Messe H-Moll, BWV 232

~ Release by J.S. Bach; Isabelle Poulenard, Guillemette Laurens, René Jacobs, John Elwes, Max van Egmond, Harry van der Kamp, Collegium Musicum Van de Nederlandse Bachvereging, La Petite Bande, Gustav Leonhardt (see all versions of this release, 3 available)

Tracklist

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▼CD 1
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1Messe H-moll, BWV 232: Teil I. Kyrie: Chor "Kyrie Eleison"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach9:20
2Messe H-moll, BWV 232: Teil I. Kyrie: Duetto "Christe Eleison"
mezzo-soprano vocals:
Guillemette Laurens (mezzo-soprano) (from 1985-11-13 until 1985-11-19)
soprano vocals:
Isabelle Poulenard (soprano) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:15
3Messe H-moll, BWV 232: Teil I. Kyrie: Chor "Kyrie Eleison" (2)
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:12
4Messe H-moll, BWV 232: Teil I. Gloria: Chor "Gloria in Excelsis Deo"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach1:42
5Messe H-moll, BWV 232: Teil I. Gloria: Chor "Et in Terra Pax"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:36
6Messe H-moll, BWV 232: Teil I. Gloria: Arie "Laudamus Te"
mezzo-soprano vocals:
Guillemette Laurens (mezzo-soprano) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:21
7Messe H-moll, BWV 232: Teil I. Gloria: Chor "Gratias Agimus Tibi"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:57
8Messe H-moll, BWV 232: Teil I. Gloria: Duetto "Domine Deus"
soprano vocals:
Isabelle Poulenard (soprano) (from 1985-11-13 until 1985-11-19)
tenor vocals:
John Elwes (tenor) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:52
9Messe H-moll, BWV 232: Teil I. Gloria: Chor "Qui Tollis Peccata Mundi"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:03
10Messe H-moll, BWV 232: Teil I. Gloria: Arie "Qui Sedes ad Dextram Patris"
alto vocals:
René Jacobs (conductor) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:55
11Messe H-moll, BWV 232: Teil I. Gloria: Arie "Quoniam Tu Solus Sanctus"
bass vocals:
Harry van der Kamp (operatic bass) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:43
12Messe H-moll, BWV 232: Teil I. Gloria: Chor "Cum Sancto Spiritu"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
tenor vocals:
John Elwes (tenor) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:07
▼CD 2
#TitleArtistRatingLength
1Messe H-moll, BWV 232: Teil II. Credo. Chor "Credo unum Deum"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:27
2Messe H-moll, BWV 232: Teil II. Credo. Chor "Patrem omnipotentem"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:04
3Messe H-moll, BWV 232: Teil II. Credo. Duetto "Et in unum Dominum"
alto vocals:
René Jacobs (conductor) (from 1985-11-13 until 1985-11-19)
soprano vocals:
Isabelle Poulenard (soprano) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:56
4Messe H-moll, BWV 232: Teil II. Credo. Chor "Et incarnatus est"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:16
5Messe H-moll, BWV 232: Teil II. Credo. Chor "Crucifixus"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:52
6Messe H-moll, BWV 232: Teil II. Credo. Chor "Et resurrexit"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:05
7Messe H-moll, BWV 232: Teil II. Credo. Arie "Et in Spiritum Sanctum"
bass vocals:
Max van Egmond (bass-baritone) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:34
8Messe H-moll, BWV 232: Teil II. Credo. Chor "Confiteor"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:09
9Messe H-moll, BWV 232: Teil II. Credo. Chor "Et expecto"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:11
10Messe H-moll, BWV 232: Teil II. Sanctus. Chor "Sanctus"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:20
11Messe H-moll, BWV 232: Teil II. Sanctus. Doppelchor "Osanna" (1)
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:48
12Messe H-moll, BWV 232: Teil II. Sanctus. Arie "Benedictus"
tenor vocals:
John Elwes (tenor) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach4:11
13Messe H-moll, BWV 232: Teil II. Sanctus. Doppelchor: Osanna" (2)
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach2:48
14Messe H-moll, BWV 232: Teil II. Agnus dei. Arie "Agnus Dei"
alto vocals:
René Jacobs (conductor) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach5:39
15Messe H-moll, BWV 232: Teil II. Agnus dei. Chor "Dona nobis pacem"
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232
Johann Sebastian Bach3:04