Classical Sampler

~ Release by Bizet, Dvořák, Vivaldi, Bach, Mozart (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Carmen Suite no. 1: Prélude (Les Toréadors)
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
composer:
Georges Bizet (composer)
part of:
Carmen Suite no. 1
Georges Bizet1:23
2Carmen Suite no. 1: Aragonaise
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:14
3Carmen Suite no. 1: Intermezzo
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:41
4Carmen Suite no. 1: Seguidilla
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
Georges Bizet1:53
5Carmen Suite no. 1: Les Dragons d'Alcala
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:38
6Carmen Suite no. 1: Les Toréadors
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:19
7Slavonic Dance no. 1 in C major, op. 46.1: Furiant
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Royal Philharmonic Orchestra
conductor:
Alfred Scholz, Frank Shipway (British conductor) and Thomas Waldham
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
music quoted on:
Happy Birthday but 13 classical composers are fighting over the last slice of cake
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
recording of:
Slavonic Dances, op. 72: No. 1 in B major: Molto vivace (for orchestra)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (for orchestra)
Antonín Dvořák3:26
8Slavonic Dance no. 2 in E minor, op. 46.2: Dumka
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) and London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Alfred Scholz, Thomas Waldham and George Ralph Warren
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984)
recording of:
Slavonic Dances, op. 46, B. 83: No. 2 in E minor (Dumka)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák5:36
9Slavonic Dance no. 3 in A flat major, op. 46.3: Polka
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Slavonic Dances, op. 46, B. 83: No. 3 in A-flat major (Polka)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák4:31
10Concerto no. 1 in E major, op. 8.1, Spring: I. Allegro
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), I Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti), Musici di San Marco (an Alfred Scholz pseudonym), I Solisti Napoli (probably a pseudonym of Alfred Sholtz), Salzburger Kammerorchester, Slovak Chamber Orchestra and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz), Heribert Münchner (conductor, pseudonym for Alfred Scholz), Alexander von Pitamic (pseudonym for Alfred Scholz) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”
Antonio Vivaldi13:34
11Concerto no. 1 in E major, op. 8.1, Spring: II. Largo e pianissimo sempre
instruments:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) and Slovak Chamber Orchestra
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi2:56
12Concerto no. 1 in E major, op. 8.1, Spring: III. Danza pastorale: Allegro
instruments:
I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym) and Slovak Chamber Orchestra
conductor:
Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Bohdan Warchal (violinist, conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi4:32
13Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis, Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I. (Allegro)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046
Johann Sebastian Bach4:02
14Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio
violin:
Otto Büchner (violinist) and J. Brezina (violinist)
orchestra:
Camerata Labacensis, Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Hanspeter Gmür (conductor (used as Alfred Scholz pseudonym)), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046
Johann Sebastian Bach4:06
15Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis, Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046
Johann Sebastian Bach4:25
16Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Minuetto
violin:
J. Brezina (violinist)
orchestra:
Camerata Labacensis, Camerata Romana (an Alfred Scholz pseudonym), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) and Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto - Trio I - Menuetto da capo - Polacca - Menuetto da capo - Trio II - Menuetto da capo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046
Johann Sebastian Bach7:29
17Divertimento in D major, K.136, Salzburg Symphony no. 1: I. Allegro
engineer:
Gustáv Šoral
producer:
Alfred Scholz
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Süddeutsche Philharmonie (an Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava) (in 1983-12)
conductor:
Hermann Abel, Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Libor Pešek (conductor) (in 1983-12)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia (in 1983-12)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: I. Allegro (in 1983-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
Wolfgang Amadeus Mozart5:53
18Divertimento in D major, K.136, Salzburg Symphony no. 1: II. Andante
engineer:
Gustáv Šoral
producer:
Alfred Scholz
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Süddeutsche Philharmonie (an Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava) (in 1983-12)
conductor:
Hermann Abel, Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Libor Pešek (conductor) (in 1983-12)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia (in 1983-12)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: II. Andante (in 1983-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
Wolfgang Amadeus Mozart5:24
19Divertimento in D major, K.136, Salzburg Symphony no. 1: III. Presto
engineer:
Gustáv Šoral
producer:
Alfred Scholz
orchestra:
Camerata Academica of Salzburg (Austrian chamber orchestra), Süddeutsche Philharmonie (an Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava) (in 1983-12)
conductor:
Hermann Abel, Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Libor Pešek (conductor) (in 1983-12)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia (in 1983-12)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: III. Presto (in 1983-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
Wolfgang Amadeus Mozart53:46

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