charlie Monroe (on 1952-01-20)
steel guitar:
Bob Foster (US steel guitarist) (on 1952-01-20)
vocals:
Charlie Monroe (on 1952-01-20)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1952-01-20)
recording of:
Find 'em, Fool 'em and Leave 'em Alone (on 1952-01-20)
lyricist and composer:
Charlie Monroe
2:09
26I'm Old Kentucky Bound
producer:
Paul Cohen (Nashville country producer)
double bass [bass]:
Ernie Newton (contrabassist) (on 1952-01-20)
fiddle:
Jerry Rivers (on 1952-01-20)
guitar:
Grady Martin (country/rockabilly guitarist) (on 1952-01-20), Joe Medford (on 1952-01-20) and Charlie Monroe (on 1952-01-20)
steel guitar:
Bob Foster (US steel guitarist) (on 1952-01-20)
vocals:
Charlie Monroe (on 1952-01-20)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1952-01-20)
recording of:
I'm Old Kentucky Bound (on 1952-01-20)
lyricist and composer:
Charlie Monroe
2:39
27These Triflin' Women
producer:
Paul Cohen (Nashville country producer)
banjo:
Joe Medford (on 1952-01-20)
double bass [bass]:
Ernie Newton (contrabassist) (on 1952-01-20)
fiddle:
Jerry Rivers (on 1952-01-20)
guitar:
Grady Martin (country/rockabilly guitarist) (on 1952-01-20) and Charlie Monroe (on 1952-01-20)
steel guitar:
Bob Foster (US steel guitarist) (on 1952-01-20)
vocals:
Charlie Monroe (on 1952-01-20)
recorded at:
Castle Studio in Nashville, Tennessee, United States (on 1952-01-20)
2:21
28Why Did You Say Good-Bye?
producer:
Paul Cohen (Nashville country producer)
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1956-08-03)
fiddle:
Tommy Jackson (bluegrass fiddler) (on 1956-08-03)
guitar:
Harold Ray Bradley (on 1956-08-03), Grady Martin (country/rockabilly guitarist) (on 1956-08-03) and Charlie Monroe (on 1956-08-03)
piano:
Owen Bradley (on 1956-08-03)
steel guitar:
Don Helms (on 1956-08-03)
vocals:
Charlie Monroe (on 1956-08-03)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-08-03)
recording of:
Why Did You Say Goodbye (on 1956-08-03)
writer:
Charlie Monroe
publisher:
Unichappell Music, Inc.
2:30
29I'm Weary of Heartaches
producer:
Paul Cohen (Nashville country producer)
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1956-08-03)
fiddle:
Tommy Jackson (bluegrass fiddler) (on 1956-08-03)
guitar:
Harold Ray Bradley (on 1956-08-03), Grady Martin (country/rockabilly guitarist) (on 1956-08-03) and Charlie Monroe (on 1956-08-03)
piano:
Owen Bradley (on 1956-08-03)
steel guitar:
Don Helms (on 1956-08-03)
vocals:
Charlie Monroe (on 1956-08-03)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-08-03)
recording of:
I'm Weary of Heartaches (on 1956-08-03)
lyricist and composer:
Charlie Monroe
2:43
30That's What I Like About You
producer:
Paul Cohen (Nashville country producer)
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1956-08-03)
fiddle:
Tommy Jackson (bluegrass fiddler) (on 1956-08-03)
guitar:
Harold Ray Bradley (on 1956-08-03), Grady Martin (country/rockabilly guitarist) (on 1956-08-03) and Charlie Monroe (on 1956-08-03)
piano:
Owen Bradley (on 1956-08-03)
steel guitar:
Don Helms (on 1956-08-03)
vocals:
Charlie Monroe (on 1956-08-03)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-08-03)
2:27
31Weep and Cry
producer:
Paul Cohen (Nashville country producer)
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1956-08-03)
fiddle:
Tommy Jackson (bluegrass fiddler) (on 1956-08-03)
guitar:
Harold Ray Bradley (on 1956-08-03), Grady Martin (country/rockabilly guitarist) (on 1956-08-03) and Charlie Monroe (on 1956-08-03)
piano:
Owen Bradley (on 1956-08-03)
steel guitar:
Don Helms (on 1956-08-03)
vocals:
Charlie Monroe (on 1956-08-03)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-08-03)
2:42
▶CD 4