Joy to the World: A Baroque Christmas

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Sinfonia from “Christmas Oratorio”
orchestra:
Stuttgart Radio Symphony
conductor:
Luis Antonio García Navarro (conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1986 to present)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach6:10
2Winter from “The Four Seasons”: I. Allegro non molto
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
composer:
Antonio Vivaldi (in 1723)
music quoted on:
In eternum
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi3:35
3Winter from “The Four Seasons”: II. Largo
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi1:46
4Winter from “The Four Seasons”: III. Allegro
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”
Antonio Vivaldi3:28
5Jesu, Joy of Man’s Desiring
brass:
St. Louis Brass Quintet
orchestra:
St. Louis Brass Quintet
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Mans Desiring; catch-all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:57
6Canon in D major
orchestra:
Collegium Aureum, The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Canon and Gigue in D major, T. 377: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 377
Johann Pachelbel4:51
7Sinfonia from “Messiah”
orchestra:
Stuttgart Radio Symphony
conductor:
Garcia Navarro (conductor)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:17
8Sheep May Safely Graze
organ:
Philip Brunelle (organist and conductor)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach6:36
9Air on a G String
orchestra:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach3:19
10Awake the Trumpets Lofty Sounds from “Samson”
organ:
Carlo Curley (US organist)
choir vocals:
Chamber Choir of Grand Rapids
recording of:
Samson, HWV 57, Pt. 1: Chorus. Awake the Trumpet’s Lofty Sound!
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Samson, HWV 57: Act I
Georg Friedrich Händel2:41
11Allegro from Brandenburg Concerto no. 2 in F major
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis, Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Gabor Ötvös and Rudolf Pribil (pseudonym for Alfred Scholz)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047
Johann Sebastian Bach45:38
12Fanfare (“Masterpiece Theatre” Theme)
brass:
Cathedral Brass
recording of:
Suite de Symphonies no. 1: I. Rondeau
composer:
Jean‐Joseph Mouret (composer)
part of:
Suite de Symphonies no. 1
Jean‐Joseph Mouret1:58
13Arioso for Brass
brass:
St. Louis Brass Quintet
orchestra:
Royal Philharmonic Orchestra
conductor:
Alberto Delande (conductor, possibly Alfred Scholz pseudonym)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
arrangement of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
Johann Sebastian Bach3:43
14Rondeau
harpsichord and organ:
Carlo Curley (US organist)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
composer:
Henry Purcell (baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell2:21
15Table Music Overture
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg) and Camerata Romana (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of:
Ouverture-Suite in E minor, TWV 55:e1: I. Ouverture. Lentement - Vite - Lentement
composer:
Georg Philipp Telemann (composer)
part of:
Ouverture-Suite in E minor, TWV 55:e1 (TWV 55:e1 is **not** the same as TWV 55:E1)
Georg Philipp Telemann13:56
16A Mighty Fortress Is Our God
organ:
Carlo Curley (US organist)
choir vocals:
Chamber Choir of Grand Rapids
recording of:
A Mighty Fortress Is Our God
composer:
Martin Luther (German theologian of the Reformation)
translated version of:
Ein feste Burg ist unser Gott
Martin Luther3:00
17Joy to the World
brass and choir vocals:
Cathedral Brass and Chorus
recording of:
Joy to the World (Christmas carol)
lyricist:
Isaac Watts (hymn writer)
additional composer:
Lowell Mason (in 1839)
composer:
George Frideric Handel (German‐British baroque composer)
Georg Friedrich Händel1:22

Credits

Release

manufactured by and distributed by:Intersound Inc.
copyrighted (©) by:Intersound Inc. (in 1992)
phonographic copyright (℗) by:Musikförderung (for copyrights use only) (in 1992)
Discogs:https://www.discogs.com/release/8216452 [info]

Release Group

part of:Joy to the World (Intersound / Classical Heritage Christmas 5-CD Box Set) (number: 5) (order: 4)