4 Originals (Chairman Of The Board - Memories Ad-Lib - Sing Along With Basie - Basie In London)

~ Release by Count Basie (see all versions of this release, 1 available)

Tracklist

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▼CD 1: Chairman Of The Board
#TitleRatingLength
1Blues In Hoss's Flat
producer:
Teddy Reig
alto saxophone and saxophone:
Marshall Royal (on 1958-03-04)
alto saxophone and flute:
Frank Wess (on 1958-03-04)
baritone saxophone:
Charlie Fowlkes (on 1958-03-04)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-03-04)
drums (drum set):
Sonny Payne (on 1958-03-04)
guitar:
Freddie Green (on 1958-03-04)
piano:
Count Basie (pianist) (on 1958-03-04)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-03-04) and Billy Mitchell (US jazz saxophonist) (on 1958-03-04)
trombone:
Henry Coker (on 1958-03-04), Al Grey (trombone) (on 1958-03-04) and Benny Powell (on 1958-03-04)
trumpet:
Wendell Culley (on 1958-03-04), Thad Jones (on 1958-03-04), Joe Newman (US jazz trumpeter) (on 1958-03-04) and Snooky Young (on 1958-03-04)
recorded at:
Universal Studios in Chicago, Illinois, United States (on 1958-03-04)
recording of:
Blues in Hoss’ Flat (on 1958-03-04)
composer:
Count Basie (pianist) and Frank Foster (saxophonist)
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2H.R.H. ( Her Royal Highness )
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-03-04)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-03-04)
drums (drum set):
Sonny Payne (on 1958-03-04)
flute and woodwind:
Frank Wess (on 1958-03-04)
guitar:
Freddie Green (on 1958-03-04)
piano:
Count Basie (pianist) (on 1958-03-04)
reeds and saxophone:
Marshall Royal (on 1958-03-04)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-03-04) and Billy Mitchell (US jazz saxophonist) (on 1958-03-04)
trombone:
Henry Coker (on 1958-03-04), Al Grey (trombone) (on 1958-03-04) and Benny Powell (on 1958-03-04)
trumpet:
Wendell Culley (on 1958-03-04), Thad Jones (on 1958-03-04), Joe Newman (US jazz trumpeter) (on 1958-03-04) and Snooky Young (on 1958-03-04)
recorded at:
Universal Studios in Chicago, Illinois, United States (on 1958-03-04)
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3Segue In C
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-12-11)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-12-11)
drums (drum set):
Sonny Payne (on 1958-12-11)
flute:
Frank Wess (on 1958-12-11)
guitar:
Freddie Green (on 1958-12-11)
piano:
Count Basie (pianist) (on 1958-12-11)
saxophone:
Marshall Royal (on 1958-12-11)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-11) and Billy Mitchell (US jazz saxophonist) (on 1958-12-11)
trombone:
Henry Coker (on 1958-12-11)
trumpet:
Wendell Culley (on 1958-12-11) and Thad Jones (on 1958-12-11)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1958-12-11)
recording of:
Segue in C (on 1958-12-11)
composer:
Frank Wess
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4Kansas City Shout
recorded in:
New York, New York, United States (on 1958-04-29)
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-04-29)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-29)
drums (drum set):
Sonny Payne (on 1958-04-29)
flute and woodwind:
Frank Wess (on 1958-04-29)
guitar:
Freddie Green (on 1958-04-29)
piano:
Count Basie (pianist) (on 1958-04-29)
reeds and saxophone:
Marshall Royal (on 1958-04-29)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-29) and Billy Mitchell (US jazz saxophonist) (on 1958-04-29)
trombone:
Henry Coker (on 1958-04-29), Al Grey (trombone) (on 1958-04-29) and Benny Powell (on 1958-04-29)
trumpet:
Wendell Culley (on 1958-04-29), Thad Jones (on 1958-04-29), Joe Newman (US jazz trumpeter) (on 1958-04-29) and Snooky Young (on 1958-04-29)
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5Speaking Of Sounds
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-12-10)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-12-10)
drums (drum set):
Sonny Payne (on 1958-12-10)
flute and woodwind:
Frank Wess (on 1958-12-10)
guitar:
Freddie Green (on 1958-12-10)
piano:
Count Basie (pianist) (on 1958-12-10)
reeds and saxophone:
Marshall Royal (on 1958-12-10)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-10) and Billy Mitchell (US jazz saxophonist) (on 1958-12-10)
trombone:
Henry Coker (on 1958-12-10), Al Grey (trombone) (on 1958-12-10) and Benny Powell (on 1958-12-10)
trumpet:
Wendell Culley (on 1958-12-10), Thad Jones (on 1958-12-10), Joe Newman (US jazz trumpeter) (on 1958-12-10) and Snooky Young (on 1958-12-10)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1958-12-10)
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6Tv Time
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-12-11)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-12-11)
drums (drum set):
Sonny Payne (on 1958-12-11)
flute:
Frank Wess (on 1958-12-11)
guitar:
Freddie Green (on 1958-12-11)
piano:
Count Basie (pianist) (on 1958-12-11)
saxophone:
Marshall Royal (on 1958-12-11)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-11) and Billy Mitchell (US jazz saxophonist) (on 1958-12-11)
trombone:
Henry Coker (on 1958-12-11)
trumpet:
Wendell Culley (on 1958-12-11) and Thad Jones (on 1958-12-11)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1958-12-11)
?:??
7Who, Me ?
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-04-28)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-28)
drums (drum set):
Sonny Payne (on 1958-04-28)
flute and woodwind:
Frank Wess (on 1958-04-28)
guitar:
Freddie Green (on 1958-04-28)
piano:
Count Basie (pianist) (on 1958-04-28)
reeds and saxophone:
Marshall Royal (on 1958-04-28)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-28) and Billy Mitchell (US jazz saxophonist) (on 1958-04-28)
trombone:
Henry Coker (on 1958-04-28), Al Grey (trombone) (on 1958-04-28) and Benny Powell (on 1958-04-28)
trumpet:
Wendell Culley (on 1958-04-28), Thad Jones (on 1958-04-28), Joe Newman (US jazz trumpeter) (on 1958-04-28) and Snooky Young (on 1958-04-28)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1958-04-28)
recording of:
Who, Me?
composer:
Frank Foster (saxophonist)
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8The Deacon
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-12-10)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-12-10)
drums (drum set):
Sonny Payne (on 1958-12-10)
flute and woodwind:
Frank Wess (on 1958-12-10)
guitar:
Freddie Green (on 1958-12-10)
piano:
Count Basie (pianist) (on 1958-12-10)
reeds and saxophone:
Marshall Royal (on 1958-12-10)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-12-10) and Billy Mitchell (US jazz saxophonist) (on 1958-12-10)
trombone:
Henry Coker (on 1958-12-10), Al Grey (trombone) (on 1958-12-10) and Benny Powell (on 1958-12-10)
trumpet:
Wendell Culley (on 1958-12-10), Thad Jones (on 1958-12-10), Joe Newman (US jazz trumpeter) (on 1958-12-10) and Snooky Young (on 1958-12-10)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1958-12-10)
recording of:
The Deacon (on 1958-12-10)
composer:
Thad Jones
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9Half Moon Street
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-04-28)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-28)
drums (drum set):
Sonny Payne (on 1958-04-28)
flute and woodwind:
Frank Wess (on 1958-04-28)
guitar:
Freddie Green (on 1958-04-28)
piano:
Count Basie (pianist) (on 1958-04-28)
reeds and saxophone:
Marshall Royal (on 1958-04-28)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-28) and Billy Mitchell (US jazz saxophonist) (on 1958-04-28)
trombone:
Henry Coker (on 1958-04-28), Al Grey (trombone) (on 1958-04-28) and Benny Powell (on 1958-04-28)
trumpet:
Wendell Culley (on 1958-04-28), Thad Jones (on 1958-04-28), Joe Newman (US jazz trumpeter) (on 1958-04-28) and Snooky Young (on 1958-04-28)
recorded at:
Capital Studios (New York) in New York, New York, United States (on 1958-04-28)
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10Mutt & Jeff
recorded in:
New York, New York, United States (on 1958-04-29)
producer:
Teddy Reig
baritone saxophone:
Charlie Fowlkes (on 1958-04-29)
double bass:
Eddie Jones (US jazz double bassist) (on 1958-04-29)
drums (drum set):
Sonny Payne (on 1958-04-29)
flute and woodwind:
Frank Wess (on 1958-04-29)
guitar:
Freddie Green (on 1958-04-29)
piano:
Count Basie (pianist) (on 1958-04-29)
reeds and saxophone:
Marshall Royal (on 1958-04-29)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-04-29) and Billy Mitchell (US jazz saxophonist) (on 1958-04-29)
trombone:
Henry Coker (on 1958-04-29), Al Grey (trombone) (on 1958-04-29) and Benny Powell (on 1958-04-29)
trumpet:
Wendell Culley (on 1958-04-29), Thad Jones (on 1958-04-29), Joe Newman (US jazz trumpeter) (on 1958-04-29) and Snooky Young (on 1958-04-29)
?:??
11Ain't Misbehavin'
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1959)
recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
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12I'll Always Be In Love With You
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1959)
recording of:
I’ll Always Be in Love With You
lyricist:
Bud Green
composer:
Herman Ruby and Sam H. Stept
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13Sweet Sue, Just You
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1959)
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14If I Could Be With You
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1959)
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15Dinah
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1959)
recording of:
Dinah
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) and Morley Music Corp.
part of:
The Girl’s Suite
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16Sometimes I'm Happy
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1959)
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17Baby Won't You Please Come Home
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1959)
recording of:
Baby Won’t You Please Come Home
writer:
Charles Warfield and Clarence Williams (composer / pianist /bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
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18Call Me Darling
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1959)
recording of:
Call Me Darling
lyricist:
Bert Reisfeld
writer:
Albrecht Marcuse (composer, lyricist & pianist), Dorothy Dick and Mart Fryberg
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19The One I Love Belongs To Somebody Else
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1959)
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20Memories Of You
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1959)
recording of:
Memories of You
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
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21Honeysuckle Rose
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1959)
recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
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22All Of Me
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1959)
recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Peermusic, Round Hill Songs, Sony/ATV Tunes LLC and 日音 Synch事業部
?:??
▼CD 2: Sing Along With Basie
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1Jumpin' At The Woodside
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
Jumpin’ at the Woodside (with lyrics by Jon Hendricks)
lyricist:
Jon Hendricks (in 1957)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), WC Music Corp., シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
version of:
Jumpin’ at the Woodside (original instrumental)
?:??
2Goin' To Chicago Blues
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
?:??
3Tickle Toe
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
Tickle Toe
composer:
Lester Young (saxophonist)
?:??
4Let Me See
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
Let Me See
composer:
Count Basie (pianist) and Harry “Sweets” Edison
?:??
5Every Tub
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
Every Tub
writer:
Count Basie (pianist) and Eddie Durham (American guitarist, trombonist, composer and arranger.)
?:??
6Shorty George
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
Shorty George (Basie/Gibson)
composer:
Count Basie (pianist) and Andy Gibson (trumpet, arranger, composer)
?:??
7Rusty Dusty Blues
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
?:??
8The King
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
The King
lyricist:
Jon Hendricks
composer:
Count Basie (pianist)
?:??
9Swingin' The Blues
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
Swingin’ the Blues
composer:
Count Basie (pianist) (in 1938) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1938)
?:??
10Li'L' Darlin'
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
Lil’ Darlin’
composer and arranger:
Neal Hefti
?:??
11Jumpin' At The Woodside
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
Jumpin’ at the Woodside (original instrumental) (on 1956-09-07)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
?:??
12Shiny Stockings
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
Shiny Stockings (original 1955 instrumental composition) (on 1956-09-07)
composer:
Frank Foster (saxophonist) (in 1955)
?:??
13How High The Moon
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
instrumental recording of:
How High the Moon (on 1956-09-07)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
?:??
14Nails
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
Nails (on 1956-09-07)
composer:
Buster Harding
?:??
15Flute Juice
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
?:??
16One O' Clock Jump
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
One O’Clock Jump (on 1956-09-07)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
?:??
17Well Alright, Okay, You Win
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
instrumental recording of:
Alright, Okay, You Win (on 1956-09-07)
writer:
Mayme Watts and Sid Wyche
?:??
18Roll'Em Pete
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
Roll ’em Pete (on 1956-09-07)
writer:
Pete Johnson (US Boogie-woogie pianist) and Big Joe Turner
?:??
19The Comeback
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
The Comeback
composer:
Charles Frazier and Memphis Slim
?:??
20Blues Backstage
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
Blues Backstage
composer:
Frank Foster (saxophonist)
publisher:
Lynnstorm Publ. Co.
?:??
21Corner Pocket
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
Corner Pocket (on 1956-09-07)
lyricist:
Donald Wolf (songwriter / composer)
composer:
Freddie Green
publisher:
Longitude Music
?:??
22Blee Blop Blues
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
instrumental recording of:
Blee Blop Blues (on 1956-09-07)
lyricist:
Jon Hendricks
composer:
Count Basie (pianist) and A.K. Salim
?:??