Les 100 plus belles musiques classiques du cinéma

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

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▼CD 1: Les Blockbusters
#	Title	Artist	Rating	Length
1	Ainsi parlait Zarathoustra (2001, L'odysée de l'espace) organ: David Bell (organist) orchestra: London Philharmonic Orchestra (LPO) conductor: Klaus Tennstedt (conductor) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1990) recording of: Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) composer: Richard Strauss (German composer) (in 1896) part of: Also sprach Zarathustra (op 30; TrV 176)	Richard Strauss		1:46
2	La Chevauchée des Walkyries (Apocalypse Now) producer: John Fraser (UK producer) orchestra: Oslo Philharmonic Orchestra (from 1991-08-14 until 1991-08-24) conductor: Mariss Jansons (Latvian conductor) (from 1991-08-14 until 1991-08-24) balance engineer: Mark Vigars (engineer) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1992) recorded at: Oslo Konserthus in Oslo, Norway (from 1991-08-14 until 1991-08-24) recording of: Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (from 1991-08-14 until 1991-08-24) composer: Richard Wagner (composer) (from 1854 until 1856) publisher: Schott Music International (publisher; do not use as label) part of: Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"	Richard Wagner		4:47
3	Requiem en ré mineur (Amadeus) choir vocals: Sinfonia Chorus (associated with Northern Sinfonia of England) orchestra: Royal Northern Sinfonia conductor: Richard Hickox (conductor) recording of: Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart		3:10
4	My Heart Will Go On (Titanic) orchestra: Orchestra (Special Purpose Artist – Do not add releases here, if possible.) conductor: David Abel (conductor) arranger: James Shearman (conductor, orchestrator, composer) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998) instrumental recording of: My Heart Will Go On lyricist: Will Jennings composer: James Horner (American score composer) publisher: Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, フジパシフィック音楽出版第2事業部 (until 2014-12-31) and フジパシフィックミュージック第2事業部 (from 2015-01-01 to present) part of: Academy Award for Best Original Song (number: 70) part of: Titanic	James Horner		4:22
5	Thème principal (On ne vit que deux fois) engineer: Mike Ross-Trevor (engineer) executive producer: Reynold da Silva producer: Nic Raine and Mike Ross-Trevor (engineer) alto saxophone: Jindřich Němeček guitar: Peter Binder (guitarist) piano: Jaroslava Eleasova violin: Michael Metelka orchestra: The City of Prague Philharmonic Orchestra conductor: Nic Raine additional arranger: Christopher Tin arranger: Nic Raine instrumental cover recording of: You Only Live Twice lyricist: Leslie Bricusse composer: John Barry (English score composer) publisher: EMI United Partnership Ltd. part of: You Only Live Twice (from the James Bond Film)	John Barry		2:56
6	Thème principal (Star Wars) performer: Geoff Love & His Orchestra recording of: Main Title (Star Wars) composer: John Williams (American score composer) (from 2014-12 until 2015-11) publisher: Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) music quoted on: Finale (Star Wars, Episode IX: The Rise of Skywalker) part of: Star Wars Holiday Special (television soundtrack) part of: Star Wars, Episode I: The Phantom Menace (film soundtrack) part of: Star Wars, Episode II: Attack of the Clones (2002 film score) part of: Star Wars, Episode III: Revenge of the Sith (film soundtrack) part of: Star Wars, Episode IV: A New Hope (film soundtrack) part of: Star Wars, Episode IX: The Rise of Skywalker (2019 film score) part of: Star Wars, Episode V: The Empire Strikes Back (film soundtrack) part of: Star Wars, Episode VI: Return of the Jedi (film soundtrack) part of: Star Wars, Episode VII: The Force Awakens (2015 film score) part of: Star Wars, Episode VIII: The Last Jedi (2017 film score) part of: Star Wars: Shadows of the Empire	John Williams		3:17
7	Thème (Gladiator) choir vocals: Crouch End Festival Chorus orchestra: The City of Prague Philharmonic Orchestra conductor: Nic Raine chorus master: David Temple partial recording of: Gladiator: Symphonic Suite composer: Hans Zimmer (German score composer) arrangement of: Honor Him (Gladiator) arrangement of: The Battle (Gladiator) arrangement of: The Might of Rome (Gladiator)	Hans Zimmer/Lisa Gerrard/Klaus Badelt		2:23
8	Au fond du temple saint (Gallipoli) engineer: Walther Ruhlmann producer: René Challan baritone vocals [Zurga]: Ernest Blanc (baritone) (in 1961) tenor vocals [Nadir]: Nicolai Gedda (tenor) (in 1961) vocals: Ernest Blanc (baritone) (in 1961) and Nicolai Gedda (tenor) (in 1961) orchestra: Paris Opéra-Comique Orchestra (in 1961) conductor: Pierre Dervaux (French conductor and composer) (in 1961) phonographic copyright (℗) by: EMI France (in 1961) and EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961) recording of: Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir) (in 1961) composer: Georges Bizet (composer) (from 1863-04 until 1863-08) librettist: Michel Carré (librettist) and Eugène Cormon part of: Les Pêcheurs de perles : Acte I	Georges Bizet		5:25
9	Intermezzo (Le Parrain III) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Riccardo Muti (conductor) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1980) recording of: Cavalleria rusticana: Intermezzo composer: Pietro Mascagni (composer & conductor) (in 1888) part of: Cavalleria rusticana part of: Cavalleria rusticana (german lyrics)	Pietro Mascagni		3:43
10	The Fellowship (Le Seigneur des anneaux : La Communauté de l'anneau) producer: James Fitzpatrick choir vocals: Crouch End Festival Chorus orchestra: The City of Prague Philharmonic Orchestra (in 2002) conductor: Nic Raine (in 2002) chorus master: David Temple cover recording of: Main Theme (The Lord of the Rings) composer: Howard Shore (Canadian score composer) publisher: Universal Music Publishing (use ONLY if no country-specific information is available)	Howard Shore		5:54
11	Fawkes the Phoenix (Harry Potter et la chambre des secrets) orchestra: The City of Prague Philharmonic Orchestra conductor: Nic Raine arranger: Christopher Tin recording of: Fawkes the Phoenix (Harry Potter and the Chamber of Secrets) composer: John Williams (American score composer) publisher: Warner-Barham Music LLC part of: Harry Potter and the Chamber of Secrets (2002 film score) cover recording of: Fawkes the Phoenix (Harry Potter and the Chamber of Secrets) composer: John Williams (American score composer) publisher: Warner-Barham Music LLC part of: Harry Potter and the Chamber of Secrets (2002 film score)	John Williams		3:38
12	Hymn to the Fallen (Il faut sauver le soldat Ryan) choir vocals: Crouch End Festival Chorus orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Bateman (conductor) arranger: Paul Bateman (conductor) phonographic copyright (℗) by: BMG Music, Cherry Lane and Silva Screen Records (main imprint of Silva Screen Records Ltd.) (in 1999) cover recording of: Hymn to the Fallen (Saving Private Ryan) composer: John Williams (American score composer) publisher: Cherry Lane Music Ltd. and Universal Music Publishing MGB part of: Saving Private Ryan (1998 film score)	John Williams		6:05
13	Trio Divertimento en mi bémol majeur 'Puchberg' (Mission Impossible) cello: Gary Hoffman (Canadian cello player) viola: Gérard Caussé (violist) violin: Augustin Dumay (violinist) recording of: Divertimento for Violin, Viola & Cello in E-flat major, K. 563: III. Minuetto composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-09-27) part of: Divertimento for Violin, Viola & Cello in E-flat major, K. 563	Wolfgang Amadeus Mozart		5:20
14	L'Apprenti sorcier (Fantasia) orchestra: Oslo‐Filharmonien conductor: Mariss Jansons (Latvian conductor) partial recording of: L’Apprenti sorcier composer: Paul Dukas (composer) (from 1896 until 1897) part of: Fantasia (Disney soundtrack)	Paul Dukas		6:39
15	End titles (Braveheart) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Bateman (conductor) phonographic copyright (℗) by: EMI Music (do not use as release label! this is a music publisher) and Silva Screen Records (main imprint of Silva Screen Records Ltd.) (in 1997) cover recording of: End Credits (Braveheart) composer: James Horner (American score composer) part of: Braveheart	James Horner		7:06

▼CD 2: Les Grands Classiques
#	Title	Artist	Rating	Length
1	Concerto pour piano n° 2 en ut mineur (Quelque part dans le temps) piano: Cécile Ousset (French pianist) orchestra: City of Birmingham Symphony Orchestra conductor: Simon Rattle (conductor) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1984) partial recording of: Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto premiered in: Moscow, Russia (on 1900-12-15) composer: Сергей Рахманинов (Russian composer) (from 1900 until 1901-04) part of: Piano Concerto no. 2 in C minor, op. 18	Rachmaninov		4:32
2	Miserere mei, Deus (Les Chariots de feu) baritone vocals, bass vocals [Cantor], bass-baritone vocals [cantor] and other vocals [cantor]: Gerald Finley (bass-baritone) choir vocals: Choir of King’s College, Cambridge (in 1984) treble vocals: Timothy Beasley-Murray (treble vocalist) (in 1984) vocals: Gerald Finley (bass-baritone) (in 1984) conductor: Stephen Cleobury (organist, conductor) chorus master: Stephen Cleobury (organist, conductor) (in 1984) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1984) partial recording of: Miserere mei, Deus composer: Gregorio Allegri (composer)	Gregorio Allegri		5:47
3	Cavatina (Voyage au bout de l'enfer) guitar: Manuel Barrueco (guitarist) and Steve Morse (American guitarist) recording of: Cavatina (theme from The Deer Hunter, for guitar) composer: Stanley Myers publisher: EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.	Stanley Myers		3:16
4	Adagio pour cordes (Platoon) orchestra: The Philadelphia Orchestra (in 1957) conductor: Eugene Ormandy (conductor) (in 1957) recording of: Adagio for Strings (in 1957) orchestrator: Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938) composer: Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936) premiered at: [radio broadcast] (1938-11-05) publisher: G. Schirmer Inc. arrangement of: String Quartet, op. 11: II. Molto adagio	Samuel Barber	3	6:23
5	Symphonie n° 5 en ut dièse mineur (Mort à Venise) orchestra: New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Sir John Barbirolli (conductor and cellist) partial recording of: Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam composer: Gustav Mahler (composer) (from 1901 until 1902) part of: Symphony no. 5	Gustav Mahler		3:08
6	Any Other Name (American Beauty) performer: Sally Herbert (violinist, composer, and conductor) recording of: Any Other Name orchestrator: Thomas Pasatieri composer: Thomas Newman (American score composer) publisher: Cherry Lane Music and Cherry Lane Music Publishing Company Inc. part of: American Beauty	Thomas Newman		4:06
7	Thème principal (E.T.) orchestra: Ron Goodwin and His Concert Orchestra recording of: E.T.: Main Theme composer: John Williams (American score composer) (in 1982) part of: E.T. the Extra-Terrestrial (concert arrangement soundtrack)	John Williams		3:59
8	Thème principal (La Liste de Schindler) violin: Tasmin Little (violinist) (in 1994) orchestra: New World Symphony and New World Philharmonic (in 1994) conductor: Iain Sutherland (British conductor) (in 1994) recording of: Main Theme (Schindler’s List) (in 1994) composer: John Williams (American score composer) (in 1993) publisher: Chester Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!) part of: Schindler's List	John Williams		5:05
9	Gabriel's Oboe (Mission) assistant engineer: Steve Price (UK recording engineer/producer/orchestrator/arranger) engineer: Dick Lewzey oboe: Carlo Romano choir vocals: Barnet Schools' Choir and London Voices orchestra: Accademia Nazionale Italiana, London Philharmonic Orchestra (LPO), Roma Sinfonietta and Ennio Morricone and his Orchestra (Italian symphonic orchestra) (in 1987) conductor: Ennio Morricone (Italian classical and score composer) (in 1987) chorus master: David Bedford (composer) performer: Incantation (plays traditional tribal and other South American music) orchestrator: Ennio Morricone (Italian classical and score composer) phonographic copyright (℗) by: Virgin Records Ltd. (not for release label use!) (in 1986, in 1987) recorded at: CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom recording of: Gabriel’s Oboe (The Mission) orchestrator and composer: Ennio Morricone (Italian classical and score composer) publisher: Virgin Music (Publishers) Ltd. part of: The Mission	Ennio Morricone		2:14
10	Symphonie n° 25 en sol mineur (Roméo + Juliette) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) partial recording of: Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio composer: Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05) part of: Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor"	Wolfgang Amadeus Mozart		4:43
11	Thème principal (Jean de Florette) orchestra: Hallé Orchestra conductor: Sir John Barbirolli (conductor and cellist) partial recording of: La forza del destino: Sinfonia composer: Giuseppe Verdi (Italian opera composer) part of: La forza del destino	Giuseppe Verdi		2:57
12	Sérénade en sol majeur 'Une petit musique de nuit' (Alien) engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) producer: Christopher Bishop (conductor/producer) orchestra: Academy of St Martin in the Fields (from 1976-01 until 1976-10) conductor: Sir Neville Marriner (conductor) (from 1976-01 until 1976-10) recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-01 until 1976-10) recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (from 1976-01 until 1976-10) composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart		5:45
13	Cinema Paradisio Love Theme (Cinéma Paradiso) piano: Paul Bateman (conductor) solo soprano vocals: Anna Thomas (soprano) orchestra: The City of Prague Philharmonic Orchestra conductor: Paul Bateman (conductor) orchestrator: Rachel Berlin phonographic copyright (℗) by: Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1996) recording of: Nuovo Cinema Paradiso: Nuovo Cinema Paradiso orchestrator and composer: Ennio Morricone (Italian classical and score composer) cover recording of: Nuovo cinema Paradiso: Tema d'amore composer: Andrea Morricone (composer) and Ennio Morricone (Italian classical and score composer) part of: Nuovo Cinema Paradiso: Nuovo Cinema Paradiso recording of: Nuovo cinema Paradiso: Tema d'amore composer: Andrea Morricone (composer) and Ennio Morricone (Italian classical and score composer) part of: Nuovo Cinema Paradiso: Nuovo Cinema Paradiso	Ennio Morricone	3	3:33
14	Valse n° 2 (Eyes Wide Shut) orchestra: The Philadelphia Orchestra conductor: Mariss Jansons (Latvian conductor) recording of: Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite) composer: Дмитрий Дмитриевич Шостакович (composer) part of: Suite for Variety Orchestra	Chostakovitch		3:44
15	Ode à la joie (Orange mécanique) choir vocals: Westminster Choir (Princeton, USA) orchestra: The Philadelphia Orchestra conductor: Sir Adrian Boult (conductor) chorus master: James Morris (operatic bass-baritone) partial recording of: Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) composer: Ludwig van Beethoven (German composer) (from 1822 until 1824) librettist: Friedrich Schiller (German poet and playwright) is based on: An die Freude part of: Symphony no. 9 in D minor, op. 125 “Choral”	Ludwig van Beethoven		3:20

▼CD 3: Films préférés
#	Title	Artist	Rating	Length
1	Sérénade en sol majeur 'Une petite musique de nuit' (Ace Ventura, détective chiens et chats) engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) producer: Christopher Bishop (conductor/producer) orchestra: Academy of St Martin in the Fields (from 1976-01 until 1976-10) conductor: Sir Neville Marriner (conductor) (from 1976-01 until 1976-10) recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-01 until 1976-10) recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (from 1976-01 until 1976-10) composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart		5:52
2	Concerto pour clarinette en la majeur (Out of Africa) basset clarinet and clarinet: Sabine Meyer (clarinetist) orchestra: Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1990) conductor: Hans Vonk (conductor) (in 1990) recording of: Concerto for Clarinet in A major, K. 622: II. Adagio (in 1990) composer: Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07) part of: Concerto for Clarinet in A major, K. 622	Wolfgang Amadeus Mozart		6:38
3	Concerto pour 2 pianos en mi bémol majeur (Amadeus) producer: Christopher Bishop (conductor/producer) piano: Radu Lupu (Romanian concert pianist) (on 1975-12-08) and André Previn (pianist, conductor, composer, arranger) (on 1975-12-08) orchestra: London Symphony Orchestra (on 1975-12-08) conductor: André Previn (pianist, conductor, composer, arranger) (on 1975-12-08) balance engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1975-12-08) recording of: Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro (on 1975-12-08) composer: Wolfgang Amadeus Mozart (classical composer) (in 1779) part of: Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365	Wolfgang Amadeus Mozart		6:47
4	Recuerdos de la Alhambra (Sideways) guitar: Christopher Parkening (guitarist) recording of: Recuerdos de la Alhambra composer: Francisco Tárrega	Francisco Tárrega		3:57
5	Concerto pour flûte & harpe en ut majeur (Le Club de la chance) flute: James Galway (flautist) harp: Fritz Helmis (harpist) orchestra: Berliner Philharmoniker conductor: Herbert von Karajan (conductor) partial recording of: Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino composer: Wolfgang Amadeus Mozart (classical composer) (in 1778-04) part of: Concerto in C major for Flute, Harp & Orchestra, K. 297c/299	Wolfgang Amadeus Mozart		4:00
6	Stabat Mater (Le Talentueux M. Ripley) producer: Tolga Kaşif (composer and conductor) countertenor vocals: Robin Blaze (countertenor) soprano vocals: Lesley Garrett (soprano) orchestra: The London Session Orchestra conductor: Paul Daniel (conductor) recording of: Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa composer: Giovanni Battista Pergolesi (composer) part of: Stabat Mater for soprano, alto, strings and basso continuo	Giovanni Battista Pergolesi		3:57
7	Ave verum corpus (Lorenzo) producer: James Mallinson (producer) choir vocals: Schwedischer Rundfunkchor (in 1987) and Stockholmer Kammerchor (Stockholm Chamber Choir) (in 1987) orchestra: Berliner Philharmoniker (in 1987) conductor: Riccardo Muti (conductor) (in 1987) chorus master: Eric Ericson (from 1987-02-14 until 1987-02-15) balance engineer: John Kurlander (engineer) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987) recorded at: Berliner Philharmonie in Berlin, Germany (from 1987-02-14 until 1987-02-15) recording of: Ave verum corpus, K. 618 (for chorus, string and organ) (in 1987) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Köchelverzeichnis (original numbering) (number: 618) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 618)	Wolfgang Amadeus Mozart		3:26
8	Concerto pour cor n° 2 en mi bémol majeur (JFK) engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) producer: Christopher Bishop (conductor/producer) French horn: Barry Tuckwell (hornist / conductor) (in 1971-05) orchestra: Academy of St Martin in the Fields (in 1971-05) conductor: Sir Neville Marriner (conductor) (in 1971-05) recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom recording of: Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro (in 1971-05) composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Concerto for Horn no. 2 in E-flat major, K. 417	Wolfgang Amadeus Mozart		3:16
9	Quintette à cordes en ut majeur (Carrington) cello: Laszlo Varga (cellist) performer: Hungarian Quartet (1935-1972) partial recording of: String Quintet in C major, D. 956: II. Adagio composer: Franz Schubert (composer) (in 1828) part of: String Quintet in C major, D. 956	Franz Schubert		4:39
10	Les Noces de Figaro - Ouverture (Just Married (ou presque)) orchestra: Royal Philharmonic Orchestra conductor: Sir Colin Davis (English conductor) recording of: Le nozze di Figaro, K. 492: Sinfonia composer: Wolfgang Amadeus Mozart (classical composer) (in 1786) part of: Die Hochzeit des Figaro (German translation) part of: Le nozze di Figaro, K. 492	Wolfgang Amadeus Mozart		4:20
11	Concerto pour violoncelle en mi mineur (Hilary and Jackie) cello: Robert Cohen (cellist) orchestra: London Philharmonic Orchestra (LPO) conductor: Norman Del Mar (conductor) partial recording of: Cello Concerto in E minor, op. 85: I. Adagio – Moderato composer: Edward Elgar (composer) (from 1918 until 1919) part of: Cello Concerto in E minor, op. 85	Sir Edward Elgar		3:48
12	Symphonie n° 40 en sol mineur (Tuer n'est pas jouer) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987) partial recording of: Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25) part of: Symphony no. 40 in G minor, K. 550 “Great” (2nd version)	Wolfgang Amadeus Mozart		5:36
13	Nimrod (Elizabeth) producer: Christopher Bishop (conductor/producer) orchestra: London Symphony Orchestra (from 1970-08-04 until 1970-08-06) conductor: Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06) balance engineer: Michael Gray (UK classical recording engineer) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06) recording of: Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1970-08-04 until 1970-08-06) publisher: Sir Edward Elgar (dec’d) (composer) composer: Edward Elgar (composer) (in 1899) dedicated to: Augustus J. Jaeger part of: Variations on an Original Theme (‘Enigma’), op. 36	Sir Edward Elgar		3:57
14	Symphonie 'Inachevée' (Minority Report) orchestra: Berliner Philharmoniker conductor: Herbert von Karajan (conductor) partial recording of: Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato composer: Franz Schubert (composer) (in 1822) part of: Symphony no. 8 in B minor, D. 759 “Unfinished”	Franz Schubert		4:10
15	Sérénade en sol majeur 'Une petite musique de nuit' (Mary à tout prix) engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) producer: Christopher Bishop (conductor/producer) orchestra: Academy of St Martin in the Fields (from 1976-01 until 1976-10) conductor: Sir Neville Marriner (conductor) (from 1976-01 until 1976-10) recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-01 until 1976-10) recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (from 1976-01 until 1976-10) composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart		3:05
16	Le Lac des cygnes (Billy Elliot) producer: Christopher Bishop (conductor/producer) orchestra: London Symphony Orchestra (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10) conductor: André Previn (pianist, conductor, composer, arranger) (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10) balance engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-05-26 until 1976-05-28, from 1976-06-08 until 1976-06-10) recording of: Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (from 1976-05-26 until 1976-06-10) composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) part of: Swan Lake, op. 20: Act II	Tchaïkovski		2:49
17	Jupiter, the Bringer of Jollity (L'Étoffe des héros) orchestra: City of Birmingham Symphony Orchestra conductor: Simon Rattle (conductor) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981) partial recording of: The Planets, op. 32: IV. Jupiter, the Bringer of Jollity composer: Gustav Holst (composer) (from 1914 until 1916) orchestration of: The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos) part of: The Planets, op. 32 (Suite for Large Orchestra)	Gustav Holst		4:47

▼CD 4: Le piano au cinéma
#	Title	Artist	Rating	Length
1	The Heart Asks Pleasure First / The Promise (La Leçon de Piano) additional engineer: Jamie Luker engineer: Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner) producer and creative direction: Michael Nyman (composer) piano: Michael Nyman (composer) conductor and performer: Michael Nyman (composer) arranger: Michael Nyman (composer) phonographic copyright (℗) by: Michael Nyman Ltd. (in 1993) recorded at: Arco Studios in München, Bayern, Germany and Kitsch Recording Studio in Ixelles / Elsene, Brussels, Belgium medley including a recording of: The Heart Asks Pleasure First (The Piano) composer: Michael Nyman (composer) publisher: Chester Music Ltd., Michael Nyman Ltd. and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries) part of: The Piano (1993 film score) medley including a recording of: The Promise (The Piano) composer: Michael Nyman (composer) part of: The Piano (1993 film score)	Michael Nyman		3:15
2	Concerto pour piano n° 21 en ut majeur (Elvira Madigan) piano: Stephen Hough (pianist) (in 1987-05) orchestra: Hallé Orchestra (in 1987-05) conductor: Bryden Thomson (conductor) (in 1987-05) recorded at: Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (in 1987-05) recording of: Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1987-05) composer: Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09) part of: Concerto for Piano no. 21 in C major, K. 467	Wolfgang Amadeus Mozart		6:47
3	Prélude n° 15 en ré bémol majeur 'Goutte d'eau' (Volte/Face) piano: Dmitri Alexeev (pianist) recording of: Prélude no. 15 in D-flat major, op. 28: Sostenuto composer: Fryderyk Chopin (composer) (from 1836 until 1839) part of: 24 Préludes pour le piano, op. 28	Frédéric Chopin		5:53
4	Concerto pour piano n° 20 en ré mineur (Amadeus) piano: Annie Fischer (pianist) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) partial recording of: Concerto for Piano no. 20 in D minor, K. 466: II. Romanze composer: Wolfgang Amadeus Mozart (classical composer) (in 1785) part of: Concerto for Piano no. 20 in D minor, K. 466	Wolfgang Amadeus Mozart		6:15
5	Valse en ut dièse mineur (La Bidasse) piano: Dmitri Alexeev (pianist) recording of: Waltz no. 7 in C-sharp minor, op. 64 no. 2 composer: Fryderyk Chopin (composer) (from 1846 until 1847) part of: Waltzes, op. 64	Frédéric Chopin		4:14
6	Rondo alla turca (The Truman Show) piano: Andrei Gavrilov (pianist) recording of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto composed in: Paris, Île-de-France, France (in 1778) composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”	Wolfgang Amadeus Mozart		3:28
7	Concerto pour piano n° 25 en ut majeur (L'Associé) piano: Christian Zacharias (pianist and conductor) orchestra: Symphonieorchester des Bayerischen Rundfunks conductor: David Zinman (conductor) recording of: Concerto for Piano and Orchestra no. 25 in C major, K. 503: II. Andante composer: Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-12-04) part of: Concerto for Piano and Orchestra no. 25 in C major, K. 503	Wolfgang Amadeus Mozart		7:09
8	Sonate pour piano n° 11 en la majeur (Un Homme d'exception) piano: Andrei Gavrilov (pianist) partial recording of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso composed in: Paris, Île-de-France, France (in 1778) composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”	Wolfgang Amadeus Mozart		1:59
9	Sonate pour piano n° 14 en ut dièse mineur 'Clair de Lune' (Ludwig Van B.) piano: Moura Lympany (British pianist) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1991) partial recording of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto composer: Ludwig van Beethoven (German composer) (in 1801) music quoted on: Happy Birthday but 13 classical composers are fighting over the last slice of cake part of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”	Ludwig van Beethoven		3:58
10	Nocturne en ut dièse mineur (Le Pianiste) piano: Maria Tipo (pianist) recording of: Nocturne no. 20 in C-sharp minor "Reminiscence", op. posth. 1 no. 16, B. 49, KKIVa/16 composer: Fryderyk Chopin (composer) (in 1830)	Frédéric Chopin		4:24
11	Sonate pour piano n° 1 en si bémol majeur (Music Lovers) piano: Horacio Gutiérrez orchestra: London Symphony Orchestra conductor: André Previn (pianist, conductor, composer, arranger) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975) partial recording of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version) composer: Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02) part of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)	Tchaïkovski		3:23
12	Gymnopédie n° 1 (Apparences) piano: Anne Queffélec (pianist) orchestra: London Symphony Orchestra recording of: Première Gymnopédie: Lent et douloureux composer: Erik Satie (French composer) (from 1888-02 until 1888-04) music quoted on: Happy Birthday but 13 classical composers are fighting over the last slice of cake part of: Gymnopédies	Erik Satie		3:35
13	Valse en ré bémol majeur 'Valse-minute' (Paycheck) piano: Dmitri Alexeev (pianist) recording of: Waltz no. 6 in D-flat major, op. 64 no. 1 “Minute Waltz” composer: Fryderyk Chopin (composer) (from 1846 until 1847) part of: Waltzes, op. 64	Frédéric Chopin		1:50
14	Lettre à Élise (Rosemary's Baby) piano: Moura Lympany (British pianist) recording of: Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto composer: Ludwig van Beethoven (German composer) (from 1808 until 1810) part of: Kinsky catalogue (Beethoven WoO works) (number: WoO 59) music quoted on: Happy Birthday but 13 classical composers are fighting over the last slice of cake music quoted on: 무릎을 탁 치고	Ludwig van Beethoven		3:20
15	Sonate pour piano n° 1 en mi mineur Op. 11 (The Truman Show) piano: Martha Argerich (Argentine pianist) orchestra: Orchestre symphonique de Montréal conductor: Charles Dutoit (conductor) partial recording of: Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto composer: Fryderyk Chopin (composer) (from 1830-04 until 1830-09) part of: Concerto for Piano and Orchestra no. 1 in E minor, op. 11	Frédéric Chopin		3:52
16	Clair de lune (Ocean's Eleven) piano: Moura Lympany (British pianist) (in 1988) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1988) recording of: Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano) composer: Claude Debussy (from 1890 until 1905) music quoted on: Happy Birthday but 13 classical composers are fighting over the last slice of cake part of: Suite bergamasque, L. 75, CD 82a (for piano)	Claude Debussy		4:56
17	Polonaise n° 6 en la bémol majeur (Shine) piano: Alex Slobodyanik (pianist, not to be confused with his father: Alexander Slobodyanik (Олександр Слободяник)) recording of: Polonaise in A-flat major, op. 53 “Heroique” composer: Fryderyk Chopin (composer) (in 1842) dedicated to: Auguste Léo part of: Works of Fryderyk Chopin by opus number (number: op. 53)	Frédéric Chopin		6:45

▼CD 5: L'opéra au cinéma
#	Title	Artist	Rating	Length
1	Casta Diva (Sur la route de Madison) producer: Walter Jellinek (British classical producer) and Walter Legge (British classical record producer, 1906-1979) editor: Jennifer Howells choir vocals: Coro del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12) soprano vocals [Norma]: Maria Callas (soprano) (from 1960-09-05 until 1960-09-12) orchestra: Orchestra del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12) conductor: Tullio Serafin (conductor) (from 1960-09-05 until 1960-09-12) balance engineer: Robert Gooch (British classical sound engineer, active from late 1950's) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961) recorded at: Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1960-09-05 until 1960-09-12) recording of: Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1960-09-05 until 1960-09-12) composer: Vincenzo Bellini (Sicilian opera composer) (until 1831) librettist: Felice Romani (until 1831) part of: Norma: Atto I	Vincenzo Bellini		5:36
2	La donna è mobile (Capitaine Correlli) tenor vocals [Duca]: Alfredo Kraus (tenor) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Julius Rudel (conductor) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1979) recording of: Rigoletto: Atto III. “La donna è mobile” (Duca) composer: Giuseppe Verdi (Italian opera composer) (until 1851-03-11) librettist: Francesco Maria Piave (until 1851-03-11) part of: Rigoletto: Atto III	Giuseppe Verdi		2:17
3	Soave sia il vento (Closer) bass-baritone vocals [Don Alfonso]: José van Dam (Belgian operatic bass-baritone) mezzo-soprano vocals [Dorabella]: Agnes Baltsa (mezzo-soprano) soprano vocals [Fiordiligi]: Margaret Marshall (Scots soprano active in late 20th century) orchestra: Vienna Philharmonic Orchestra conductor: Riccardo Muti (conductor) recording of: Così fan tutte, K. 588: Atto I, Scena VI. (no. 10) Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Così fan tutte, K. 588: Atto I, Scena VI	Wolfgang Amadeus Mozart		3:22
4	D'amor sull'ali rosee (Basquiat) soprano vocals: Leontyne Price (soprano) orchestra: Berliner Philharmoniker conductor: Herbert von Karajan (conductor) recording of: Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) composer: Giuseppe Verdi (Italian opera composer) librettist: Salvadore Cammarano (Italian librettist) part of: Il trovatore: Atto IV. Il supplicio	Giuseppe Verdi		4:44
5	Non più andrai (Un fauteuil pour deux) baritone vocals: Claudio Desderi (baritone) orchestra: London Philharmonic Orchestra (LPO) conductor: Bernard Haitink (conductor) recording of: Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte arranger: Georg Sartorius part of: Le nozze di Figaro, K. 492: Atto I	Wolfgang Amadeus Mozart		3:41
6	Vissi d'arte (Copycat) soprano vocals [Tosca]: Angela Gheorghiu (Romanian soprano) (, in 2000-08) orchestra: Orchestra of the Royal Opera House, Covent Garden (in 2000-08) conductor: Antonio Pappano (conductor and pianist) (in 2000-08) phonographic copyright (℗) by: Euripide Productions (motion picture production company) (from 2001 to present) recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2000-08) recording of: Tosca: Atto II. “Vissi d’arte” (Tosca) (in 2000-08) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: Tosca: Atto II	Giacomo Puccini		3:28
7	Un'aura amorosa (My Left Foot) producer: John Fraser (UK producer) tenor vocals: John Aler (tenor) orchestra: London Philharmonic Orchestra (LPO) (in 1986-02) conductor: Bernard Haitink (conductor) (in 1986-02) balance engineer: Stuart Eltham (engineer) (in 1986-02) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-02) recording of: Così fan tutte, K. 588: Atto I, Scena XII. No. 17. Aria “Un’aura amorosa” (Ferrando) (in 1986-02) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Così fan tutte, K. 588: Atto I, Scena XII	Wolfgang Amadeus Mozart		4:45
8	Der Hölle Rache (Miss Détective) soprano vocals [Königin der Nacht]: Edita Gruberová (soprano) (from 1981-04-01 until 1981-04-13) orchestra: Sinfonie-Orchester des Bayerischen Rundfunks (from 1981-04-01 until 1981-04-13) conductor: Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13) recorded at: Herkulessaal in München, Bayern, Germany (from 1981-04-01 until 1981-04-13) recording of: Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1981-04-01 until 1981-04-13) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart		2:51
9	Canzonnetta sull'aria (Les Évadés) soprano vocals: Felicity Lott (soprano) and Gianna Rolandi (American soprano) orchestra: London Philharmonic Orchestra (LPO) conductor: Bernard Haitink (conductor) recording of: Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Che soave zeffiretto” (La Contessa, Susanna) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto III	Wolfgang Amadeus Mozart		3:06
10	La mamma morta (Philadelphia) engineer: Robert Beckett (classical recording engineer, EMI mainly) producer: Walter Legge (British classical record producer, 1906-1979) soprano vocals [Maddalena]: Maria Callas (soprano) (from 1954-09-18 until 1954-09-20) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-09-18 until 1954-09-20) conductor: Tullio Serafin (conductor) (from 1954-09-18 until 1954-09-20) recorded at: Watford Town Hall (fka "Watford Town Hall" until it closed in 1994; reopened in 1995 under its present name) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-18 until 1954-09-20) recording of: Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-18 until 1954-09-20) composer: Umberto Giordano (Italian opera composer) librettist: Luigi Illica publisher: Casa Musicale Sonzogno part of: Andrea Chénier: Atto III	Umberto Giordano		4:55
11	Là ci darem la mano (Le Festin de Babette) producer: Walter Legge (British classical record producer, 1906-1979) baritone vocals [Don Giovanni]: Eberhard Wächter (baritone) (from 1959-10-07 until 1959-11-24) soprano vocals [Zerlina]: Graziella Sciutti (soprano) (from 1959-10-07 until 1959-11-24) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1959-10-07 until 1959-11-24) conductor: Carlo Maria Giulini (conductor) (from 1959-10-07 until 1959-11-24) balance engineer: Harold Davidson (classical sound engineer, active from late 1950's) (from 1959-10-07 until 1959-11-24) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-10-07 until 1959-11-24) recording of: Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1959-10-07 until 1959-11-24) composer: Wolfgang Amadeus Mozart (classical composer) librettist: Lorenzo Da Ponte part of: Don Giovanni: Atto I	Wolfgang Amadeus Mozart		3:17
12	E lucevan le stelle (Créatures célestes) tenor vocals [Cavaradossi]: Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19) vocals: Carlo Bergonzi (tenor) (from 1964-12-03 until 1965-01-19) orchestra: Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1965-01-19) conductor: Georges Prêtre (conductor) (from 1964-12-03 until 1965-01-19) recorded at: Salle Wagram in Paris, Île-de-France, France (from 1964-12-03 until 1965-01-19) recording of: Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1964-12-03 until 1965-01-19) composer: Giacomo Puccini (Italian composer) (from 1896 until 1899) librettist: Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899) part of: Tosca: Atto III	Giacomo Puccini		3:04
13	L'amour est un oiseau rebelle (Callas Forever) engineer: Paul Vavasseur (engineer) producer: Michel Glotz editor: Jennifer Howells choir vocals: Chœur René Duclos (from 1964-07-06 until 1964-07-20) soprano vocals [Carmen]: Maria Callas (soprano) (from 1964-07-06 until 1964-07-20) orchestra: Orchestre de l’Opéra national de Paris (from 1964-07-06 until 1964-07-20) conductor: Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20) recording of: Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera) (from 1964-07-06 until 1964-07-20) composer: Georges Bizet (composer) librettist: Ludovic Halévy (french librettist) and Henri Meilhac is based on: El arreglito music quoted on: Nxde part of: Carmen : Acte I	Georges Bizet		4:22
14	Che gelida manina (Éclair de Lune) tenor vocals [Rodolfo]: Alfredo Kraus (tenor) (in 1979-08) orchestra: National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-08) conductor: James Levine (US conductor and pianist) (in 1979-08) recording of: La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1979-08) composer: Giacomo Puccini (Italian composer) (in 1896) librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto I. In soffitta (Puccini)	Giacomo Puccini		5:02
15	Ode à la Lune (Miss Daisy et son chauffeur) soprano vocals [Rusalka]: Lucia Popp (soprano) orchestra: Munich Radio Symphony Orchestra conductor: Stefan Soltész (conductor) recording of: Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Song to the Moon) composer: Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27) part of: Rusalka, op. 114, B. 203: 1. jednání	Antonín Dvořák		5:55
16	Ebben? ne andrò lontana (Diva) soprano vocals: Ghena Dimitrova (soprano) (in 1984) orchestra: Münchner Rundfunkorchester (in 1984) conductor: Lamberto Gardelli (conductor) (in 1984) recording of: La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1984) composer: Alfredo Catalani (composer) librettist: Luigi Illica part of: La Wally: Atto I	Alfredo Catalani		3:28
17	Belle Nuit (La vie est belle) producer: David R. Murray choir vocals: Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Belgian National Opera) (in 1988-06) mezzo-soprano vocals [Nicklausse]: Ann Murray (Irish mezzo-soprano) (in 1988-06) soprano vocals [Giulietta]: Jessye Norman (soprano) (in 1988-06) vocals: Mike d’Abo (in 1988-06) orchestra: Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06) conductor: Sylvain Cambreling (conductor) (in 1988-06) chorus master: Günter Wagner (choir master) (in 1988-06) balance engineer: Michael Gray (UK classical recording engineer) recorded at: Palais des Beaux-Arts in Brussels, Belgium (in 1988-06) recording of: Les Contes d'Hoffmann : Acte IV. No 17 Barcarolle « Belle nuit, ô nuit d'amour » (Nicklausse, Giulietta, les invités) (in 1988-06) composer: Jacques Offenbach part of: Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition) recording of: Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta, les invités, Hoffmann, Schlemil) composer: Jacques Offenbach librettist: Jules Barbier part of: Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)	Jacques Offenbach		4:23
18	Nessun dorma (Les Sorcières d'Eastwick) choir vocals: Chœur de l'Opéra national du Rhin tenor vocals [Calaf]: José Carreras (Spanish tenor) orchestra: Orchestre philharmonique de Strasbourg conductor: Alain Lombard (conductor) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978) recording of: Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) composer: Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03) librettist: Giuseppe Adami and Renato Simoni publisher: Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA part of: Turandot: Atto III	Giacomo Puccini		4:11

▼CD 6: Le baroque au cinéma
#	Title	Artist	Rating	Length
1	Arrivée de la reine de Saba (Quatre mariages et un enterrement) producer: John Fraser (UK producer) harpsichord: Ian Watson (conductor and keyboardist) orchestra: Academy of St.‐Martin‐in‐the‐Fields (from 1983-06-27 until 1983-06-28) conductor: Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28) balance engineer: Stuart Eltham (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28) recording of: Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1983-06-27 until 1983-06-28) composer: George Frideric Handel (German‐British baroque composer) (in 1748) publisher: Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft part of: Solomon, HWV 67: Act III	Georg Friedrich Händel		2:50
2	Fugue (Aviator) organ: Wayne Marshall (British pianist, organist and conductor) recorded at: Coventry Cathedral in Coventry, West Midlands, England, United Kingdom recording of: Toccata und Fuge d-Moll, BWV 565: II. Fuge composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Toccata und Fuge d-Moll, BWV 565	Johann Sebastian Bach		6:20
3	Zadok the Priest (La Folie du roi George) choir vocals: Royal Choral Society orchestra: London Philharmonic Orchestra (LPO) conductor: Sir Andrew Davis (conductor, keyboardist, composer, arranger) recording of: The Four Coronation Anthems: “Zadok the Priest”, HWV 258 composer: George Frideric Handel (German‐British baroque composer) (in 1727) premiered at: Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11) part of: Händel-Werke-Verzeichnis (number: HWV 258) part of: The Four Coronation Anthems	Georg Friedrich Händel		6:04
4	Concerto pour 2 violons en ré mineur (Les Enfants du silence) violin: Christian Ferras (violinist) and Yehudi Menuhin (violinist) orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin (violinist) partial recording of: Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043	Johann Sebastian Bach		2:36
5	Gloria in excelsis Deo (Traquée) choir vocals: Taverner Choir (in 1992-11) and Taverner Consort (in 1992-11) orchestra: Taverner Players (in 1992-11) conductor: Andrew Parrott (conductor) (in 1992-11) recorded at: St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1992-11) recording of: Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1992-11) composer: Antonio Vivaldi part of: Gloria in D major, RV 589	Antonio Vivaldi		2:33
6	Sonate pour viole de gambe en sol mineur (Truly, Madly, Deeply) harpsichord: Ton Koopman (conductor, organist and harpsichordist) viola da gamba: Jordi Savall (viol player, conductor and composer) partial recording of: Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029	Johann Sebastian Bach		2:33
7	Adagio en sol mineur (Gallipoli) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1974) partial recording of: Adagio for Strings and Organ in G minor composer: Remo Giazotto previously attributed to: Tomaso Giovanni Albinoni (Italian Baroque composer) publisher: Ricordi London (Casa Ricordi sublabel for Classical music)	Tomaso Giovanni Albinoni		5:52
8	Concerto pour mandoline en ut majeur (Kramer contre Kramer) mandolin: André Saint-Clivier (mandolin player) orchestra: Orchestre de chambre de Toulouse conductor: Louis Auriacombe (conductor) recording of: Concerto for Mandolin in C major, RV 425: I. Allegro composer: Antonio Vivaldi part of: Concerto for Mandolin in C major, RV 425	Antonio Vivaldi		2:59
9	Variations Goldberg (Le Silence des agneaux) recording engineer: Daniel Michel (recording engineer) producer: Alain Lanceron piano: Maria Tipo (pianist) (from 1986-06-26 until 1986-06-28) recorded at: Salle Wagram in Paris, Île-de-France, France (from 1986-06-26 until 1986-06-28) recording of: Goldberg-Variationen, BWV 988: Aria (from 1986-06-26 until 1986-06-28) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Goldberg-Variationen, BWV 988	Johann Sebastian Bach		3:05
10	Concerto Grosso (Pirates des Caraïbes : La Malédiction du Black Pearl) orchestra: Bath Festival Orchestra conductor: Yehudi Menuhin (violinist) recording of: Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano composer: George Frideric Handel (German‐British baroque composer) part of: Concerto grosso in B minor, op. 6 no. 12, HWV 330	Georg Friedrich Händel		4:14
11	Air (Just Married (ou presque)) engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) producer: Christopher Bishop (conductor/producer) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) partial recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068	Johann Sebastian Bach		3:35
12	Canon (Des gens comme les autres) engineer: Christopher Parker (classical recording and balance engineer, active from 1950s) producer: Christopher Bishop (conductor/producer) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) recording of: Canon and Gigue in D major, T. 377: I. Canon composer: Johann Pachelbel (composer) part of: Canon and Gigue in D major, T. 377	Johann Pachelbel		5:02
13	Les 4 saisons (The Other Sister) harpsichord: Paul Crocker (harpsichord) (in 1979-12) violin: Yehudi Menuhin (violinist) (in 1979-12) orchestra: Camerata Lysy Gstaad (in 1979-12) conductor: Alberto Lysy (violinist and conductor) (in 1979-12) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981) recorded at: Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1979-12) recording of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1979-12) composer: Antonio Vivaldi (in 1723) part of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”	Antonio Vivaldi		2:12
14	Jésus, que ma joie demeure (Mon beau-père et moi) producer: Christopher Bishop (conductor/producer) choir vocals: Choir of King’s College, Cambridge orchestra: Academy of St Martin in the Fields conductor: Sir David Willcocks balance engineer: Neville Boyling (engineer) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972) recorded at: King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) lyricist: Martin Janus (German Protestant minister, c. 1620–1682) (in 1665) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) music quoted on: Minnen av aprilhimlen part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		3:31
15	Sarabande (Barry Lyndon) piano: Andrei Gavrilov (pianist) recording of: Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande composer: George Frideric Handel (German‐British baroque composer) is based on: Folia part of: Suite de pièce in D minor, Vol. 2 no. 4, HWV 437	Georg Friedrich Händel		3:02
16	Concerto pour clavier n° 5 en fa mineur (Lara Croft : Tomb Raider) piano: Andrei Gavrilov (pianist) (in 1987) orchestra: Academy of St Martin in the Fields (in 1987) conductor: Sir Neville Marriner (conductor) (in 1987) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987) recording of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1987) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056	Johann Sebastian Bach		3:28
17	Concerto Brandebourgeois n° 3 (Hannibal) orchestra: Polish Chamber Orchestra conductor: Jerzy Maksymiuk (conductor) performer: Rachel Beckett (flute and recorder player), Zbigniew Czapczynaki and Philip Pickett (musician) recording of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt)	Johann Sebastian Bach		5:18
18	Alléluia (Le Journal de Bridget Jones) choir vocals: Choir of King’s College, Cambridge orchestra: Academy of St Martin in the Fields conductor: Sir David Willcocks recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		4:25

Credits

Release Group

part of:	100 Best (EMI Classics) (order: 4)

No cover art available.

Release information

Barcode:: 094639358625
Format:: 6×CD
Length:: 7:01:16

Additional details

Type:: Album + Compilation
Packaging:: Jewel Case
Status:: Official
Language:: French
Script:: Latin
Data Quality:: Normal

Labels

EMI Classics
0946 393586 2 5

Release events

France
2007

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Editing

Last updated on 2017-08-13 07:00 UTC